In 1993 Marie Gesto disappeared after walking out of a supermarket. Harry Bosch worked the case but couldn't crack it, and the twenty-two-year-old was never found. Now, more than a decade later, with the Gesto file still on his desk, Bosch gets a call from the District Attorney. A man accused of two heinous murders is willing to come clean about several others, including the killing of Marie Gesto. Taking the confession of the man he has sought-and hated-for thirteen years is bad enough. Discovering that he missed a clue back in 1993 that could have stopped nine other murders may just be the straw that breaks Harry Bosch.

From Publishers Weekly

Starred Review. Bestseller Connelly's dazzling 13th Harry Bosch novel (after 2006's Echo Park) reunites Bosch with his former flame, FBI agent Rachel Walling. Bosch must break in a new partner, rookie Iggy Ferras, when they're called to look into the execution of physicist Stanley Kent on a Mulholland Drive overlook. When a special FBI unit, headed by Walling, arrives and tries to usurp his case, claiming it's a matter of national security, Bosch refuses to back down. Walling's focus on the potential theft of radioactive material from the hospital where Kent was lending his expertise to cancer treatment and her unwillingness to share information only make Bosch more determined to solve the case. This is a quick read, almost half the length of Connelly's previous novels, but he spares no punches when it comes to complexity and suspense. The scramble to investigate threats to national security, justified or otherwise, is a timely subject and one on which Connelly puts a brilliant new spin. (May 22)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Michael Connelly originally published The Overlook as a serialized novella in the New York Times Magazine; the 16 sections contained 3,000 words each. Although expanded to novel form, The Overlook weighs in as a good, if slim (and perhaps, as a few critics claim, slight), addition to the Harry Bosch series. For the most part, the novel succeeds in maintaining Connelly's trademark fast-paced action, plot twists, suspense, and spare, humorous writing-all over the course of 12 hours. Some reviewers cited tired characters, dull romance, a bizarre time frame, and plotting missteps, but for followers of Harry Bosch, The Overlook is a worthy addition.
Copyright © 2004 Phillips & Nelson Media, Inc.

From Publishers Weekly

Starred Review. Bestseller Connelly delivers one of his most intricate plots to date in his 20th book, a beautifully executed crime thriller. When L.A. lawyer Mickey Haller, last seen in The Lincoln Lawyer (2005), inherits the practice and caseload of a fellow defense attorney, Jerry Vincent, who's been murdered, the high-profile double-homicide case against famed Hollywood producer Walter Elliot, accused of shooting his wife and her alleged lover, takes top priority. As Haller scrambles to build a defense, he butts heads with LAPD Det. Harry Bosch, the stalwart hero of Connelly's long-running series (_The Black Echo_, etc.), who's working Vincent's murder. When Haller realizes that the Elliot affair is bigger than simply a jealous husband killing his cheating wife, he and Bosch grudgingly agree to work together to solve what could be the biggest case in both their careers. Bosch might have met his match in the wily Haller, and readers will delight in their sparring. 10-city author tour. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Critics were pleased to see two of Michael Connelly's protagonists—the relatively new Mickey Haller and world-weary homicide detective Harry Bosch—come together for the first time. They agreed that while this union of sorts could have been cliched, it succeeded for the most part by adding a new layer—the evolution of a relationship forged by protagonists of different series—to Connelly's oeuvre. Haller's presence adds a lighter tone to the story, which balances Bosch's darker, more ruminative outlook. Both play against each other nicely as Connelly writes at once a police procedural and a captivating legal thriller. The Washington Post called The Brass Verdict primarily entertainment, with deeper undertones—just right for Connelly fans.
Copyright 2008 Bookmarks Publishing LLC

From Publishers Weekly

Connelly's new thriller features two of his series heroes-the wily defense attorney Mickey Haller and his half-brother, LAPD detective Harry Bosch. This time Haller is working the other side of the courtroom, as a special independent prosecutor trying to keep a very nasty child molester and killer behind bars, with Bosch doing his legwork. As we've seen in The Brass Verdict, the author has Haller narrating his chapters, while the Bosch-centered sections are told in the third person. For the former, Peter Giles has developed a breezy, fast-paced vocal approach, while the detective's process is presented in a tougher, no frills manner. Additional characters are provided their own unique voices, including the smooth-talking district attorney, the arrogant villain, Haller's icy-but-melting former wife, and a brave but wavering witness to the crime. Not only is the production highly entertaining, the package is particularly generous, offering an additional two CDs containing unabridged MP3-format versions of The Reversal and the previous Haller-Bosch match, The Brass Verdict, also read by Giles. A Little, Brown hardcover. (Nov.)
(c) Copyright PWxyz, LLC. All rights reserved.

From Booklist

Starred Review Connelly may be our most versatile crime writer. His Harry Bosch series has taken the hard-boiled cop novel to a new level of complexity, both in its portrayal of the hero’s inner life and in Connelly’s ability to intertwine landscape and meaning. His Mickey Haller novels, on the other hand, starring the maverick lawyer who uses his Lincoln Town Car as an office, are testaments to the sublime architecture of plot. With the crime novel now commonly rubbing elbows with literary fiction, it sometimes seems that pure story has become a forgotten stepchild. In his Haller novels, Connelly reminds us how satisfying it can be to follow the path of a well-constructed plot. So it is here, in the third Haller novel, which finds the antiestablishment attorney accepting an unlikely offer: a one-time gig as a prosecutor, retrying a case in which a killer’s 24-year-old conviction has been overturned on the basis of DNA. Taking second chair will be Haller’s ex-wife, the formidable Maggie, with Harry Bosch (identified in The Brass Verdict, 2008, as Haller’s half brother) serving as special investigator. The table is set for a straightforward legal thriller, albeit one starring three superbly multidimensional characters. And, yet, Connelly bobs and weaves around all our expectations. There is suspense, of course, and there are plenty of surprises, both in the courtroom and outside of it, but this is a plot that won’t be pigeonholed. Reading this book is like watching a master craftsman, slowly and carefully, brick by brick, build something that holds together exquisitely, form and function in perfect alignment. --Bill Ott

Amazon.com Review

This #1 bestselling legal thriller from Michael Connelly is a stunning display of novelistic mastery - as human, as gripping, and as whiplash-surprising as any novel yet from the writer Publishers Weekly has called "today's Dostoevsky of crime literature."

Mickey Haller is a Lincoln Lawyer, a criminal defense attorney who operates out of the backseat of his Lincoln Town Car, traveling between the far-flung courthouses of Los Angeles to defend clients of every kind. Bikers, con artists, drunk drivers, drug dealers - they're all on Mickey Haller's client list. For him, the law is rarely about guilt or innocence, it's about negotiation and manipulation. Sometimes it's even about justice.

A Beverly Hills playboy arrested for attacking a woman he picked up in a bar chooses Haller to defend him, and Mickey has his first high-paying client in years. It is a defense attorney's dream, what they call a franchise case. And as the evidence stacks up, Haller comes to believe this may be the easiest case of his career. Then someone close to him is murdered and Haller discovers that his search for innocence has brought him face-to-face with evil as pure as a flame. To escape without being burned, he must deploy every tactic, feint, and instinct in his arsenal - this time to save his own life.

Q&A with Michael Connelly

Q: The Lincoln Lawyer is your second book to be made into a movie. How does that feel?

A: I am very fortunate to have this experience even once. I wish every writer got a chance to see the written work translated to the visual. It is quite thrilling.

Q: You’ve said that Matthew McConaughey nails the character of Mickey Haller. In what ways?

A: I would say it is in many subtle ways that add up to a big performance. Mickey is a guy who is always looking for an angle. He is a bit cynical and cocky. At different times in the movie McConaughey seems to convey these character aspects without dialogue. Then when it comes to dialogue and action he delivers flawlessly. The story is about a cool, calm man being put into a desperate situation. McConaughey makes that leap convincingly.

Q: What was your involvement in the making of the movie?

A: Almost none. I looked at the first and last versions of the script, took a few phone calls from producers and location scouts, and that was about it. I think my biggest contribution outside of writing the book was giving my trust to Tom Rosenberg and Gary Lucchesi, the producers. They promised me six years ago that they would keep the gritty realism of the story – the-law-in-the-trenches aspect of it. I trusted them to do that and with Brad Furman, the director, they came through.

Q: What were your immediate thoughts when you first read the script? When you heard about each cast member?

A: Depends on which script. It was a long-running work in progress. I went from not liking the first effort to being blown away by the last version. I am a huge believer in rewriting in my own work so I knew that the more time they spent with the script, the better it would become. As far as casting goes, I don't write with anybody in mind. But I saw Tropic Thunder with Matthew McConaughey in it and immediately thought he would be good at being Mickey Haller. A year later he was cast, so I was happy from the start. The rest of the cast is just fantastic. As each was announced, I became more and more excited. John Leguizamo was in Brad Furman's previous film and was just excellent. When I heard he was aboard, it was a great day. Same with all the rest. Bryan Cranston happens to be the star of my favorite show, Breaking Bad. So I couldn't be happier with him in the cast.

Q: What was your inspiration for The Lincoln Lawyer? Is Mickey Haller based on someone you know?

A: I met an attorney who worked out of his car, not because he was not doing well but because he believed it was the best way to do the job in L.A. That was the spark, and it went from there.

Q: Are there any scenes in the film that you wish were in the book?

A: There are definitely a few lines I wish were in the book. There is a scene where Mickey drops his sleeping daughter off at his ex-wife's home. It is a poignant scene that I really love and could have used in the book.

Q: Did you visit the set while they were filming the movie? What was that experience like?

A: I went four different times and scheduled the visits to coincide with the shooting of some significant scenes. I loved what I was seeing on both sides of the camera: a lot of dedication to the project. Everyone on the crew felt like they were making something good. It was great to witness.

From Publishers Weekly

Starred Review. Veteran bestseller Connelly enters the crowded legal thriller field with flash and panache. Los Angeles criminal defense attorney Mickey Haller regularly represents lowlifes, but he's no slickster trolling for loopholes in the ethics laws. He's haunted by how he mishandled the case of (probably innocent) Jesus Menendez, and, though twice divorced, he's on good terms with his ex-wives; one of them manages his office, and the other, an ambitious assistant DA, occasionally tumbles back into bed with him. When Mickey signs on to defend young real estate agent Louis Roulet against charges of assault, he can't help seeing dollar signs: Roulet's imperious mother will spend any amount to prove her beloved son's innocence. But probing the details of the case, Mickey and private investigator Raul Levin dig up a far darker picture of Roulet's personality and his past. Levin's murder and a new connection to the Menendez case make Mickey wonder if he's in over his head, and his defense of Roulet becomes a question of morality as well as a test of his own survival. After Connelly spends the book's first half involving the reader in Mickey's complex world, he thrusts his hero in the middle of two high-stakes duels, against the state and his own client, for heart-stopping twists and topflight storytelling. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

LAPD Detective Harry Bosch as we’ve never seen him before, in an exclusive eBook containing three brand new short stories

The Last Coyote: LAPD homicide detective Harry Bosch is suspended from the force for attacking his commanding officer. Unable to remain idle, he investigates the long-unsolved murder of a Hollywood prostitute. Trunk Music: Harry returns to the force to investigate the murder of a movie producer with Mafia ties. Up against both the LAPD's organized crime unit and the mob, Harry follows the money trail to Las Vegas, where the case becomes personal. Angels Flight: The murder of a prominent African-American attorney who made his career suing the police for racism and brutality means that Harry's friends and associates have become suspects; and he must work closely with longtime enemies suspicious of his maverick ways to investigate them. Together for the first time, these three chilling, pulse-pounding novels chart the volatile, breakneck career of the sleuth the New York Post calls "the quintessential mystery book hero" and prove that "Michael Connelly's Harry Bosch novels a...

Amazon.com Review

There seems to be an unspoken rule among mystery writers that once the author has created a successful character, the obligation to fans demands regular installments in the hero's life history, whatever the author's literary aspirations. Sir Arthur Conan Doyle was famously unsuccessful at killing off Sherlock Holmes and resurrected his detective in response to public outcry. Michael Connelly's police procedural series featuring Harry Bosch has garnered numerous top mystery awards, including the coveted Edgar. But, strangely, it is his deviations from Bosch, including The Poet and Blood Work, that have drawn the biggest readerships--and have won awards of their own to boot (_The Poet_ was honored with the 1997 Anthony Award). Now, once again, Connelly follows up the success of a Bosch book, Angels Flight, with a non-series tale that pushes Connelly's already impressive body of work into new territory.

Void Moon traces the path of Cassie Black, a gifted thief who struggles with the temptation of "outlaw juice" (the burning desire to live the fast life of crime and payoffs) even while she regularly attends her probation meetings. It's not that hawking Porsches to newly flush young Hollywood males isn't satisfying, but... well, it isn't. After years away, she returns to her old striking grounds in Las Vegas for one last big mark hoping to pave her way into a new life. But Cassie discovers that her old Las Vegas is a new town with a new skyline and new (and more deadly) bad guys; it is also a place haunted by the ghost of her lover-partner Max. When her take proves to be 10 times larger than she imagined, her road to freedom runs afoul of the Mob while a morally questionable--and openly vicious--PI sniffs her trail.

With its attractive central character, meticulous plot, and glitzy packaging, Void Moon seems perfectly poised for the New York Times bestsellers list. That is not to say, however, that Connelly has "dumbed down" his usual presentation. The novel displays Connelly's stunning ability to breathe reality into his fiction with the subtle details that can only come from careful research and his years of experience reporting on crime for the L.A. Times. What other author has so lovingly described the aftermath of crime? The jail sentence, recidivism, the numbing visits to the parole officer where "she held the plastic cup she would have to squat over and fill while an office trainee, dubbed the wizard because of the nature of her monitoring duty, watched to make sure it was her own urine going into the container." While we Connelly fans are always eager to read the next Bosch, once again we're not disappointed with Connelly's "vacation." --Patrick O'Kelley

From Publishers Weekly

Cassie Black, a resourceful ex-con, plans to burgle the Las Vegas casino's high roller suite where, five years before, a previous attempt resulted in her arrest and the death of her lover. It's an intriguing premise, and L.J. Ganser delivers a mesmerizing and nuanced performance. In creating Jack Karch, the bon vivant Vegas private eye who moonlights as a hit man, Ganser settles on a genial, almost charming delivery, underplaying the character's sinister psychopathology and adding to the suspense. As hunted and hunter race across the twists and turns of the novel's shadowy landscape, author and reader combine to make all the right moves. A Grand Central hardcover.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.