It's the end of World War II. FDR's New Deal has redefined American politics. Taxes are at an all-time high. The bombing of Hiroshima and Nagasaki has brought a fear of total annihilation. The rise of secret government agencies and sanctions on business has many watching their backs. America's sense of freedom is diminishing… and many are desperate to take that freedom back.

Among them is a great dreamer, an immigrant who pulled himself from the depths of poverty to become one of the wealthiest and admired men in the world. That man is Andrew Ryan, and he believed that great men and women deserve better. And so he set out to create the impossible, a utopia free from government, censorship, and moral restrictions on science—where what you give is what you get. He created Rapture—the shining city below the sea.

But as we all know, this utopia suffered a great tragedy. This is the story of how it all came to be… and how it all ended.

Hill House est une immense et lugubre résidence, construite au XIXe siècle par le richissime industriel Hugh Crain. C'est une monstruosité architecturale, née d'un esprit torturé qui la souhaita à son image : labyrinthique, ténébreuse et pleine de lourds et terribles secrets. On la dit hantée, maléfique. Un chercheur fasciné par les phénomènes paranormaux a réuni dans la vieille demeure trois sujets, dont la personnalité lui paraît propre à susciter des manifestations surnaturelles, pour vérifier si Hill House et ses fantômes sont à la hauteur de leur réputation.
Le cauchemar peut commencer...

From Kirkus Reviews

G-R-R-I-S-L-Y...by the author of A Splendid Chaos (1988). Horrible as this is, it has redeeming values, one being its warning against addictive pleasures and too much partying. When down-at-heels screenwriter Tom Prentice identifies his ex-wife Amy in the morgue, she's 50 pounds underweight and mutilated. Then when Prentice pitches a banal cop-show to studio head Arthwright, Arthwright is oddly not dismissive of the dumb idea. As we later find out, Arthwright is a kind of astral vampire. Meanwhile, Reverend Garner, a recovering doper/alcoholic who runs a ministry in Oakland, finds that his teenage daughter Constance is missing. She's been kidnapped by Ephram Pixie, a ghoul with astral ties who turns Constance into a pleasure addict by psychic pressure on her pleasure-center brain cells. Ephram likes to have Constance enjoy sex in his presence while she murders folks in nasty ways in motel rooms. Mitch Teitelbaum, the missing young brother of Tom's roommate Jeff, turns up in a hospital after deliberately laying bare his chest muscles and slitting open his leg, among other enjoyable self-injuries, after a strange party. With echoes of The Shining, this all-continuing party takes place at the fenced-in residence of some ageless Malibu film folk and famed party-givers (including Arthwright) who have been living for decades as vampires of pleasure. Their particular pleasure is to extend their snouts like a mosquito's feeding tube and suck out just enough flesh to leave a victim emaciated but still alive. Some of the party guests are themselves in advanced decay but still actively autoerotic. The story's ghastliest effects focus on the wetbones, or victims now a skinless rubble of fresh bones--bones sometimes strapped together with thongs to make wet furniture.... The queasies'll getcha if you don't watch out! -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

Product Description

"WETBONES, the acclaimed and viscerally powerful work by John Shirley, is being released for the first time in a new, improved form. Fully revised and updated edition. First fully-author-approved text ever released. *INCLUDES a Brand-New companion story. Never before published. Down -on-his-luck screenwriter Tom Prentice is called to the morgue to identify the body of his ex-wife Amy. She's recognizable--but her body is also 50 pounds underweight, and mutilated. Disturbed, but trying to go on with his life, Prentice pitches a cop-show to studio head Arthwright and is surprised when the exec is interested in the run-of-the-mill idea. Arthwright’s real motives will emerge into hideous view, along with soul-consuming astral creatures camouflaging themselves behind greed, the seduction of Hollywood power—and pleasure. The secret of the Akishra writhes in the background...until it squirms into plain, horrific view. Meanwhile, Reverend Garner, a recovering addict who runs a ministry in Oakland, discovers that his teenage daughter Constance is missing. She has been kidnapped by Ephram Pixie, a ghoulish serial murderer with connections to the cult of the Akishra—Pixie uses psychic pressure to turn Constance into a pleasure addict of the sickest sort. And Mitch Teitelbaum, the missing brother of Tom Prentice's roommate Jeff, ends up in a hospital after deliberately and gruesomely mutilating himself...under the influence of the Akishra. Much of the action spins out from a mysterious, on-going, underground party, which goes on, apparently endlessly, at the fenced-in residence of The More Man and his Malibu film folk, legendary Hollywood Babylon-type partiers, connected with Arthwright, living for decades as psychic vampires feeding on pleasure and the gradual destruction of the human soul. Wetbones is a streetname for victims of their former ally, Ephram Pixie—the residue of his latest sensuous atrocity with Constance, they’re skinless package of freshly bloodied bones... All the storylines come devastatingly together, like wet bones lashed together, in the apocalyptic climax... A contemporary horror tale with Lovecraftian overtones, a subtle message about the horrors of addiction (which may all be inspired and directed by entities from a higher and very nasty plane of existence) and a look at the dark underside of Hollywood written by someone who knows...WETBONES is wrapped in a speed-charged action tale with enough gruesome violence and horrific action to remind readers that John Shirley was recognized from early on as one of the mainsprings of the Splatterpunk movement. The content is very graphic and not for the faint of heart, a glimpse into the abyss only to discover the abyss looking hungrily back."

In a near-future dystopia, a limited nuclear strike has destroyed portions of Europe, bringing the remaining nation-cities under control of the Second Alliance, a frighteningly fundamentalist international security corporation with designs on world domination. The only defense against the Alliance’s creeping totalitarianism is the New Resistance, a polyglot team of rebels that includes Rick Rickenharp, a retro-rocker whose artistic and political sensibilities intertwine, and John Swenson, a mole who has infiltrated the Alliance. As the fight continues and years progress, so does the technology and brutality of the Alliance… but ordinary people like the damaged visionary Smoke, Claire Rimpler on FirStep, and Dance Torrence and his fellow urban warriors on Earth are bound together by the truth and a single purpose: to keep the darkness from becoming humankind’s Total Eclipse—or die trying!

An omnibus of all three novels—revised by the author—of the prophetic, still frighteningly relevant cyberpunk masterpieces: , , and . With an introduction by Richard Kadrey and biographical note by Bruce Sterling.

Further explore the world of Watch Dogs with a new story, an entirely digital novel project created inside Ubisoft in collaboration with John Shirley, prolific author and pioneer of the cyberpunk movement

John Shirley naturally transcribed Watch Dogs’ atmosphere, the world of hacking and of a not that fictional Chicago, into a thriller combining high-tech crimes and a bunch of known and new characters.

The novel introduces Mick Wolfe, a veteran, who get caught in a dangerous game in Chicago’s hyper connected and violent underground.