8
BAD BOYS
Here comes mellow yellow, yes ma, people are
going to cry
Here comes mellow yellow, yes ma, it brings troubles
Mama, please don’t cry
Mama, don’t cry
Here comes mellow yellow, yes ma, it brings troubles
Mama, please don’t cry
Mama, don’t cry
Songs from the Struggle

One morning in 1992, Heidi and I were at home
discussing yet another story about zombies in a local Sunday
newspaper. It seemed as if there was at least one
witchcraft-related story every week. To Heidi, raised in western
Europe, it was ludicrous that people could let their lives be so
consumed by superstition, but belief in witchcraft, shades and the
undead is widespread in South Africa. I had covered several zombie
stories and knew that people truly believe in the ability of evil
witches to turn the dead into zombies - the bewitched slaves of the
sorcerer. Taking the paper, I went to find Joyce Jenetwa, the woman
who came to clean house for us once a week, to hear what she had to
say about zombies.
She was ironing in the kitchen. As she rhythmically
pressed and folded each item, she would lose herself in memories or
deep thought, trying to resolve problems that troubled her. When I
casually interrupted her, showed her the article and rather
flippantly asked if she thought zombies actually existed, she
finished a pair of trousers before stating matter-of-factly that
her granddaughter Mimi was a zombie. I
already knew that 13-year-old Mimi had been shot to death in her
mother’s backyard shack on 13 August 1991 - more than a year
previously - but I was taken aback to hear that Joyce believed she
was a zombie, in thrall to a shebeen queen.
Joyce was a short 59-year-old Xhosa woman with
bright humorous eyes and a quick smile. She had been working for us
for a year. A fiercely independent woman, she cleaned for several
different households because she refused to be beholden to a single
employer. In South Africa at that time, domestic workers were not
protected by any union, or entitled to a minimum wage, and could
easily be exploited by their ‘masters’ and ‘madams’. Besides, she
had her own life, with family, church and ancestral obligations
that she did not want to sacrifice to some boss’s late dinner
parties and baby-sitting obligations.
Over time, she told me the full details of the
story, and I gradually came to understand the notion of zombies as
a way in which people deal with trauma. Joyce had opened my eyes as
no newspaper article ever had, and I discovered an entire
undercurrent to the violence, where ancient beliefs that I had
thought were separate from the modern nature of the political
struggle were in fact woven into almost every aspect of it.
Mimi had been killed in Thokoza, that strange and
dangerous black township 16 kilometres south-east of Johannesburg,
where I - and the other journalists - had come to accept that
anything could occur. Thokoza had the highest death toll of any
township during the four years of war that began in 1990, shortly
before Mandela’s release: on just one day in August 1990, for
example, 143 people died in hand-to-hand combat. At one stage,
there were so many casualties that the police had to leave the
corpses lying in the streets for much of the day. Dogs left behind
by residents fleeing the war formed ravenous packs that survived by
feeding on the corpses. Joyce told me of those dogs shadowing
funeral cortèges all the way to the cemetery.
Thokoza is a small, nondescript township. The main
road, Khumalo Street, runs north-south for four kilometres through
an elongated triangle from one set of migrant workers’ hostels to
another. At its southern end, Khumalo Street turns east for a
further two kilometres
until it reaches three more hostels, grouped together in
neighbouring Kathlehong township. We photographers got to know the
roads and neighbourhoods that Khumalo Street traversed extremely
well. Many of the pictures of violence we took were in that tiny
area. It was on the wide dirt pavement bordering Khumalo Street
that Joao photographed a man smiling at a mob of women beating
another; it was across the blue-grey tar of Khumalo Street that Ken
captured the moment when a young girl desperately pulled her even
younger sister to safety from an impi of thousands of armed Zulus
emerging from the early morning haze. The residents of Khumalo
Street were regularly terrorized by the rhythmic clash of spears,
stricks and sharpened steel on the hard cowhide shields which the
hostel Zulus carried. This terrifying sound was punctuated by the
occasional gunshot that elicited the war cry ‘Usuthu!’ from
thousands of baritone throats.
The conflict in Thokoza pitted the hostel-dwellers
against local householders. Migrants against residents. Most
township residents regarded the hostel-dwellers as backward country
bumpkins who contributed nothing to the community but discord. In
tsotsitaal, the urban slang that sets city sophisticates apart from
their country counterparts, the hostel-dwellers were referred to as
stupids. More insultingly, they were mdlwembe - feral dogs - from
the Zulu adage that says once a domestic dog has left the kraal, or
homestead, and gone into the bush, it becomes wild and can never be
domesticated again. For their part, Inkatha supporters often
referred to their ANC opponents as isazi, or clevers, meaning
deceitful city-slickers.
Most residents owed allegiance to the ANC, and
relied for protection on volunteers who grouped themselves into
self-defence units made up of militant youths and the occasional
trained guerrillas who were given weapons by the armed wings of the
liberation movements. Inside the hostels, the Zulu inhabitants were
almost all combatants linked to other hostels by a controlling web
of indunas or headmen, taking orders from the Inkatha leadership.
This networking ensured the conflict spread rapidly from township
to township, and that the ubiquitous hostels were at the centre of
every conflict.
Soon, no-go areas developed around the hostels. We
took to calling them the dead zones. We all passed through these
no-man’s-lands countless times during the conflict, sometimes
casually, sometimes scared witless and sometimes all fired up with
adrenaline while chasing the bang-bang. Running through the heart
of the dead zone in Thokoza was Khumalo Street. At its northern
end, on the left, was a sprawling municipal hostel complex, the
impregnable Inkatha stronghold to which the Zulu warriors would
retreat when the fighting was going against them. The furthest of
the three fortress-like hostels lining the western pavement was
dubbed Madala (‘the Old One’) by residents. The middle hostel was
Khuthuze (‘to be pickpocketed’), while the southernmost one,
adjacent to the petrol station, was called Mshaya’zafe, a Zulu
phrase meaning ‘beat him to death’.
The Zulus eventually spread out to occupy the
neighbourhood of little matchbox houses opposite, and nicknamed
their territory Ulundi, after the rural capital of the KwaZulu
homeland that is the seat of Inkatha’s power. This area was feared
and hated by non-Inkatha members, who would not dare to set foot
there, just as a visit to the township was deadly for hostel Zulus.
At the beginning of the war, it was possible for us to drive
through Ulundi and even to enter the hostels, but as the conflict
deepened and attitudes hardened, that stretch of Khumalo Street
became a no-go area, though occasionally we would brave a run along
it, sinking low into the car seats while racing through the stop
signs and hoping no one would shoot. As the first year of the war
wore on, venturing into the hostels became a scary gamble. One day
it would be fine to go in, meet the induna and get permission to
work, talk to people, drink a beer, photograph. On other days, when
hostility ran high, we were soon met with aggression that prevented
us staying or working. Later still, entering the hostels at all was
out of the question.
At the other, southern, end of Khumalo Street,
Khalanyoni Hostel was overrun early in the war by ANC fighters,
most Xhosa tribesmen from the adjacent Phola Park shanty town.
These warriors were called blanket men as they wore their
initiation blankets to fight; hiding sticks, spears and guns under
the heavy wool folds. They dismantled the
buildings, brick by multi-coloured brick, and used them to rebuild
their shacks that were destroyed in the fighting. From day to day,
the shanty town transformed itself from a maze of drab corrugated
iron into a bizarrely colourful place. The surviving Zulu hostel
dwellers from Khalanyoni retreated to the hostels at the northern
end of Khumalo Street.
Once the pass- and influx-control laws of petty
apartheid were annulled in the mid-80s, many former hostel-dwellers
moved into shack settlements with their families. Those from
hopelessly overpopulated tribal homelands like the Transkei and
Lebowa were eager to leave the countryside and move into urban
townships, but Zulus continued to see life in the townships as a
temporary sojourn. Their wives and families stayed on in the rural
areas and the men went home to visit when work and money allowed.
The system of land control in KwaZulu supported this choice: unless
land remained in use by a family, it could be taken by the chief
and reallocated to more productive families. Zulus were also
strongly attached to traditional lands where their ancestors are
buried and where their spirits resided. Zulus who died in the
cities were rarely buried there - their bodies were usually taken
home. One consequence of these strong rural ties was that the
hostels came to be increasingly dominated by Zulus. The Zulu
proclivity for murderous clan-feuds spanning generations was
pursued just as viciously in the cities as they were back home.
This meant that hostel Zulus were permanently prepared for conflict
and organized in the traditional Zulu militarized social units,
amaButho, or warrior-groups under the control of an induna.
It was these forces that were harnessed by the
Inkatha political leadership and unleashed repeatedly in 1990 and
1991, in an attempt to ensure that it became a national political
player. Tens of thousands of Zulus wearing red headbands and
carrying spears, shields, machetes and the occasional assault rifle
would surge out of the hostels and down Khumalo Street, a sea of
chanting belligerence. At first they inflicted heavy casualties,
until the formation of neighbourhood self-defence units evened the
odds.
The conflict spawned an entire sub-culture. For the
denizens, the map of Thokoza had been redrawn: Ulundi on one side,
separated by the dead zone from the ANC neighbourhoods which had
also been renamed. The three neighbourhoods surrounding the hostels
most involved in the conflict became known as Slovo section, in
honour of the Communist Party leader Joe Slovo; Lusaka section,
with a nod to the Zambian capital where many exiled ANC leaders had
found a home; and Mandela section.
In Mandela section, a group of young ANC fighters
occupying a tiny cluster of homes in the northern-most corner of
Thokoza somehow resisted the Inkatha impis. We got to know the
self-defence unit there that was led by a man in his early
twenties. He shared a nickname with one of the enemy hostels:
‘Madala’, they called him - ‘The old one’. He had been given the
name by his fighters, most of them in their teens and still trying
to balance schoolwork with warfare. From one of their bases
bordering a dead zone, in a house deserted by its owners, the
teenage fighters would keep watch through a brick-sized hole in the
wall. The hole was large enough to fire out of, but small enough to
present a minimal target to opposing snipers. The house was shared
by a dozen kids and their even younger camp-followers - pre-teens
who ran errands and assisted during combat. The yard would be swept
clean most days when there was no fighting. The boys washed their
own clothes and cooked their own meals. Racy girls would sometimes
appear, especially for parties, but they were excluded from the
mainstream of the fighters’ lives. Contributions from the
neighbourhood residents enabled them to buy the food they needed,
although some fighters took to crime to supplement the donations:
Coco-Cola trucks were favourite targets for a hijacking when the
boys needed money.
Some of the self-defence units earned a loyal
following among the township folk, while others were simply
regarded as gangsters. In Lusaka section, the fighters were proud
of their heroic image. They wore bandannas and black T-shirts with
‘Lusaka Section SDU’ printed on them. They were extremely
proficient in combat, silently using hand signals to communicate
and moving like trained soldiers, which
they were not. They could strip and reassemble the battered AK-47s
they used in a matter of seconds while under fire and they had
young boys to carry ammunition clips for them. The idea was to keep
the spare ammunition separate from the big machines in case they
got picked up by the police or army - the scarce bullets were more
valuable than the rifles themselves.
The ferocity of the fighting that engulfed
townships on the Reef - the highly populated swathe of mining and
industrial towns centred on Johannesburg - surprised South
Africans. Various factors contributed to the volatile situation.
Following the release of Nelson Mandela in February 1990 and the
unbanning of the liberation movements, including the ANC, the
Pan-Africanist Congress and the Communist Party, political
competition intensified. Decades of suppression and the liberation
movement’s Marxist-influenced ideologies meant that there was no
culture of political tolerance. Inkatha’s decision to transform
itself from a ‘cultural movement’ into a registered political party
- the Inkatha Freedom Party - and to establish a membership outside
of the Zulu homeland, ensured that a climate of violence
predominated. Years previously, in 1980, the KwaZulu homeland
leader Mangosuthu Buthelezi had broken with the ANC when he agreed
to take part in the homeland process, allowing him to gather power
and a partisan homeland police force in KwaZulu-Natal province.
This eventually led to open conflict with the various ANC-aligned
groups inside the country, especially the United Democratic Front.
The ANC by contrast refused to work within the system of apartheid,
and a bloody war raged in the province for over ten years before
the release of Mandela.
Within the white security forces there were
government ministers, officers and foot soldiers who played an
active role in helping to spark the dangerously flammable tinder
that lay between the opposing sides by supplying weapons and
training to Inkatha. After decades of government propaganda
demonizing the liberation movements as part of an anti-Christian,
Communist total onslaught against white South Africa, it was
unsurprising that the average white policeman (like the average
white citizen) loathed and feared ANC supporters. The
antipathy was mutual. The ANC and the more radical black
consciousness Pan-Africanist Congress considered all policemen
legitimate targets for assassination. Ordinary black citizens hated
and mistrusted police as the arm of the law that harassed, arrested
and tortured them.
Relations between the police and Inkatha, however,
were a different matter. It was not uncommon to see a Zulu migrant
raise his hands in a show of deference or call a white policeman
inkosi - ‘my lord’. The bearded white AP bureau chief Renfrew, who
might have been mistaken for a policeman on a bad day, told me how
he had come across a Zulu castrating a dead Xhosa in the aftermath
of a battle in Thokoza in 1990. The man with the knife had turned
to him and said, ‘Please, my colonel, let me finish just this
one!’
The Zulu’s attitude to Renfrew should not have been
surprising; Inkatha and the white regime were using each other to
gain an advantage over their political opponents - primarily the
ANC. The same illegal strategies being employed by the government
had been tested during the election run-up in South West Africa (as
neighbouring Namibia was called while it was a South African
protectorate - in effect, a colony). When Pretoria was faced with
the inevitability of democratic elections, officials clandestinely
set about fomenting communal violence in the hope of disrupting the
elections and preventing a landslide victory for the former
guerrilla movement, SWAPO. They failed, in the end, to do so, but
the same regime and their covert units nonetheless redirected their
energies to weakening the ANC powerbase, especially within the
urban areas where the liberation movement had the vast majority of
support. They stopped at nothing - from gunrunning and
assassination to unlawful funding and crooked justice - to ensure
that Inkatha weakened the ANC enough to upset their electoral
chances. One early morning in 1990, for example, I arrived at Phola
Park in Thokoza just 20 minutes after the sunrise. Xhosa warriors
told me that they had killed a white policeman who had led an
Inkatha attack on their shacks. The policeman had had black
camouflage paint on his hands and face. He had lain in the grass
for hours before the police managed to retrieve his body. I had
just missed a picture that
would have proved the third-force theory. The first I had heard of
the term ‘the third-force’ was in an ANC press conference in which
they accused covert police and/or military units of provoking and
indeed committing violence to disrupt black communities. It had
become clear that there was a lot more to the killings than just
the ANC and Inkatha attacking each other, and more than just police
breaking up riotous situations.
One time in Soweto an army lieutenant complained to
me from the top of his armoured vehicle that the police would not
let him disarm an Inkatha impi that was rampaging through an ANC
neighbourhood. Another then-inexplicable example of suspicious
police behaviour was when I had raced to the scene of an explosion
in Soweto, only to find white plain-clothes men, obviously cops,
who threatened to kill me if I entered or if I took their pictures.
They were wild, and clearly a law unto themselves. I complained to
the uniformed police spokesman who was there, ‘You heard them
threatening me, I am going to lay a charge!’ but he just kept
walking me away from the house, he was clearly not going to side
with me against them. Even though he was black, he was assisting
his murderous colleagues. It was only years later that I discovered
that the white men had been a part of the notorious Vlakplaas
police unit responsible for assassinations, and that the explosion
had been the sabotaged earphones of a Walkman tape-player exploding
and ripping through the head of an ANC lawyer. Their real target
had been their former Vlakplaas commander, Captain Dirk Coetzee,
then being protected by the ANC in Zambia after he had spilled the
beans on government hit squads. But Coetzee had not accepted the
parcel mailed to him and it had been sent back to the return
address, that of ANC lawyer Bheki Mlangeni, who, of course, had
nothing to do with the sending of the booby-trapped Walkman in the
first place. The tape inside the Walkman was marked as containing
evidence on hit squads. He died as he pressed the play button. I
never did get a picture showing illegal police or third-force
activity. None of us ever did.
In this houses closest to the Zulu area of Thokoza,
residents’ lives
were tossed about like flotsam on an angry sea. The war advanced
street by street, encroaching ever further into previously safe
sections. Homes were burnt, windows broken, everything of value
looted. Gardens were overgrown with weeds. These abandoned houses
became front-line bases from which opposing sides sniped at each
other, and soon one could hardly find a wall, iron gate or fence on
Khumalo, Tshabalala and Mdakana streets that did not have a
bullet-hole in it.
I had photographed much mayhem in Thokoza, but I
had not been aware that I knew someone who had lost a loved one
there. To find out that one of those many ‘violence-related
incidents’ had happened to the woman who cleaned my house every
Monday was disconcerting. Joyce’s granddaughter, Mimi, had lived on
the very edge of that dead zone in Thokoza, in Nkaka Street. Just
days before her death in August of 1991, Mimi had called Joyce to
ask if she could come and stay with her in Soweto, some 30
kilometres away, as parts of the giant township were still
untouched by the violence that had completely engulfed Thokoza.
Joyce was delighted. Mimi was her only granddaughter and the apple
of her eye, and she longed to see her again. The child had stayed
with her from the age of one until she was four, while Mimi’s
mother had looked for a place to stay, eventually finding a
backyard shack in Thokoza. From then on, the child came regularly
to stay with Joyce. Besides the ever-present threat of political
violence, Mimi, just 13, was terrified of being jackrolled - the
practice of certain criminal gangs of abducting and gang-raping
girls for days at a stretch.
One such gang of thugs was the Bad Boys, a gang in
Slovo section. They were small-time tsotsis, who had become
increasingly brazen and dangerous in the now nearly-lawless
township. They progressed from petty theft, mugging and burglary to
armed robbery and hijacking vehicles at gun-point. One day in 1990,
they had tried to rob the driver of a truck delivering milk to a
neighbourhood store, owned by a Zulu businessman and founder of a
small Zionist Christian sect, Bishop Mbhekiseni Khumalo. The bishop
ran out of his store with the handgun he had bought especially for
thugs like the Bad Boys, and fired at the fleeing tsotsis. One of
the shots hit a woman in the street, killing
her. The Bishop claimed that the Bad Boys had killed her, but
there were many eyewitnesses to the shooting. He remained
unrepentant and grew increasingly belligerent, making the
neighbourhood turn against him. The incident had happened at the
time, in July 1990, when Inkatha, having changed into a political
party, had begun a recruitment drive. The Bishop, a Zulu, asked for
Inkatha’s protection in return for promoting membership in his
area. The Bishop and his new henchmen - well-armed and blooded
veterans of the political conflict in KwaZulu-Natal - became known
as the Khumalo Gang, and led a campaign of terror to force people
to join Inkatha or leave the area. In the prevailing atmosphere,
audacious groups, like the Khumalo Gang, planned and committed
assassinations of opponents with impunity and ran their territories
like fiefdoms, exploiting the traumatized community even further.
The Bad Boys themselves were quick to take advantage of the
anarchy, and jackrolling was their pastime. If the gangster saw a
girl they desired, they would wait for her to come out of school,
or even take her right out of her home. They would keep the girl at
their hideout and repeatedly gang-rape her until they grew bored -
which might take a day or a week. They would then drop her back
home, telling her parents that they had enjoyed their daughter and
would come back for her some time.
One day, when Joyce returned home from work to her
own backyard shack in Soweto, she found her niece waiting for her,
looking very disturbed. Joyce grew nervous, guessing there was bad
news. When she heard that Mimi had been killed, Joyce began
screaming to drown out the words.
Joyce decided to go to Thokoza immediately, even
though it was getting dark and there were very few minibus taxis
around. She had to use a series of taxis to get to Thokoza. Once
there, it was difficult to get one to take her all the way to the
place where Mimi lived because the taxis stopped travelling by six
in the evening. She found a taxi and pleaded with the driver to
take her, explaining the situation. He reluctantly agreed to go as
far as Natalspruit Hospital at the top end of Khumalo Street, but
no further. Taxis belonged to associations clearly
affiliated to either Inkatha or the ANC and the driver would have
had to drive through Inkatha territory to take her to her
destination. She was now stranded over two kilometres from the
house and the streets were eerily empty. People were too scared to
be out after dark, so Joyce began to walk, both fearful of what she
would find and of her own safety as she stealthily hurried along
the dark streets that passed through the dead zone. She finally
reached the darkened house, where Mimi’s mother Eunice and her
surviving daughter had joined the landlady in hiding for fear of a
further visit from the gangsters. In the gloom, Joyce heard how her
granddaughter had been killed.
Mimi had been sick in bed with the ’flu and, at
about eight o’clock that evening, Eunice sent her elder daughter to
the shop to buy a tin of soup, because that was all the sick child
would eat. On the way back she passed a gang of thugs that she
recognized as members of the Bad Boys gang. They called out to her,
telling her to come to them. The girl decided to make a run for it
as she was close to home. They chased her but she made it home
ahead of them and slammed the shack door shut behind her. Her
mother was watching television with the landlady in the main house,
unaware of what was happening in the backyard. The boys banged on
the door, saying, ‘She is our girlfriend, we want our girlfriend;
she is running away from us.’
The terrified girl hid behind the door and yelled
back that she was not their girlfriend. The sound of the Bad Boys
trying to break down the door woke Mimi. In her feverish, confused
state, she jumped out of bed and ran into the other room of the
shack, away from the door. But the thugs had come around to the
window and as they broke the glass, Mimi called out to her sister,
‘Sisi, what’s going ...?’ They shot her behind the ear, the bullet
coming out through her mouth. The tsotsis climbed in through the
window, ignored the young girl they had just shot, and took Mimi’s
screaming sister away. On the way back to their hideout, they
abducted another girl from a nearby house. The girls were locked in
a shack, while their captors began smoking dagga (marijuana) and
drinking, getting primed for the party in which the girls would be
raped. They were not in a hurry, they knew that they could keep the
girls as long as they wished - the police would do nothing. At one
stage, late in the night, the stoned gangsters lost concentration,
and the girls seized the chance to escape.
Joyce listened to the story with growing horror and
disbelief. She did not want to accept that her grandchild was dead,
but as the oldest in the family, she was obliged the next day to go
identify Mimi’s corpse at the government mortuary. When the
mortuary attendant pulled out the drawer that contained Mimi, Joyce
nearly fainted. She was naked and her one eye was hanging out of
its socket. But Joyce steeled herself and examined her closely.
Mimi’s hair was like it always was, blow-dried back - the tight
curls fashionably relaxed, so that her hair was long and straight.
The young girl’s breasts seemed surprisingly small - she had always
had a large bust that Joyce used to playfully tease her about.
Joyce was puzzled, did a person’s breasts shrink after they died?
She was overcome by the thought that she wouldn’t see Mimi alive
again.
That night, Joyce went back to Soweto. She slept
uneasily and dreamt of Mimi. In the dream, Mimi hugged her as she
did in life - coming up behind her grandmother and throwing her
arms around her, her breasts pressing against Joyce’s back. Joyce
said to her, ‘Take off your big breasts for me.’ Mimi just laughed,
but Joyce insisted, asking why her breasts had been so small at the
mortuary, but now they were once again their normal size. Mimi
pulled away from her. Joyce turned and saw from the child’s face
that she was upset. Mimi walked out of the shack and down to the
street, without looking back, and then Joyce woke up. She could not
get back to sleep and, in the morning, she told her daughter Tamara
about the dream. Tamara reassured her that it was just a dream,
that it meant nothing. But Joyce was deeply troubled, not just by
the death, but by the idea that something unnatural had been
visited on Mimi. She told her sister about the dream, who insisted
they visit a traditional spirit medium, a sangoma, to see if
anything supernatural had occurred. They asked around and were
directed to a young sangoma. He put on his animal skin cloak to
speak to his ancestors, and then he asked Joyce if she had come to
see him about a female. Joyce said, ‘Yes.’ He asked if the person
had been shot, and they
believed her to be dead. Joyce said that this was true. The
sangoma told them that she was not dead. ‘She is alive. She is
being kept where she used to live.’ He said that she was a zombie
and described the zombie’s mistress. To Joyce, the sangoma’s
description fitted that of Mimi’s middle-aged landlady. Joyce and
her sister paid and left. They wanted to be sure, so they went to
two more sangomas, both of whom told them the same thing. For
Joyce, it was a glimmer of hope - if Mimi was not dead, but a
zombie, then a powerful sangoma could free her from the curse and
return Mimi to her.
Ten days later, Joyce returned to Thokoza for the
funeral. She had to dress Mimi’s body. She had brought a pair of
panties and a new T-shirt, but she was shaking badly when she
approached the body. This time the body seemed different. Mimi’s
breasts were soft, as if they were an old woman’s, and her torso
was limp, but when Joyce pulled the panties on, she was surprised
that from the waist down, her body was as hard as iron. The girl’s
hair had been cut short, but it looked as if it was growing. Joyce
began wondering why her hair was so short, why the breasts were
like that, and why she was not completely stiff like a dead person
should be? Her suspicions that Mimi was not really dead were
strengthened.
After the church service, the schoolchildren
proceeded to the graveyard on foot. They sang, ‘Mimi, we loved you.
Mimi, we loved you,’ as they danced the militant toyi-toyi all the
way to the cemetery. It was a large funeral with two bishops, three
priests and several church choirs at the graveside. Joyce thought
it was wonderful, except that it hurt so much because it was Mimi
who was being buried.
The following day, Joyce and the family had to
perform the traditional cleaning that follows a death - washing the
blankets, linen and clothes of everyone in the house. Joyce
returned to Soweto and went to see sangomas again, but different
ones each time. It was unsettling and frightening, because they
told her the same thing, all of them. They said that Mimi was
working for the landlady, running her shebeen for her. Joyce was by
now utterly convinced that Mimi was a zombie.
A week later, her Soweto neighbour ran over and
told Joyce to switch on the radio, to listen to what was happening
in Thokoza. The schoolchildren had caught up with one of the
killers. They had tortured him until he gave up the names and
whereabouts of the other Bad Boys who had taken part in Mimi’s
killing. The children hunted them all down, and then stoned and
burned them to death. But revenge did nothing to assuage the pain
and anguish Joyce felt: she continued to dream of her
granddaughter. In one recurrent dream, Mimi asked Joyce to come and
fetch her because she could not escape by herself. But when Joyce
asked her where she was being held, Mimi would just point, then
vanish.
Joyce never accused the landlady of making Mimi
into a zombie - she had no proof. Her only hope was to find a
sangoma who could break the spell Mimi was under, who could exert
enough supernatural power to free Mimi from her captor’s sorcery.
She spent much of her scarce savings on charlatans who said they
could help, but without success. I came to understand the zombie
business as Joyce’s way of clinging to hope. If she forsook the
possibility that Mimi was not really dead, then she would have to
face the fact that her grandchild was never coming home again. But
Joyce’s continued hope that one day her beloved Mimi would return
masked a deep despair: ‘I know nothing about zombies, honestly.
People say that they exist for a long time, until God takes them.
Then they die.’
Sometimes I would grow angry with her, hearing of
yet another experience of wasted money and dashed expectations. But
I came to see that I was wrong, and rather than trying to divert
Joyce from her superstition, I learnt that everyone has their own
way of dealing with trauma. Joyce’s belief that Mimi was not really
dead was not so different from my own belief that God would spare
my mother from cancer.