Toward Triumph

BY TEN OCLOCK IN THE MORNING on Monday, October 9, 1893, the day Frank Millet had designated as Chicago Day, ticket-takers at the fair’s Sixty-fourth Street gate made an informal count of the morning’s sales thus far and found that this one gate had recorded 60,000 paid admissions. The men knew from experience that on any ordinary day sales at this gate accounted for about one-fifth of the total admissions to the fair for any given time, and so came up with an estimate that some 300,000 paid visitors already had entered Jackson Park—more than any other full day’s total and close to the world’s record of 397,000 held by the Paris exposition. Yet the morning had barely begun. The ticket-takers sensed that something odd was happening. The pace of admissions seemed to be multiplying by the hour. In some ticket booths the volume grew so great, so quickly, that silver coins began piling on the floors and burying the ticket-takers’ shoes.

Millet and other fair officials had expected high attendance. Chicago was proud of its fair, and everyone knew that only three weeks remained before it would close forever. To assure maximum attendance, Mayor Harrison had signed an official proclamation that urged every business to suspend operation for the day. The courts closed, as did the Board of Trade. The weather helped, too. Monday was an apple-crisp day with temperatures that never exceeded sixty-two degrees, under vivid cerulean skies. Every hotel had filled to capacity, even beyond capacity, with some managers finding themselves compelled to install cots in lobbies and halls. The Wellington Catering Company, which operated eight restaurants and forty lunch counters in Jackson Park, had braced for the day by shipping in two traincar loads of potatoes, 4,000 half-barrels of beer, 15,000 gallons of ice cream, and 40,000 pounds of meat. Its cooks built 200,000 ham sandwiches and brewed 400,000 cups of coffee.

No one, however, expected the sheer crush of visitors that actually did arrive. By noon the chief of admissions, Horace Tucker, wired a message to fair headquarters, “The Paris record is broken to smithereens, and the people are still coming.” A single ticket-seller, L. E. Decker, a nephew of Buffalo Bill who had sold tickets for Bill’s Wild West for eight years, sold 17,843 tickets during his shift, the most by any one man, and won Horace Tucker’s prize of a box of cigars. Lost children filled every chair at the headquarters of the Columbian Guard; nineteen spent the night and were claimed by their parents the next day. Five people were killed in or near the fair, including a worker obliterated while helping prepare the night’s fireworks and a visitor who stepped from one grip-car into the path of another. A woman lost her foot when a surging crowd knocked her from a train platform. George Ferris, riding his wheel that day, looked down and gasped, “There must be a million people down there.”

The fireworks began at eight o’clock sharp. Millet had planned an elaborate series of explosive “set pieces,” fireworks affixed to large metal frames shaped to depict various portraits and tableaus. The first featured the Great Fire of 1871, including an image of Mrs. O’Leary’s cow kicking over a lantern. The night boomed and hissed. For the finale the fair’s pyrotechnicians launched five thousand rockets all at once into the black sky over the lake.

The true climax occurred after the grounds closed, however. In the silence, with the air still scented with exploded powder, collectors accompanied by armed guards went to each ticket booth and collected the accumulated silver, three tons of it. They counted the money under heavy guard. By one forty-five A.M., they had an exact total.

Ferris had nearly gotten it right. In that single day 713,646 people had paid to enter Jackson Park. (Only 31,059—four percent—were children.) Another 37,380 visitors had entered using passes, bringing the total admission for the day to 751,026, more people than had attended any single day of any peaceable event in history. The Tribune argued that the only greater gathering was the massing of Xerxes’ army of over five million souls in the fifth century B.C. The Paris record of 397,000 had indeed been shattered.

When the news reached Burnham’s shanty, there were cheers and champagne and stories through the night. But the best news came the next day, when officials of the World’s Columbian Exposition Company, whose boasts had been ridiculed far and wide, presented a check for $1.5 million to the Illinois Trust and Savings Company and thereby extinguished the last of the exposition’s debts.

The Windy City had prevailed.

 

Now Burnham and Millet made final arrangements for Burnham’s own great day, the grand closing ceremony of October 30 that would recognize once and for all that Burnham really had done it and that his work was now complete—that for once there was nothing left to do. At this point, Burnham believed, nothing could tarnish the fair’s triumph or his own place in architectural history.

The Devil in the White City: Murder, Magic & Madness and the Fair that Changed America
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