BECAUSE THE NIGHT

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clusion: smudges, streaks, partials, and at best a few completes belonging to local juiceheads who patronized the store. Let the three officers he had assigned to run background checks on the victims have carte blanche there—

fingerprint mania or the “kill three to get one” angle his superiors at Robbery/Homicide had told him to stress were as dead as the car. Every ounce of Lloyd’s instinct told him that, just as every ounce had told him that the trinity of this case was the killer’s psychosis, his cool, his gun. The Ballistics Report and the Autopsy Protocol were rife with flat-out wonderment. Henry McGuire, Wallace Chamales, and Susan Wischer were killed by a .41 revolver fired from a distance of twelve to fifteen feet, all three slugs hitting them square between the eyes. The killer was a marksman, the gun an anomaly. Forty-one revolvers predated the Wild West days, going out of manufacture before the Civil War. They were too unwieldy, too heavy, and had a marked tendency toward misfiring. Forty-one ammunition was even worse: hardball or hollow point, its unpredictable reports were capable of jerking the shooter’s arm seemingly out of its socket or of going off like a soggy popcorn kernel. Whoever had shot the three people at Freeway Liquor had mastered a difficult antique handgun with antique ammo and had exercised his mastery under a state of extreme duress. Lloyd stared deeper at his own mirror image, wondering what to do now that he had already sent stolen gun queries to every police agency in California and had personally questioned every antique gun dealer in the Central Yellow Pages. Negative answers all the way down the line—no .41s in stock, let alone purchased, and it would probably be another twenty-four hours before the responses to his queries began trickling in. All the paperwork was digested; all the facts were lodged. There was nothing he could do but wait.

And waiting was antithetical to his nature. Lloyd walked back to his cubicle and stared at the walls. Snapshots of his daughters formed a spray around the fed’s ten most wanted; a pincushion map of L.A. County showed that homicides were up in Hollywood, South Central, and the East Valley. On the Freeway Liquor case the obvious next step was a call to Hollywood dicks to see what their snitches had come up with. Looking for something to perk his mental juices, he picked up the file that Dutch Peltz had given him just before the start of the frantic thirty-six hours. Herzog, Jacob Michael, 5/3/49, was typed on the front of the manila folder and inside were Xerox copies of statistical records forms, fitness reports, commendation certificates and odd memoranda from superior officers. Thinking of Herzog as a dead 228

L.A. NOIR

man and of the folder as his epitaph, Lloyd pulled up a chair and read every word in it five times.

A singular man emerged. Jungle Jack Herzog had a 137 I.Q., barely met the L.A.P.D.’s height and weight requirements and was born in Beirut, Lebanon. He was fluent in three Middle Eastern languages and had protested the Vietnam war in college, before joining the Air National Guard. He had graduated twelfth in his academy class and received scrolls in scholarship, marksmanship, and physical training. His first four years on the job had been spent working Wilshire Patrol and Wilshire Vice, receiving Class A fitness reports, earning praise from all superior officers save one vice squad lieutenant, who shunted him back into uniform for refusing to serve in a public restroom deployment to catch persons engaged in homosexual acts. That same lieutenant had then recanted his criticism—later requesting that Herzog train his men in operating bookmaking and prostitution surveillances, heavily emphasizing the use of disguise. Herzog’s

“seminars” had been so successful that he gained consultant status, training plainclothes officers citywide, staying in demand while doing four and three year tours of duty at West L.A. and Venice Divisions. Jungle Jack became known as the “Alchemist,” a reference to his ability to transform himself and render himself virtually invisible on the street. He was also spectacularly brave—twice resolving hostage situations, the first time by offering himself to the gunman who had taken over a bar he was staking out for liquor violations.

The gunman had grabbed a young prostitute and was holding a knife to her throat while his accomplice tapped the cash register and grabbed the purses and billfolds of the bar’s patrons. Herzog, in the guise of a crippled drunk, taunted the knife wielder to release the girl and take him in her stead, screaming obscenities at him, inching closer as the blade drew a trickle of blood at the girl’s throat. When he was two feet away, the gunman shoved the prostitute aside and grabbed Herzog, screaming when Jungle Jack’s elbow crashed into his windpipe. Herzog disabled the man with a flathanded karate chop and took off after his accomplice, catching him after a five-block foot pursuit.

The second hostage situation was resolved even more boldly. A man known to local officers as a heavy angel dust user had snatched a little girl and was holding her at gunpoint while a crowd gathered around him. Jack Herzog, in uniform, walked through the crowd and up to the man, who

L.A. Noir: The Lloyd Hopkins Trilogy
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