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The Pacific Northwest is known for its near-constant rainy season. But on New Years Day, the sun emerges and one woman, alone with her dog, ventures out to discover that something else has arrived with the new year: vast sinkholes, large enough to swallow entire cities, claim the lives of millions and unearth nightmare creatures that could only mean one thing…the end of humanity.<

Shadows of the Empire illuminates the shadowy outlines of a criminal conspiracy that exists in the background of the events in the movies, ruled by a character new to us. Prince Xizor is a mastermind of evil who dares to oppose one of the best-known fictional villains of all time: Darth Vader. The story involves all the featured Star Wars movie characters, plus Emperor Palpatine and, of course, Lord Vader himself.

Features a bonus section following the novel that includes a primer on the Star Wars expanded universe, and over half a dozen excerpts from some of the most popular Star Wars books of the last thirty years!

“Two men have the carcass.” These words, heard over a crackling telephone line, change writer Karen Lewis’s life for the worse. Months earlier, her brother went missing in the small rural town of Fallen Trees, Washington. And now she finds out he willed his half of a bizarre bed and breakfast to her. “Two men have the carcass.” Is this ominous phrase enough to draw her into the mystery of Fallen Trees? Is the answer to her brother’s disappearance located there? Or is it just a trap, something designed to draw her into a nightmare world and break her sanity? What horror awaits Karen in the House of Fallen Trees?<

Voor Alex Cross is er niets in de wereld zo belangrijk als zijn familie. Zijn kinderen, grootmoeder en vrouw Bree komen op de eerste plaats en geven hem de kracht om het kwaad in deze wereld te bestrijden. Maar er is één crimineel die koste wat kost wil bewijzen dat hij de grootste genius is in de geschiedenis van de misdaad, en die de middelen heeft om de familie van Cross in te zetten als wapen in zijn strijd. Om zijn geliefden te beschermen moet Cross in de aanval, maar als hij terugvecht dan zullen ze sterven. Alex Cross gaat de grootste uitdaging in zijn leven aan, met dat wat hij het meest liefheeft als inzet.<

One September morning in 2008, an investment banker approaching forty, his career in collapse and his marriage unraveling, receives a surprise visitor at his West London townhouse. In the disheveled figure of a South Asian male carrying a backpack, the banker recognizes a long-lost friend, a mathematics prodigy who disappeared years earlier under mysterious circumstances. The friend has resurfaced to make a confession of unsettling power.

In an extraordinary feat of imagination, Zia Haider Rahman has telescoped the great upheavals of our young century into a novel of rare intimacy and power.

In ten of her best essay-stories, Giedra Radvilavičiūtė travels between the ridiculous and the sublime, the everyday and the extraordinary. In the place of plot, which the author claims to have had "shot and buried with the proper honors," the reader finds a dense, subtly interwoven structure of memory and reality, banalities and fantasy, all served up with a good dollop of absurdity and humor. We travel from the old town of Vilnius to Chicago's Brighton Park neighborhood, from the seaside to a local delicatessen, all in a narrative collage as exquisitely detailed as a bouquet of flowers. As in all of her work, Radvilavičiūtė plays with the genres of fiction and nonfiction, essay and short story, in which the experiences of life "are unrecognizably transformed, like the flour, eggs, nuts, and apples in a cake."<

"The novel is an attempt to write about film through fiction, engaging both art forms at once with the analytic mind of the academic and the imagination of the storyteller. In the process, Rombes found the freedom of fiction pushing him towards a new type of writing. For the reader, there is little we can know for sure, but this is what makes the book so exciting."

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"I very much enjoyed this weird, disturbing, sometimes effed-up novel about strange films, lost films, and the fragile faith in the difference between our fictions and our realities."

— Jeff VanderMeer,

"Kafka directed by David Lynch doesn’t even come close. It is the most hauntingly original book I’ve read in a very long time. Nicholas Rombes' is a strong contender for novel of the year."

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"Excellent and nightmarish… Rombes’s novel is a love letter to this art of misremembering: these “destroyed films” become as real as any film playing in a theater near you."

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"Like a cross between Paul Auster's and Janice Lee's is at once smart and slyly unsettling. It is expert at creating a quietly building sense of dread while claiming to do something as straightforward as describe lost films — like those conversations you have in which you realize only too late that what you actually talking about and what you think you are talking about are not the same thing at all. With Rombes, Two Dollar Radio deftly demonstrates why it is rapidly becoming the go-to press for innovative fiction."

— Brian Evenson

"This hallucinatory and terrifying secret history of film is so meticulously researched and gorgeously written that I wonder if, in fact, Nicholas Rombes has uncovered a lost trove of works by David Lynch, Orson Welles, Antonioni and Jodorowsky somewhere in the California desert. is post-modern noir at its best: beautiful and nightmarish by turns. I read it late into the night and couldn't put it down."

— Elizabeth Hand

"Suffused with the best elements and obscure conspiracies of Bolaño, Ligotti and speculative fiction, Rombes' work gnaws away at the limits of what a novel looks like. Through the writing of films that never existed, it finds a space at once eerily familiar and entirely of its own."

— Evan Calder Williams

In the mid-'90s a rare-film librarian at a state university in Pennsylvania mysteriously burned his entire stockpile of film canisters and disappeared. Roberto Acestes Laing was highly regarded by acclaimed directors around the globe for his keen eye, appreciation for eccentricity, and creativity in interpretation.

Unsure at first whether Laing is a pseudonym or some sort of Hollywood boogeyman, a journalist manages to track the forgotten man down to a motel on the fringe of the Wisconsin wilds. Laing agrees to speak with the journalist, but only through the lens of the cinema. What ensues is an atmospheric, cryptic extrapolation of movies and how they intertwine with life, and the forgotten films that curse the lost librarian still.

The “war with no name” has begun, with human extinction as its goal. The instigator of this war is the Colony, a race of intelligent ants who, for thousands of years, have been silently building an army that would forever eradicate the destructive, oppressive humans. Under the Colony's watchful eye, this utopia will be free of the humans' penchant for violence, exploitation and religious superstition. The final step in the Colony's war effort is transforming the surface animals into high-functioning two-legged beings who rise up to kill their masters.

Former housecat turned war hero, Mort(e) is famous for taking on the most dangerous missions and fighting the dreaded human bio-weapon EMSAH. But the true motivation behind his recklessness is his ongoing search for a pre-transformation friend — a dog named Sheba. When he receives a mysterious message from the dwindling human resistance claiming Sheba is alive, he begins a journey that will take him from the remaining human strongholds to the heart of the Colony, where he will discover the source of EMSAH and the ultimate fate of all of earth's creatures.

From a precociously talented young writer already widely admired in the literary world, is a bold, vertiginous debut novel that unfolds in two complementary narratives, one following a young man and the other an old man. The young man is Eugene Brentani, aflame with a passion for literature and language, and a devotee of the reclusive author and adventurer Constance Eakins, now living in Italy. The old man is Mr. Schmitz, whose wife is dying, and, confused and terrified, he longs to confide in his dear friend Rutherford. But Rutherford has disappeared, and his letters, postmarked from Italy, become more and more ominous as the weeks pass.

In separate but resonating story lines, both men’s adventures take them from New York City to the mountainous borderlands of northern Italy, where the line between reality and imagination begins to blur and stories take on a life of their own. Here, we are immersed in Rich’s vivid, enchanting world full of captivating characters— the despairing Enzo, who wanders looking for a nameless love; the tiny, doll-like guide, Lang; and the grotesque Eakins. Over this strange, spectral landscape looms the Mayor, a mythic and monstrous figure considered a “beautiful creator” by his townspeople, whose pull ultimately becomes irresistible.

From a young writer of exceptional promise, this refreshingly original novel is a meditation on the frustrations of love, the madness of mayors, the failings of language, and the transformative powers of storytelling.