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record and had never been cited for anything more serious than running a red light. A solid citizen type who in all probability would scream for his attorney when confronted with the fact that he was a receiver of stolen goods. There was only the tried-and-true and highly illegal daylight recon run. Rudolph’s D.M.V. application had yielded the facts that he was unmarried, worked as a broker at the downtown stock exchange, and was the owner of a light blue 1982 Cadillac Seville bearing the personalized license plate

“Big Stan,” which was now parked directly across the street. Lloyd fidgeted and looked at his watch. 6:08. The exchange would be opening at seven.

“Big Stan” would have to leave soon or be late for work. Sipping coffee directly from the thermos, he thought of his other, nonprofessional telephone inquiries. Against his better judgment, he had called R&I and the D.M.V. to learn what he could about Linda Wilhite. The information gleaned was lackluster: Date of birth, physical stats, address, and phone number and the facts that she was “self-employed,” drove a Mercedes and had no criminal record. But the act of pursuit was thrilling, fueled by fantasies of what it would be like to need and be needed by a woman that beautiful. Thoughts of Linda Wilhite had competed with thoughts of his investigation for control of his mind, and it was only Havilland’s astonishing phone call that bludgeoned them to second place.

At 6:35, a portly man wearing a three-piece business suit trotted up to the Cadillac, holding a sweet roll in one hand and a briefcase in the other. He got in the car and gunned it southbound on Bundy. Lloyd waited for three minutes, then walked over to 11741 Montana and took the elevator up to the tenth floor.

1015 was at the end of a long carpeted corridor. Lloyd looked in both directions, then rang the bell. When thirty seconds went by without an answer, he studied the twin locks on the door and jammed his breaker pick into the top mechanism, feeling a very slight click as a bolt loosened. He leaned his shoulder into the door, accentuating the give of the top lock. With his free hand he stuck a needle-thin skeleton pick into the bottom keyhole and twisted it side to side. Seconds later the bottom lock slid open and the door snapped inward.

Lloyd stepped inside and closed the door behind him. When his eyes became adjusted to the darkness, he found himself in a treasure trove of primitive art. There were shelves filled with Colombian fertility statues and African wood carvings covering the tops of empty bookcases. Windowsills and ottomans held Mayan pottery, and the walls were festooned with 320

L.A. NOIR

framed oil paintings of Peruvian Indians and shrines in the Andes. The living room carpeting and furniture were bargain basement quality, but the artwork looked to be worth a small fortune.

Lloyd slipped on his rubber gloves and reconnoitered the rest of the condo, coming to one nonincriminating conclusion: Except for the artwork and the late model Cadillac, “Big Stan” lived on the cheap. His clothing was off the rack and his refrigerator was stuffed with TV dinners. He shined his own shoes and owned nothing electronic or mechanical except the built-in appliances that came with the pad and an inexpensive 35mm camera. Stanley Rudolph was a man obsessed. Lloyd took a generic brand cola from the refrigerator and sat down on a threadbare sofa to consider his options, realizing that it would be impossible to secure latent prints from any art objects that Goff or Havilland’s anonymous source might have touched. Stanley Rudolph had probably fondled the statues and pottery repeatedly, and the shrink had said that his source was both right-handed and innocent of knowledge of Goff’s whereabouts and homicides in general. Havilland was a pro; his assessments could be trusted.

This left three approaches: Lean hard on “Big Stan” himself; toss the pad for levers of intimidation, and find his address book and run the names through R&I. Since “Big Stan” was unavailable, only the last two approaches were practical. Lloyd killed his soft drink and went to work. It took him three hours to comb every inch of the condo and confirm his conclusion that Stanley Rudolph was a lonely man who lived solely to collect art. His clothes were poorly laundered, his bathroom was a mess, and the bedroom walls were blanketed with dust, except for rectangular patches where paintings had obviously recently hung. The sadness/obsessiveness combo made Lloyd want to send up a mercy plea for the entire fucked-up human race.

This left the address book, resting beside the telephone on the living room floor. Lloyd leafed through it, noting that it contained only names and phone numbers. Turning to the G’s, he saw that there was no mention of Thomas Goff and that Stanley Rudolph’s scrawl was unmistakably righthanded. Sighing, he thumbed back to the A’s and got out his notepad and pen and began copying down every name and phone number in the book. When he got to “Laurel Benson,” Lloyd felt a little tremor drift up his spine. Laurel Benson was a high-priced call girl he had rousted while working West L.A. Vice over ten years before. Thinking that it was merely a co-

L.A. Noir: The Lloyd Hopkins Trilogy
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