It's spring in Michigan's Upper Peninsula – an exciting season of rising temperatures, budding romances, and the turkey-hunting opener. But for sheer adrenaline value, neither love nor turkeys can compete with the Credit Union being held up at gunpoint. It's not the best planning to commit a robbery in a town where everyone is armed for combat, and the gunman is shot dead in a room full of witnesses – but the stolen money has disappeared right in front of their eyes.

Faster than you can say "Tom Turkey," Gertie, Cora Mae, and Kitty are on the case, in this hoot of a whodunit.

THEY SEARCHED FOR GOLD. THEY FOUND DEATH.

Iraq 2005. Seven mercenaries hear an enticing rumor: somewhere, abandoned in the swirling desert sands, lies an abandoned Republican Guard convoy containing millions of pounds of Saddam’s gold. They form an unlikely crew of battle-scarred privateers, killers and thieves, veterans of a dozen war zones, each of them anxious to make one last score before their luck runs out.

After liberating the sole surviving Guard member from US capture, the team makes their way to the ancient ruins where the convoy was last seen. Although all seems eerily quiet and deserted when they arrive, they soon find themselves caught in a desperate battle for their lives, confronted by greed, betrayal, and an army that won’t stay dead.

A brilliant, gripping portrait of survival in the face of complete annihilation perfect for fans of Jonathan Maberry and Guillermo Del Toro’s

An unputdownable military thriller that SFFworld.com called "Three Kings meets The Walking Dead,” is a heart-pounding, fast-paced read that doesn’t let up until the last page.

The world has been overrun by a lethal infection. Humanity ravaged by a pathogen that leaves victims demented, mutated, locked half-way between life and death. Major cities have been bombed. Manhattan has been reduced to radioactive rubble.

A rescue squad enters the subway tunnels beneath New York. The squad are searching for Dr Conrad Ekks, head of a research team charged with synthesising an antidote to the lethal virus. Ekks and his team took refuge in Fenwick Street, an abandoned subway station, hours before a tactical nuclear weapon levelled Manhattan.

The squad battle floodwaters and lethal radiation as they search the tunnels for Ekks and his team. They confront infected, irradiated survivors as they struggle to locate a cure to the disease that threatens to extinguish the human race.

The world is overrun by an unimaginable horror. The few surviving humans are scattered in tiny outposts across the world, hoping for reprieve – or death. Waiting on the runway of the abandoned Las Vegas airport sits the B-52 bomber , revving up for its last, desperate mission. On board – six crew members and one 10-kiloton nuclear payload. The target is a secret compound in the middle of the world’s most inhospitable desert. All the crew have to do is drop the bomb and head to safety. But when the crashes, the surviving crew are stranded in the most remote corner of Death Valley. They’re alone in an alien environment, their only shelter the wreckage of their giant aircraft, with no hope of rescue. And death is creeping towards them from the place they sought to destroy – and may already reside beneath their feet in the burning desert sands.

This is the fourth of Adam Baker’s thrillers set in the post-apocalyptic world of OUTPOST, JUGGERNAUT and TERMINUS.

A new novel by bestselling author Nicholson Baker reintroduces feckless but hopeful hero Paul Chowder, whose struggle to get his life together is reflected in his steadfast desire to write a pop song, or a protest song, or both at once.

Two men — Jay and Ben — sit in a Washington hotel room. Jay has called his old friend Ben there — to tell him why and how he wants to kill the President. Jay is a bit of a loser (he's lost his girlfriend, his job, and his car), generally easy-going, but now he's on edge and he's angry — and he's acquired some radio-controlled flying saws, and is working on a boulder with a depleted uranium centre — but he also has a gun and bullets. Ben is the voice of liberal reason, with a job and a family. Jay switches on a tape machine, and the two men argue. Well, Ben tries feebly to reason or cajole, while Jay rants and rages about everything from the horror of what happened at that southern Iraq checkpoint where US forces opened fire on a Shiite family in a Land Rover, killing most of them, and decapitating two young girls; to the iniquities of the present administration, Bush, Cheney, Rumsfeld et al., and abortion (if they're against abortion, how come they can kill women and children?), not to mention the napalm-like substance ('improved fire jelly') used in bombs in Iraq. Their dialogue veers from chilling and serious to wacky and crazed (Bush, says Jay, is 'one dead armadillo'). "Checkpoint" is a novel about a man pushed to the extremes, by a writer who is clearly angry. Like Michael Moore's "Fahrenheit 9/11", it takes the temperature of America just below the surface and finds it at boiling point.

The ostensible purpose of a library is to preserve the printed word. But for fifty years our country’s libraries — including the Library of Congress — have been doing just the opposite, destroying hundreds of thousands of historic newspapers and replacing them with microfilm copies that are difficult to read, lack all the color and quality of the original paper and illustrations, and deteriorate with age.

With meticulous detective work and Baker’s well-known explanatory power, reveals a secret history of microfilm lobbyists, former CIA agents, and warehouses where priceless archives are destroyed with a machine called a guillotine. Baker argues passionately for preservation, even cashing in his own retirement account to save one important archive — all twenty tons of it. Written the brilliant narrative style that Nicholson Baker fans have come to expect, is a persuasive and often devastating book that may turn out to be of the American library system.

Shandee finds a friendly arm at a granite quarry. Ned drops down a hole in a golf course. So begins Nicholson Baker’s fuse-blowing sexual escapade — a modern-day Hieronymus Boschian bacchanal set in a pleasure resort where normal rules don’t apply. one of the most talked-about books in recent memory, is a gleefully provocative novel sure to surprise, amuse, and arouse.

Our supreme fabulist of the ordinary now turns his attention on a 9-year-old American girl and produces a novel as enchantingly idiosyncratic as any he has written. Nory Winslow wants to be a dentist or a designer of pop-up books. She likes telling stories and inventing dolls. She has nightmares about teeth, which may explain her career choice. She is going to school in England, where she is mocked for her accent and her friendship with an unpopular girl, and she has made it through the year without crying.

Nicholson Baker follows Nory as she interacts with her parents and peers, thinks about God and death-watch beetles, and dreams of cows with pointed teeth. In this precocious child he gives us a heroine as canny and as whimsical as Lewis Carroll's Alice and evokes childhood in all its luminous weirdness.

Having turned phone sex into the subject of an astonishing national bestseller in Vox, Baker now outdoes himself with an outrageously arousing, acrobatically stylish "X-rated sci-fi fantasy that leaves Vox seeming more like mere fiber-optic foreplay" (Seattle Times). "Sparkling."-San Francisco Chronicle.

The bestselling author of Vox and The Fermata devotes his hyperdriven curiosity and magnificently baroque prose to the fossils of punctuation and the lexicography of smut, delivering to readers a provocative and often hilarious celebration of the neglected aspects of our experience.