Vertigo

AS FERRISS MEN BECAME accustomed to handling the big cars, the process of attaching them to the wheel accelerated. By Sunday evening, June 11, six cars had been hung—an average of two a day since the first turn of the wheel. Now it was time for the first test with passengers, and the weather could not have been better. The sun was gold, the sky a darkling blue in the east.

Mrs. Ferris insisted on being aboard for the first ride, despite Gronau’s attempts to dissuade her. Gronau inspected the wheel to make sure the car would swing without obstruction. The engineer in the pit started the engines and rotated the wheel to bring the test car to one of the platforms. “I did not enter the carriage with the easiest feeling at heart,” Gronau said. “I felt squeamish; yet I could not refuse to take the trip. So I put on a bold face and walked into the car.”

Luther Rice joined them, as did two draftsmen and the city of Chicago’s former bridge engineer, W. C. Hughes. His wife and daughter also stepped aboard.

The car swung gently as the passengers took positions within the car. Glass had not yet been installed in its generous windows, nor the iron grill that would cover the glass. As soon as the last passenger had entered, Rice casually nodded to the engineer, and the wheel began to move. Instinctively everyone reached for posts and sills to keep themselves steady.

As the wheel turned, the car pivoted on the trunnions that both connected it to the frame and kept it level. “Owing to our car not having made a trip,” Gronau said, “the trunnions stuck slightly in their bearings and a crunching noise resulted, which in the condition of our nerves was not pleasant to hear.”

The car traveled a bit higher, then unexpectedly stopped, raising the question of how everyone aboard would get down if the wheel could not be restarted. Rice and Gronau stepped to the unglazed windows to investigate. They looked down over the sill and discovered the problem: The fast-growing crowd of spectators, emboldened by seeing passengers in the first car, had leaped into the next car, ignoring shouts to stay back. Fearful that someone would be hurt or killed, the engineer had stopped the wheel and allowed the passengers to board.

Gronau estimated that one hundred people now occupied the car below. No one sought to kick them out. The wheel again began to move.

 

Ferris had created more than simply an engineering novelty. Like the inventors of the elevator, he had conjured an entirely new physical sensation. Gronau’s first reaction—soon to change—was disappointment. He had expected to feel something like what he felt when riding a fast elevator, but here he found that if he looked straight ahead he felt almost nothing.

Gronau stationed himself at one end of the car to better observe its behavior and the movement of the wheel. When he looked out the side of the car into the passing web of spokes, the car’s rapid ascent became apparent: “. . . it seemed as if every thing was dropping away from us, and the car was still. Standing at the side of the car and looking into the network of iron rods multiplied the peculiar sensation. . . .” He advised the others that if they had weak stomachs, they should not do likewise.

When the car reached its highest point, 264 feet above the ground, Mrs. Ferris climbed onto a chair and cheered, raising a roar in the following car and on the ground.

Soon, however, the passengers became silent. The novelty of the sensation wore off, and the true power of the experience became apparent.

“It was a most beautiful sight one obtains in the descent of the car, for then the whole fair grounds is laid before you,” Gronau said. “The view is so grand that all timidity left me and my watch on the movement of the car was abandoned.” The sun had begun its own descent and now cast an orange light over the shorescape. “The harbor was dotted with vessels of every description, which appeared mere specks from our exalted position, and the reflected rays of the beautiful sunset cast a gleam upon the surrounding scenery, making a picture lovely to behold.” The entire park came into view as an intricate landscape of color, texture, and motion. Lapis lagoons. Electric launches trailing veils of diamond. Carmine blossoms winking from bulrush and flag. “The sight is so inspiring that all conversation stopped, and all were lost in admiration of this grand sight. The equal of it I have never seen, and I doubt very much if I shall again.”

This reverie was broken as more bolts and nuts bounded down the superstructure onto the car’s roof.

 

Spectators still managed to get past the guards and into the following cars, but now Gronau and Rice shrugged it off. The engineer in the pit kept the wheel running until the failing light made continued operation a danger, but even then thrill-seekers clamored for a chance. Finally Rice informed those who had shoved their way into the cars that if they remained he would run them to the top of the wheel and leave them there overnight. “This,” Gronau said, “had the desired effect.”

Immediately after leaving the car, Mrs. Ferris telegraphed her husband details of the success. He cabled back, “God bless you my dear.”

The next day, Monday, June 12, Rice cabled Ferris, “Six more cars hung today. People are wild to ride on wheel & extra force of guards is required to keep them out.” On Tuesday the total of cars hung reached twenty-one, with only fifteen more to add.

 

Burnham, obsessing as always over details, sought to decree the style and location of a fence for the wheel. He wanted an open, perforated fence, Ferris wanted it closed.

Ferris was fed up with Burnham’s pressure and aesthetic interference. He cabled Luther Rice, “. . . Burnham nor anyone else has any right to dictate whether we shall have a closed or open fence, any more than from an artistic standpoint.”

Ferris prevailed. The eventual fence was a closed one.

 

At last all the cars were hung and the wheel was ready for its first paying passengers. Rice wanted to begin accepting riders on Sunday, June 18, two days earlier than planned, but now with the wheel about to experience its greatest test—a full load of paying passengers, including entire families—Ferris’s board of directors urged him to hold off one more day. They cabled Ferris, “Unwise to open wheel to public until opening day because of incompleteness and danger of accidents.”

Ferris accepted their directive but with reluctance. Shortly before he left for Chicago, he cabled Rice, “If the board of directors have decided not to run until Wednesday you may carry out their wishes.”

It’s likely the board had been influenced by an accident that had occurred the previous Wednesday, June 14, at the Midway’s Ice Railway, a descending elliptical track of ice over which two coupled bobsleds full of passengers could reach speeds of forty miles an hour. The owners had just completed the attraction and begun conducting their first tests with passengers, employees only, when a group of spectators pushed their way into the sleds, eight in the first, six in the second. The interlopers included three of Bloom’s Algerians, who had come to the railway, one explained, because “none of us had ever seen ice,” a doubtful story given that the Algerians had just endured one of Chicago’s coldest winters.

At about six forty-five P.M. the operator released the sleds, and soon they were rocketing along the ice at maximum speed. “It was about sundown when I heard the sleds coming around the curve,” said a Columbian Guard who witnessed the run. “They seemed to be flying. The first went around the curve. It struck the angle near the west end of the road, but went along all right. The second struck the same point, but it jumped the track. The top of the car, with the people holding tightly to the seats, broke the railing and fell to the ground. As it fell, the sled turned over and the people fell under it.”

The sled plummeted fifteen feet to the ground. One passenger was killed; another, a woman, suffered fractures of her jaw and both wrists. Four other men, including two of the Algerians, sustained contusions.

The accident had been tragic and was a black mark for the fair, but everyone understood that the Ferris Wheel, with thirty-six cars carrying more than two thousand passengers, embodied the potential for a catastrophe of almost unimaginable scale.

The Devil in the White City: Murder, Magic & Madness and the Fair that Changed America
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