1
THE WALL
If only I could reach
The homestead of Death’s mother
Oh, my daughter
I would make a long grass torch ...
I would destroy everything utterly utterly ...
The homestead of Death’s mother
Oh, my daughter
I would make a long grass torch ...
I would destroy everything utterly utterly ...
Traditional Acholi funeral song
Thokoza township, South Africa, 18 April
1994
‘Not a picture,’ I muttered as I looked through my
camera viewfinder at the soldier firing methodically into the
hostel. I turned back towards the line of terrified, unwilling and
poorly-trained soldiers taking cover alongside the wall next to me.
Their eyes darted back and forth under the rims of their steel
helmets. I wanted to capture that fear. The next minute, a blow
struck me - massive, hammer-like - in the chest. I missed a
sub-moment, a beat from my life, and then I found myself on the
ground, entangled in the legs of the other photographers working
beside me. Pain irradiated my left breast and spread through my
torso. It went far beyond the point I imagined pain ended. ‘Fuck!
I’m hit, I’m hit! Fuck! Fuck! Fuck!’
As automatic fire continued to erupt from along the
wall, Joao and Jim desperately dragged me by my camera vest closer
to the wall, seeking shelter next to the soldiers and out of their
line of fire. Then an anguished voice broke through the cacophony:
‘Ken O is hit!’ I struggled to turn my head through the tangled
cameras and straps around
my neck. A few yards to the right, I could see a pair of long
skinny legs that were unmistakably Ken’s protruding from the weeds
flourishing against the concrete wall. They were motionless and at
an improbable angle to each other. Jim ran over to where Gary was
clutching Ken, trying to find a sign of life. The sporadic crack
and rattle of high-velocity automatic gunfire reverberated through
the air around the huddle of journalists and soldiers trying to
flatten themselves against the wall.
Blood seeped from the gaping hole in my T-shirt. I
clamped my hand over the hole to stop the bleeding. I imagined the
exit wound of the bullet as a deadly, gaping hole in my back. ‘Look
for an exit wound,’ I said to Joao. He ignored me. ‘You’ll be OK,’
he said. I reasoned that it must be bad if he didn’t want to look,
and as though this was all happening in some feeble movie, I asked
him to give a message to my girlfriend. ‘Tell Heidi I’m sorry ...
that I love her,’ I said. ‘Tell her yourself,’ he snapped
back.
Suddenly a sensation of utter calm washed over me.
This was it. I had paid my dues. I had atoned for the dozens of
close calls that always left someone else injured or dead, while I
emerged from the scenes of mayhem unscathed, pictures in hand,
having committed the crime of being the lucky voyeur.
Jim returned, crouching under the gunfire and
murmured softly in my ear, ‘Ken’s gone, but you’ll be OK.’ Joao
heard and stood up to rush over to Ken, but others were already
helping him. He lifted his camera. ‘Ken will want to see these
later,’ he told himself. He was annoyed that Ken’s hair was in his
face, ruining the picture. Joao took pictures of us both - two of
his closest friends - me sprawled on the cracked concrete clutching
my chest; Ken being clumsily manhandled into the back of an
armoured vehicle by Gary and a soldier, his head lolling freely
like that of a rag doll and his cameras dangling uselessly from his
neck. Then it was my turn to be loaded into the armoured car; Jim
had my shoulders and Joao my legs, but I am large, and Heidi’s
pampering had added more kilos. ‘You’re too fat, man!’ Joao joked.
‘I can walk,’ I protested, trying to laugh, but strangely
indignant. I wanted to remind them of the weight of the
cameras.
After four long years of observing the violence,
the bullets had finally caught up with us. The bang-bang had been
good to us, until now.
Earlier that morning we had been working the back
streets and alleys of Thokoza township’s devastated no-man’s-land
that we - Ken Oosterbroek, Kevin Carter, Joao and I - had become so
familiar with over the years of chasing confrontations between
police, soldiers, modern-day Zulu warriors and Kalashnikov-toting
youngsters as apartheid came to its bloody end.
Kevin was not with us when the shooting happened.
He had left Thokoza to talk to a local journalist about the
Pulitzer Prize he had won for his shocking picture of a starving
child being stalked by a vulture in the Sudan. He had been in two
minds about leaving. Joao had advised him to stay, that despite
there being a lull, things were sure to cook again. But Kevin was
enjoying his new-found status as a celebrity and went anyway.
Over a steak lunch in Johannesburg, Kevin recounted
his many narrow escapes. After dessert, he told the journalist that
there had been a lot of bang-bang that morning in Thokoza, and that
he had to return. While driving back to the township, some 16
kilometres from Johannesburg, he heard on a news report on the
radio that Ken and I had been shot, and that Ken was dead. He raced
towards the local hospital we had been taken to. Kevin hardly ever
wore body armour, none of us did, and Joao flatly refused to. But
at the entrance to the township, before reaching the hospital,
Kevin dragged his bullet-proof vest over his head. All at once, he
felt fear.
The boys were no longer untouchable, and, before
the bloodstains faded from the concrete beside the wall, another of
us would be dead.