At Last

AT THREE-THIRTY P.M. on Wednesday, June 21, 1893, fifty-one days late, George Washington Gale Ferris took a seat on the speakers’ platform built at the base of his wheel. The forty-piece Iowa State Marching Band already had boarded one of the cars and now played “My Country ’Tis of Thee.” Mayor Harrison joined Ferris on the platform, as did Bertha Palmer, the entire Chicago city council, and an assortment of fair officials. Burnham apparently was not present.

The cars were fully glazed, and wire grills had been placed over all the windows so that, as one reporter put it, “No crank will have an opportunity to commit suicide from this wheel, no hysterical woman shall jump from a window.” Conductors trained to soothe riders who were afraid of heights stood in handsome uniforms at each car’s door.

The band quieted, the wheel stopped. Speeches followed. Ferris was last to take the podium and happily assured the audience that the man condemned for having “wheels in his head” had gotten them out of his head and into the heart of the Midway Plaisance. He attributed the success of the enterprise to his wife, Margaret, who stood behind him on the platform. He dedicated the wheel to the engineers of America.

Mrs. Ferris gave him a gold whistle, then she and Ferris and the other dignitaries climbed into the first car. Harrison wore his black slouch hat.

When Ferris blew the whistle, the Iowa State band launched into “America,” and the wheel again began to turn. The group made several circuits, sipping champagne and smoking cigars, then exited the wheel to the cheers of the crowd that now thronged its base. The first paying passengers stepped aboard.

The wheel continued rolling with stops only for loading and unloading until eleven o’clock that night. Even with every car full, the wheel never faltered, its bearings never groaned.

The Ferris Company was not shy about promoting its founder’s accomplishment. In an illustrated pamphlet called the “Ferris Wheel Souvenir” the company wrote: “Built in the face of every obstacle, it is an achievement which reflects so much credit upon the inventor, that were Mr. Ferris the subject of a Monarchy, instead of a citizen of a great Republic, his honest heart would throb beneath a breast laden with the decorations of royalty.” Ferris could not resist tweaking the Exposition Company for not granting him a concession sooner than it did. “Its failure to appreciate its importance,” the souvenir said, “has cost the Exposition Company many thousands of dollars.”

This was an understatement. Had the Exposition Company stood by its original June 1892 concession rather than waiting until nearly six months later, the wheel would have been ready for the fair’s May 1 opening. Not only did the exposition lose its 50 percent share of the wheel’s revenue for those fifty-one days—it lost the boost in overall admission that the wheel likely would have generated and that Burnham so desperately wanted. Instead it had stood for that month and a half as a vivid advertisement of the fair’s incomplete condition.

 

Safety fears lingered, and Ferris did what he could to ease them. The souvenir pamphlet noted that even a full load of passengers had “no more effect on the movements or the speed than if they were so many flies”—an oddly ungracious allusion. The pamphlet added, “In the construction of this great wheel, every conceivable danger has been calculated and provided for.”

But Ferris and Gronau had done their jobs too well. The design was so elegant, so adept at exploiting the strength of thin strands of steel, that the wheel appeared incapable of withstanding the stresses placed upon it. The wheel may not have been unsafe, but it looked unsafe.

“In truth, it seems too light,” a reporter observed. “One fears the slender rods which must support the whole enormous weight are too puny to fulfill their office. One cannot avoid the thought of what would happen if a high wind should come sweeping across the prairie and attack the structure broadside. Would the thin rods be sufficient to sustain not only the enormous weight of the structure and that of the 2,000 passengers who might chance to be in the cars, but the pressure of the wind as well?”

In three weeks that question would find an answer.

The Devil in the White City: Murder, Magic & Madness and the Fair that Changed America
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