FIFTH YEAR
Then September came, and it was just Quentin and
Alice. The others were gone, in a swirl of falling leaves and a
crackle of early frost.
It was a shock to see them go, but along with the
shock, mixed in with it like the liquor in a cocktail, was an even
greater feeling of relief. Quen tin wanted things to be good
between them, to be better than good, to be perfect. But perfection
is a nervy business, because the moment you spot the tiniest flaw
it’s ruined. Perfection was part of Quentin’s mythology of
Brakebills, the story he told himself about his life there, a
narrative as carefully constructed and reverently maintained as
Fillory and Further, and he wanted to be able not just to
tell it to himself but to believe it. That had been getting
progressively more difficult. Pressure was building up in some
subterranean holding tank, and right at the end there things had
begun to come apart. Even Quentin, with his almost limitless
capacity for ignoring the obvious, had begun to pick up on it.
Maybe Alice was right, maybe Janet really did hate her and love
Eliot. Maybe it was something else, something so glaringly obvious
that Quentin couldn’t stand to look at it directly. One way or
another the bonds that held them together were starting to fray,
they were losing their magical ability to effortlessly love one
another. Now, even though things would never be the same, even
though they’d never be together in the same way, at least he could
always remember it the way he wanted to. The memories were safe,
sealed forever in amber.
As soon as the semester began Quentin did something
he had already put off for much too long: he went to Dean Fogg and
told him what had happened to Julia. Fogg just frowned and told him
he’d take care of it. Quentin wanted to climb across the desk and
grab Fogg by his natty lapels for what he’d done to her by screwing
up the memory spells. He tried to explain to Fogg that he had made
Julia suffer in a way that nobody should ever have to suffer. Fogg
just watched, neither moved nor unmoved. In the end the best
Quentin could do was to make him promise that he would strain
whatever the applicable regulations were to the breaking point to
make things easier for her. It was all he could think of. He left
Fogg’s office feeling exactly as bad as he had when he entered
it.
Sitting at dinner, or strolling between classes
through the dusty hallways full of sideways afternoon light,
Quentin began to realize for the first time how cut off from the
rest of the school he and Alice had been for the past two years,
and how few of the other students he really knew. All the groups
were cliques unto themselves, but the Physical Kids had been
especially tight, and now he and Alice were all that was left of
them. He still had classes with the other Fifth Years, and he
chatted with them in a friendly way, but he knew that their
loyalties and their attention were elsewhere.
“I bet they think we’re horrible snobs,” Alice said
one day. “The way we keep to ourselves.”
They were sitting on the cool stone rim of the
fountain known as Sammy, a knockoff of the Laocoön in Rome,
serpents strangling the renegade priest and his sons, but with
water squirting cheerfully out of everybody’s mouths. They had come
out to try a piece of messy domestic magic for removing stains from
a skirt of Alice’s, that was best performed outdoors, but they’d
forgotten a key ingredient, turmeric, and weren’t ready to face the
walk back yet. It was a beautiful fall Saturday morning, or really
it was closer to noon, the temperature balanced precariously on the
tipping point between warm and chilly.
“You think so?”
“Don’t you?”
“No, you’re probably right.” He sighed. “They
probably do. Uncharitable bastards. They’re the
snobs.”
Alice tossed an acorn overhand at the fountain. It
ticked off one of the dying priest’s sturdy knees and into the
water.
“Do you think we are? Snobs, I mean?” Quentin
asked.
“I don’t know. Not necessarily. No, I don’t think
we are. We have nothing against them.”
“Exactly. Some of them are perfectly fine.”
“Some of them we hold in the highest esteem.”
“Exactly.” Quentin dabbled his fingertips in the
water. “So what are you saying? We should go out and make
friends?”
She shrugged. “They’re the only other magicians our
age on the continent. They’re the only peers we’ll ever
have.”
The sky was burning blue, and the tree branches
stood out sharply against it in the clear, shivering reflection in
the fountain.
“Okay,” Quentin said. “But not with all of
them.”
“Well, God no. We’ll be discriminating. Anyway, who
even knows if they’ll want to be friends with us?”
“Right. So who?”
“Does it matter?”
“Of course it matters, Vix,” Quentin said. “It’s
not like they’re all the same.” “Vix” was a term of endearment with
them, short for vixen, an allusion to their Antarctic interlude,
vixen being the word for a female fox.
“So who?”
“Surendra.”
“Okay. Sure. Or no, he’s going out with that
horrible Second Year. You know, with the teeth. She’s always trying
to make people do madrigals after dinner. What about
Georgia?”
“Maybe we’re overthinking this. We can’t force it.
We’ll just let it happen naturally.”
“Okay.” Quentin watched her study her nails with
her intense, birdlike focus. Sometimes she looked so beautiful he
couldn’t believe she had anything to do with him. He could barely
believe she existed at all.
“But you have to do it,” she said. “If it’s me,
nothing’s going to happen. You know I’m pathetic at that kind of
thing.”
“I know.”
She threw an acorn at him.
“You weren’t supposed to agree.”
And so, with a concerted effort, they roused
themselves from their stupor and embarked on a belated campaign to
socialize with the rest of their class, most of whom they’d drifted
almost completely out of touch with. In the end it wasn’t Surendra
or Georgia but Gretchen—the blond girl who walked with a cane—who
turned out to be the key. It helped that Alice and Gretchen were
both prefects, which was a source of both pride and embarrassment
to them. The position carried with it almost no official duties;
mostly it was just yet another absurd, infantilizing idea borrowed
from the English public school system, a symptom of the Anglophilia
that was embedded so deeply in the institutional DNA of Brakebills.
Prefectships were given to the four students in the Fourth and
Fifth Years with the highest GPA, who then got (or had) to wear a
silver pin in the shape of a bee on their jackets. Their actual
responsibilities were petty things like regulating access to the
single phone on campus, an obsolete rotary monster hidden away in a
battle-scarred wooden phone booth that was itself tucked away under
a back staircase, which always had a line a dozen students long. In
return they had access to the Prefects’ Common Room, a special
locked lounge on the east side of the House with a high, handsome
arched window and a cabinet that was always stocked with
sticky-sweet sherry that Quen tin and Alice forced themselves to
drink.
The Prefects’ Common Room was also an excellent
place to have sex in, as long as they could square it with the
other prefects in advance, but that usually wasn’t a problem.
Gretchen was sympathetic, since she had a boyfriend of her own, and
the third prefect was a popular girl with spiky blond hair named
Beatrice, whom nobody had even realized was especially smart before
she was named a prefect. She never used the room anyway. The only
real trick was avoiding the fourth prefect, because the fourth
prefect was, of all people, Penny.
The announcement that Penny was a prefect was so
universally, gobsmackingly surprising that nobody talked about
anything else for the rest of the day. Quentin had barely spoken to
Penny since their infamous altercation, not that he’d gone looking
for him. From that day on Penny had become a loner, a ghost, which
was not an easy thing to be at a school as small as Brakebills, but
he had a talent for it. He walked quickly between classes with a
flat, frozen stare on his round frying-pan face, bolted his food at
mealtimes, went on long solitary rambles, stayed in his room in the
afternoons after class, went to bed early, got up at dawn.
What else he did, nobody knew. When the Brakebills
students were sorted into groups by Discipline at the end of second
year, Penny wasn’t assigned to a group at all. The rumor was that
he had tested into a Discipline so arcane and outlandish it
couldn’t be classified according to any of the conventional
schemes. Whether it was true or not, next to his name on the
official list Fogg had simply put the word INDEPENDENT. He rarely
turned up in class after that, and when he did he lurked silently
in the back of the room with his hands shoved in the pockets of his
fraying Brakebills blazer, never asking questions, never taking
notes. He had an air of knowing things other people didn’t. He was
sometimes seen in the company of Professor Van der Weghe, under
whose guidance he was rumored to be pursuing an intensive
independent study.
The Prefects’ Common Room was an increasingly
important refuge for Quentin and Alice because their old sanctuary,
the Cottage, was no longer sacrosanct. Quentin had never really
thought about it, but it was pure chance that last year nobody new
had been placed in the Physical group, thus preserving the
integrity of their little clique. But the drought was bound to come
to an end, and it did. At the end of the previous semester no fewer
than four rising Third Years had tested into Physical, and now,
although it seemed wrong in every possible way, they had as much
right to the Cottage as Quentin and Alice did.
They did their best to be good sports about it. On
the first day of classes they sat patiently in the library as the
new Physical Kids went through the ritual and broke into the
Cottage. They’d debated long and earnestly about what to serve the
newcomers when they came in, finally settling on a goodish
champagne and—not wanting to be selfish, even though that was
exactly how they felt—an obscenely expensive array of oysters and
caviar with toast points and crème fraîche.
“Cool!” the new Physical Kids said, one after the
other, as they made their way inside. They goggled at the oversize
interior. They inspected the bric-a-brac and the piano and the
cabinet of alphabetized twigs. They looked impossibly young.
Quentin and Alice made small talk with them, trying to be witty and
knowing, the way they remembered the others having been when they
first got there.
Sitting in a row on the couch, the Third Years
squirmed and sipped their champagne too quickly, like children
waiting to be excused. They asked polite questions about the
paintings and the Cottage library. Do the books circulate outside
the building? Did they really have a first-edition Abecedarian
Arcana in the hand of Pseudo-Dionysius himself? Really. And
when was the Cottage first constructed? Really! Wow. That’s old.
That’s, like, ancient.
Then, after a suitable interval, they disappeared
en masse into the pool room. They showed no particular desire to be
chaperoned there, and Quen tin and Alice had no particular desire
ever to see them again, so they stayed where they were. As the
evening wore on, the sounds of adolescent bonding could be heard.
It became apparent to Quentin and Alice that they were relics of an
earlier era that had worn out its welcome. They had come full
circle. They were outsiders again.
“I feel like an elderly docent,” Quentin
said.
“I already forget their names,” Alice said.
“They’re like quadruplets.”
“We should give them numbers. Tell them it’s a
tradition.”
“And then we could always call them by the wrong
number. Freak them out. Or we could call them all the same thing.
Alfred or something.”
“Even the girls?”
“Especially the girls.”
They were sipping tepid leftover champagne. They
were getting drunk, but Quentin didn’t care. From the pool room
came the glittery tinkle of breaking glass—a champagne flute,
probably—and then, a little later, the sound of a sash being raised
and somebody throwing up, hopefully out the window.
“The problem with growing up,” Quentin said, “is
that once you’re grown up, people who aren’t grown up aren’t fun
anymore.”
“We should have burned this place down,” Alice said
gloomily. They were definitely drunk. “Been the last ones out the
door and then tor ched it.”
“Then walked away with it burning behind us in the
background, like in a movie.”
“End of an era. End of an epoch. Which one? Era or
epoch? What’s the difference?”
Quentin didn’t know. They would have to find
something else, he thought mazily. Something new. Couldn’t stay
here anymore. Couldn’t go back. Only forward.
“Do you think we were ever like this?” Quentin
asked. “Like these kids?”
“Probably. I bet we were even worse. I don’t know
how the others put up with us.”
“You’re right,” he said. “You’re right. God, they
were so much nicer than we are.”
That winter Quentin didn’t go home for the
holidays. Around Christmas-time—real-world Christmas—he’d had the
usual conversation with his parents about Brakebills’ unusual
schedule, which he had to remind them about every year, lounging
inside the old phone booth under the back stairs with one foot
braced up against the folding wooden door. Then by the time
Brakebills-calendar Christmas rolled around, it was already March
in the real world, and it didn’t seem like such a big deal not to
go back. If they had asked him—if they’d put it out there for an
instant that they were eager to see him, or that they would be
disappointed if he didn’t come—he might have caved. He would have,
in a second. But they were their usual blithe, oblivious, glassine
selves. And besides, he got an independent feeling from coolly
informing them that he had other plans, thanks very much.
Instead Quentin went home with Alice. It was her
idea, though as it got closer to the holidays Quentin wasn’t
exactly sure why she’d invited him, since the prospect obviously
made her suicidally uncomfortable.
“I don’t know, I don’t know!” she said when he
asked her. “It just seemed like the kind of things boyfriends and
girlfriends do!”
“Well, whatever, I don’t have to come. I’ll just
stay here. Just say I had a paper to finish or something. I’ll see
you in January.”
“But don’t you want to come?” she wailed.
“Of course I do. I want to see where you come from.
I want your parents to know who I am. And God knows I’m not taking
you back to my parents’ house.”
“All right.” She didn’t sound any less anxious. “Do
you promise to hate my parents as much as I do?”
“Oh, absolutely,” Quentin said. “Maybe even
more.”
The opening of the portals home for vacation was
always a complicated and tedious procedure that inevitably led to
huge numbers of Brakebillians backed up with all their luggage in a
ragged line that wound down the dark, narrow corridor leading to
the main living room, where Professor Van der Weghe was in charge
of getting people where they needed to go. Everybody was relieved
that exams were over, and there was always a lot of giddy pushing
and shoving and shrieking and casting of minor pyrotechnic spells.
Quentin and Alice waited together in silence with their packed
bags, solemnly, side by side, Quentin looking as respectable as he
could manage. He hardly had any clothes anymore that weren’t part
of his Brakebills uniform.
He knew Alice was from Illinois, and he knew
Illinois was in the Midwest, but he couldn’t have pointed to the
precise location of that state within a thousand miles. Apart from
a European vacation in junior high he’d barely ever been off the
East Coast, and his Brakebills education hadn’t done much to
improve his grasp of American geography. And as it turned out he
hardly saw Illinois anyway, or at least not its exterior.
Professor Van der Weghe set up the portal to open
directly into an anteroom inside Alice’s parents’ house. Stone
walls, flat mosaic floors, post-and-lintel doorways on all sides.
It was a precise re-creation of a traditional bourgeois Roman
residence. Sound echoed in it like a church. It was like stepping
past the red velvet rope at a museum. Magic tended to run in
families—Quentin was an exception in that respect—and Alice’s
parents were both magicians. She had never had to sneak around
behind their backs the way he had to with his parents.
“Welcome to the house that time forgot to forget,”
Alice said sulkily, kicking her bags into a corner. She led him by
the hand along an alarmingly long, dark corridor to a sunken living
room with cushions and hard Roman-style couches strewn around at
careless angles and a modest plashing fountain in the middle.
“Daddy changes it all around every few years,” she
explained. “He mostly does architectural magic. When I was little
it was all Baroque, gold knobs on everything. That was almost nice.
But then it was Japanese paper screens—you could hear
everything. Then it was Fallingwater—Frank Lloyd
Wright—until Mom got sick of living in a mildew farm for some
reason. And then for a while it was just a big old Iroquois
longhouse with a dirt floor. No walls. That was hilarious. We had
to beg him to put in a real bathroom. I think he seriously thought
we were going to watch him defecate into a pit. I doubt even the
Indians did that.”
With that she sat down heavily on a hard leather
Roman couch, opened a book, and became absorbed in her vacation
reading.
Quentin understood that it was sometimes better to
wait out Alice’s black periods than to try to coax her out of them.
Everybody has their own idiopathic reaction to their childhood
home. So he spent the next hour wandering around what looked
remarkably like an upper-middle-class Pompeian household, complete
with pornographic frescoes. It was obsessively authentic except for
the bathrooms—a concession had obviously been granted on that
score. Even dinner, when it arrived, served by a squad of
three-foot-tall animated wooden marionettes who made little
click-clacking noises as they walked, was revoltingly
historical: calf brains, parrot tongues, a roasted moray eel, all
peppered beyond the point of edibility, just in case they weren’t
inedible to begin with. Fortunately, there was plenty of
wine.
They had progressed to the third course, the
stuffed and roasted uterus of a sow, when a short, portly,
round-faced man suddenly appeared in the doorway. He was dressed in
a well-worn toga the gray of unlaundered bedsheets. He hadn’t
shaved for several days, and his dark stubble extended well down
his neck, and what hair he had left on his head could have used
cutting.
“Ave atque vales!” he proclaimed. He gave an
elaborate, made-up-looking Roman salute, which was essentially the
same as a Nazi salute. “Welcome to the domus of
Danielus!”
He made a face that implied that it was other
people’s fault that the joke wasn’t funny.
“Hi Dad,” Alice said. “Dad, this is my friend
Quentin.”
“Hi.” Quentin stood up. He’d been trying to eat
reclining, Roman-style, but it was harder than it looked, and he
had a stitch in his side. Alice’s father shook his outstretched
hand. He seemed to forget he was doing it halfway through, then
looked surprised to find a fleshy alien extremity still in his
grip.
“Are you really eating that stuff? I had Domino’s
an hour ago.”
“We didn’t know there was anything else. Where’s
Mom?”
“Who knows?” Alice’s father said. He bugged his
eyes out like it was a wacky mystery. “She was working on one of
her compositions downstairs, last I saw.”
He jogged the few steps down into the room, sandals
slapping the stone tiles, and served himself some wine from a
decanter.
“And that was when? November?”
“Don’t ask me. I lose track of time in this damn
place.”
“Why don’t you put in some windows, Daddy? It’s so
dark in here.”
“Windows?” He bugged out his eyes again; it
appeared to be his signature facial expression. “You speak of some
barbarian magic of which we noble Romans know nothing!”
“You’ve done an amazing job here,” Quentin piped
up, the soul of obsequiousness. “It looks really authentic.”
“Thank you!” Alice’s father drained the goblet and
poured himself another, then sat down heavily on a couch, spilling
a purple track of wine down the front of his toga in the process.
His bare calves were plump and bone white; black bristles stood
straight out from them in static astonishment. Quentin wondered how
his beautiful Alice could possibly share a single base pair of
genetic information with this person.
“It took me three years to put it together,” he
said. “Three years. And you know what? I’m already sick of it after
two months. I can’t eat the food, there are skid marks on my toga,
and I have plantar fasciitis from walking around on these stone
floors. What is the point of my life?” He looked at Quentin
furiously, as if he actually expected an answer, as if Quentin were
concealing it from him. “Would someone tell me that, please?
Because I have no idea! None!”
Alice glared at her father like he’d just killed
her pet. Quentin stayed perfectly still, as if that meant that
Alice’s father, like a dinosaur, couldn’t see him. They all three
sat in awkward silence for a long beat. Then he stood up.
“Gratias—and good night!”
He tossed the train of his toga over his shoulder
and strode out of the room. The marionettes’ feet
clack-clacked on the stone floor as they mopped up the
spilled wine he left behind.
“That’s my dad!” Alice said loudly, and
rolled her eyes as if she expected a laugh track to kick in behind
her. None did.
In the midst of this domestic wasteland Alice and
Quentin established a workable, even comfortable routine for
themselves, invaders staking out a safe perimeter deep in hostile
territory. It was weirdly liberating to be in the middle of
somebody else’s domestic agony—he could see the bad emotional
energy radiating out in all directions, sterilizing every available
surface with its poisonous particles, but it passed through him
harmlessly, like neutrinos. He was like Superman here, he was from
off-planet, and that made him immune to any local villainy. But he
could see it doing its ruinous work on Alice, and he tried to
shield her as best he could. He knew the rules here instinctively,
what it meant to have parents who ignored you. The only difference
was that his parents did it because they loved each other, Alice’s
because they hated each other.
If nothing else the house was quiet and well
stocked with Roman-style wine, sweet but perfectly drinkable. It
was also reasonably private: he and Alice could share a bedroom
without her parents caring or even noticing. And there were the
baths: Alice’s dad had excavated huge, cavernous underground Roman
baths that they had all to themselves, huge oblong aquifers scooped
out of the midwestern tundra. Every morning they would spend a good
hour trying to fling each other into the scalding caldarium
and the glacial frigidarium, which were equally unbearable,
and then soaking naked in the tepidarium.
Over the course of two weeks Quentin glimpsed
Alice’s mother exactly once. If anything, she looked even less like
Alice than Alice’s father did: she was thin and tall, taller than
her husband, with a long, narrow, animated face and a dry bunch of
blond-brown hair tied back behind her head. She chattered earnestly
to him about the research she was doing on fairy music, which was,
she explained, mostly scored for tiny bells and inaudible to human
beings. She lectured Quentin for almost an hour, with no prompting
on his part, and without once asking him who he was or what exactly
he was doing in her house. At one point one of her slight breasts
wandered out of the misbuttoned cardigan that she wore with nothing
under it; she tucked it back in without the slightest trace of
embarrassment. Quentin had the impression that it had been some
time since she had spoken to anybody.
“So I’m a little worried about your parents,”
Quentin said that afternoon. “I think they might be completely
insane.”
They had retreated to Alice’s bedroom, where they
lay side by side on her enormous bed in their bathrobes, looking up
at the mosaic on the ceiling: Orpheus singing to a ram, an
antelope, and an assortment of attentive birds.
“Are they?”
“Alice, I think you know they’re kind of
weird.”
“I guess. I mean, I hate them, but they’re
my parents. I don’t see them as insane, I see them as sane people
who deliberately act like this to torture me. When you say they’re
mentally ill, you’re just letting them off the hook. You’re helping
them elude prosecution.
“Anyway, I thought you might find them
interesting,” she said. “I know how mentally excited you get about
anything magical. Well, voila, for your enjoyment, two
career magicians.”
He wondered, theoretically, which of them had it
worse. Alice’s parents were toxic monsters, but at least you could
see it. His own parents were more like vampires or werewolves—they
passed for human. He could rave about their atrocities all he
wanted, he knew the villagers would never believe him till it was
too late.
“At any rate I can see where you get your social
skills,” he said.
“My point is, you don’t know what it’s like to grow
up in a family of magicians.”
“Well, I didn’t know you had to wear a toga.”
“You don’t have to wear togas. That’s exactly the
problem, Q. You don’t have to do anything. This is what you don’t
understand! You don’t know any older magicians except our
professors. It’s a wasteland out there. Out here. You can do
nothing or anything or everything, and none of it matters. You have
to find something to really care about to keep from running totally
off the rails. A lot of magicians never find it.”
Her voice was strangely urgent, almost angry. He
was trying to catch up to her.
“So you’re saying your parents didn’t.”
“No, they didn’t, despite their having had two
children, which would have given them a minimum of two good
options. Well, I think they might have cared about Charlie, but
when they lost him, they lost their way completely. And here they
are.”
“What about your mom and her fairy orchestras? She
seems pretty serious about them.”
“That’s just to annoy my dad. I’m not even sure
they exist.”
Suddenly Alice rolled over on top of him,
straddling him, hands on his shoulders, pinning him down. Her hair
hung straight down at him in a shimmering curtain, tickling his
face and giving her the very authoritative appearance of a goddess
leaning down from the heavens.
“You have to promise me we’ll never be like them,
Quentin.” Their noses were almost touching. Her weight on top of
him was arousing, but her face was angry and serious. “I know you
think it’s going to be all quests and dragons and fighting evil and
whatever, like in Fillory. I know that’s what you think. But it’s
not. You don’t see it yet. There’s nothing out there.
“So you have to promise me, Quentin. Let’s never
get like this, with these stupid hobbies nobody cares about. Just
doing pointless things all day and hating each other and waiting to
die.”
“Well, you drive a hard bargain,” he said. “But
okay. I promise.”
“I’m serious, Quentin. It’s not going to be easy.
It’s going to be so much harder than you think. They don’t even
know, Quentin. They think they’re happy. That’s the worst
part.”
She undid the drawstring on his pajama bottoms
without looking and jerked them down, still staring directly into
his eyes. Her robe was already open at the waist, and she had
nothing on under it. He knew she was saying something important,
but he wasn’t grasping it. He put his hands under her robe, feeling
her smooth back, the curve of her waist. Her heavy breasts brushed
against his chest. They would always have magic. They would have it
forever. So what—?
“Maybe they are happy,” he said. “Maybe this is
just who they are.”
“No, Quentin. They aren’t, and it isn’t.” She
twined her fingers into his hair and gripped it, hard, so that it
hurt. “God, you are such a child sometimes.”
They were moving together now, breathing hard.
Quentin was inside her, and they couldn’t talk anymore, except for
Alice just repeating:
“Promise me, Q. Promise me. Just promise.”
She said it angrily, insistently, over and over
again, as if he were arguing, as if he wouldn’t have agreed to
absolutely anything at that moment.