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Cook's lack of ability as a stylist generally has been masked by his talent for fashioning a solid medical drama-often ripped from current headlines-that keeps readers turning pages. Unfortuately, that's not the case in his 12th novel (after Vital Signs), which has a plot so ludicrous that the weak characters and silly dialogue are all too obvious. Most offensive in the latter category are the stilted, out-of-kilter exchanges between a pair of Mafia hitmen who run about New York City "whacking" (murdering) people with increasing frequency. Meanwhile, Dr. Laurie Montgomery, a forensic pathologist in the NYC Medical Examiner's office, finds a pattern of unrelated cocaine overdose deaths among career-oriented people never known to have used drugs. Despite the obvious evidence that she's onto something, her boss couldn't care less, while the homicide detective she becomes involved with is more concerned about the mob killings, and, like her boss, cannot understand why she is outraged by the behavior of two corrupt, thieving uniformed cops in her department. As luck would have it, there's also another man in Laurie's life, a self-centered ophthalmologist whose patients just happen to include the mob boss behind both the cocaine deaths and the murder spree. Readers who plow through this amateurish effort will guess the ending long before any of the characters has a clue.
From Kirkus Reviews
An ironically revealing title for ophthalmologist Cook's fuzziest novel in years-an awesomely inept medical/crime thriller about a forensic pathologist up against the mob. As the story opens, the mind of one Duncan Andrews is ``racing like a runaway train,'' his lethargy having ``evaporated like a drip of water falling onto a sizzling skillet.'' Hours and several more clich‚s later, the ``Wall Street whiz kid'' is dead of a cocaine overdose and lying on the autopsy table of generic Cook heroine (young, spunky, pretty doc) Laurie Montgomery, an N.Y.C. medical examiner. Days and several more dead yuppies later, Laurie is convinced that someone is flooding the upscale market with bad cocaine. Of course, no one will listen to her-not her boss, who wants to chill this political hot potato; not silver-tongued, gold- plated ophthalmologist Jordan Scheffield, who's wooing her with limos and swank dinners; not cop Lou Soldano (``a bit like Colombo''), to whom Laurie explains the exact difference between ophthalmologists, optometrists, and opticians and who wants to woo her with his sedan and spaghetti but can't match Jordan's glitz and anyway is busy worrying about the mob-related corpses stacking up next to the yuppies in Laurie's morgue. For meanwhile, in scenes stiff with clich‚, two mobsters are blowing away a seemingly random group of citizens on orders from mob kingpin Paul Cerino, who, Laurie learns, is one of Jordan 's patients-and who deals coke. Laurie sleuths; the mobsters lock her in a coffin; Laurie sobs; the mobsters let her out; Laurie remembers the flammable properties of ethylene, handily within reach, and blows up the mobsters. Finally, Laurie dumps Jordan for Lou, and she and the cop talk about the motives behind the whole ``horrid affair''-which owe more than a little to Coma. A slack and ragged retread, with Cook parodying himself in a tale that's about as stylish and suspenseful as an eye-chart.
It is a cold January morning and Shetland lies buried beneath a deep layer of snow. Trudging home, Fran Hunters eye is drawn to a vivid splash of colour on the white ground, ravens circling above. It is the strangled body of her teenage neighbour Catherine Ross. As Fran opens her mouth to scream, the ravens continue their deadly dance. The locals on the quiet island stubbornly focus their gaze on one manloner and simpleton Magnus Tait. But when police insist on opening the investigation a veil of suspicion and fear is thrown over the entire community. For the first time in years, Catherines neighbours nervously lock their doors, whilst a killer lives on in their midst. Raven Black is a haunting, beautifully crafted crime story, and establishes Ann Cleeves as a rising talent in psychological crime writing.
Its mid-summer in Shetland, the time of the white nights, when birds sing at midnight and the sun never sets. Artist Bella Sinclair throws a party to launch an exhibition of her work and to introduce the paintings of Fran Hunter. The Herring House, the gallery where the exhibition is held, is on the beach at Biddista, in the remote north west of the island. When a mysterious Englishman bursts into tears and claims not to know who he is or where hes come from, the evening ends in farce. The following day the Englishman is found hanging from a rafter in a boathouse on the jetty, a clowns mask on his face. Detective Jimmy Perez is convinced that this is a local murder. He is reinforced in this belief when Roddy, Bellas musician nephew is murdered too. But the detectives relationship with Fran Hunter clouds his judgement. And this is a crazy time of the year when night blurs into day and nothing is quite as it seems.
Spring: a time of rebirth and celebration. And a time of death…for April is the cruelest month. When a young archaeologist studying on a site at Lerwick discovers a set of human remains – the island community is intrigued. Is it an ancient find – or a more contemporary mystery? Then an elderly is shot on her land in a tragic accident and Jimmy Perez is called in by her grandson – his own colleague Sandy Wilson. He finds two feuding families whose envy, greed and bitterness has divided the surrounding community. With Fran in London, and surrounded by people he doesn't know and a community he has no links with – Jimmy finds himself out of depth. Then another woman dies and as the spring weather shrouds the island in claustrophobic mists the two deaths remain shrouded in mystery.
Shetland Detective Jimmy Perez knows it will be a difficult homecoming when he returns to the Fair Isles to introduce his fiancee, Fran, to his parents. It's a community where everyone knows each other, and strangers, while welcomed, are still viewed with a degree of mistrust. Challenging to live on at the best of times, with the autumn storms raging, the island feels cut off from the rest of the world. Trapped, tension is high and tempers become frayed. Enough to drive someone to murder…
When a woman's body is discovered at the renowned Fair Isles bird observatory, with feathers threaded through her hair, the islanders react with fear and anger. With no support from the mainland and only Fran to help him – Jimmy has to investigate the old-fashioned way. He soon realizes that this is no crime of passion – but a murder of cold and calculated intention. With no way off the island until the storms abate – Jimmy knows he has to work quickly. There's a killer on the island just waiting for the opportunity to strike again…
De manera misteriosa, Mack Street percibe que es distinto de los demás niños de su calle. Aunque sabe que ha sido adoptado, desconoce su verdadero origen. Pero cuando alguien es capaz de soñar los sueños de sus vecinos, la fantasía y la magia pueden entrar en la vida cotidiana y, en manos de un brillante escritor como Orson Scott Card, mezclarse con el antiguo y ya clásico enfrentamiento de amor y odio entre Oberón y Titania, el rey y la reina de las hadas.
El sol ya no es la estrella eterna e inmutable que todos han conocido: la ciencia ha demostrado que en el año 3620 iniciará un leve proceso de tipo nova, que acabará con la vida en el sistema solar. Durante siglos, la humanidad ha intentado desesperadamente salvar su propia existencia enviando misiones a los planetas habitables más cercanos. Entre esos planetas se encuentra Thalassa, un mundo acuático en el que solo tres islas volcánicas se encuentran por encima del nivel del mar; pese a la amenaza de Krakan, el gran volcán, los thalassanos han logrado formar una comunidad estable y equilibrada.
Mientras tanto, en la Tierra, a solo ciento cincuenta años del apocalipsis, han descubierto al fin el secreto de las enormes e inagotables fuentes de energía del universo. Tres años antes del fin parte la la primera y última nave espacial terrestre que utiliza esa tecnología. El destino de la su tripulación y el millón de seres humanos que transportan en hibernación es el primigenio planeta Sagan Dos; sin embargo, debido a que el escudo de hielo que protege la nave de la radiación se ha deteriorado muy rápidamente, hacen una escala en Thalassa para reponerlo.
A partir de ahí, los tripulantes de la Magallanes se enfrentan a un gran dilema: ¿deben seguir con el viaje, ahora que han descubierto que su objetivo se ha cumplido ya en Thalassa?
La novela se inscribe en el más puro estilo de Arthur C. Clarke, el mismo que ha dado títulos tan memorables. Destaca además la linealidad y lo completo del argumento, aun sin ser su fuerte, ya que en otras ocasiones caía en una cierta asincronía. En esta ocasión no avanza por caminos atrevidos o arriesgados, ni lanza sus propuestas con ambición. Aunque ello le resta bastante empuje (lo que los americanos llaman también es cierto que hubiera sido incoherente con ese sentido de nostalgia tan poco usual dentro de la ciencia ficción, siempre impregnada de un carácter aventurero.
La mejor palabra que en definitiva se me ocurre para definir es entrañable: una historia inevitablemente agradable de leer.
San Francisco Judge Ramsey Hunt, longtime friend to FBI agents Lacey Sherlock and Dillon Savich, is presiding over the trial of Clive and Cindy Cahill – accused in a string of murders – when the proceedings take a radical turn. Federal prosecutor Mickey O'Rourke, known for his relentless style, becomes suddenly tentative in his opening statement, leading Hunt to suspect he's been threatened – suspicions that are all but confirmed when Hunt is shot in the back. Savich and Sherlock receive news of the attack as an ominous note is sent to Savich at the Hoover Building: You deserve this for what you did. Security tapes fail to reveal who delivered the note. Who is behind the shooting of Judge Ramsey Hunt? Who sent the note to Savich? And what does it all mean? Savich and Sherlock race to San Francisco to find out… watching their backs all the while.
After his sister is in a horrible car accident and then vanishes from the hospital, FBI agent Ford MacDougal, along with agents Lacey Sherlock and Dillon Savich, learn that the murder of an elderly woman is linked mysteriously to his sister's disappearance and they are plunged into a world of evil.
Catherine Coulter's sensational contemporary suspense novels "The Cove" and "The Maze" were gripping enough to establish Coulter firmly in the genre, hailed "Publishers Weekly". Now, with "The Target", Coulter again lays claim to the territory where romance and terror intersect. Hoping to escape unwanted celebrity in the aftermath of a notorious incident, Ramsey Hunt settles in the Rockies, determined to bury himself in the safety of a solitary existence. But his isolation is shattered when he stumbles upon a small girl unconscious in the high-altitude forest. When strangers pursue Ramsey to his private meadow in an attempt to kill him and the girl, he's mystified that anyone would wish her harm. And the child can't shed any light on the subject: she's mute. Molly Santana, the girl's mother, catches up with Ramsey and her daughter, mistaking her daughter's savior for a kidnapper. But soon Ramsey's real role becomes clear. With the strangers in pursuit, the trio flee to Chicago for sanctuary. Even there, however, the child's enemies prove as relentless as their motives are baffling. With an unexpected assist from FBI agents Dillon Savich and Lacey Sherlock (last seen in "The Maze"), Molly and Ramsey begin to unravel the clues, and in the process they make an astonishing discovery as to the true nature of the target.
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