VI

Boq didn’t have time or inclination to remark on his romance when he saw Crope and Tibbett. The Rhino librarian, having paid scant attention to the boys or their progress all summer, had suddenly cottoned on to how little had been achieved, and was all rheumatic huffs and watchful eyes. The boys chattered little, they brushed and cleaned vellum and rubbed finfoot oil on leather bindings and polished brass clasps. Only a few days left of this tedium.

One afternoon Boq let his eye drift down the codex he was handling. Usually he worked without attention to the subject matter of the materials, but his eye was drawn to the bright red paint applied in the illustration. It was a picture—maybe four, five hundred years old?—of a Kumbric Witch. Some monk’s visionary zeal or anxiety about magic had inspired his brush. The Witch stood on an isthmus connecting two rocky lands, and on either side of her stretched patches of cerulean blue sea, with white-lipped waves of astonishing vigor and particularity. The Witch held in her hands a beast of unrecognizable species, though it was clearly drowned, or nearly drowned. She cradled it in an arm that, without attention to actual skeletal flexibility, lovingly encircled the beast’s wet, spiky-furred back. With her other hand she was freeing a breast from her robe, offering suck to the creature. Her expression was hard to read, or had the monk’s hand smudged, or age and grime bestowed a sfumato sympathy? She was nearly motherly, with miserable child. Her look was inward, or sad, or something. But her feet didn’t match her expression, for they were planted on the narrow strand with prehensile grip, apparent even through the silver-colored shoes, whose coin-of-the-realm brilliance had first caught Boq’s eye. Furthermore, the feet were turned out at ninety-degree angles to the shins. They showed in profile as mirror images, heels clicked together and toes pointing in opposite directions, like a stance in ballet. The gown was a hazy dawn blue. He guessed by the jeweled tones of the work that the document hadn’t been opened in centuries.

Dramatically, or teleologically, this image seemed some sort of a hybrid of the creation myths of the Animals. Here were the flood waters, whether they derived from legends of Lurline or the Unnamed God, whether they were rising or sinking. Was the Kumbric Witch interfering with or accomplishing the ordained fate of the beasts? Though in a script too crabbed and archaic for Boq to decipher, perhaps this document supported the fable of a Kumbric Witch spell that gave the Animals the gifts of speech, memory, and remorse. Perhaps it merely refuted it, but glowingly. Any way you looked at it there was the syncretism of myth, myth’s happy appetite to engorge on narrative strains. Maybe this painting was the suggestion of some alarmed monk that the Animals received their strengths through yet another sort of baptism, by nursing at the teat of the Kumbric Witch? Inducted through the milk of the Witch?

Such analysis wasn’t his strong point. He had a hard enough time with the nutrients and common pests of barley. He should do the unthinkable and deliver this actual scroll to Doctor Dillamond. It would be valuable to know about.

Or maybe, he thought as he hurried to meet Elphaba, the thing safely smuggled into the deep pocket of his cape and out of the Three Queens library, maybe the Witch wasn’t feeding the drenched animal, but killing it? Sacrificing it to stay the floods?

Art was way beyond him.

He had run into Ama Clutch in the bazaar and begged her to deliver a note to Elphaba. The good woman seemed more sympathetic than usual to him; was Galinda singing his praises in the privacy of her room?

It was his first time to see the funny green jumping bean since arriving back in Shiz. And there she was, on time, arriving at the café as requested, in a gray ghost of a dress, with a knitted overpull fraying at the sleeves, and a man’s umbrella, big and black and lancelike when rolled up. Elphaba sat down with a graceless fromp, and examined the scroll. She looked at it more closely than she would bring herself to look at Boq. But she listened to his exegesis, and thought it feeble. “What prevents this from being the Fairy Queen Lurline?” she asked.

“Well, the accoutrements of glamour are missing. I mean the golden nimbus of hair. The elegance. The transparent wings. The wand.”

“Those silver shoes are pretty gaudy.” She munched on a dry biscuit.

“It doesn’t look like a portrait of determination or—what do I mean—genesis. It looks reactive rather than proactive. That figure is at the very least confused, don’t you think?”

“You’ve been hanging around Crope and Tibbett too long, go back to your barley,” she said, pocketing the thing. “You’re getting vague and artsy. But I’ll give it to Doctor Dillamond. I’ll tell you, he keeps making breakthroughs. This business of opposing lenses has opened up a whole new world of corpuscular architecture. He let me look once, but I couldn’t make out much except for stress and bias, color and pulse. He’s very excited. The problem I see now is getting him to stop—I think he’s on the verge of founding a whole new branch of knowledge, and every day’s findings provoke a hundred new questions. Clinical, theoretical, hypothetical, empirical, even ontological, I guess. He’s been staying up late at night in the labs. We can see his lights on when we pull the drapes at night.”

“Well, does he need anything more from us? I only have two days left in that library, and then school starts.”

“I can’t get him to focus. I think he’s just putting together what he’s got.”

“How about Galinda, then,” he said, “if we’re done with academic espionage for the time being? How is she? Does she ask for me?”

Elphaba allowed herself to look at Boq. “No. Galinda really hasn’t said anything about you. To give you hope you don’t deserve, I should add she’s hardly said anything to me at all, either. She’s in a heavy sulk.”

“When will I see her again?”

“Does it mean that much to you?” She smiled wanly. “Boq, does she really mean that much to you?”

“She is my world,” he answered.

“Your world is too small if she is it.”

“You can’t criticize the size of a world. I can’t help it and I can’t stop it and I can’t deny it.”

“I should say you look silly,” she said, draining the last drops of lukewarm tea from her cup. “I should say you’ll look back on this summer and cringe. She may be lovely, Boq—no, she is lovely, I agree—but you’re worth a dozen of her.” At his shocked expression she threw up her hands. “Not to me! I don’t mean me! Please, that stricken look! Spare me!”

But he wasn’t sure if he believed her. She gathered her things in a hurry and rushed out, knocking the spitoon over in a clatter, slicing her big umbrella right through someone’s newspaper. She didn’t look both ways as she lunged across Railway Square and was nearly mowed down by an old Ox on a cumbersome tricycle.