Harlem

Bradhurst - 8th Avenue & West 139th Street

Nelson’s Restaurant - Same Day

The man referred to as number 111 by Elena in her journal was Tom Fluker, now dead; his son William ran the hardware store, as Leo had correctly guessed. Once a degree of trust had been established, William was prepared to recollect events from the time of Jesse Austin’s death. He recounted his father talking about Austin, and how Tom had been furious with him for bringing their community under scrutiny and suspicion.

—Jesse used to make my father mad. He called him a troublemaker. But the night Jesse was shot, my father didn’t sahe had it coming, or anything like that. He did something I never expected him to. He cried. I remember thinking it was strange that he never had a nice word to say about Jesse and then he cried when the man was shot. I was a young boy and it seemed like a contradiction at the time.

William had brought them to a restaurant called Nelson’s, closing his store and agreeing to show Leo and Nara the way. In his extensive exploration of the neighbourhood, Leo had passed the restaurant but since it was several blocks from where Austin lived, and looked new, he’d never gone in. There was no mention of it in Elena’s diary and he could find no reference to it in any of the articles written about Austin in the press. During the walk William had warmed to them somewhat, almost certainly because of Nara. He’d taken a shine to her and Leo could tell she was flattered. William was a handsome man.

Unlike the hardware store, which appeared not to have been decorated or updated for thirty years, this restaurant had been recently refurbished. Like a tour guide, William gestured at the facade.

—Don’t be fooled. This restaurant has been here for longer than I’ve been alive. Nelson was the man who opened it and he and my dad were friends. Both of them built up their businesses from nothing. This was the most popular restaurant in the neighbourhood, until…

William trailed off, adding:

—That’s not my story to tell.

Inside the staff were winding down after the lunch shift, tables being cleared, only a few diners remaining, older men who looked as if they had nowhere to hurry off to, nursing cups of coffee. William caught the arm of a waitress.

—Can we speak to Yolande?

The waitress glanced at Leo and Nara, assessing them, before turning around and heading back through the kitchen into an office. Minutes passed before she emerged accompanied by a woman in her thirties dressed in a suit. The woman was tall and striking. She took in every detail of Leo and Nara’s appearance before moving forward and shaking their hands. William had phoned ahead. She’d been expecting them.

—Nice to see you, Willie.

She offered her hand to Leo.

—I’m Yolande.

Leo shook it and then Nara. Leo introduced himself.

—My name is Leo Demidov. This is my friend Nara Mir.

She smiled.

—We’d better talk in my office.

Contrasting with her immaculate attire, her office was a jumble. There was a desk piled high with papers and files. Framed photographs and newspaper clippings cluttered the walls. Without waiting for permission, Leo instinctively began studying the photographs. Belatedly he realized that Yolande was beside him. He pulled back, blushing, embarrassed by his lack of courtesy. She gestured for him to continue.

—Go ahead.

One man was central to most of the photographs. Not Jesse Austin – a man that Leo didn’t recognize. Yolande said:

—That’s my father, Nelson, in his days as a campaigne

She pointed to one of the photographs, her finger moving away from her father and into the crowd, stopping at the face of a teenage girl.

—That’s me.

Leo noted that she did not look as engaged in the march as those around her, a young girl lost in the bustle. Yolande asked, with genuine curiosity:

—Your wife was Raisa Demidova?

Leo nodded.

—She did not kill Jesse Austin.

Yolande smiled kindly, like a benevolent schoolteacher.

—I know that. So does everyone who lives round here. No one in Harlem thinks your wife killed anyone, Mr Demidov. This neighbourhood might be the one place in the world where she’s innocent. Certainly my father didn’t believe it, not for one second. The press ran the story about how your wife was Jesse’s lover. The lie became truth. There was gossip and slander, written up as journalism, maybe they knew the truth and were too scared to print it. Can’t blame a person for that. Either way, the whole thing was forgotten a few months later and now it’s a scandal most people can’t put a name to. The strange thing was that your wife received a great deal of sympathetic coverage. People said it wasn’t her fault. They said she’d been duped. That all she wanted was to escape Soviet Russia, she’d been promised a life in America. She was distraught when she realized she’d have to go back. That lie flattered America. I suppose that’s why it was such a smart lie to tell.

Nara translated. Yolande was content to sit and watch Leo’s reaction. When Nara had finished, Yolande took down a photograph of her father working in the restaurant, handing it to Leo.

—I was fourteen years old when Jesse was shot. It changed my life, not because I knew the man but because it changed my father. Up until then he ran this restaurant and ran it well. He was a businessman to his bones. After Jesse’s murder, he became an activist, organizing speeches and rallies, printing leaflets. I hardly ever saw him. The restaurant got into trouble. It became a place to debate. Lots of customers stopped coming here, scared of being seen in case they were labelled a radical. Those who weren’t afraid, those who worked with my father, took free meals in payment for their services. Money ran short. Politics got him into trouble with the law: they almost closed the restaurant down. They sent inspectors who said the kitchens were dirty, which was a lie because I used to clean them myself.

Leo’s interpretation of the photograph had been correct: Yolande had been a girl caught up in the protests rather than being at the forefront of them. Her heart was here, in the business, not the politics of the time. There was anger too. She saw this restaurant as her inheritance: she’d cleaned it, learned how to manage it, only to have others threaten it. Most of the anger was towards the injustice of the inspectors but some of it was for her father too.

—In the end, my father’s health got worse, so I took over the restaurant, changed everything except the name, turned it back into a business. No more politics. No more talk of changing the world. No more free meals.

While Nara translated, William joined the conversation, saying:

—My father used to say the best kind of activism was to run a good business, to pay your taxes, to make yourself the establishment.

Yolande shrugged.

—Jesse paid a lot of tax, more in a year than I’ve paid in my lifetime. Didn’t buy him any favours. They still hated him.

She opened a drawer, taking out cigarettes and a glass ashtray shaped like a leaf. From her reluctance, it seemed to be a habit she was trying to quit. Leo asked:

—Who killed him?

Yolande lit the cigarette.

—Is that what matters to you? The individual responsible? Or the thinking behind it?

Leo checked with Nara to see if he’d understood her question. He didn’t need to consider his answer for very long.

—I’m only interested in the individual. I’m not fighting against any system.

Yolande inhaled.

—We don’t know for sure who killed Jesse. My father reckoned it was the FBI. I never contradicted him but it didn’t ring true. The FBI had already beaten Jesse down. They’d taken everything he had, his career and his money: they’d smeared his name. It didn’t make sense to kill him. Maybe they were just so full of hatred they didn’t need a reason but as a businesswoman I find that hard to swallow.

A waitress brought in coffee, pouring it for each of them, allowing Nara to catch up with the translation. Leo took out his notes, transcribed from Elena’s diary. He said to Nara:

—On the day of Jesse Austin’s murder, my daughter arrived in Harlem, to speak to him, to persuade him to address the demonstration outside the United Nations. She encountered an FBI agent coming out of Austin’s apartment. She refers to him in the document as Agent 6. Ask if they have any idea who this might be?

Yolande thanked the waitress as she left.

—An FBI agent at Jesse’s apartment. There was a man who’d go round there. I don’t remember his name. Anna – Austin’s wife – used to tell my father about him. That was a woman full of love, rarely had a bad word to say about anyone, but she hated that agent more than anyone else alive.

Yolande rubbed her head, unable to recall the name. She took a sip of her coffee, pained by the refusal of the name to come to her. They sat in silence for some time. Leo waited, watching her.

Even though her first cigarette was still lit and resting in the ashtray, Yolande lit a new cigarette and sucked on it, blowing smoke in the air.

—I’m sorry. I don’t remember.

She was lying. Leo had seen the transition in her expression. She’d tried to conceal the moment by smoking as she was reminded of the price that her father had paid for becoming involved. With the memory of Agent 6’s name came the memory of the type of man he was. Elena’s description of Agent 6 returned to Leo:

He scares me.

Yolande was scared.

Leo turned to Nara.

— Explain to Yolande that I understand why she doesn’t want to be involved. Promise her that I would never reveal her name. Also say to her that I will find out what happened on that night, with or without her help.

Listening to the translation, Yolande leant forward, close to Leo.

— Jesse’s murder is a secret that’s been buried a long time. Not too many people want you to dig up the truth. Not even people round here. Times have changed. We’ve moved on.

She looked into Leo’s eyes.

— I see the same determination I used to see in my father. And my father would never have forgiven me if I didn’t help you.

She sighed.

— Agent 6 was almost certainly a man called Yates, Agent Jim Yates.

Agent 6
cubierta.xhtml
sinopsis.xhtml
titulo.xhtml
info.xhtml
dedicatoria.xhtml
Section0107.xhtml
Section0001.xhtml
Section0002.xhtml
Section0003.xhtml
Section0004.xhtml
Section0005.xhtml
Section0006.xhtml
Section0007.xhtml
Section0008.xhtml
Section0009.xhtml
Section0010.xhtml
Section0011.xhtml
Section0012.xhtml
Section0013.xhtml
Section0014.xhtml
Section0015.xhtml
Section0016.xhtml
Section0017.xhtml
Section0018.xhtml
Section0019.xhtml
Section0020.xhtml
Section0021.xhtml
Section0022.xhtml
Section0023.xhtml
Section0024.xhtml
Section0025.xhtml
Section0026.xhtml
Section0027.xhtml
Section0028.xhtml
Section0029.xhtml
Section0030.xhtml
Section0031.xhtml
Section0032.xhtml
Section0033.xhtml
Section0034.xhtml
Section0035.xhtml
Section0036.xhtml
Section0037.xhtml
Section0038.xhtml
Section0039.xhtml
Section0040.xhtml
Section0041.xhtml
Section0042.xhtml
Section0043.xhtml
Section0044.xhtml
Section0045.xhtml
Section0046.xhtml
Section0047.xhtml
Section0048.xhtml
Section0049.xhtml
Section0050.xhtml
Section0051.xhtml
Section0052.xhtml
Section0053.xhtml
Section0054.xhtml
Section0055.xhtml
Section0056.xhtml
Section0057.xhtml
Section0058.xhtml
Section0059.xhtml
Section0060.xhtml
Section0061.xhtml
Section0062.xhtml
Section0063.xhtml
Section0064.xhtml
Section0065.xhtml
Section0066.xhtml
Section0067.xhtml
Section0068.xhtml
Section0069.xhtml
Section0070.xhtml
Section0071.xhtml
Section0072.xhtml
Section0073.xhtml
Section0074.xhtml
Section0075.xhtml
Section0076.xhtml
Section0077.xhtml
Section0078.xhtml
Section0079.xhtml
Section0080.xhtml
Section0081.xhtml
Section0082.xhtml
Section0083.xhtml
Section0084.xhtml
Section0085.xhtml
Section0086.xhtml
Section0087.xhtml
Section0088.xhtml
Section0089.xhtml
Section0090.xhtml
Section0091.xhtml
Section0092.xhtml
Section0093.xhtml
Section0094.xhtml
Section0095.xhtml
Section0096.xhtml
Section0097.xhtml
Section0098.xhtml
Section0099.xhtml
Section0100.xhtml
Section0101.xhtml
Section0102.xhtml
Section0103.xhtml
Section0104.xhtml
Section0105.xhtml
Section0106.xhtml
agradecimientos.xhtml
autor.xhtml