chapter thirty
We rounded a stand of cypress, the hull of
Chekika’s Shadow skidding, then catching on its starboard
chine. A half-mile or so ahead, I could see the elevated rim of the
abandoned limestone quarry.
We were back in karst country. For millions of
years, rain and flowing water had created conduits, caverns out of
rock; a slow geologic cataclysm that showed in the gray limestone
piled high above sawgrass.
In my earphones, I heard Tomlinson yell, “There it
is! We’ve got to go faster, man. Can’t you go faster?”
No. Running at sixty miles per hour in an airboat
is like turning a boat with a flat hull into a hurricane wind. I’d
already come close to wobbling out of control a couple of times.
Any faster and I feared we’d hydroplane into the air, then
pitch-pole to disaster.
Within the last four minutes, we’d felt the boat
rock with two, perhaps three or more tremors. Hard to tell for
certain, because these explosions—and that’s undoubtedly what they
were—seemed to come from behind us, at opposing spots on the
perimeter of the outdoor amphitheater, Cypress Ashram.
Long ago, I’d spent months training with various
explosives, and I’d used them, when required, for several years
afterwards. Pros with explosives have zero tolerance when it comes
to the people whom they teach. You learn, you remember or you get
the hell out. So I’d learned.
Izzy Kline had, apparently, bracketed the
amphitheater with underground charges. He’d staggered the timers to
go off every one or two minutes. With the shock of each tremor,
Tomlinson would cry out as if in pain, but I found the pattern of
explosions encouraging. If the first explosion occurred at 7:48
P.M., the last explosion would almost certainly occur as predicted
by Shiva—at sunset. Maybe a minute or two later, just for better
effect.
I checked my watch again: 7:52 P.M.
If I was right, we had five minutes. With luck, we
had a little longer.
Against my better judgment, I pushed the
accelerator closer to the floor and held it there. I felt my cheeks
begin to flutter with wind torque; felt the hull beneath me rise as
if elevated by the razor edge of sawgrass.
Standing between us and the limestone quarry was a
marsh of swamp maples, cattails and arrow plants. The trees and
cattails were coated in golden light, casting black shadows
eastward. If there were old lighter pine stumps in there, or hidden
cypress knees, and we collided, we were dead. Even so, I kept the
accelerator mashed flat, right hand sweaty on the joystick.
Instead of hitting stumps, though, we flushed a
hidden populace of wildlife. Two gigantic gators bucked out of our
way, one of them hitting the hull so hard with its tail that he
nearly flipped us. A cloud of snowy egrets flushed before us, too:
white wading birds that angled away, banking, then igniting as a
single, flaming pointillism in the burnished light.
In my earphones, I heard Tomlinson say, “Panthers!
Two of them!”
There they were: two flaxen-colored animals the
size of retrievers, running fast, their long tails swinging like
rudders.
I kept my eyes fixed on the rim of the abandoned
quarry, and noted that there was something different about the
area. It took me a moment to identify the change, and then connect
it with what Billie Egret had already told me.
The previous week, the quarry had been on the edge
of a shallow marsh. Now the marsh was dry but for a small,
crater-shaped lake. The lake was several hundred yards from the
quarry, at the terminus of a descending ridge of limestone that was
overgrown with scrub grass and small melaleucas. The perimeter of
the lake was as round as the rim of a volcano. It held water that
mirrored a molten sky.
James Tiger had also told us about it. Lost
Lake. The lake that was visible only when the ’Glades were
nearly dry. The lake to which, Billie had said, tarpon had
returned. She’d wanted me to see it.
Maybe I would. Later.
Still traveling near top speed, I angled the
airboat toward the access road that climbed the ridge. Then I
turned hard onto the road, banging our way up marl and limestone,
the hull shuddering. As we breached the top of the ridge, Tomlinson
was already shouting, “It’s there. The truck’s there!”
A medium-sized U-Haul, with a bed that extended
over the cab, was backed in tight against the wall of limestone
where, a week before, we’d seen the white GMC pickup.
Sliding to a stop, I yelled, “We’ll gut the hull if
I try to jump across that rock. Stay here; I’ll run for it.”
But Tomlinson had already bailed while the boat was
still moving, throwing his earphones off, sprinting hard down the
incline toward the truck.
I looked at my watch: 7:54 P.M.
Three minutes until sunset.
Tomlinson has always been faster than I. Now,
though, in the worst shape of my life, he left me far behind as he
sprinted the hundred yards or so to the U-Haul.
“Doc, she’s here! She’s in the truck!” He was
pulling at the door handle on the driver’s side. It was locked.
Still pulling at the door, he banged on the window. “Sally. Are you
okay? Sally!”
He ran around to the other door, saying, “Oh God, I
think she’s dead!”
I ran harder, feeling an appalling sense of loss
and failure; was also aware that, in three minutes or so—maybe
less—the truck was going to blow up. I’d made Tomlinson come with
me. I was responsible, and now I was going to get him killed,
too.
Still running, I yelled, “Are you sure she’s dead?
Get away from there. I’ll try to get her out.”
He was pulling at the passenger door now—it was
also locked. I leaned and picked-up a baseball-sized chunk of
limestone and was coming around to the driver’s side of the truck
as Tomlinson, banging on the opposite window, yelled, “Sally! We’re
going to get you out.” After a pause, he then said, “Doc, she’s
alive.”
And there she was, my friend from childhood, lying
naked on the seat, her hands and feet tied, her mouth and most of
her face covered with duct tape, a purple swelling on her left
temple, her jade-blue eyes wide, tears welling—an expression of
joyous disbelief—staring back at me.
I yelled to her, “Close your eyes!”
The chunk of limestone broke in my hand when I
smashed it against the door’s window, but the glass shattered. It
became a pliant, plastic shield. I used the remaining chunk of rock
to knock the window open, calling to Tomlinson, “Check the back of
the truck. If it’s not locked, I might be able to disconnect the
detonator.”
Unconsciously, I’d already assessed the situation;
the steps I’d have to take. The truck’s engine was running—there
could be only one reason: voltage. If the bed was full of ammonium
nitrate, Kline had probably rigged some kind of high-voltage
detonator to back up, or assist, a standard, timer-rigged
blasting-cap-type detonator.
With the truck’s engine running, there would be a
small boom followed by a horrendous explosion. Shut the engine off,
the nitrate would still blow, but a markedly smaller portion of
it.
Tomlinson yelled, “The back doors are padlocked! I
can’t get in.”
Damn it.
I used my hands to rip the sheet of glass away,
reached in, found the lock and yanked the door open. Tomlinson was
already behind me as I took Sally by the shoulders and pulled her
out. He took her gently into his arms as I said, “Try to find some
cover. Get her away from here.”
I jumped behind the steering wheel, and reached to
shut off the engine—but the key wasn’t in the switch. It took me a
long, dull moment to realize why: Kline had broken the key off in
the ignition. If the woman managed to get her hands free, he didn’t
want her to be able to foil the explosion.
I glanced to the west. The sun was gone; vanished
behind a scrim of distant cypress trees. I looked at my watch: 7:56
P.M. Less than a minute remained.
Feeling a sickening sense of unreality, I
considered opening the hood and disconnecting the battery. But that
would not disable the secondary timer switch. At this distance, any
explosion, big or small, would kill all three of us anyway.
That’s when it came to me. What I had to do.
Suddenly, I didn’t feel sickened or frightened
anymore.
Tomlinson had Sally cradled in his arms, struggling
beneath her weight, trying to get her away from the truck. I
called, “Stay here. Get down and cover her with your body.” Then I
put the truck in drive, floored the accelerator and began to bounce
and jolt my way up the access road.
The back of the truck was loaded to maximum. I
could feel the weight in the sluggish, teetering way the truck
handled. As I drove, I checked to see if the transmission was in
four-wheel drive—it was—then tried to calculate how far I’d have to
move the truck so that, when it did explode, Sally and Tomlinson
wouldn’t be hurt.
You can’t get far enough in sixty
seconds.
That was the inescapable truth. Which is when
another idea popped into my brain.
This detonator system is electrical.
It was my only chance. Our only
chance.
When I got to the top of the quarry, I turned off
the road, onto the ridge, and steered directly toward Lost Lake. It
was a couple of hundred yards away. The water color had changed
from molten red to molten bronze, and the lake’s surface seesawed
before my eyes as the truck’s tires banged over rocks and small
trees. Traveling at thirty . . . then forty miles per hour, the
steering wheel vibrated and bucked so hard beneath my hands that it
was struggle to maintain control.
Seven fifty-seven P.M.
Did I hear an electrical click from behind
me?
Still accelerating, I scrunched down in my seat,
expecting to feel a blinding white pain that marked the explosion,
and the end of my own life. I was still ducked low, accelerator
floored, when one of the front right tires blew.
Bang.
Stunned, I released the steering wheel momentarily,
and the world tilted crazily as the truck careened sideways, then
rolled.
Suddenly, water was pouring through the broken
window, gushing like a river, filling the cab. Then I was
underwater, in a familiar, slow-motion world.
For a few moments, the escalating speed of the
truck’s descent toward the bottom of the lake kept me mashed to the
roof of the cab. I reached, found the steering wheel. I pulled
myself toward the broken window.
I have wide shoulders. For a terrible,
claustrophobic moment, I got stuck in the window, but managed to
bull my way through. Then I was ascending toward what appeared as a
silver lens, thirty or forty feet above . . . slowly ascending,
exhaling bubbles, right arm extended toward the surface out of old
habit.
When I breached the surface, I sucked in air,
filling my lungs. Then I paused, sculling, for a reflective moment.
If the water hadn’t shorted the electrical system, the nitrate
might still explode.
I looked at my watch: I saw 7:59 P.M. become 8
P.M.
Not likely.
I began to do a relaxed breaststroke toward
shore—and got another unexpected shock when several big fins cut
the surface ahead of me, then disappeared.
Sharks?
I was still spooked from my recent encounter.
Then I smiled.
No. The tarpon, a prehistoric fish, can supplement
its oxygen supply by rolling at the surface and gulping surface
air.
Billie Egret was right. Tarpon had returned to Lost
Lake. Tarpon had come back to the Everglades.
People were screaming.
Why?
The screams we heard were coming from the direction
of the outdoor amphitheater. Men and women yelling, falsetto
shrieks, their voices echoing through the shadows of cypress
trees.
I’d driven the airboat up onto the manicured grass
of Sawgrass, as close to the parking area as I could get.
Sally kept telling us, “I’m okay, I’m okay. There’s
no need to hurry.”
But she wasn’t okay. She was faint from
dehydration, already starting to cramp. She had a swelling subdural
hematoma on her temple, and she was probably in shock, too.
And she kept repeating, “The Lord was with me. I
was never afraid. All the things that creep tried to do to me; all
the things he said. I was never afraid. The Lord put His hand in
mine and never let go.”
It was like a dream, she said, opening her eyes and
seeing us. For a moment, she thought she was in heaven.
All good boat captains keep a little bag stowed
aboard, well stocked for emergencies. Billy Tiger was a good
skipper, and I found his emergency bag in the forward hatch. Along
with packages of freeze-dried food, a first-aid kit, candles and
bug repellent, I found two half gallons of bottled water, and a
military-issue blanket.
Tomlinson tended to Sally, wrapping her in the
blanket, helping her hold the half-gallon bottle so she could gulp
the water down.
I ran the boat. Our return to Sawgrass was not
nearly as fast as our trip out, but I didn’t tarry. We needed to
get Sally to the hospital. And I was eager to confront Jerry
Singh.
Sally’s physical description of the man who
assaulted her, and who also murdered Frank and his landlord, left
no doubt that it was Izzy Kline—Bhagwan Shiva’s personal assistant.
So I wanted to find Kline. I wanted to find him tonight. I
wanted to get to him, snatch him, take him to some lonely spot,
then eliminate him.
It was irrational. I knew that. Contemplating
revenge is always irrational. Besides that, anyone smart enough to
simulate an earthquake is smart enough to run far and fast after
committing at least two murders and attempting a third.
The bartender said he’d heard Kline was going to
Europe—probably a red herring. But I didn’t doubt that Kline was
leaving for somewhere.
The last time she’d seen him, Sally told us, was
late that morning. She said he’d smiled at her and said, “Give my
regards to St. Peter,” and slammed the truck door, timers set,
engine running.
So he was probably out of the state. Maybe already
out of the country.
If anyone knew Kline’s whereabouts, though, it
would be the man Tomlinson called the Non-Bhagwan.
I was eager to look into Shiva’s face and make him
talk. So I steered a rhumb line toward Sawgrass, running at
speed.
I watched the sunset sky fade to bronze, then
pearl, as the far horizon absorbed light. To the east, the vanished
sun still illuminated the peaks of towering cumulous clouds. A
commercial airliner, banking away from Miami International, became
an isolated reflector, mirror-bright, connected to a silver
contrail. Below, white birds became gray as they glided toward
shadowed cypress heads to roost.
Tomlinson was in the seat below me, holding Sally.
Every now and then, he’d stroke her blond hair. Her hand would find
his, and squeeze.
Now, back at Sawgrass, I switched off the engine
of Chekika’s Shadow, swung down out of my seat and helped
Tomlinson get a wobbly Sally Carmel on solid ground.
“We’ve got to find something better than this
blanket,” she told us. “I can’t let anyone else see me
naked.”
After what she’d been through, her modesty was
touching.
That’s when all three of us grew silent, our brains
trying to translate and identify the strange, distant sounds coming
to us through cypress trees.
Terror has a tone; an unmistakable pitch. We were
hearing the screams of terrified people.
I said, “It sounds like there’s a riot going on
over there.”
Tomlinson waited for a few moments, head cocked,
listening, before he replied, “Something’s happened. Something
powerful. I can feel it, man.”
We could also hear the wail of distant
sirens.
As we walked out of the trees, we could see people
running. Men and women in their bright robes; some in regular
clothes, too. Some seemed to be running aimlessly, as if panicked
or crazed. Most, though, were running toward the parking lot where
a line of cars had bottlenecked at the exit. Horns blaring, some
drivers were cutting cross-country to escape the line and get back
to the main road.
One thing was clear—people were fleeing the area
out of fear.
Holding Sally between us, we walked against the
flow of people toward the amphitheater. We headed that way partly
out of curiosity—what was happening?—but mostly because we wanted
to find Billie or James. They both had cell phones, and I wanted to
notify law enforcement just as soon as possible. Klein might be at
an airport right now, waiting to fly out.
I also wanted to call an EMS chopper for Sally. I’d
checked her eyes. Her pupils weren’t dilated or fixed, but that
didn’t guarantee that she hadn’t suffered a concussion.
As we approached, we could see that the
amphitheater had emptied. To the right, though, off in the cluster
of trees where I’d first found Tomlinson, the Egret Seminoles had
gathered, their colorful shirts and blouses dulled by the fading
light. Karlita was with them.
She walked toward us, saying, “I’m sorry,
Tomlinson. I know you don’t approve, but we had no choice.”
Behind her, in a somber tone, Billie Egret said to
us, “He’s gone. The Everglades took him. It had to be. If you give
bad, you get bad in return. If you take, you have to give—and
Shiva, he took souls.”
None of which made any sense to me until I looked
where Billie was now pointing. The amphitheater’s concentric levels
of seating remained. But where the stage and acoustic dome had once
stood, there was now . . .
I had to stare to be sure, brain scanning for
explanation. . . . where the stage and acoustic dome had once
stood, there was now a circular lake, water roiled and murky, lots
of trash and flotsam on the surface.
Billie told us, “When the first tremors started,
the Ashram followers were so excited. I thought they’d won. I
thought Shiva had won. But then, after the third tremor, chunks of
the dome began to fall. Then the whole stage collapsed and fell,
like going down a waterfall. The earth collapsed beneath it. A
sinkhole.”
Karlita added, “People were terrified. They
panicked. It was frightening to watch.”
His voice subdued, perhaps in awe, Tomlinson asked,
“When it happened, was he alone? Was Shiva the only one on
stage?”
“Yes. He was alone. I wish you had been here to
witness the . . . power of it.”
We would witness it. Worldwide, anyone with
a TV could witness what happened that Easter Sunday over and over
because Shiva’s film crew had captured it on video. The segment
became standard fare for reality-based disaster shows: Jerry
Singh—Bhagwan Shiva—in his purple robes, still leading his
followers in that metonymic chant.
We will . . .
Boom!
Move the earth.
Boom!
I will . . .
Boom!
Make the earth move!
Then there is a close-up of Singh grinning
triumphantly as the camera lens begins to vibrate with one . . .
two . . . three earth tremors . . . his followers cheering but
still chanting; chanting faster now:
We will . . .
Boom!
Move the earth.
The close-up continues as Shiva’s expression
changes from joy to a kind of stunned surprise as chunks of stucco
begin to fall on him from the acoustic dome. He’d been sitting in
full lotus position, but he gets quickly to his feet,
perplexed.
Then all color drains from his face—an illustration
of fear, then horror, as the rear of the stage collapses. The
initial collapse created a momentary, marble incline, water already
boiling up to take it.
The last shot shows Shiva clawing desperately,
trying to keep from sliding into the pit below. He’s screaming
something, but there’s so much peripheral noise, his words are
indecipherable.
Above him, the laser hologram of the solar system
continues to orbit, unaffected.
Then he is gone; the stage, dome, the prophet of
Ashram, all swallowed up by a flooding darkness.
Three days later, The Miami Herald reported
that a charter captain, his boat loaded with tourist scuba divers,
found Shiva’s body floating off Marathon and Molasses Reef, more
than a hundred miles south of Sawgrass.
Geologists from the University of Florida provided
an explanation. The sinkhole created by the series of explosions
had collapsed into an underground river—the Long Key Formation. The
river had swept Shiva’s body along beneath sawgrass, swamp,
mangrove fringe and all of Florida Bay, before jettisoning him into
open sea.
Billie Egret had a more succinct explanation for
me: “Reciprocity.”