Goss James

Risk Assessment

James Joyce

A Portrait of the Artist as a Young Man

James Joyce

Chamber Music

EDITORIAL REVIEW: James Augustine Aloysius Joyce (1882-1941) was an Irish expatriate writer, widely considered to be one of the most influential writers of the 20th century. He is best known for his landmark novel Ulysses (1922) and its highly controversial successor Finnegans Wake (1939), as well as the short story collection Dubliners (1914) and the semi-autobiographical novel A Portrait of the Artist as a Young Man (1916). Although he spent most of his adult life outside Ireland, Joyce's fictional universe is firmly rooted in Dublin, providing the settings and much of the subject matter for all his fiction. In particular, his tempestuous early relationship with the Irish Roman Catholic Church is reflected through a similar inner conflict in his recurrent alter ego Stephen Dedalus. As the result of his minute attentiveness to a personal locale and his self-imposed exile and influence throughout Europe, Joyce became simultaneously one of the most cosmopolitan and one of the most local of all the great English language writers.

James Joyce

Dubliners

Dubliners was completed in 1905, but a series of British and Irish publishers and printers found it offensive and immoral, and it was suppressed. The book finally came out in London in 1914, just as Joyceʼs Portrait of the Artist as a Young Man began to appear in the journal Egoist under the auspices of Ezra Pound. The first three stories in Dubliners might be incidents from a draft of Portrait of the Artist, and many of the characters who figure in Ulysses have their first appearance here, but this is not a book of interest only because of its relationship to Joyceʼs life and mature work. It is one of the greatest story collections in the English language—an unflinching, brilliant, often tragic portrait of early twentieth-century Dublin. The book, which begins and ends with a death, moves from “stories of my childhood” through tales of public life. Its larger purpose, Joyce said, was as a moral history of Ireland.

James Joyce

Exiles: a play in three acts

SUMMARY: It is only James Joyce's towering genius as a novelist that has led to the comparative neglect of his poetry and sole surviving play. And yet, argues Mays in his stimulating and informative introduction, several of these works not only occupy a pivotal position in Joyce's career; they are also magnificently assured achievements in their own right. Chamber Music is 'an extraordinary début', fusing the styles of the nineties and the Irish Revival with irony and characteristic verbal exuberance. 'Pomes Penyeach and Exiles' (highly acclaimed in Harold Pinter's 1970 staging) were written when Joyce had published Dubliners and was completing A Portrait of the Artist as a Young Man. Both confront painfully personal issues of adultery, jealousy and betrayal and so pave the way for the more detached and fully realized treatment in Ulysses. Joyce's occasional verse includes 'Ecce Puer' for his new-born grandson, juvenilia, satires, translations, limericks and a parody of Samuel Taylor Coleridge. All are brought together in this scholarly, fully annotated yet accessible new edition.

James Joyce

Pomes penyeach

Borodale Jane

The Book of Fires

Berry Jedediah

The Manual of Detection

Thompson Jim

Bad Boy

Thompson Jim

Cropper's Cabin

Thompson Jim

South of Heaven

Thompson Jim

Texas By The Tail

Thompson Jim

The Alcoholics

Thompson Jim

The Criminal

Thompson Jim

The Kill-Off

Thompson Jim

The Rip-Off

Fante John

Wait Until Spring, Bandini

Barry John

Rising Tide

Sept 2007 When Mother Nature rages, the physical results are never subtle. Because we cannot contain the weather, we can only react by tabulating the damage in dollar amounts, estimating the number of people left homeless, and laying the plans for rebuilding. But as John M. Barry expertly details in Rising Tide: The Great Mississippi Flood of 1927 and How It Changed America, some calamities transform much more than the landscape. While tracing the history of the nation's most destructive natural disaster, Barry explains how ineptitude and greed helped cause the flood, and how the policies created to deal with the disaster changed the culture of the Mississippi Delta. Existing racial rifts expanded, helping to launch Herbert Hoover into the White House and shifting the political alliances of many blacks in the process. An absorbing account of a little-known, yet monumental event in American history, Rising Tide reveals how human behavior proved more destructive than the swollen river itself. From Library Journal In the spring of 1927, America witnessed perhaps its greatest natural disaster: a flood that profoundly changed race relations, government, and society in the Mississippi River valley region. Barry (The Transformed Cell, LJ 9/1/92) presents here a fascinating social history of the effects of the massive flood. More than 30 feet of water stood over land inhabited by nearly one million people. Almost 300,000 African Americans were forced to live in refugee camps for months. Many people, both black and white, left the land and never returned. Using an impressive array of primary and secondary sources, Barry clearly traces and analyzes how the changes produced by the flood in the lower South came into conflict and ultimately destroyed the old planter aristocracy, accelerated black migration to the North, and foreshadowed federal government intervention in the region's social and economic life during the New Deal. His well-written work supplants Pete Daniel's Deep'n as It Come: The 1927 Mississippi Flood (1977) as the standard work on the subject. Recommended for public and academic libraries.

Sandford John

Bad Blood

Sept 21, 2010 When 19-year-old Bob Tripp hits farmer Jacob Flood in the head with a T-ball bat at the outset of Sandford's exciting fourth thriller to feature Minnesota Bureau of Criminal Apprehension agent Virgil Flowers (after Rough Country), Tripp's subsequent attempt to make murder look like an accident fails. The morning after Tripp's arrest, he's found hanging in his cell. Warren County sheriff Lee Coakley seeks Flowers's help to investigate what role, if any, deputy Jim Crocker, the officer on duty at the jail at the time, played in Tripp's death. A link to the earlier murder of a young woman leads Flowers and Coakley to members of a small church with strange ways. As the pair become aware of the magnitude of the unspeakable crimes (rape, child abuse, incest) behind the deaths, they search desperately for a lever to pry open what turns out to be Flowers's biggest, if perhaps most unlikely, case to date.

Shors John

Beside a Burning Sea