BROOKLYN
Quentin did a magic trick. Nobody noticed.
They picked their way along the cold, uneven
sidewalk together: James, Julia, and Quentin. James and Julia held
hands. That’s how things were now. The sidewalk wasn’t quite wide
enough, so Quentin trailed after them, like a sulky child. He would
rather have been alone with Julia, or just alone period, but you
couldn’t have everything. Or at least the available evidence
pointed overwhelmingly to that conclusion.
“Okay!” James said over his shoulder. “Q. Let’s
talk strategy.”
James seemed to have a sixth sense for when Quentin
was starting to feel sorry for himself. Quentin’s interview was in
seven minutes. James was right after him.
“Nice firm handshake. Lots of eye contact. Then
when he’s feeling comfortable, you hit him with a chair and I’ll
break his password and e-mail Princeton.”
“Just be yourself, Q,” Julia said.
Her dark hair was pulled back in a wavy bunch.
Somehow it made it worse that she was always so nice to him.
“How is that different from what I said?”
Quentin did the magic trick again. It was a very
small trick, a basic one-handed sleight with a nickel. He did it in
his coat pocket where nobody could see. He did it again, then he
did it backward.
“I have one guess for his password,” James said.
“Password.”
It was kind of incredible how long this had been
going on, Quentin thought. They were only seventeen, but he felt
like he’d known James and Julia forever. The school systems in
Brooklyn sorted out the gifted ones and shoved them together, then
separated the ridiculously brilliant ones from the merely gifted
ones and shoved them together, and as a result they’d been
bumping into each other in the same speaking contests and regional
Latin exams and tiny, specially convened ultra-advanced math
classes since elementary school. The nerdiest of the nerds. By now,
their senior year, Quentin knew James and Julia better than he knew
anybody else in the world, not excluding his parents, and they knew
him. Everybody knew what everybody else was going to say before
they said it. Everybody who was going to sleep with anybody else
had already done it. Julia—pale, freckled, dreamy Julia, who played
the oboe and knew even more physics than he did—was never going to
sleep with Quentin.
Quentin was thin and tall, though he habitually
hunched his shoulders in a vain attempt to brace himself against
whatever blow was coming from the heavens, and which would
logically hit the tall people first. His shoulder-length hair was
freezing in clumps. He should have stuck around to dry it after
gym, especially with his interview today, but for some reason—maybe
he was in a self-sabotaging mood—he hadn’t. The low gray sky
threatened snow. It seemed to Quentin like the world was offering
up special little tableaux of misery just for him: crows perched on
power lines, stepped-in dog shit, windblown trash, the corpses of
innumerable wet oak leaves being desecrated in innumerable ways by
innumerable vehicles and pedestrians.
“God, I’m full,” James said. “I ate too much. Why
do I always eat too much?”
“Because you’re a greedy pig?” Julia said brightly.
“Because you’re tired of being able to see your feet? Because
you’re trying to make your stomach touch your penis?”
James put his hands behind his head, his fingers in
his wavy chestnut hair, his camel cashmere coat wide open to the
November cold, and belched mightily. Cold never bothered him.
Quentin felt cold all the time, like he was trapped in his own
private individual winter.
James sang, to a tune somewhere between “Good King
Wenceslas” and “Bingo”:
In olden times there was a boy
Young and strong and brave-o
He wore a sword and rode a horse
And his name was Dave-o . . .
Young and strong and brave-o
He wore a sword and rode a horse
And his name was Dave-o . . .
“God!” Julia shrieked. “Stop!”
James had written this song five years ago for a
middle-school talent show skit. He still liked to sing it; by now
they all knew it by heart. Julia shoved him, still singing, into a
garbage can, and when that didn’t work she snatched off his watch
cap and started beating him over the head with it.
“My hair! My beautiful interview hair!”
King James, Quentin thought. Le roi
s’amuse.
“I hate to break up the party,” he said, “but we’ve
got like two minutes.”
“Oh dear, oh dear!” Julia twittered. “The duchess!
We shall be quite late!”
I should be happy, Quentin thought. I’m young and
alive and healthy. I have good friends. I have two reasonably
intact parents—viz., Dad, an editor of medical textbooks, and Mom,
a commercial illustrator with ambitions, thwarted, of being a
painter. I am a solid member of the middle-middle class. My GPA is
a number higher than most people even realize it is possible for a
GPA to be.
But walking along Fifth Avenue in Brooklyn, in his
black overcoat and his gray interview suit, Quentin knew he wasn’t
happy. Why not? He had painstakingly assembled all the ingredients
of happiness. He had performed all the necessary rituals, spoken
the words, lit the candles, made the sacrifices. But happiness,
like a disobedient spirit, refused to come. He couldn’t think what
else to do.
He followed James and Julia past bodegas,
laundromats, hipster boutiques, cell-phone stores limned with neon
piping, past a bar where old people were already drinking at three
forty-five in the afternoon, past a brown-brick Veterans of Foreign
Wars hall with plastic patio furniture on the sidewalk in front of
it. All of it just confirmed his belief that his real life, the
life he should be living, had been mislaid through some clerical
error by the cosmic bureaucracy. This couldn’t be it. It had been
diverted somewhere else, to somebody else, and he’d been issued
this shitty substitute faux life instead.
Maybe his real life would turn up in Princeton. He
did the trick with the nickel in his pocket again.
“Are you playing with your wang, Quentin?” James
asked.
Quentin blushed.
“I am not playing with my wang.”
“Nothing to be ashamed of.” James clapped him on
the shoulder. “Clears the mind.”
The wind bit through the thin material of Quentin’s
interview suit, but he refused to button his overcoat. He let the
cold blow through it. It didn’t matter, he wasn’t really there
anyway.
He was in Fillory.
Christopher Plover’s Fillory and Further is
a series of five novels published in England in the 1930s. They
describe the adventures of the five Chatwin children in a magical
land that they discover while on holiday in the countryside with
their eccentric aunt and uncle. They aren’t really on holiday, of
course—their father is up to his hips in mud and blood at
Passchendaele, and their mother has been hospitalized with a
mysterious illness that is probably psychological in nature, which
is why they’ve been hastily packed off to the country for
safekeeping.
But all that unhappiness takes place far in the
background. In the foreground, every summer for three years, the
children leave their various boarding schools and return to
Cornwall, and each time they do they find their way into the secret
world of Fillory, where they have adventures and explore magical
lands and defend the gentle creatures who live there against the
various forces that menace them. The strangest and most persistent
of those enemies is a veiled figure known only as the Watcherwoman,
whose horological enchantments threaten to stall time itself,
trapping all of Fillory at five o’clock on a particularly dreary,
drizzly afternoon in late September.
Like most people Quentin read the Fillory books in
grade school. Unlike most people—unlike James and Julia—he never
got over them. They were where he went when he couldn’t deal with
the real world, which was a lot. (The Fillory books were both a
consolation for Julia not loving him and also probably a major
reason why she didn’t.) And it was true, there was a strong whiff
of the English nursery about them, and he felt secretly embarrassed
when he got to the parts about the Cozy Horse, an enormous,
affectionate equine creature who trots around Fillory by night on
velvet hooves, and whose back is so broad you can sleep on
it.
But there was a more seductive, more dangerous
truth to Fillory that Quentin couldn’t let go of. It was almost
like the Fillory books—especially the first one, The World in
the Walls—were about reading itself. When the oldest Chatwin,
melancholy Martin, opens the cabinet of the grandfather clock that
stands in a dark, narrow back hallway in his aunt’s house and slips
through into Fillory (Quentin always pictured him awkwardly pushing
aside the pendulum, like the uvula of a monstrous throat), it’s
like he’s opening the covers of a book, but a book that did what
books always promised to do and never actually quite did: get you
out, really out, of where you were and into somewhere better.
The world Martin discovers in the walls of his
aunt’s house is a world of magical twilight, a landscape as black
and white and stark as a printed page, with prickly stubblefields
and rolling hills crisscrossed by old stone walls. In Fillory
there’s an eclipse every day at noon, and seasons can last for a
hundred years. Bare trees scratch at the sky. Pale green seas lap
at narrow white beaches made of broken shells. In Fillory things
mattered in a way they didn’t in this world. In Fillory you felt
the appropriate emotions when things happened. Happiness was a
real, actual, achievable possibility. It came when you called. Or
no, it never left you in the first place.
They stood on the sidewalk in front of the house.
The neighborhood was fancier here, with wide sidewalks and
overhanging trees. The house was brick, the only unattached
residential structure in a neighborhood of row houses and
brownstones. It was locally famous for having played a role in the
bloody, costly Battle of Brooklyn. It seemed to gently reproach the
cars and streetlights around it with memories of its gracious Old
Dutch past.
If this were a Fillory novel—Quentin thought, just
for the record—the house would contain a secret gateway to another
world. The old man who lived there would be kindly and eccentric
and drop cryptic remarks, and then when his back was turned Quentin
would stumble on a mysterious cabinet or an enchanted dumbwaiter or
whatever, through which he would gaze with wild surmise on the
clean breast of another world.
But this wasn’t a Fillory novel.
“So,” Julia said. “Give ’em Hades.”
She wore a blue serge coat with a round collar that
made her look like a French schoolgirl.
“See you at the library maybe.”
“Cheers.”
They bumped fists. She dropped her gaze,
embarrassed. She knew how he felt, and he knew she knew, and there
was nothing more to say about it. He waited, pretending to be
fascinated by a parked car, while she kissed James good-bye—she put
a hand on his chest and kicked up her heel like an old-timey
starlet—then he and James walked slowly up the cement path to the
front door.
James put his arm around Quentin’s shoulders.
“I know what you think, Quentin,” he said gruffly.
Quentin was taller, but James was broader, more solidly built, and
he pulled Quen tin off balance. “You think nobody understands you.
But I do.” He squeezed Quentin’s shoulder in an almost fatherly
way. “I’m the only one who does.”
Quentin said nothing. You could envy James, but you
couldn’t hate him, because along with being handsome and smart he
was also, at heart, kind and good. More than anybody else Quentin
had ever met, James reminded him of Martin Chatwin. But if James
was a Chatwin, what did that make Quentin? The real problem with
being around James was that he was always the hero. And what did
that make you? Either the sidekick or the villain.
Quentin rang the doorbell. A soft, tinny clatter
erupted somewhere in the depths of the darkened house. An
old-fashioned, analog ring. He rehearsed a mental list of his
extracurriculars, personal goals, etc. He was absolutely prepared
for this interview in every possible way, except maybe his
incompletely dried hair, but now that the ripened fruit of all that
preparation was right in front of him he suddenly lost any desire
for it. He wasn’t surprised. He was used to this anticlimactic
feeling, where by the time you’ve done all the work to get
something you don’t even want it anymore. He had it all the time.
It was one of the few things he could depend on.
The doorway was guarded by a depressingly ordinary
suburban screen door. Orange and purple zinnias were still
blooming, against all horticultural logic, in a random scatter
pattern in black earth beds on either side of the doorstep. How
weird, Quentin thought, with no curiosity at all, that they would
still be alive in November. He withdrew his ungloved hands into the
sleeves of his coat and placed the ends of the sleeves under his
arms. Even though it felt cold enough to snow, somehow it began to
rain.
It was still raining five minutes later. Quentin
knocked on the door again, then pushed lightly. It opened a crack,
and a wave of warm air tumbled out. The warm, fruity smell of a
stranger’s house.
“Hello?” Quentin called. He and James exchanged
glances. He pushed the door all the way open.
“Better give him another minute.”
“Who even does this in their spare time?” Quentin
said. “I bet he’s a pedophile.”
The foyer was dark and silent and muffled with
Oriental rugs. Still outside, James leaned on the doorbell. No one
answered.
“I don’t think anybody’s here,” Quentin said. That
James wasn’t coming inside suddenly made him want to go inside
more. If the interviewer actually turned out to be a gatekeeper to
the magical land of Fillory, he thought, it was too bad he wasn’t
wearing more practical shoes.
A staircase went up. On the left was a stiff,
unused-looking dining room, on the right a cozy den with leather
armchairs and a carved, man-size wooden cabinet standing by itself
in a corner. Interesting. An old nautical map taller than he was
took up half of one wall, with an ornately barbed compass rose. He
massaged the walls in search of a light switch. There was a cane
chair in one corner, but he didn’t sit.
All the blinds were drawn. The quality of the
darkness was less like a house with the curtains drawn than it was
like actual night, as if the sun had set or been eclipsed the
moment he crossed the threshold. Quen tin slow-motion-walked into
the den. He’d go back outside and call. In another minute. He had
to at least look. The darkness was like a prickling electric cloud
around him.
The cabinet was enormous, so big you could climb
into it. He placed his hand on its small, dinged brass knob. It was
unlocked. His fingers trembled. Le roi s’amuse. He couldn’t
help himself. It felt like the world was revolving around him, like
his whole life had been leading up to this moment.
It was a liquor cabinet. A big one, there was
practically a whole bar in there. Quentin reached back past the
ranks of softly jingling bottles and felt the dry, scratchy plywood
at the back just to make sure. Solid. Nothing magical about it. He
closed the door, breathing hard, his face burning in the darkness.
It was when he looked around to make absolutely sure that nobody
was watching that he saw the dead body on the floor.
Fifteen minutes later the foyer was full of people
and activity. Quentin sat in a corner, in the cane chair, like a
pallbearer at the funeral of somebody he’d never met. He kept the
back of his skull pressed firmly against the cool solid wall like
it was his last point of connection to a same reality. James stood
next to him. He didn’t seem to know where to put his hands. They
didn’t look at each other.
The old man lay flat on his back on the floor. His
stomach was a sizable round hump, his hair a crazy gray Einstein
half-noggin. Three paramedics crouched around him, two men and a
woman. The woman was disarmingly, almost inappropriately pretty—she
looked out of place in that grim scene, miscast. The paramedics
were at work, but it wasn’t the high-speed clinical blitz of an
emergency life-saving treatment. This was the other kind, the
obligatory failed resuscitation. They were murmuring in low voices,
packing up, ripping off adhesive patches, discarding contaminated
sharps in a special container.
With a practiced, muscular movement one of the men
de-intubated the corpse. The old man’s mouth was open, and Quentin
could see his dead gray tongue. He smelled something that he didn’t
want to admit was the faint, bitter odor of shit.
“This is bad,” James said, not for the first
time.
“Yes,” Quentin said thickly. “Extremely bad.” His
lips and teeth felt numb.
If he didn’t move, nobody could involve him in this
any further. He tried to breathe slowly and keep still. He stared
straight ahead, refusing to focus his eyes on what was happening in
the den. He knew if he looked at James he would only see his own
mental state reflected back at him in an infinite corridor of panic
that led nowhere. He wondered when it would be all right for them
to leave. He couldn’t get rid of a feeling of shame that he was the
one who went into the house uninvited, as if that had somehow
caused the man’s death.
“I shouldn’t have called him a pedophile,” Quentin
said out loud. “That was wrong.”
“Extremely wrong,” James agreed. They spoke slowly,
like they were both trying out language for the very first
time.
One of the paramedics, the woman, stood up from
where she was squatting by the body. Quentin watched her stretch,
heels of her hands pressed to her lumbar region, tipping her head
one way, then the other. Then she walked over in their direction,
stripping off rubber gloves.
“Well,” she announced cheerfully, “he’s dead!” By
her accent she was English.
Quentin cleared his clotted throat. The woman
chucked the gloves neatly into the trash from across the
room.
“What happened to him?”
“Cerebral hemorrhage. Nice quick way to go, if you
have to go. Which he did. He must have been a drinker.”
She made the drinky-drinky gesture.
Her cheeks were flushed from crouching down over
the body. She might have been twenty-five at most, and she wore a
dark blue short-sleeved button-down shirt, neatly pressed, with one
button that didn’t match: a stewardess on the connecting flight to
hell. Quentin wished she weren’t so attractive. Unpretty women were
so much easier to deal with in some ways—you didn’t have to face
the pain of their probable unattainability. But she was not
unpretty. She was pale and thin and unreasonably lovely, with a
broad, ridiculously sexy mouth.
“Well.” Quentin didn’t know what to say. “I’m
sorry.”
“Why are you sorry?” she said. “Did you kill
him?”
“I’m just here for an interview. He did alumni
interviews for Princeton.”
“So why do you care?”
Quentin hesitated. He wondered if he’d
misunderstood the premise of this conversation. He stood up, which
he should have done when she first came over anyway. He was much
taller than her. Even under the circumstances, he thought, this
person is carrying around a lot of attitude for a paramedic. It’s
not like she’s a real doctor or anything. He wanted to scan her
chest for a name tag but didn’t want to get caught looking at her
breasts.
“I don’t actually care about him, personally,”
Quentin said carefully, “but I do place a certain value on human
life in the abstract. So even though I didn’t know him, I think I
can say that I’m sorry that he’s dead.”
“What if he was a monster? Maybe he really was a
pedophile.”
She’d overheard him.
“Maybe. Maybe he was a nice guy. Maybe he was a
saint.”
“Maybe.”
“You must spend a lot of time around dead people.”
Out of the corner of his eye he was vaguely aware that James was
watching this exchange, baffled.
“Well, you’re supposed to keep them alive. Or
that’s what they tell us.”
“It must be hard.”
“The dead ones are a lot less trouble.”
“Quieter.”
“Exactly.”
The look in her eyes didn’t quite match what she
was saying. She was studying him.
“Listen,” James cut in. “We should probably
go.”
“What’s your hurry?” she said. Her eyes hadn’t left
Quentin’s. Unlike practically everybody, she seemed more interested
in him than in James. “Listen, I think this guy might have left
something for you.”
She picked up two manila envelopes, document-size,
off a marble-topped side table. Quentin frowned.
“I don’t think so.”
“We should probably go,” James said.
“You said that already,” the paramedic said.
James opened the door. The cold air was a pleasant
shock. It felt real. That was what Quentin needed: more reality.
Less of this, whatever this was.
“Seriously,” the woman said. “I think you should
take these. It might be important.”
Her eyes wouldn’t leave Quentin’s face. The day had
gone still around them. It was chilly on the stoop, and getting a
little damp, and he was roughly ten yards away from a corpse.
“Listen, we’re gonna go,” James was saying.
“Thanks. I’m sure you did everything you could.”
The pretty paramedic’s dark hair was in two heavy
ropes of braid. She wore a shiny yellow enamel ring and some kind
of fancy silver antique wristwatch. Her nose and chin were tiny and
pointy. She was a pale, skinny, pretty angel of death, and she held
two manila envelopes with their names on them in block Magic Marker
letters. Probably transcripts, confidential recommendations. For
some reason, maybe just because he knew James wouldn’t, Quentin
took the one with his name on it.
“All right! Good-bye!” the paramedic sang. She
twirled back into the house and closed the door. They were alone on
the stoop.
“Well,” James said. He inhaled through his nose and
breathed out firmly.
Quentin nodded, as if he were agreeing with
something James had said. Slowly they walked back up the path to
the sidewalk. He still felt dazed. He didn’t especially want to
talk to James.
“Listen,” James said. “You probably shouldn’t have
that.”
“I know,” Quentin said.
“You could still put it back, you know. I mean,
what if they found out?”
“How would they find out?”
“I don’t know.”
“Who knows what’s in here? Could come in
useful.”
“Yeah, well, lucky thing that guy died then!” James
said irritably.
They walked to the end of the block without
speaking, annoyed at each other and not wanting to admit it. The
slate sidewalk was wet, and the sky was white with rain. Quentin
knew he probably shouldn’t have taken the envelope. He was pissed
at himself for taking it and pissed at James for not taking
his.
“Look, I’ll see you later,” James said. “I gotta go
meet Jules at the library.”
“Right.”
They shook hands formally. It felt strangely final.
Quentin walked away slowly down First Street. A man had died in the
house he just left. He was still in a dream. He realized—more
shame—that underneath it all he was relieved that he didn’t have to
do his Princeton interview today after all.
The day was darkening. The sun was setting already
behind the gray shell of cloud that covered Brooklyn. For the first
time in an hour he thought about all the things he had left to do
today: physics problem set, history paper, e-mail, dishes, laundry.
The weight of them was dragging him back down the gravity well of
the ordinary world. He would have to explain to his parents what
happened, and they would, in some way he could never grasp, and
therefore could never properly rebut, make him feel like it was his
fault. It would all go back to normal. He thought of Julia and
James meeting at the library. She would be working on her Western
Civ paper for Mr. Karras, a six-week project she would complete in
two sleepless days and nights. As ardently as he wished that she
were his, and not James’s, he could never quite imagine how he
would win her. In the most plausible of his many fantasies James
died, unexpectedly and painlessly, leaving Julia behind to sink
softly weeping into his arms.
As he walked Quentin unwound the little
red-threaded clasp that held shut the manila envelope. He saw
immediately that it wasn’t his transcript, or an official document
of any kind. The envelope held a notebook. It was old-looking, its
corners squashed and rubbed till they were smooth and round, its
cover foxed.
The first page, handwritten in ink, read:
The Magicians
Book Six of Fillory and Further
Book Six of Fillory and Further
The ink had gone brown with age. The
Magicians was not the name of any book by Christopher Plover
that Quentin knew of. And any good nerd knew that there were only
five books in the Fillory series.
When he turned the page a piece of white notepaper,
folded over once, flew out and slipped away on the wind. It clung
to a wrought-iron area fence for a second before the wind whipped
it away again.
There was a community garden on the block, a
triangular snippet of land too narrow and weirdly shaped to be
snapped up by developers. With its ownership a black hole of legal
ambiguity, it had been taken over years ago by a collective of
enterprising neighbors who had trucked out the acid sand native to
Brooklyn and replaced it with rich, fertile loam from upstate. For
a while they’d raised pumpkins and tomatoes and spring bulbs and
raked out little Japanese serenity gardens, but lately they’d
neglected it, and hardy urban weeds had taken root instead. They
were running riot and strangling their frailer, more exotic
competitors. It was into this tangled thicket that the note flew
and disappeared.
This late in the year all the plants were dead or
dying, even the weeds, and Quentin waded into them hip-deep, dry
stems catching on his pants, his leather shoes crunching brown
broken glass. It crossed his mind that the note might just possibly
contain the hot paramedic’s phone number. The garden was narrow,
but it went surprisingly far back. There were three or four sizable
trees in it, and the farther in he pushed the darker and more
overgrown it got.
He caught a glimpse of the note, up high, plastered
against a trellis encrusted with dead vines. It could clear the
back fence before he caught up with it. His phone rang: his dad.
Quentin ignored it. Out of the corner of his eye he thought he saw
something flit past behind the bracken, large and pale, but when he
turned his head it was gone. He pushed past the corpses of
gladiolas, petunias, shoulder-high sunflowers, rosebushes—brittle,
stiff stems and flowers frozen in death into ornate toile
patterns.
He would have thought he’d gone all the way through
to Seventh Avenue by now. He shoved his way even deeper in,
brushing up against who knew what toxic flora. A case of poison
fucking ivy, that’s all he needed now. It was odd to see that here
and there among the dead plants a few vital green stalks still
poked up, drawing sustenance from who knew where. He caught a whiff
of something sweet in the air.
He stopped. All of a sudden it was quiet. No car
horns, no stereos, no sirens. His phone had stopped ringing. It was
bitter cold, and his fingers were numb. Turn back or go on? He
squeezed farther in through a hedge, closing his eyes and
squinching up his face against the scratchy twigs. He stumbled over
something, an old stone. He felt suddenly nauseous. He was
sweating.
When he opened his eyes again he was standing on
the edge of a huge, wide, perfectly level green lawn surrounded by
trees. The smell of ripe grass was overpowering. There was hot sun
on his face.
The sun was at the wrong angle. And where the hell
were the clouds? The sky was a blinding blue. His inner ear spun
sickeningly. He held his breath for a few seconds, then expelled
freezing winter air from his lungs and breathed in warm summer air
in its place. It was thick with floating pollen. He sneezed.
In the middle distance beyond the wide lawn a large
house stood, all honey-colored stone and gray slate, adorned with
chimneys and gables and towers and roofs and sub-roofs. In the
center, over the main house, was a tall, stately clock tower that
struck even Quentin as an odd addition to what otherwise looked
like a private residence. The clock was in the Venetian style: a
single barbed hand circling a face with twenty-four hours marked on
it in Roman numerals. Over one wing rose what looked like the green
oxidized-copper dome of an observatory. Between house and lawn was
a series of inviting landscaped terraces and spinneys and hedges
and fountains.
Quentin was pretty sure that if he stood very still
for a few seconds everything would snap back to normal. He wondered
if he was undergoing some dire neurological event. He looked
cautiously back over his shoulder. There was no sign of the garden
behind him, just some big leafy oak trees, the advance guard of
what looked like a pretty serious forest. A rill of sweat ran down
his rib cage from his left armpit. It was hot.
Quentin dropped his bag on the turf and shrugged
out of his overcoat. A bird chirped languidly in the silence. Fifty
feet away a tall skinny teenager was leaning against a tree,
smoking a cigarette and watching him.
He looked about Quentin’s age. He wore a
button-down shirt with a sharp collar and very thin, very pale pink
stripes. He didn’t look at Quen tin, just dragged on his cigarette
and exhaled into the summer air. The heat didn’t seem to bother
him.
“Hey,” Quentin called.
Now he looked over. He raised his chin at Quentin,
once, but didn’t answer.
Quentin walked over, as nonchalantly as he could.
He really didn’t want to look like somebody who had no idea what
was going on. Even without his coat on he was sweating like a
bastard. He felt like an overdressed English explorer trying to
impress a skeptical tropical native. But there was something he had
to ask.
“Is this—?” Quentin cleared his throat. “So is this
Fillory?” He squinted against the bright sun.
The young man looked at Quentin very seriously. He
took another long drag on his cigarette, then he shook his head
slowly, blowing out the smoke.
“Nope,” he said. “Upstate New York.”