BLOOD ON THE MOON

29

objects in the lot, he heard it: a snapping of metal on metal, coming from the direction of a portable construction toilet. It was unmistakable: Beller was still armed with one of his evil customized .45s, and he knew Lloyd was near. Lloyd hurled a rock at the outhouse. The door creaked open and three single shots rang out, followed by the sound of doors slamming all the way down the block.

Lloyd got an idea. He walked down the street, scanning front porches until he found what he was looking for, nestled among an evening’s array of potato chip bags and empty beer cans—a portable radio. Steeling himself, he turned on the volume and was bombarded by rhythmic soul music. Despite his headache, he smiled, then turned the volume down. It was poetic justice for Staff Sergeant Richard A. Beller.

Lloyd carried the radio into the vacant lot and placed it on the ground ten yards in back of the construction toilet, then flipped the volume dial and ran in the opposite direction.

Beller burst out the door of the outhouse seconds later, screaming, “Nigger! Nigger! Nigger!” Blindly, he fired off a series of shots. The light from his muzzle bursts illuminated him perfectly. Lloyd raised his .45 and aimed slowly, pointing at Beller’s feet to allow for recoil. He squeezed the trigger, the gun kicked and the elephant clip emptied. Beller screamed. Lloyd dug into the dirt, stifling his own screams. The radio blasted rhythm and blues, and Lloyd ran toward the sound, the butt end of his .45 extended. He stumbled in the darkness, then got down on his hands and knees and bludgeoned the music to death.

Lloyd stood up unsteadily, then walked to the remains of Richard Beller. He felt strangely calm as he carried first the entrails of the former civilian soldier to the outhouse, then the lower body, then the disembodied arms. Beller’s head was nothing but splattered bone and brain debris, and Lloyd let them lie in the dirt.

Muttering, “God please, please, God, rabbit down the hole,” Lloyd walked out to the street, noting with his animal antennae that there was no one about—the locals were either scared shitless by the gunfire or inured to it. He emptied his canteen into the gutter and found a length of surgical tubing in his bayonet case—good strangling cord, Beller had once told him. There was a ’61 Ford Fairlane at the curb. Deftly manipulating the tubing and canteen, Lloyd managed to siphon a solid pint of gas from the tank. He walked back to the outhouse and doused what remained of Beller, then reloaded his .45 and paced off ten yards. He fired, and the outhouse exploded. 30

L.A. NOIR

Lloyd walked back to Avalon Boulevard. When he turned around, the entire lot was engulfed in flames. Two days later, the Watts Riot was over. Order had been restored to the devastated underbelly of South Central Los Angeles. Forty-two lives were lost—forty rioters, one deputy sheriff and one National Guardsman whose body was never found, but who was presumed dead.

The riot was attributed to many causes. The N.A.A.C.P. and the Urban League attributed it to racism and poverty. The Black Muslim Party attributed it to police brutality. Los Angeles Chief of Police William H. Parker attributed it to a “breakdown in moral values.” Lloyd Hopkins considered all these theories fatuous nonsense. He attributed the Watts Riot to the death of the innocent heart, most specifically the heart of an old black wino named Famous Johnson.

*

*

*

When it was over, Lloyd retrieved his car from the parking lot of the Glendale Armory and drove to Janice’s apartment. They made love, and Janice provided what comfort she could, but refused the oral comfort Lloyd begged for. He left her bed at three in the morning and went looking for it. He found a Negro prostitute at the corner of Western and Adams who was willing to do the deed for ten dollars, and they drove to a side street and parked. Lloyd screamed when he came, frightening the hooker, who bolted out of the car before she could collect her money. Lloyd cruised aimlessly until dawn, then drove to his parents’ house in Silverlake. He could hear his father snoring as he unlocked the door, and he saw light coming from under the door to Tom’s room. His mother was in her den, sitting in her bentwood rocker. All the lights in the room were off, except for the colored light from the fish tank. Lloyd sat down on the floor and told the mute, prematurely old woman his entire life story, ending with the killing of the killer of innocence and how he could now protect innocent people as never before. Absolved and fortified, he kissed his mother’s cheek and wondered how he would kill the eight weeks before he entered the academy. Tom was waiting for him outside the house, stationed firmly on the pathway leading to the sidewalk. When he saw Lloyd, he laughed and opened his mouth to speak. Lloyd didn’t let him. He pulled a .45 automatic from his waistband and placed it against Tom’s forehead. Tom started to tremble, and Lloyd said very softly, “If you ever mention niggers, commies, kikes, or any of that shit to me ever again, I’ll kill you.” Tom’s florid face went pale, and Lloyd smiled and walked back to the shattered remains of his own innocence.

L.A. Noir: The Lloyd Hopkins Trilogy
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