Chapter XXXIII
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Alexey Alexandrovitch came back from the
meeting of the ministers at four o‘clock, but as often happened, he
had not time to come in to her. He went into his study to see the
people waiting for him with petitions, and to sign some papers
brought him by his chief secretary. At dinner-time (there were
always a few people dining with the Karenins) there arrived an old
lady, a cousin of Alexey Alexandrovitch, the chief secretary of the
department and his wife, and a young man who had been recommended
to Alexey Alexandrovitch for the service. Anna went into the
drawing-room to receive these guests. Precisely at five o’clock,
before the bronze Peter the First clock1 had
struck the fifth stroke, Alexey Alexandrovitch came in, wearing a
white tie and evening coat with two stars, as he had to go out
directly after dinner. Every minute of Alexey Alexandrovitch’s life
was portioned out and occupied. And to make time to get through all
that lay before him every day, he adhered to the strictest
punctuality. “Unhasting and unresting,” was his motto. He came into
the dining-hall, greeted every one, and hurriedly sat down, smiling
to his wife.
“Yes, my solitude is over. You wouldn’t believe how
uncomfortable” (he laid stress on the word uncomfortable)
“it is to dine alone.”
At dinner he talked a little to his wife about
Moscow matters, and, with a sarcastic smile, asked her after Stepan
Arkadyevitch; but the conversation was for the most part general,
dealing with Petersburg official and public news. After dinner he
spent half an hour with his guests, and again, with a smile,
pressed his wife’s hand, withdrew, and drove off to the council.
Anna did not go out that evening either to the Princess Betsy
Tverskaya, who, hearing of her return, had invited her, nor to the
theater, where she had a box for that evening. She did not go out
principally because the dress she had reckoned upon was not ready.
Altogether, Anna, on turning, after the departure of her guests, to
the consideration of her attire, was very much annoyed. She was
generally a mistress of the art of dressing well without great
expense, and before leaving Moscow she had given her dressmaker
three dresses to transform. The dresses had to be altered so that
they could not be recognized, and they ought to have been ready
three days before. It appeared that two dresses had not been done
at all, while the other one had not been altered as Anna had
intended. The dressmaker came to explain, declaring that it would
be better as she had done it, and Anna was so furious that she felt
ashamed when she thought of it afterwards. To regain her serenity
completely she went into the nursery, and spent the whole evening
with her son, put him to bed herself, signed him with the cross,
and tucked him up. She was glad she had not gone out anywhere, and
had spent the evening so well. She felt so light-hearted and
serene, she saw so clearly that all that had seemed to her so
important on her railway journey was only one of the common trivial
incidents of fashionable life, and that she had no reason to feel
ashamed before any one else or before herself. Anna sat down at the
hearth with an English novel and waited for her husband. Exactly at
half-past nine she heard his ring, and he came into the room.
“Here you are at last!” she observed, holding out
her hand to him.
He kissed her hand and sat down beside her.
“Altogether then, I see your visit was a success,”
he said to her.
“Oh, yes,” she said, and she began telling him
about everything from the beginning: her journey with Countess
Vronskaya, her arrival, the accident at the station. Then she
described the pity she had felt, first for her brother, and
afterwards for Dolly.
“I imagine one cannot exonerate such a man from
blame, though he is your brother,” said Alexey Alexandrovitch
severely.
Anna smiled. She knew that he said that simply to
show that family considerations could not prevent him from
expressing his genuine opinion. She knew that characteristic in her
husband, and liked it.
“I am glad it has all ended so satisfactorily, and
that you are back again,” he went on. “Come, what do they say about
the new act I have got passed in the council?”
Anna had heard nothing of this act, and she felt
conscience-stricken at having been able so readily to forget what
was to him of such importance.
“Here, on the other hand, it has made a great
sensation,” he said, with a complacent smile.
She saw that Alexey Alexandrovitch wanted to tell
her something pleasant to him about it, and she brought him by
questions to telling it. With the same complacent smile he told her
of the ovation he had received in consequence of the act he had
passed.
“I was very, very glad. It shows that at last a
reasonable and steady view of the matter is becoming prevalent
among us.”
Having drunk his second cup of tea with cream, and
bread, Alexey Alexandrovitch got up, and was going towards his
study.
“And you’ve not been anywhere this evening? You’ve
been dull, I expect?” he said.
“Oh, no!” she answered, getting up after him and
accompanying him across the room to his study. “What are you
reading now?” she asked.
“Just now I’m reading Duc de Lille, Poésie des
Enfers,”2 he
answered. “A very remarkable book.”
Anna smiled, as people smile at the weaknesses of
those they love, and, putting her hand under his, she escorted him
to the door of the study. She knew his habit, that had grown into a
necessity, of reading in the evening. She knew, too, that in spite
of his official duties, which swallowed up almost the whole of his
time, he considered it his duty to keep up with everything of note
that appeared in the intellectual world. She knew, too, that he was
really interested in books dealing with politics, philosophy, and
theology, that art was utterly foreign to his nature; but, in spite
of this, or rather, in consequence of it, Alexey Alexandrovitch
never passed over anything in the world of art, but made it his
duty to read everything. She knew that in politics, in philosophy,
in theology, Alexey Alexandrovitch often had doubts, and made
investigations; but on questions of art and poetry, and, above all,
of music, of which he was totally devoid of understanding, he had
the most distinct and decided opinions. He was fond of talking
about Shakespeare, Raphael, Beethoven, 3 of the
significance of new schools of poetry and music, all of which were
classified by him with very conspicuous consistency.
“Well, God be with you,” she said at the door of
the study, where a shaded candle and a decanter of water were
already put by his armchair. “And I’ll write to Moscow.”
He pressed her hand, and again kissed it.
“All the same he’s a good man; truthful,
good-hearted, and remarkable in his own line,” Anna said to herself
going back to her room, as though she were defending him to some
one who had attacked him and said that one could not love him. “But
why is it his ears stick out so strangely? Or has he had his hair
cut?”
Precisely at twelve o’clock, when Anna was still
sitting at her writing-table, finishing a letter to Dolly, she
heard the sound of measured steps in slippers, and Alexey
Alexandrovitch, freshly washed and combed, with a book under his
arm, came in to her.
“It’s time, it’s time,” said he, with a meaning
smile, and he went into their bedroom.
“And what right had he to look at him like that?”
thought Anna, recalling Vronsky’s glance at Alexey
Alexandrovitch.
Undressing, she went into the bedroom; but her face
had none of the eagerness which, during her stay at Moscow, had
fairly flashed from her eyes and her smile; on the contrary, now
the fire seemed quenched in her, hidden somewhere far away.