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Darren Shan, Mr. Crepsley and Vancha Marsch, are the hunters of the dusk. Their quarry — the Vampaneze Lord. But friends old and new may stand in their way… THE SAGA OF DARREN SHAN BOOK 7 It is six years after Darren was made a Vampire Prince and following a grim prophesy made by Mr. Tiny, the vampires know the ascension of the Vampaneze Lord is at hand. Mr. Tiny warns the vampires that there will be only three opportunities for the Vampaneze Lord to be vanquished and only three vampires who may succeed: Vancha Marsch, Larten Crepsley… and Darren Shan. Leaving the enclave of Vampire Mountain, Harkat, Darren and Mr. Crepsley are shadowed by a creature of the night, do battle with the vampaneze, meet the mysterious Evanna and pay a visit to some old friends at the Cirque Du Freak. But no friend can prevent the bloody trail of bodies — the Vampaneze Lord may be more than a match for the hunters of the dusk.
Madeleine Thien's new novel is breathtaking in scope and ambition even as it is hauntingly intimate. With the ease and skill of a master storyteller, Thien takes us inside an extended family in China, showing us the lives of two successive generations-those who lived through Mao's Cultural Revolution in the mid-twentieth century; and the children of the survivors, who became the students protesting in Tiananmen Square in 1989, in one of the most important political moments of the past century. With exquisite writing sharpened by a surprising vein of wit and sly humour, Thien has crafted unforgettable characters who are by turns flinty and headstrong, dreamy and tender, foolish and wise.
At the centre of this epic tale, as capacious and mysterious as life itself, are enigmatic Sparrow, a genius composer who wishes desperately to create music yet can find truth only in silence; his mother and aunt, Big Mother Knife and Swirl, survivors with captivating singing voices and an unbreakable bond; Sparrow's ethereal cousin Zhuli, daughter of Swirl and storyteller Wen the Dreamer, who as a child witnesses the denunciation of her parents and as a young woman becomes the target of denunciations herself; and headstrong, talented Kai, best friend of Sparrow and Zhuli, and a determinedly successful musician who is a virtuoso at masking his true self until the day he can hide no longer. Here, too, is Kai's daughter, the ever-questioning mathematician Marie, who pieces together the tale of her fractured family in present-day Vancouver, seeking a fragile meaning in the layers of their collective story.
With maturity and sophistication, humour and beauty, a huge heart and impressive understanding, Thien has crafted a novel that is at once beautifully intimate and grandly political, rooted in the details of daily life inside China, yet transcendent in its universality.
The quest for the Vampaneze Lord continues for the hunters of the dusk. Darren gets an unwelcome taste of reality when he is forced to go back to school and his past catches up with him. THE SAGA OF DARREN SHAN BOOK 8 Maturing at one fifth the rate of a normal human, Darren has the looks of a fifteen year old, even though he is very much older. Vampire Prince and vampaneze killer he may be, but someone has shopped him to the authorities and it's time for Darren to go back to school. But school is not the only thing Darren has to come to terms with: faces from the past, the death of a clan member, a clash with a vampire hunter and blood-thirsty vampaneze mean Darren's past is catching up with him — fast. It's time for the allies of the night to join forces. The hunt is on…
Hér segir frá óvæntu ævintýri Bagga. Og frammistaða hans var sannarlega ekki fyrirsjáanleg …
Bilbó Baggi var fullkomlega sáttur við fábrotið lífið í holu sinni. Þessi heimakæri Hobbiti yfirgaf helst ekki híbýli sín í Bagga-botni, ef nóg var að bíta og brenna. En dag nokkurn var knúið dyra og rólyndislífi hans raskað. Þar var kominn galdramaðurinn Gandalfur, í félagi við þrettán dverga. Vildu þeir fá Bilbó með sér í mikinn leiðangur og lét hann treglega tilleiðast. Endurheimta átti fjársjóð sem hinn ógurlegi dreki, Smeyginn, rændi dverganna forðum; sannkallað gull í heljargreipum …
Hobbitinn, forleikurinn að Hringadróttinssögu, kom fyrst út árið 1937 og hefur síðan selst í milljónum eintaka. Sagan er tvímælalaust ein af ástsælustu og áhrifamestu bókmenntum tuttugustu aldar.
Silvanos, dostojny założyciel zjednoczonego państwa elfów znanego jako Silvanesti, umiera i zostaje pochowany w kryształowym grobowcu. Tron Mówcy Gwiazd przechodzi na jego syna — Sithela, który sam jest ojcem dwóch bliźniaczych synów. Książęta Sithas i Kith-Kanan reprezentują rodzące się w narodzie nowe frakcje. Niestabilna sytuację starają się wykorzystać wrogowie — zarówno ci zewnętrzni jak i wewnętrzni. Nieznani najeźdźcy pustoszą dalekie prowincje państwa, narastają niepokoje wśród ludu, mnożą się kolejne spiski pałacowe. Drogi rywalizujących ze sobą braci rozchodzą się. Obaj zmuszeni będą dokonywać dramatycznych wyborów, które położą kres jedności i zadecydują o losach ich rodziny i wszystkich elfów...
Siglo XXI. Un mundo en ruinas gobernado por un viejo y astuto tirano, Genghis II Mao IV Khan. La vida del Khan se mantiene gracias a la habilidad de Sadrac Mordecai, un brillante cirujano negro cuya misión es reemplazar los órganos deteriorados del presidente.
Los más modernos aparatos se utilizan para tres proyectos de gran envergadura, uno de ellos, el proyecto Avatar, tiene por objeto lograr la inmortalidad del viejo líder transfiriendo la mente y la personalidad del Khan a un cuerpo más joven.
Sadrac descubre que ha sido elegido para ese macabro proyecto, pero logra idear con increíble serenidad un peligroso plan para cambiar la faz de la Tierra.
Nombrado para el premio Nebula a la mejor novela en 1976.
Nombrado para el premio Hugo a la mejor novela en 1977.
What if you were thrown into a foreign society, never to see home again? What would you do and could you survive?
Joe Colsco boarded a flight from San Francisco to Chicago to attend a national chemistry meeting. He would never set foot on Earth again.
On planet Anyar, Joe is found unconscious on a beach of a large island inhabited by humans where the level of technology is similar to Earth circa 1700. He awakes amidst strangers speaking an unintelligible language, and struggles to accept losing his previous life and finding a place in a society with different customs, needing a way to support himself, and not knowing a single soul. His worry about finding a place is assuaged when he finds ways to apply his knowledge of chemistry—as long as he is circumspect in introducing new knowledge not too far in advance of the planet’s technology and being labelled a demon.
As he adjusts, Joe finds that he has be dropped into a developing clash between the people who cared for him, and for whom he develops an affinity, and a military power from elsewhere on the planet, a power with designs on conquest.
Unaware, Joseph Colsco has been poured into a crucible, where time and trials will transform him in ways he could never have imagined.
Late on night, the body of a young man is delivered to the morgue of an Italian town. The next day's newspapers report that he was killed in a police raid, and that went by the obviously false name "Carlo Nobodi." Spino, the morgue attendant on duty at the time, becomes obsessed with tracing the identity of the corpse. "Why do you want to know about him?" asks a local priest. "Because he is dead and I'm alive," replies Spino. In this spare yet densely packed cautionary tale, Tabucchi reminds us that it is impossible to reach the edge of the horizon since it always recedes before us, but suggests that some people "carry the horizon with them in their eyes."
There’s a lot about Joan-Marc that his estranged second wife doesn’t know — but which he now sets out to tell her. He begins with the failure of his first marriage to an American woman named Helen, describing a vacation they took in a last-ditch attempt to salvage their once-passionate romance. The recollection of this ill-fated trip triggers in him a series of flashbacks through which he narrates his life story, hopscotching between Barcelona and Madrid. Starting from pivotal moments in his childhood — his earliest sexual encounters, his father’s suicide, his mother’s emotional decline — he moves through the years to the origin of his relationship with Helen and the circumstances surrounding its deterioration. The result is a provocative exploration of memory, nostalgia, romance, the ways in which the past takes hold — a powerful portrait of a man struggling with his illusions about life and love.
Desperate to quell her addiction to drugs, disastrous romance, and nineties San Francisco, Michelle heads south for LA. But soon it's officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird.
While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and meta-textual exploration to complement her promises of maturity and responsibility. But as she tries to make queer love and art without succumbing to self-destructive vice, the boundaries between storytelling and everyday living begin to blur, and Michelle wonders how much she'll have to compromise her artistic process if she's going to properly ride out doomsday.
Czechoslovakia, 1968. The Soviet troops have just invaded and, for the young orphan Ilya, life is suddenly turned on its head. At first there is relief that the mean-spirited nuns who run his orphanage have been driven out by the Red Army, but as the children are left to fend for themselves, order and routine quickly give way to brutality and chaos, and Ilya finds himself drawn into the violence. When the troops return, the orphans are given military training and, with his first-hand knowledge of the local terrain, Ilya becomes guide to a Soviet tank battalion, leading him ever deeper into a macabre world of random cruelty, moral compromise and lasting shame.
The cast-offs of modern urban society are driven out onto the edges of the city and left to make a life there for themselves. They are not, however, in any natural wilderness, but in a world of refuse and useless junk?a place which denies any form of sustainable life. Here, the unemployed, the homeless, the old and the bereft struggle to build shelters out of old tin cans, scavenge for food and fight against insuperable odds.
And yet somehow they survive: it seems that society thrives on the garbage hills because it has always been built on one. In this dark fairy tale full of scenes taken from what has increasingly become a way of life for many inhabitants on this planet, Latife Tekin has written a grim parable of human destiny.
A major best seller in her native Turkey, Latife Tekin maintains a politically active presence and has written a number of literary works.
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