PART TWO

TORCH SONGS

3

He cruised west on Ventura Boulevard, savoring the newness of daylight saving time, the clarity of the extra-long afternoons and the unseasonably warm spring weather that had the harlots dressed in tank tops and bare-midriff halters and the real women in a profusion of demure summer pastels: pink, light blue and green, pale yellow. It had been many months since the last time, and he attributed this hiatus to the shifting weather patterns that had his head in a tizzy: warm one day, cold and rainy the next, you never knew how women were going to dress, so it was hard to get a fix on one to rescue—you couldn’t feel the colors, the texture of what a woman was until you viewed her in a context of consistency. God knows that when the planning started the little fluxes of her life became all too evident; if he lost love for her then, the resultant pity reaffirmed the spiritual aspects of his purpose and gave him the detachment necessary to do the job.

But the planning was at least half of it, the part that edified, that cleansed him, that gave him abstention from minor chaos and precarious impunity from a world that gobbled up the refined and sensitive and spit them out like so much waste fluid.

Deciding to drive through Topanga Canyon on his way back to the city, he killed the air-conditioning and put a meditation tape on the cassette player, one that stressed his favorite theme: the silent mover, self-assured and accepting, armed with a compassionate purpose. He listened as the minister with the countrified voice spoke of the necessity of goals. “What sets the man of movement apart from the man dwelling in the netherworld of stasis is the road, both inward and outward bound, toward worthwhile goals. Traveling this road is both the journey and the destination, the gift both given and received. You can change your life forever if you will follow 34

L.A. NOIR

this simple thirty-day program. First, think of what you want most at this moment—it can be anything from spiritual enlightenment to a new car. Write that goal down on a piece of paper, and write today’s date next to it. Now, for the next thirty days, I want you to concentrate on achieving that goal, and allow no thoughts of failure to enter your mind. If these thoughts intrude, banish them! Banish all but the good pure thoughts of achieving your goal, and miracles will happen!”

He believed it; he had made it work for him. There were now twenty pieces of carefully folded paper attesting to the fact that it worked. He had first played the tape fifteen years before, in 1967, and was impressed. But he didn’t know what he wanted. Three days later he saw her, and knew. Jane Wilhelm was her name. Grosse Point born and bred, she had fled Bennington in her senior year, hitching west in search of new values and friends. She had drifted, oxford shirt and penny loafer clad, to the dope scene on the Sunset Strip. He had first seen her outside the Whisky A Go-Go, talking to a bunch of hippie lowlifers, obviously trying to downplay her intelligence and good breeding. He picked her up and told her of his tape and piece of paper. She was touched, but laughed aloud for several moments. If he wanted to ball, why didn’t he just ask?

Romanticism was corny, and she was a liberated woman. It was then, in his refusal, that he took his first moral stand. He now knew the exactitude of his immediate goal and all his future ones: the salvation of female innocence. He kept Jane Wilhelm under loose surveillance until the end of the thirty-day period prescribed by the minister, watching her make the rounds of love-ins, crash pads and rock concerts. Shortly after midnight on the thirty-first day, Jane stumbled away alone from Gazzari’s Disco. From his car, parked just south of Sunset, he watched her weave across the street. He turned on his high beams, catching her full in the face, committing to memory her drug-puffed features and dilated eyes. It was her final debasement. He strangled her right there on the sidewalk, then threw her body into the trunk of his car.

Three nights later he drove north to the farmland outside of Oxnard. After a roadside prayer service that featured his salvation tape, he buried Jane in the soft earth adjoining a rock quarry. So far as he knew, her body was never found.

He turned onto Topanga Canyon Road, recalling the methodology that had allowed him to save twenty women without the excitable mass media

L.A. Noir: The Lloyd Hopkins Trilogy
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