CHAPTER 6

THE OLD, NEGLECTED MODULE they had leased, with its lofty, hard-textile ceilings and off-white, dimly lit passageways, with its slow-sequencing, Earth-scenery monitor frames, its manual door locks and gloomy reception rooms—this base did much, by its very appearance after they had moved into it, to confirm in Vronsky the agreeable illusion that he was not so much a Russian country gentleman, a retired army officer, as an enlightened, bohemian “moon man” and patron of the arts, who had renounced his past, his connections, and his planet for the sake of the woman he loved.

“Here we live, and know nothing of what’s going on,” Vronsky said to Golenishtchev as he came to see him one morning. “Have you seen Mihailov’s picture?” he said, pointing to Lupo’s monitor, where was displayed a communiqué from a Russian friend that he had received that morning, and pointing to an article on a Russian artist living in the very same colony and just finishing a picture which had long been talked about. “Couldn’t we ask him to paint a portrait of Anna Arkadyevna?” said Vronsky.

“Why mine?” Anna interjected. “After yours I don’t want another portrait. Better have one of Annie” (so she called her baby girl). She glanced with a smile through the glass porthole into the nursery, where the child was giggling delightedly at the clownish tumbling of a I/HurdlyGurdly/2.

“I have met Mihailov, you know,” Golenishtchev said. “But he’s a queer fish. He did not migrate to the moon entirely of his own volition, if my meaning is quite clear.” It was not, of course, and in answer to Vronsky’s curious expression Golenishtchev leaned forward, in exactly that conspiratorial fashion with which people in possession of secrets signal that they wish to be pressured into revealing them.

“I understand that many years ago he professed rather an extreme view on the Robot Question. Took the line that the extent of evolution of any given machine should be up to its owner, and its owner alone.”

“Yes, well,” Anna began, gesturing proudly to her own beloved-companion, preparing to defend that position, or at least argue its merits.

“But this Mihailov took the idea to a rather bizarre conclusion, publishing his opinion that robots were, in many ways, the equals of human beings—and that junkering a Class III was therefore tantamount to murdering a human being.” Vronsky raised his eyebrows, and Golenishtchev went on. “It is even said that he put these rather extreme opinions into practice, and . . . ,” Golenishtchev made a pretense of blushing before continuing, “and fell in love with his wife’s Class III, and would have married it. The point is, one way or another he found it necessary to decamp for the charming lunar colony where now we find him.”

Golenishtchev settled happily back into his chair, evidently quite pleased with his own skills as raconteur, while Anna sat silent, absently stroking Android Karenina’s hand. Were Mihailov’s views so wrong? Was not her beloved-companion twice the woman—twice the person—twice the . . . whatever one might call it—than most of the people Anna had known?

“I tell you what,” said Anna finally. “Let’s go and see him!”

Android Karenina
cover.html
otherfm.html
title.html
list.html
note.html
otherfm1.html
dedication.html
part01.html
part01ch01.html
part01ch02.html
part01ch03.html
part01ch04.html
part01ch05.html
part01ch06.html
part01ch07.html
part01ch08.html
part01ch09.html
part01ch10.html
part01ch11.html
part01ch12.html
part01ch13.html
part01ch14.html
part01ch15.html
part01ch16.html
part01ch17.html
part01ch18.html
part01ch19.html
part01ch20.html
part01ch21.html
part01ch22.html
part01ch23.html
part01ch24.html
part02.html
part02ch01.html
part02ch02.html
part02ch03.html
part02ch04.html
part02ch05.html
part02ch06.html
part02ch07.html
part02ch08.html
part02ch09.html
part02ch10.html
part02ch11.html
part02ch12.html
part02ch13.html
part02ch14.html
part02ch15.html
part02ch16.html
part02ch17.html
part02ch18.html
part03.html
part03ch01.html
part03ch02.html
part03ch03.html
part03ch04.html
part03ch05.html
part03ch06.html
part03ch07.html
part03ch08.html
part03ch09.html
part03ch10.html
part03ch11.html
part04.html
part04ch01.html
part04ch02.html
part04ch03.html
part04ch04.html
part04ch05.html
part04ch06.html
part04ch07.html
part04ch08.html
part04ch09.html
part04ch10.html
part04ch11.html
part04ch12.html
part04ch13.html
part05.html
part05ch01.html
part05ch02.html
part05ch03.html
part05ch04.html
part05ch05.html
part05ch06.html
part05ch07.html
part05ch08.html
part05ch09.html
part05ch10.html
part05ch11.html
part05ch12.html
part05ch13.html
part05ch14.html
part05ch15.html
part05ch16.html
part05ch17.html
part05ch18.html
part06.html
part06ch01.html
part06ch02.html
part06ch03.html
part06ch04.html
part06ch05.html
part06ch06.html
part06ch07.html
part06ch08.html
part06ch09.html
part06ch10.html
part06ch11.html
part06ch12.html
part06ch13.html
part06ch14.html
part06ch15.html
part07.html
part07ch01.html
part07ch02.html
part07ch03.html
part07ch04.html
part07ch05.html
part07ch06.html
part07ch07.html
part07ch08.html
part07ch09.html
part07ch10.html
part07ch11.html
part07ch12.html
part07ch13.html
part07ch14.html
part07ch15.html
part07ch16.html
part07ch17.html
part07ch18.html
part07ch19.html
epilogue.html
epilogue1.html
epilo1ch01.html
epilo1ch02.html
epilo1ch03.html
epilo1ch04.html
epilo1ch05.html
discussion.html
acknowledgments.html
backmatter.html
copyright.html