More information to be announced soon on this forthcoming title from Penguin USA
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
SUMMARY: THE PLANET STRAPPERS started out as The Bunch, a group of student-astronauts in the back room of a store in Jarviston, Minnesota. They wanted off Earth, and they begged, borrowed and built what they needed to make it. THE PLANET STRAPPERS got what they wanted -- a start on the road to the stars -- but no one brought up on Earth could have imagined what was waiting for them Out There!
Wyatt Gwyon's desire to forge is not driven by larceny but from love. Exactingly faithful to the spirit and letter of the Flemish masters, he produces uncannily accurate 'originals' - pictures the painters themselves might have envied. In an age of counterfeit emotion and taste, the real and fake have become indistinguishable; yet Gwyon's forgeries reflect a truth that others cannot touch - cannot even recognize. Contemporary life collapses the distinction between the 'real' and the 'virtual' world, and Gaddis' novel pre-empts our common obsessions by almost half a century. This novel tackles the blurring of perceptual boundaries, The Matrix and Bladerunner pale in comparison to this epic novel.
WILLIAM GADDIS (1922-98) was one of the greatest writers in twentieth-century America. He wrote five novels and won two National Book Awards, for JR (1976) and for A Frolic of His Own (1995). His other landmark novels include: The Recognitions (1955) and Carpenter's Gothic (1985). Agapc Agape was published by Atlantic in 2002.
SUMMARY: Crushing gravity. Thin air. Winters of unimaginable cold Searing summers under two suns. A deadly wasteland teeming with monsters and killing fever. That was Ragnarok, the most dreaded planet yet discovered. And Ragnarok was where a thousand untrained Earthmen -- and women and children -- were brutally marooned by a sadistic enemy. Two hundred died the first night. In the morning, the survivors knew what they must live for...revenge!
The Tudors 1 - De koning, de koningin en de maitresse
De Engelse koning Henry VIII (1491-1547) trouwt na de dood van zijn oudere broer met diens weduwe Katharine die hem een dochter, maar niet de felbegeerde zoon schenkt. Hoewel rooms-katholiek wil hij gaan scheiden en probeert via kanselier Wolsey toestemming van de paus te krijgen. De ambitieuze familie Boleyn die meer macht wil, maakt hiervan gebruik. Knappe dochter Anna weet met een geraffineerd aantrekken en afstoten Henry zo dolverliefd te maken dat hij haar wil trouwen. Dat versnelt zijn scheidingsplannen.
While writing the introduction to his magnum opus, a moral history of Hitler's Germany, a middle-aged historian finds himself writing instead a history of the historian himself and secretly digging a tunnel out of his own basement. 15,000 first printing.
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A strange and monumental novel that took William Gass three decades to write. When a Midwestern historian sits down to write the introduction to his magnum opus study of the Third Reich, he instead writes a chaotic, obscure and labrynthine exploration of his personal history. Then he begins digging a tunnel from the basement of his house. The writing, the digging, and the reader's reading blend into one profound meditation on history, evil, the living and the dead. PEN/Faulkner Award Finalist.
This long-awaited magnum opus by the dean of American prose modernists, 30 years in the making, is a terrible disappointment. In this endless ramble of a novel, Gass (Omensetter's Luck; In the Heart of the Heart of the Country), though here, as always, possessed of a bewitching and spectacularly fluid and allusive style, fails to find a suitable home for his narrator's wickedly dyspeptic views of history, marriage and culture. William Kohler is a Midwestern academic historian working on an introduction to his life's work-a massive study of "guilt and innocence in Hitler's Germany." This, however, and the fact that Kohler begins to secretly dig a tunnel out of his basement, are the only shards of plot in this otherwise formless book. Gass, as readers of his fiction and gorgeous literary essays will know (On Being Blue), can turn a phrase and render lyrical descriptions that have not only music to them, but also shape and weight. But in portraying the failed career and life of Kohler, these gifts are brought to bear on such a litany of sour rant-about his aging body, his wife's widening girth, the fatuous enthusiasms of his colleagues and mentors-that the reader will beg for a way out of this dark and airless space. Unfortunately, there is no light at the end of The Tunnel, and the promise of a new perspective on our century's most heinous crime-the Holocaust-is very much a forgotten vow.
Copyright 1995 Reed Business Information, Inc.
A dystopian novel for the digital age, The Word Exchange offers an inventive, suspenseful, and decidedly original vision of the dangers of technology and of the enduring power of the printed word.
In the not-so-distant future, the forecasted “death of print” has become a reality. Bookstores, libraries, newspapers, and magazines are things of the past, and we spend our time glued to handheld devices called Memes that not only keep us in constant communication but also have become so intuitive that they hail us cabs before we leave our offices, order takeout at the first growl of a hungry stomach, and even create and sell language itself in a marketplace called the Word Exchange.
Anana Johnson works with her father, Doug, at the North American Dictionary of the English Language (NADEL), where Doug is hard at work on the last edition that will ever be printed. Doug is a staunchly anti-Meme, anti-tech intellectual who fondly remembers the days when people used email (everything now is text or videoconference) to communicate—or even actually spoke to one another, for that matter. One evening, Doug disappears from the NADEL offices, leaving a single written clue: ALICE. It’s a code word he devised to signal if he ever fell into harm’s way. And thus begins Anana’s journey down the proverbial rabbit hole . . .
Joined by Bart, her bookish NADEL colleague, Anana’s search for Doug will take her into dark basements and subterranean passageways; the stacks and reading rooms of the Mercantile Library; and secret meetings of the underground resistance, the Diachronic Society. As Anana penetrates the mystery of her father’s disappearance and a pandemic of decaying language called “word flu” spreads, The Word Exchange becomes a cautionary tale that is at once a technological thriller and a meditation on the high cultural costs of digital technology.
From the Hardcover edition.
Alena Graedon's spectacular debut is a story for our age of 'accelerated obsolescence.' A genuinely scary and funny mystery about linguistic slippage and disturbance, it's also a moving meditation on our sometimes comic, sometimes desperate struggles to speak, and to listen, and to mean something to one another. To borrow Graedon's own invention, The Word Exchange is 'Synchronic' -- a gorgeous genre mashup that offers readers the pleasures of noir, science fiction, romance and philosophy. It's an unforgettable joyride across the thin ice of language."
-Karen Russell, author of Swamplandia!, and *Vampires in the Lemon Grove
"Wow! This highly addictive future noir is also terrifyingly prescient. Set in a parallel New York filled with language viruses, pneumatic tubes, and heartbreak, Alena Graedon's book is luminous and haunting at every turn. I will never look at words in quite the same way—and neither will you."
*-Reif Larsen, author of The Selected Works of T.S. Spivet
Alena Graedon was born in Durham, NC, and is a graduate of Carolina Friends School, Brown University, and Columbia University’s MFA program. She was Manager of Membership and Literary Awards at the PEN American Center before leaving to finish The Word Exchange, her first novel, with the help of fellowships at several artist colonies. Her writing has been translated into nine languages. She lives in Brooklyn.
SUMMARY: In this breathtaking debut novel, one man embarks on a thrilling and treacherous quest for his people’s lost god—in a labyrinthine Dickensian city that is either blessed . . . or haunted. Arjun arrives in Ararat just as a magnificent winged creature sails over the city. It is the day of the return of that long-awaited mystical creature: the great Bird. As it soars across the land, as the city’s mapless streets are transformed, as the great river changes its course, as the territories of the city’s avian life are redrawn, crowds cheer and guns salute. Then comes the time for the Bird’s power to be trapped—within the hull of the floating warship Thunderer, now a living temple to the Bird, and a terrible new weapon to be used, allegedly, in the interests of all of Ararat. Hurtled into this convulsing world is Arjun, who will unwittingly unleash a dark power beyond his imagining—and dare to test Ararat’s moving boundaries. For in this city of gods, he has come to search among them, not to hide.