Since his boyhood in a poor village in Central Anatolia, Mevlut Karataş has fantasized about what his life would become. Not getting as far in school as he'd hoped, at the age of twelve, he comes to Istanbul-"the center of the world"-and is immediately enthralled both by the city being demolished and the new one that is fast being built. He follows his father's trade, selling boza (a traditional Turkish drink) on the street, and hoping to become rich, like other villagers who have settled the desolate hills outside the booming metropolis. But chance seems to conspire against him. He spends three years writing love letters to a girl he saw just once at a wedding, only to elope by mistake with her sister. And though he grows to cherish his wife and the family they have, his relations all make their fortunes while his own years are spent in a series of jobs leading nowhere; he is sometimes attracted to the politics of his friends and intermittently to the lodge of a religious guide. But every evening, without fail, he still wanders the streets of Istanbul, selling boza and wondering at the "strangeness" in his mind, the sensation that makes him feel different from everyone else, until fortune conspires once more to let him understand at last what it is he has always yearned for.

Told from the perspectives of many beguiling characters, is a modern epic of coming of age in a great city, and a mesmerizing narrative sure to take its place among Pamuk's finest achievements.

The world is gone, destroyed by human, ecological, or supernatural causes. Survivors dodge chemical warfare and cruel gods; they travel the reaches of space and inhabit underground caverns. Their enemies are disease, corrupt corporations, and one another; their resources are few, and their courage is tested.

Powerful original dystopian tales from nine bestselling authors offer bleak insight, prophetic visions, and precious glimmers of light among the shards and ashes of a ruined world.

When a down-on-his-luck educational administrator arrives into the makeshift bus shelter of Cow Eye Junction, he finds a drought-stricken town and its community college on the precipice of institutional ruin. Struggling to navigate this strange world of bloated calf scrota, orgiastic math instruction, and onrushing regional accreditors, Charlie must devise a plan to lead Cow Eye Community College through the perils of continuous improvement to the triumphant culmination of world history. Idiosyncratic, wry, and ambitiously constructed, Cow Country is Adrian Jones Pearson’s most American work yet, deftly blending the lunacies of contemporary academia with the tragic consequences of New World nation-building. A must-read for anyone who has ever worked at an institution of higher education, or attempted to straddle partisan lines, this insightful novel offers a poetic requiem for the loss of our humanity — and our humanities.<

"Ricardo Piglia may be the best Latin American writer to have appeared since the heyday of Gabriel García Márquez." —

A passionate political and psychological thriller set in a remote Argentinean Pampas town, is an intense and tragic family history reminiscent of , in which the madness of the detective is integral to solving crimes. , a masterpiece, won every major literary prize in the Spanish language in 2011.

The author of returns with a startling novel of race, violence, and identity.

The year is 1855. Blackface minstrelsy is the most popular form of entertainment in a nation about to be torn apart by the battle over slavery. Henry Sims, a fugitive slave and a brilliant musician, has escaped to Philadelphia, where he lives by his wits and earns money performing on the street. He is befriended by James Douglass — leader of the Virginia Harmonists, a minstrel troupe struggling to compete with dozens of similar ensembles — who senses that Henry's skill and magnetism could restore his show's sagging fortunes. The problem is that black performers are not allowed to appear onstage, even in Philadelphia. Together the two concoct a dangerous masquerade to protect Henry's identity, and he creates a sensation in his first appearances with the Harmonists. Yet even as the troupe's fortunes begin to improve, a brutal slave hunter named Tull Burton has been employed by Henry's former master to track down the runaway and retrieve him, dead or alive.

Professor Gabriel Emerson has embarked on a passionate, yet clandestine affair with his former student Julia Mitchell. Sequestered on a romantic holiday in Italy, he tutors her in the sensual delights of the body and the raptures of sex.

But when they return, their happiness is threatened by conspiring students, academic politics, and a jealous ex-lover. When Gabriel is confronted by the university administration, will he succumb to Dante’s fate? Or will he fight to keep Julia, his Beatrice, forever?

In Gabriel’s Rapture, the brilliant sequel to the wildly successful debut novel, Gabriel’s Inferno, Sylvain Reynard weaves an exquisite love story that will touch the reader’s mind, body, and soul, forever.

Codys neue Schule, die Vlad Dracul Highschool, ist altehrwürdig, elitär und höchst unheimlich. Der Schuldirektor hält einen Wolf als Haustier, seine Mitschüler tragen im Winter Sonnenbrillen. Sie alle sind Vampire - genauer gesagt Jenti. Sie sind übernatürlich stark und klug und sie behandeln Cody wie Luft, weil er zu den wenigen Nicht-Jenti an der Schule gehört. Als Cody sich in eine echte Vampir-Prinzessin verliebt, überschlagen sich die Ereignisse in dieser schaurig-schönen Highschool-Komödie mit Biss und rufen schließlich Dracula höchstpersönlich auf den Plan.<

The gauze of James Pate’s nightmare, critical & cinematic beauty keeps rising & falling on a “crimson couch,” “a scarlet curtain” & a “crisp red light”—like Homer’s rosy-fingered dawn. & like Homer the language is measured, simple & deliberate. Noble. But detonates in “torturous rampaging music”—in the “the lemon of the pig. The glory and run-off of the pig.” The nightmare is inside. & the nightmare is outside. & the critic is a man. & the critic is a woman. & the Fassbinder film just keeps on playing—“in a haze of pink dust.”

Raised in the urban ruins of Memphis Tennessee, in the wake of riots and assassinations, James Pate’s fantasies and visions draws on the occult atmosphere of devil-blues, underground trash and gothic pageantry. His work inhabits a saturated zone of violence and artifice, hate and love. For the past 15 years he has been one of my favorite writers and closest collaborators.

James Pate draws the veins together with this pulpy ode to Fassbinder. It’s burnt with shades of Klassnik & Kitchell, Evenson & Glenum, but it’s also its own night raid — these poems read like the transcript of a documentary about two sexless artists as they run loops of long-dead film stock through a haunted Arriflex, dying to record blood-slicked mannequins lit by meat locker fluorescents. Pate gets it.

La respubliko (πολιτεια) de Platono tradukita el la greka de Donald Broadribb<

“I did not go to Nicaragua intending to write a book, or, indeed, to write at all: but my encounter with the place affected me so deeply that in the end I had no choice.” So notes Salman Rushdie in his first work of nonfiction, a book as imaginative and meaningful as his acclaimed novels. In , Rushdie paints a brilliantly sharp and haunting portrait of the people, the politics, the terrain, and the poetry of “a country in which the ancient, opposing forces of creation and destruction were in violent collision.” Recounting his travels there in 1986, in the midst of America’s behind-the-scenes war against the Sandinistas, Rushdie reveals a nation resounding to the clashes between government and individuals, history and morality.<

A mysterious shipwreck.

A murder in the desolate salt marshes.

A seemingly straightforward private case turns out to be much more complicated-and sinister-than Special Agent A.X.L. Pendergast ever could have anticipated.

Pendergast, together with his ward Constance Greene, travels to the quaint seaside village of Exmouth, Massachusetts, to investigate the theft of a priceless wine collection. But inside the wine cellar, they find something considerably more disturbing: a bricked-up niche that once held a crumbling skeleton.

Pendergast and Constance soon learn that Exmouth is a town with a very dark and troubled history, and this skeleton may be only the first hint of an ancient transgression, kept secret all these years. But they will discover that the sins of the past are still very much alive. Local legend holds that during the 1692 witch trials in Salem, the real witches escaped, fleeing north to Exmouth and settling deep in the surrounding salt marshes, where they continued to practice their wicked arts.

Then, a murdered corpse turns up in the marshes. The only clue is a series of mysterious carvings. Could these demonic symbols bear some relation to the ancient witches’ colony, long believed to be abandoned?

A terrible evil lurks beneath the surface of this sleepy seaside town-one with deep roots in Exmouth’s grim history. And it may be that Constance, with her own troubled past, is the only one who truly comprehends the awful danger that she, Pendergast, and the residents of Exmouth must face...

The second novel in the series by Kathy Reichs, the number one international bestselling author of the Temperance Brennan novels and inspiration for the hit Fox TV series,

Since their dangerous transformation, the Virals have been lying low. But now Loggerhead Island is at risk, and with it, their parents’ jobs. The pack suddenly faces separation. The only thing that can stop it is money, and lots of it.

Never one to shy away from a challenge, Tory Brennan, great-niece of famous forensic anthropologist Tempe Brennan, thinks she’s devised the perfect plan: find the lost treasure of famous she-pirate Anne Bonney. Legend has it that Bonney hid her fortune somewhere near Charleston, but in nearly 300 years no one has found it.

With the help of newfound powers, and a nudge from modern technology, the Virals are on the right track. But they’re not the only ones looking, and whoever is following will stop at nothing to recover the treasure first. Adding to the danger, the Virals soon learn that Anne Bonney didn’t leave her booty unprotected. And there are dead bodies to prove it.

The path ahead is fraught with danger. And this time, the pack’s special abilities may not be enough to save them…

A comic gem, Jerzy Pilch’s takes place in 1963, in the latter days of the Polish post-Stalinist “thaw.” The narrator, Jerzyk (“little Jerzy”), is a teenager who is keenly interested in his father, a retired postal administrator, and his father’s closest friend, Mr. Trąba, a failed Lutheran clergyman, alcoholic, would-be Polish insurrectionist, and one of the wildest literary characters since Sterne’s Uncle Toby. One drunken afternoon, Mr. Trąba and the narrator’s nameless father decide to take charge of their lives and do one final good turn for humanity: travel to distant Warsaw and assassinate the de facto Polish head of state, First Secretary of the Polish United Workers’ Party, Władysław Gomułka — assassinating Mao Tse-tung, after all, would be impractical. And they decide to involve Jerzyk in their scheme…<

Slavomir Rawicz was a young Polish cavalry officer. On 19 November 1939 he was arrested by the Russians and after brutal interrogation he was sentenced to 25 years in the Gulags. After a 3-month journey to Siberia in the depths of winter he escaped with 6 companions, realising that to stay in the camp meant almost certain death. In June 1941 they crossed the trans-Siberian railway and headed south, climbing into Tibet and freedom 9 months later in March 1942 after travelling on foot through some of the harshest regions in the world, including the Gobi Desert. First published in 1956, this is one of the world's greatest true stories of adventure, survival and escape.<

While he's in rehab, Jerzy collects the stories of his fellow alcoholics — Don Juan the Rib, The Most Wanted Terrorist in the World, the Sugar King, the Queen of Kent, the Hero of Socialist Labor — in an effort to tell the universal, and particular, story of the alcoholic, and to discover the motivations and drives that underlie the alcoholic's behavior.

A simultaneously tragic, comic, and touching novel, displays Pilch’s caustic humor, ferocious intelligence, and unparalleled mastery of storytelling.

A German Shepherd police dog witnesses a murder and if his owner--an Iraq war vet and former cop-turned-thief--is convicted of the crime, the dog could be put down. Few rival Andy Carpenter's affection for dogs, and he decides to represent the poor canine. As Andy struggles to convince a judge that this dog should be set free, he discovers that the dog and his owner have become involved unwittingly in a case of much greater proportions than the one they've been charged with. Andy will have to call upon the unique abilities of this ex-police dog to help solve the crime and prevent a catastrophic event from taking place.

Series fans and newcomers alike will welcome Rosenfelt's eighth comic legal thriller to feature Paterson, N.J., defense lawyer Andy Carpenter (after New Tricks). Billy Zimmerman, an ex-cop and Iraq war vet who lost a leg to a suicide bomber, has used Milo, a German shepherd and a former police dog, as his partner in snatch and run crimes. When a snatch that goes badly awry results in a murder charge for Billy and impoundment for Milo, Andy takes on Milo as a client. Andy, whose courtroom antics always delight, makes his bid for Milo's freedom before formidable Judge Horace Catchings. Billy's case presents greater challenges, with tendrils reaching back to Iraq and involving payoffs, hit men, and even a possible national security threat. Oddball regular characters, like Willie Miller, who tries his hand at detecting, and Marcus Clark, "the most-menacing-looking human being" Carpenter has ever seen, add to the fun.