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Never has Wallace's seemingly endless curiosity been more evident than in this compilation of work spanning nearly 20 years of writing. Here, Wallace turns his critical eye with equal enthusiasm toward Roger Federer and Jorge Luis Borges; and ; the nature of being a fiction writer and the quandary of defining the essay; the best underappreciated novels and the English language's most irksome misused words; and much more.
Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.
Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."
It’s not often that Stone Barrington finds a woman as accustomed to the jet-set lifestyle as he, so he’s pleasantly surprised when he meets a gorgeous pilot who’s soon moving to New York, and available for closer acquaintance. Their travels together lead them from Wichita to Europe, but trailing them is some unwanted baggage: his new lady love’s unstable, criminal ex-boyfriend.
And while Stone is fending off his newest adversary, trouble is brewing on the international stage. Several enemy operatives are at large, and only a coordinated intelligence effort will have any chance of stopping their deadly plot. But the clock is ticking... and time has nearly run out.
border town on the steppe. A small group of emaciated and feral refugees appears out of nowhere, spreading fear and panic in the town. When police commissioner Pontus Beg orders their arrest, evidence of a murder is found in their luggage. As he begins to unravel the history of their hellish journey, it becomes increasingly intertwined with the search for his own origins that he has embarked upon. Now he becomes the group’s inquisitor … and, finally, something like their saviour.
Beg’s likeability as a character and his dry-eyed musings considering the nature of religion keep the reader pinned to the page from the start. At the same time, the apocalyptic atmosphere of the group’s exodus across the steppes becomes increasingly vivid and laden with meaning as the novel proceeds, in seeming synchronicity with the development of Beg’s character.
With a rare blend of humour and wisdom, Tommy Wieringa links man’s dark nature with the question of who we are and whether redemption is possible.
In a parched southern California of the near future, Luz, once the poster child for the country’s conservation movement, and Ray, an army deserter turned surfer, are squatting in a starlet’s abandoned mansion. Most “Mojavs,” prevented by armed vigilantes from freely crossing borders to lusher regions, have allowed themselves to be evacuated to encampments in the east. Holdouts like Ray and Luz subsist on rationed cola and water, and whatever they can loot, scavenge, and improvise.
For the moment, the couple’s fragile love, which somehow blooms in this arid place, seems enough. But when they cross paths with a mysterious child, the thirst for a better future begins. Heading east, they are waylaid in the desert by a charming and manipulative dowser — a diviner for water — and his cultlike followers, who have formed a colony in a mysterious sea of dunes.
Immensely moving, profoundly disquieting, and mind-blowingly original, Watkins’s novel explores the myths we believe about others and tell about ourselves, the double-edged power of our most cherished relationships, and the shape of hope in a precarious future that may be our own.
The legendary writer’s first collection in more than ten years — and, finally, the definitive one. A literary event of the highest order.
Joy Williams has been celebrated as a master of the short story for four decades, her renown passing as a given from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: thirty-three stories drawn from three much-lauded collections, and another thirteen appearing here for the first time in book form. Forty-six stories in all, far and away the most comprehensive volume in her long career, showcasing her crisp, elegant prose, her dark wit, and her uncanny ability to illuminate our world through characters and situations that feel at once peculiar and foreign and disturbingly familiar. Virtually all American writers have their favorite Joy Williams stories, as do many readers of all ages, and each one of them is available here.
In 1840, Plantagenet Strongbow, the twenty-ninth Duke of Dorset, seven-feet-seven-inches tall and the greatest swordsman and botanist of Victorian England, walks away from the family estate and disappears into the Sinai Desert carrying only a large magnifying glass and a portable sundial. He emerges forty years later as an Arab holy man and anthropologist, now the author of a massive study of Levantine sex — and the secret owner of the Ottoman Empire.
Meanwhile, Skanderbeg Wallenstein has discovered the original Bible, lost on a dusty bookshelf in the monastery library. To his amazement, it defies every truth held by the three major religions. Nearly a century later, Haj Harun, an antiquities dealer who has acted as guardian of the Holy City for three thousand years, uncovers the hidden Bible.
On New Year’s Eve, 1921, three men sit down to a poker game. The Great Jerusalem Poker Game, as it’s eventually known, continues for the next twelve years — the players unwilling to leave a competition whose prize is control of Jerusalem. The players are as exotic as the game: Cairo Martyr, a one-time African slave, now the Middle East’s chief supplier of aphrodisiac mummy dust; Joe O’Sullivan Beare, an Irish tradesman with a specialty in sacred phallic amulets; and Munk Szondi, an Austro-Hungarian Imperial Army colonel turned dedicated Zionist.
But before the final hand is played to determine the destiny of the Holy City, a dangerous new player enters the picture: Nubar Wallenstein, an Albanian alchemist determined to achieve immortality, and heir to the world’s largest oil syndicate. He finances a vast network of spies dedicated to destroying the players, and his aim is to win complete power over Jerusalem.
On a clear night in 1941, a hand grenade explodes in a Cairo bar, taking the life of Stern, a petty gunrunner and morphine addict, nationality unknown, his aliases so numerous that it’s impossible to determine whether he was a Moslem, Christian, or Jew.
His death could easily go unnoticed as Rommel’s tanks charge through the desert in an attempt to take the Suez Canal and open the Middle East to Hitler’s forces. Yet the mystery behind Stern’s death is a top priority for intelligence experts. Master spies from three countries converge on Joe O’Sullivan Beare, who is closer to Stern than anyone, in an effort to unravel the disturbing puzzle. The search for the truth about Stern leads O’Sullivan Beare through the slums of Cairo to a decaying former brothel called the Hotel Babylon, populated by unusual characters. Slowly, the mystery of Stern unravels as Whittemore explores the tragedy and yearning of one man fighting a battle for the human soul.
Yossi is an ideal agent for the Mossad—an Iraqi Jew, an idealist, and a charming loner, fluent in Arab dialects. Tajar, a brilliant agent, recruits and manages Yossi, code-named “the Runner.” Thus begins the longest-running and most successful operation in the history of Israeli intelligence. Yossi’s cover is Halim, a Syrian businessman who has returned home from Buenos Aires and whose charm inspires high-level friendships. His reputation leads to an opportunity that he can’t refuse: Tajar becomes a double agent infiltrating Syrian intelligence.
Meanwhile, in the desert oasis of Jericho, Abu Musa, an Arab patriarch, and Moses the Ethiopian, meet each day over games of shesh-besh and glasses of Arak to ponder history and humanity. We learn about the friendship of Yossi’s son, Assaf, an Israeli soldier badly wounded during the Six Day War, and Yousef, a young Arab teacher who, in support of the Palestinian cause, decides to live as an exile in the Judean wilderness.
Compared to Kafka and a member of the Surrealists, Richard Weiner is one of European literature’s best-kept secrets. marks the long overdue arrival of his dreamlike, anxiety-ridden fiction into English.
The book opens with where an unnamed hero discovers his double. Surely, he reasons, if has a double, then his double must also have a double too, and so on. . What follows is a grotesquely hilarious, snowballing spree through Paris, where real-life landmarks disintegrate into theaters, puppet shows, and, ultimately, a funeral.
Following this, neatly inverts things: instead of a branching, expanding adventure, a man known as “Shame” embarks on a quest that collapses inward. Slapped by someone he despises, he launches a doomed crusade to return the insult. As the stakes grow ever higher, it seems that Shame will stop at nothing — even if he discovers he’s chasing his own tail.
Blending metaphysical questions with farcical humor, bizarre twists, and acute psychology, is a riveting exploration of who we are — and why we can’t be so sure we know.
The master of the comic caper is back with a new riotous tale of double identity. When Art Dodge falls in love with beautiful twins, he wants both all to himself. So, Art and Bart Dodge marry the girls, until he is exhausted and decides Bart has to go.
It doesn't look like murder in a city full of death. A pandemic called 'The Sweats' is sweeping the globe. London is a city in crisis. Hospitals begin to fill with the dead and dying, but Stevie Flint is convinced that the sudden death of her boyfriend Dr Simon Sharkey was not from natural causes. As roads out of London become gridlocked with people fleeing infection, Stevie's search for Simon's killers takes her in the opposite direction, into the depths of the dying city and a race with death. A Lovely Way to Burn is the first outbreak in the Plague Times trilogy. Chilling, tense and completely compelling, it's Louise Welsh writing at the height of her powers.
Magnus McFall is no stranger to trouble, but he never expected a life sentence. He is arrested just as a pandemic called ‘The Sweats’ hits London. Growing public disorder results in emergency powers and he finds himself imprisoned without trial. An unlikely alliance with long-termer Jeb and a prison riot offer the opportunity of escape. The two men force their way through the devastated city and head north into countryside fraught with danger. Magnus is unsure if Jeb is an ally or an enemy and soon he is forced to decide how far he will go in order to survive.
Professor Murray Watson is rather a sad sack. His family, his career, his affair…not even drinking offers much joy. All his energies are now focused on his research into Archie Lunan, a minor poet who drowned 30 years ago off a remote stretch of Scottish coast. By redeeming Lunan's reputation, Watson hopes to redeem his own. But the more he learns about Lunan's sordid life, the more unlikely redemption appears.
Een Engelse studente in de middeleeuwse geschiedenis maakt in 2054 een tijdreis naar het Engeland van 1320. Ze heeft zich terdege voorbereid, maar als ze eenmaal in het 14e eeuwse Oxfordshire is gearriveerd, blijken diverse zaken niet te kloppen. Ze vermoedt dat haar tijdscoordinaten fout zijn en dat ze, gezien het uitbreken van de pest, in 1348 is terechtgekomen. Een bevriende professor maakt zich grote zorgen en weet haar ten slotte weer naar de 21e eeuw terug te halen. Een boeiende roman — een mix van sciencefiction en historie — levendig geschreven, vol kleurrijke figuren. Goede tekening van de historische achtergrond. Een meeslepend verhaal dat men ademloos uitleest. Vrij kleine druk.
»Hier sangen früher Vögel« spielt in einer Welt, die dem Untergang entgegengeht. Eine kleine Gruppe von Menschen will den Kollaps der Zivilisation überleben und den Fortbestand der Menschheit sichern. Sie gründen ein neues Gemeinwesen, doch in ihm entwickeln sich so repressive Strukturen, dass es selbst dem Untergang geweiht scheint…
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