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Hated and feared, magic was banished from the land. But now, freed from the spells of the wicked bloodmages, magic — both good and evil — returns. And Aren of Fallbrook feels her own power of Sight strengthen and grow…

Overcome by vision of mayhem and murder, Aren vows to save her village from the ruthless raiders who have descended upon it — and killed her family. With the return of wildlings to the hills and forests, she strikes a bargain with the Hob, a magical,humanlike creature imbued with the power of the mountains. But the Hob is the last of his kind. And he will exact a heavy price to defend the village — a price Aren herself must pay…

For the last ten years, shapeshifting mercenary Aralorn has led a dangerous existence — a far cry from her noble upbringing. Now she must return home under the most unfortunate circumstances. Her father, the Lyon of Lambshold, has passed away. But when Aralorn and her companion Wolf arrive, the combination of their magic uncovers something wonderful yet alarming — her father is not actually dead, but only appears so. Yet a dark mist is also very much alive within him...

The Lyon of Lambshold has been ensorcelled by the ae'Magi, who's using him as a conduit to finally destroy Aralorn and Wolf. With her father as the pawn, can Aralorn overcome this mysterious sorcery? Or will she finally fall to the blackest of magic, losing not only her one true companion but also her life...?

Exemplary stories that reveal the bizarre, the disturbing, the perilous, and the wise in other civilizations -- from one of America's most important writers of the twentieth century.<

American novelist and short-story writer, poet, translator, classical music composer, and filmscorer Paul Bowles has lived as an expatriate for more than 40 years in the North African nation of Morocco, a country that reaches into the vast and inhospitable Sahara Desert. The desert is itself a character in , the most famous of Bowles’ books, which is about three young Americans of the postwar generation who go on a walkabout into Northern Africa’s own arid heart of darkness. In the process, the veneer of their lives is peeled back under the author’s psychological inquiry.<

Based on fifteen years of research, Glock is the riveting story of the weapon that has become known as American’s gun. Today the Glock pistol has been embraced by two-thirds of all U.S. police departments, glamorized in countless Hollywood movies, and featured as a ubiquitous presence on prime-time TV. It has been rhapsodized by hip-hop artists, and coveted by cops and crooks alike.

Created in 1982 by Gaston Glock, an obscure Austrian curtain-rod manufacturer, and swiftly adopted by the Austrian army, the Glock pistol, with its lightweight plastic frame and large-capacity spring-action magazine, arrived in America at a fortuitous time. Law enforcement agencies had concluded that their agents and officers, armed with standard six-round revolvers, were getting "outgunned" by drug dealers with semi-automatic pistols. They needed a new gun.

When Karl Water, a firearm salesman based in the U.S. first saw a Glock in 1984, his reaction was, “Jeez, that’s ugly.” But the advantages of the pistol soon became apparent. The standard semi-automatic Glock could fire as many as 17 bullets from its magazine without reloading (one equipped with an extended thirty-three cartridge magazine was used in Tucson to shoot Gabrielle Giffords and 19 others). It was built with only 36 parts that were interchangeable with those of other models. You could drop it underwater, toss it from a helicopter, or leave it out in the snow, and it would still fire. It was reliable, accurate, lightweight, and cheaper to produce than Smith and Wesson’s revolver. Made in part of hardened plastic, it was even rumored (incorrectly) to be invisible to airport security screening.

Filled with corporate intrigue, political maneuvering, Hollywood glitz, bloody shoot-outs—and an attempt on Gaston Glock’s life by a former lieutenant—Glock is at once the inside account of how Glock the company went about marketing its pistol to police agencies and later the public, as well as a compelling chronicle of the evolution of gun culture in America.

Charming and attractive, Edith Chardman finds herself suddenly alone after a long and happy marriage. Into the emptiness comes Edwin, old enough almost to be her grandfather, and Jared, young enough to be her son…In the unfolding of Edith's discovery of love in its infinite variety, Pearl Buck displays her masterly skill as a storyteller and the depth of her knowledge of men and women.<

This is the Spanish text edition of the 1932 Pulitzer Prize winning novel that is still a standout today. Deceptive in its simplicity, it is a story built around a flawed human being and a teetering socio-economic system, as well as one that is layered with profound themes. The cadence of the author's writing is also of note, as it rhythmically lends itself to the telling of the story, giving it a very distinct voice. No doubt the author's writing style was influenced by her own immersion in Chinese culture, as she grew up and lived in China, the daughter of missionaries.

This is the story of the cyclical nature of life, of the passions and desires that motivate a human being, of good and evil, and of the desire to survive and thrive against great odds. It begins with the story of an illiterate, poor, peasant farmer, Wang Lung, who ventures from the rural countryside and goes to town to the great house of Hwang to obtain a bride from those among the rank of slave. There, he is given the slave O-lan as his bride.

Selfless, hardworking, and a bearer of sons, the plain-faced O-lan supports Wang Lung's veneration of the land and his desire to acquire more land. She stays with him through thick and thin, through famine and very lean times, working alongside him on the land, making great sacrifices, and raising his children. As a family, they weather the tumultuousness of pre-revolutionary China in the 1920s, only to find themselves the recipient of riches beyond their dreams. At the first opportunity, they buy land from the great house of Hwang, whose expenses appear to be exceeding their income.

With the passing of time, Wang Lung buys more and more land from the house of Hwang, until he owns it all, as his veneration of the land is always paramount. With O-lan at this side, his family continues to prosper. His life becomes more complicated, however, the richer he gets. Wang Lung then commits a life-changing act that pierces O-lan's heart in the most profoundly heartbreaking way.

As the years pass, his sons become educated and literate, and the family continues to prosper. With the great house of Hwang on the skids, an opportunity to buy their house, the very same house from where he had fetched O-lan many years ago, becomes available. Pressed upon to buy that house by his sons, who do not share Wang Lung's veneration for the land and rural life, he buys the house. The country mice now have become the city mice.

This is a potent story, brimming with irony, yet simply told against a framework of mounting social change. It is a story that stands as a parable in many ways and is one that certainly should be read. It illustrates the timeless dichotomy between the young and the old, the old and the new, and the rich and the poor. It is no wonder that this beautifully written book won a Pulitzer Prize and is considered a classic masterpiece. Bravo!

Wang Lung, rising from humble Chinese farmer to wealthy landowner, gloried in the soil he worked. He held it above his family, even above his gods. But soon, between Wang Lung and the kindly soil that sustained him, came flood and drought, pestilence and revolution…

Through this one Chinese peasant and his children, Nobel Prize-winner Pearl S. Buck traces the whole cycle of life, its terrors, its passion, its persistent ambitions and its rewards. Her brilliant novel—beloved by millions of readers throughout the world—is a universal tale of the destiny of men.

Guide to modern air combat.

Video lessons: http://youtu.be/OCFMX5z-ed4

All of the characters in this book are fictitious, and any resemblance to actual persons, living or dead, is purely coincidental.

A young couple go to Bermuda on their honeymoon. They dive on the reefs offshore, looking for the wreck of a sunken ship. What they find lures them into a strange and increasingly terrifying encounter with past and present, a struggle for salvage and survival along the floor of the sea, in the deep.<

Even lifelong friendships can't outlast death...or can they?

Award-winning author Peter S. Beagle presents a deeply personal story of dreams abandoned and recovered, friends loved and lost, and the strength it takes to let go....

Set in a shadowy world of magic and mystery, a fantasy novel in which a young man sets off on a wild ride in pursuit of the lover whose death and resurrection he witnessed. From the author of THE LAST UNICORN and A FINE AND PRIVATE PLACE.<

The author of A. and , a pair of the very best fantasy novels of our time, Peter S. Beagle has written only two fantasy short stories of which "Lila the Werewolf" is the best, a contemporary classic. Beagle is a musician, a script writer, and a literary descendant of the fantasist Robert Nathan. Like Avram Davidson, he is an urban fantasist of wit and perception; a lover of animals who knows their personalities; a writer with a flair for characterization that raises him to the very top rank of contemporary writers who choose the fantastic as their metier. And his New York setting vibrates with authenticity, though it has been twenty years since dogs have been so common in the city. This is not a story about love.<

After moving with her mother to the English countryside, Jenny, a young American girl, begins to unravel a mystery on the grounds and uncovers evidence of another, hidden occupant of her new home -- a 300-year-old ghost named Tamsin.<

They were playing at time and magic, but time is tricky and magic is dangerous!

When Farrell returned to Avicenna after years away, he found his oldest friend Ben living with an unattractive older woman named Sia. Ben and Farrell’s girlfriend, Julie, were also mixed up with the League for Archaic Pleasures—a group that playacted the events and manners of medieval chivalry, sometimes too seriously.

Nothing was quite as it seemed. Sia’s ancient house developed rooms that impossibly appeared and disappeared. Apparently helpless, Sia still had enormous powers that no human could defy when she chose to exert her will. And some members of the League were not playacting—they the medieval characters they portrayed. Even mild-mannered Ben was sometimes possessed by a Ninth Century viking, driven to madness by the modern world he could not understand.

Attending a League revel with Julie, Farrell was amused by the claim of fifteen-year-old Aiffe that she was a witch. But later he saw her, attempting to summon a demon, conjure out of air the form of Nicholas Bonner, who had been sent to limbo five centuries before!

With Bonner’s skills added to Aiffe’s talents, the pair soon made chaos of the League’s annual mock war. But Bonner’s real goal was the defeat of Sia, with whom he seemed to have a mysterious connection.

Gradually, Farrell realized that Bonner represented a growing evil such as the Twentieth Century had never known. Only Sia’s powers stood against it. But Sia had retreated into a room that could not exist, hiding in illusion.

Here in his first fantasy novel since was published in 1968, Peter Beagle again proves his mastery in a tale of magic, illusion, and delusion, mixed with a cast of human characters only he could create.

True to tradition, is the story of a quest, the search by the unicorn — immortal, infinitely beautiful — for her lost fellows. Early on, she is joined by Schmendrick the Magician — a name pointing to the low comedy that surprisingly (though also traditionally) coexists here with terror, pathos, tenderness, paradox, and wit, and frequent passages where the prose bursts into song and into poetry itself. A kind of upside-down Merlin, Schmendrick is looking for something for himself too, his life perhaps. Molly Grue, the third of the travelers, seems simply to embody every womanly trait. After a richly entertaining variety of adventures — with splendid, quirky characters — the search reaches its climax at the castle of evil King Haggard, where the terrifying Red Bull is encountered and where the handsome Prince Lír plays his predestined role.

Like Tolkien's , this odd, evocative, and brilliant book utilizes an imaginary world to connect profoundly with the real questions and aspirations of thoughtful and sensitive readers. may well join that widely read masterpiece as a book that speaks with a mysterious but tangible resonance to a receptive audience.