2
The ship tossed in the storm, the wood
singing and creaking, salt water seeping through the cracks. This
was a transport bringing goods and slaves from Africa to Italy, and
beneath the deck, wild animals destined for combat at the Circus
Maximus could be heard howling and shifting. Once they were
delivered to Rome, they’d be housed in tunnels beneath the city,
and the sounds of beasts would be heard, faintly, by pedestrians
walking above them, as though Africa had become Rome’s
Underworld.
The sailors trod the deck, uneasy, trimming the
sailcloth and swarming the ropes, peering out into the night,
suspicious of omens. Swallows had nested in the rigging, and a
monster had been sighted off the stern. Its dark shadow and sharp
fin trailed the vessel, not deep enough in the water to be
harmless. The sailors had felt unsafe since they’d left port, what
with their shrieking, roaring cargo. And those whose duty it was to
feed and tend the animals felt more nervous still.
Something was not right in the darkness there, and
lanterns were not enough to illuminate the corners.
A goat skittered across the deck, its white fur
standing out in wet tufts.
A swallow wheeled and twisted in the air.
The smell of heated fur and trampled grain, the
smell of hungering.
Something was not right.
A lion roared. A rattling, rippling sound, and then
a tiger answered. Plaintive bleating of captive goats. The sound of
large wings, rising, catching the still air, and then collapsing.
Hooves clipping across wood, the jangle of chains. Six lions. Six
tigers. Gazelles. Zebras. Crocodiles. Ostriches. A rhinoceros and a
hippopotamus, the last captured with extreme difficulty. The
Egyptians both revered and dreaded the animals as earthly
embodiments of the evil god Seth, and even caged, the hippopotamus
was dangerous to everything that came near it.
Elsewhere in the hold, slaves claimed in battle
were being transported, the men into the fighting trade, the women
into laundries and brothels and kitchens. All of the passengers
traveled as one flesh, humans beside beasts, beasts beside humans.
Soon, their blood would entertain Rome, red ink pouring out and
writing a tale in the dust.
A forlorn strand of song spiraled up from the slave
quarters below, and the ship’s boy shinnied farther up the
mast.
In his miserable cabin, Nicolaus the Damascene sat
huddled, moaning with seasickness.
He’d been delayed getting out of Egypt. Three
months had passed since the night he’d stood outside the palaces
ready to flee.
“The queen is dead,” criers had suddenly called in
the streets, and Nicolaus was flooded with guilty relief. She’d
killed herself. His problems were solved. Eventually, he’d ended up
in a brothel, grieving and celebrating at once. The woman he bought
was neither young nor lovely, but she was glorious flesh and bone,
nothing of the spirit world about her. Wide hips and round breasts,
perfumed and veiled in cheap fabric. He pressed his face into her
hair, inhaling her smell, reveling in the life before him.
He had dallied in the city, wondering if indeed it
was necessary to leave, until he heard nervous whispers in the
streets that Octavian had searched the queen’s mausoleum for her
body, and that she’d disappeared without a trace. Quickly
thereafter, he heard that the Romans were looking for a scholar,
one Nicolaus of Damascus, tutor to the royal children.
The walls outside the Museion were papered with his
name and a reward, and he knew the other scholars would as easily
turn him in as hide him. Everyone’s purse was empty now that
Alexandria was occupied. He had to leave Egypt, and leave it
now.
The port was closed and under guard. Nicolaus
smuggled himself out of town in the company of a bribed musician,
hidden inside a drum. When he finally got free of the city walls,
it took him more than two months of dangerous travel to make his
way to an open port. He backtracked through villages, fearful he
was being watched. Roman patrols were everywhere, and Marcus
Agrippa’s men were particularly tenacious. He heard about the
missing Damascene scholar in every village he passed through. It
was good fortune that his pursuits had taught him languages far
beyond his own. Nicolaus very quickly learned to say that he’d
never been to Damascus. No. And scholarship? He was apprenticed to
a baker.
In his unhappy journey, he was witness to thousands
of statues and engravings of Cleopatra being smashed and then
covered over with stone. They were all being destroyed, all but the
few the emperor had sanctioned.
The workers who were laboring over those images
reported strange requests from the conquerors. The emperor had
ordered completion on a temple the queen had begun, the outside of
which was decorated with a depiction of Cleopatra and her son
Caesarion making an offering to Isis.
The temple and its decoration were traditional, the
boy depicted with a miniaturized version of himself traveling
behind him. The souls of royalty were always portrayed this
way.
The depiction of Caesarion was traditional, but
that of the queen was not.
At the temple of Dendera, Octavian had ordered that
the queen be depicted unaccompanied by her ka, her
soul.
Most imagined it to be an act of libel, a mockery
of the woman Rome had conquered. Cleopatra, robbed symbolically of
her soul, no longer royal. It was an elegant metaphoric
insult.
Nicolaus the Damascene suspected otherwise.
What did Octavian know?
When, at long last, he arrived at an open port, he
was so desperate to get out of Egypt that he leapt aboard the first
vessel he saw, Persephone, a Greek transport full of slaves
and animals, destined, he assumed, for Athens. He bought his
passage with coins marked in the queen’s image, paying more than
he’d expected.
“Those are being melted down now,” the captain told
him. It had been nearly two months since the queen’s death. The
coins were the easiest portraits to obliterate, stirred into a
slurry of metal and then recast. The new ones had Octavian and his
general, Marcus Agrippa, on the front. The reverse was marked with
a chained crocodile.
“Then have them all,” the scholar said. “They are
of no use to me.”
They’d been at sea for a week before it occurred to
Nicolaus to ask what exactly their destination was.
“We travel to Rome. The animals are to celebrate
the emperor’s triumph over Egypt.”
Nicolaus would have laughed had it not been so
idiotic. Of course. He’d placed himself aboard a ship sailing into
the arms of those who hunted him.
Now he stood aboard this ship of animals, watching
the vessel breach the waves and wondering if, despite all his
fleeing, despite all his planning, his end was coming. He’d seen
things as the ship tilted, visions in the green depths, and none of
them were bright. Sharks, with their dull, gray eyes, and more.
Tentacled things, nothing beautiful. None of the sirens of the
great epics. He thought for a moment of his idol, Homer, who had
simply lived a poet and died a poet. He had not been a fool, as
Nicolaus had. He hadn’t trafficked in magic he didn’t
understand.
Nicolaus sighed and rubbed at his eyes. He could
have disappeared into the desert or returned to the court of King
Herod, from whence he’d come.
Instead—
The Fates had arranged things differently. He was
following her to Italy, however against his will. She’d pursue her
enemy and her remaining children. He had no doubt that if she
lived, that was where she was headed.
Nicolaus ran his fingers through his long hair,
tugging at it in an attempt to galvanize his mind and keep himself
awake. Here he sat, on a rocking ship, on a tossing sea, helpless
to stop the thing he’d unleashed. Somewhere in the depths of his
knowledge, surely there was a solution. Somewhere, there was the
right story, a story of triumph, of mortals conquering the gods.
Years of reading, years of learning, and yet he couldn’t think of
what he should have done.
Suddenly, he sat up straight, listening.
From somewhere below, he heard it again. A wailing
cry. A moan. A scream.
Somewhere, deep below him, someone was dying.