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Nell Zink’s debut novel follows a downwardly mobile secretary from Philadelphia who marries an ambitious soon-to-be-expat pharmaceutical researcher in hopes that she will never work again. They end up in Germany, where it turns out that her new husband is tougher, sneakier, more sincere, more contradictory, and smarter than she is; she’d naturally thought it was impossible. Life becomes complicated with affairs, birding, and eco-terrorism. Bad things happen, yet they stagger through, clinging to each other from a safe distance. Eventually our heroine commences building a life of her own, in imitation of her husband, one soggy brick at a time.

“Who is Nell Zink? She claims to be an expatriate living in northeast Germany. Maybe she is; maybe she isn’t. I don’t know. I do know that this first novel arrives with a voice that is fully formed: mature, hilarious, terrifyingly intelligent, and wicked. The novel is about a bird-loving American couple that moves to Europe and becomes, basically, eco-terrorists. This is strange, and interesting, but in between is some writing about marriage, love, fidelity, Europe, and saving the earth that is as funny and as grown-up as anything I’ve read in years. And there are some jokes in here that a young Don DeLillo would kill to have written. I hope he doesn’t kill Nell Zink.” KEITH GESSEN

Mia Holl lives in a state governed by The Method, where good health is the highest duty of the citizen. Everyone must submit medical data and sleep records to the authorities on a monthly basis, and regular exercise is mandatory. Mia is young and beautiful, a successful scientist who is outwardly obedient but with an intellect that marks her as subversive. Convinced that her brother has been wrongfully convicted of a terrible crime, Mia comes up against the full force of a regime determined to control every aspect of its citizens' lives.

The Method, set in the middle of the twenty-first century, deals with pressing questions: to what extent can the state curtail the rights of the individual? And does the individual have a right to resist? Juli Zeh has written a thrilling and visionary book about our future, and our present.

Stillwater College in Virginia, 1966. Freshman Peggy, an ingénue with literary pretensions, falls under the spell of Lee, a blue-blooded poet and professor, and they begin an ill-advised affair that results in an unplanned pregnancy and marriage. The couple are mismatched from the start — she’s a lesbian, he’s gay — but it takes a decade of emotional erosion before Peggy runs off with their three-year-old daughter, leaving their nine-year-old son behind.

Worried that Lee will have her committed for her erratic behavior, Peggy goes underground, adopting an African American persona for her and her daughter. They squat in a house in an African American settlement, eventually moving to a housing project where no one questions their true racial identities. As Peggy and Lee’s children grow up, they must contend with diverse emotional issues: Byrdie must deal with his father’s compulsive honesty; while Karen struggles with her mother’s lies — she knows neither her real age, nor that she is “white,” nor that she has any other family.

Years later, a minority scholarship lands Karen at the University of Virginia, where Byrdie is in his senior year. Eventually the long lost siblings will meet, setting off a series of misunderstandings and culminating in a comedic finale worthy of Shakespeare.

The highway became the Red Sea.

We moved through the storm like a sheer valley.

You drove; I looked at you with love.

— from "Storm"

One of the most gifted and readable poets of his time, Adam Zagajewski is proving to be a contemporary classic. Few writers in either poetry or prose can be said to have attained the lucid intelligence and limpid economy of style that have become a matter of course with Zagajewski. It is these qualities, combined with his wry humor, gentle skepticism, and perpetual sense of history's dark possibilities, that have earned him a devoted international following. This collection, gracefully translated by Clare Cavanagh, finds the poet reflecting on place, language, and history. Especially moving here are his tributes to writers, friends known in person or in books-people such as Milosz and Sebald, Brodsky and Blake-which intermingle naturally with portraits of family members and loved ones. Eternal Enemies is a luminous meeting of art and everyday life.

Archived in a folder on award-winning author Alejandro Zambra's desktop are 11 stories of liars and ghosts, armed bandits and young lovers. Intimate, mysterious, and uncanny, these stories reveal a mind that is as undeniably singular as it is universal. Together, they constitute the debut short-story collection from Zambra, whose first novel was heralded as a “bloodletting in Chilean literature.”

Whether chronicling the return of a mercurial godson or the disappearance of a trusted cousin, the worlds of these stories are so powerful and deep that the works might better be described as brief novels. is by turns hilarious and heart-stopping, tragic and tender, but most of all, it is unflinchingly human and essential evidence of a sublimely talented writer working at the height of his powers.

On the last day of December, 2009 Kate Zambreno began a blog called , arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.

In , Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it-from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism-she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor," and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.

There are those who disdain science because it’s “so cut and dried.” Which only proves they’ve never tried to do any…<

Good hosts try to accommodate their guests—which in the case of alien diplomats, may mean far more than they anticipate!<

Imagine a world where parasites control the minds of their hosts, sending them to their destruction.

Imagine a world where parasites are masters of chemical warfare and camouflage, able to cloak themselves with their hosts’ own molecules.

Imagine a world where parasites steer the course of evolution, where the majority of species are parasites.

WELCOME TO EARTH.

For centuries, parasites have lived in nightmares, horror stories, and in the darkest shadows of science. Yet these creatures are among the world’s most successful and sophisticated organisms. In , Carl Zimmer deftly balances the scientific and the disgusting as he takes readers on a fantastic voyage. Traveling from the steamy jungles of Costa Rica to the fetid parasite haven of southern Sudan, Zimmer graphically brings to life how parasites can change DNA, rewire the brain, make men more distrustful and women more outgoing, and turn hosts into the living dead.

This thorough, gracefully written book brings parasites out into the open and uncovers what they can teach us about the most fundamental survival tactics in the universe.

This remarkable book presents a rich and up-to-date view of evolution that explores the far-reaching implications of Darwin’s theory and emphasizes the power, significance, and relevance of evolution to our lives today. After all, we ourselves are the product of evolution, and we can tackle many of our gravest challenges––from lethal resurgence of antibiotic-resistant diseases to the wave of extinctions that looms before us––with a sound understanding of the science.<

Où se trouve la Pierre des Étoiles ? Cet étrange objet a été offert par des extra-terrestres en échange des joyaux de la couronne d'Angleterre. Or il a disparu et tout le monde est convaincu que Fred, un vieil étudiant qui a des talents d'équilibriste, sait où il est.

Alors commence pour le jeune homme une étonnante histoire car humains et extra-terrestres rivalisent d'ingéniosité pour tenter d'arracher de son subconscient les renseignements désirés.

Une merveilleux conte fantastique dont l'action se déroule selon la logique de Lewis Carroll, avec des personnages délicieusement farfelus et des animaux qui parlent. On philosophe constamment dans cette histoire, mais avec infiniment de sérieux dans la loufoquerie, et beaucoup de bon sens dans le délire.

During the second half of 1943, after the failure at Kursk, Germany’s Army Group South fell back from Russia under repeated hammer blows from the Red Army. Under Erich von Manstein, however, the Germans were able to avoid serious defeats, while at the same time fending off Hitler’s insane orders to hold on to useless territory.

Then, in January 1944, a disaster happened. Six divisions of Army Group South became surrounded after sudden attacks by the 1st and 2nd Ukrainian Fronts under command of generals Nikolai Vatutin and Ivan Konev around the village of Korsun (near the larger town of Cherkassy on the Dnieper). The Germans’ greatest fear was the prospect of another Stalingrad, the catastrophe that had occurred precisely one year before.

This time, though, Manstein was in control from the start, and he immediately rearranged his Army Group to rescue his trapped divisions. A major panzer drive got underway, led by General der Panzertruppen Hans Hube, a survivor from Stalingrad pocket, which promptly ran up against several soviet tank armies. Leading the break-in was Franz Baeke with his Tiger and Panther-tanks. Due to both weather and ferocious resistance, the German drive stalled. Ju-52s still flew into Korsun’s airfield, delivering supplies and taking out wounded, but it soon became apparent that only one option remained for the beleaguered defenders: breakout.

Without consulting Hitler, on the night of February 16 Manstein ordered the breakout to begin. Led by the strongest formation within the pocket, SS Wiking, the trapped forces surged out and soon rejoined the surrounding panzer divisions who had been fully engaged in weakening the ring.

When dawn broke, the Soviets realized their prey was escaping. Although the Germans within the pocket lost nearly all of their heavy weapons and left many wounded behind, their escape was effected. Stalin, having anticipated another Stalingrad, was left with little but an empty bag, as Army Group South—this time—had pulled off a rescue.

In , Niklas Zetterling, a researcher at the Swedish Defense College since 1995 and Anders Frankson, have provided a highly detailed and often breathtaking account of one of the most dramatic battles of World War II. From grand strategy to soldiers’ voices on the ground, including expert statistical analysis, the action, and the stakes, of the battle at Korsun are made vividly clear.

Wie viel Liebe verträgt eine Freundschaft? Dieser Roman handelt vom verpassten und verspielten Glück und von dem Unglück, im rechten Moment die falschen Worte gesagt zu haben. Er erzählt die Geschichte zweier Männer und einer Frau, die ihre Freundschaft und ihre Liebe aufs Spiel setzen. Tom Holler, halbwegs erfolgreicher Pianist und frisch getrennt von seiner Frau, tourt mit seiner Berliner Band durch Italien. In Neapel hofft er seine große Liebe wiederzutreffen: Betty Morgenthal. Doch je näher ihre Begegnung rückt, desto tiefer taucht Tom in die Vergangenheit ein. Denn vor vielen Jahren verunglückte Marc, sein bester Freund und Bettys Lebensgefährte. Er hat keine andere Wahl, als die fatale Dreiecksgeschichte noch einmal zu erleben. Berlin und Italien, Leichtsinn und Schwermut, Witz und Dramatik, die lauten und die leisen Töne — dieser Debütroman ist voller Musik. „Es ist unerhört selten, dass eine Frau mit dieser Gerechtigkeit, jenseits aller Klischees, über einen Mann schreibt. Was für ein Roman!“ Michael Kumpfmüller „Untergründig und scharfsinnig und im nächsten Moment sehr poetisch und heiter." Rainer Merkel<

Set in Czechoslovakia between the 1940s and the 1990s, Tomáš Zmeškal’s stimulating novel focuses on one family’s tragic story of love and the unspoken. Josef meets his wife, Kveta, before the Second World War at a public lecture on Hittite culture. Kveta chooses to marry Josef over their mutual friend Hynek, but when her husband is later arrested and imprisoned for an unnamed crime, Kveta gives herself to Hynek in return for help and advice. The author explores the complexities of what is not spoken, what cannot be said, the repercussions of silence after an ordeal, the absurdity of forgotten pain, and what it is to be an outsider.

In Zmeškal’s tale, told not chronologically but rather as a mosaic of events, time progresses unevenly and unpredictably, as does one’s understanding. The saga belongs to a particular family, but it also exposes the larger, ongoing struggle of postcommunist Eastern Europe to come to terms with suffering when catharsis is denied. Reporting from a fresh, multicultural perspective, Zmeškal makes a welcome contribution to European literature in the twenty-first century.