Read on for a preview of
Eric Jerome Dickey’s novel
Eric Jerome Dickey’s novel
GENEVIEVE
Available from New American Library
1
She rests on top of my body, naked, wrapped
around my leg, her head on my chest. Her skin is still hot, set
fire by too many orgasms to count. I’ve never been with a woman who
came so hard, so often. My tongue tastes like her secrets. Her
lavender aroma lives on my flesh. She stirs. My leg is sticky where
her vagina rests on me. My come drains from her, adds to her
wetness. I stroke her breasts, fingers pulling at her nipple, and
she purrs. Her hand holds my penis with a never-ending longing,
holds my flaccidity as if she wishes it were hers to keep.
My cellular vibrates, hums like her favorite
carnal toy, dances on the dresser.
We both jump, startled away from our private
world.
Her cellular glows and sings an urban beat, a
hip-hop ring tone. Usher. My confession.
We don’t reach out to answer, just hold each
other’s guilt and wait for peace to return.
We grip our silence as if speaking were the
bigger sin.
We kiss. Touch. Her kisses are intense. I
whisper, “We should leave.”
“Little bit longer, baby?”
“They’ll look for us.”
She sucks my tongue, bites me with passion.
“Please?”
Her tongue finds its way down my chest. Her mouth
covers my penis.
Oh, God. Oh, God. Oh, God.
My fingers stroke her hair, hand encourages her
rhythm. She looks up and smiles at me, rubs that rigid part of me
against her face, glows as if it has healing powers. Her mouth
covers me again. She hums. Sounds starved. Heat. Sweet, sweet heat.
The wet sounds arouse me.
I moan, let my hand gather her hair into a fist,
keep encouraging her motions, her head moving so smoothly. Every
nerve comes alive. I writhe toward an undeserved heaven. My
flaccidity hardens. I look down at her. She smiles, proud of the
power she has over me inside of this moment. Kisses me and my
insanity escalates. She pulls me to where she needs me.
Her legs open and I climb on her. The lips of her
vagina whisper my name.
She takes me inside her and there is a shift in
consciousness as we integrate in sin. She moves and I fall into her
anxious rhythm, her undercurrents. Her words are soft, her moans
are soft, and her skin is soft. They all create a spark. And that
spark becomes a raging fire.
I put her ankles around my neck, hold her ass,
pull her into me a thousand times. She looks down to witness our
connection, then stares into my eyes. My measured strokes go
deeper, create madness. She grabs my ass, shudders, tells me she
wants me faster, deeper.
Her arms flay side to side. She yanks the sheets,
finds a pillow to cover her mouth, give that softness her wild
sounds. Her legs shake. I yank the pillow away so I can see her
face. Have to watch her. Her eyes close tight. She tremors and
grabs her breasts, squeezes them so tight. Her legs spread like
wings. Under my every stroke she flies and cries like an
eagle.
I turn her over, position myself between the bed
and the wall, use that wall to give me power. She can’t move. Can
only take what I give. She’s there. She’s coming strong and
often.
Oh, how she quakes.
Oh, how her expressions morph into a beautiful
ugliness.
The room sounds like an exorcism in
progress.
In between my grunts and moans, I call out to
her, say rude and demanding things.
She whispers things to arouse me even more,
growls, touches herself, then licks her own fingers, touches
herself, then feeds me her juices, grabs my ass, tells me to fuck
her, fuck her hard, whines and moans and squeals and tells me how
hard I am, how strong I am, how good I’m fucking her, how deep I’m
going, demands my steady thrusting to never stop, goes insane and
tells me I can come anywhere I want to, that she will take it in
any orifice or drink it like wine.
I turn her over, take her to the center of the
bed, suck her breasts while she reaches for my hardness, rushes me
back inside her, those hips of hers thrusting upward, taking me
with her own measured strokes. I’m not moving, just holding my
position, trying not to come, struggling not to go insane. We have
breathless kisses, devour and bite each other, so gone, and I’m
somewhere else, someone else.
Time stops.
My senses are focused on her.
I lose control of myself.
There is no fear. There is no guilt.
She loses her breath, tenses up, back arches, and
she sings my name in three octaves.
She comes. She comes. She comes.
Then we rest. Sweat dripping from our flesh, we
fall away from each other and we rest. Minutes pass before I can
collect my breath and move. I can barely turn my head to look at
her.
She moans. “I think I just had an out-of-body
experience.”
We look at each other’s worn expression; then we
laugh.
She asks, “Ready to go again?”
“You’re insatiable.”
“I’ve never been like this with anyone.”
“Never?”
“Never.”
She puts her face in my lap, hums, then sings
part of a love song I don’t recognize.
She whispers, her voice sounding disturbed, “God,
what have you done to me?”
I don’t answer. I could ask her the same, and my
question would go unanswered as well.
“You make me tingle.” Her voice remains a song.
“Make me horny. Think of you and I get wet. You’re very intense.
The way a lover should be. I find you damn sexy and tender.”
Her hand traces my flesh; then I feel her tongue
on my skin, licking my sweat. She takes me in her mouth again, does
that like she owns me. In her mind I am hers. She nurtures me. I
arch, I jerk, get the jitters, but flaccidity remains. That doesn’t
discourage her, doesn’t wane her madness. She is determined to
raise the dead, determined for this not to end.
My phone vibrates again.
Her cellular sings again. Usher, still
confessing.
She is not mine.
She is my wife’s sister.
This is our affair.
2
How does an affair begin?
I think that mine, like most, started
unintentionally. I’m not malicious; that is not in my
nature—hurting someone I love, that is.
My wife. Genevieve.
She is thirty-two. Has been turning thirty-two
over and over for the last five years.
Her name has been Genevieve since she turned
twenty-one, the day she marched to court and rid herself of the
name her mother had given her. In her eyes her birth name was too
urban. Too Alabama. A reminder that her ancestors had been slaves
and that her family still lived in chains, some physically, some
metaphorically, some in the psychological sense.
She is not one of them. Not cut from the
cloth of people who name their children after cars and perfumes and
possessions they cannot afford, or have a home filled with bastard
children, each of those bastard children named after drugs the
parents were addicted to at the time. She is not one of the people
who took a simple name and bastardized its simplistic spelling to
the point that it looked ridiculous on paper and sounded ludicrous
as it rolled off the tongue, then pretended the name was that of an
unknown king or queen, its origin rooted in Mother Africa.
She is Genevieve.
Genevieve.
She loves her name because to her ear, when
spoken correctly, Genevieve sounds intellectual. Not Gen. Not Vee.
Not any other variation. She will only respond to her name in
total, Genevieve. And she is particular about that. She frowns on
the Americanized pronunciation, “JEH-neh-veev.” She prefers the
elegant-in-tone French version, “ZHAWN-vee-EHV.” She will answer to
both, but only the French version is accompanied with a
smile.
She is a precise woman. She is not five-foot-one;
she is five-foot-one-and-one-quarter. I suppose, to a woman, a
quarter of an inch could be the difference between pleasure and a
night of frustration.
She has come up from poverty and, once again I
state, has declared herself an intellectual. Not one that has
stumbled out of the womb and continues to stumble through life
without meaning or purpose. Not one of the problem children Bill
Cosby rants about. She has endless goals. My wife is a planner. A
degreed woman who knows what she will be doing for the next twenty
years. She has it mapped out, literally.
She says that when she was a teenager, she mapped
her escape from a small town called Odenville, from her past, drew
a road to her future.
She did that the day her father murdered her
mother. Cut her throat. She told me that her mother was a woman who
had many lovers. Her father was a man who grew tired of being
ridiculed in his small town. A man who lost it, then called the
police, and sat waiting for them to come take him away, tears in
his eyes, his dead wife in his arms being rocked and sung to, his
every word telling her how much he loved her, how she had made him
do something bad.
No matter how I have tried, Genevieve refuses to
let me into her past. That leaves me feeling shut out in that part
of her life. She only gives me part of herself. Thus, my needs are
beyond those of the loins. My need is to feel complete. To not have
this glass wall between us.
Genevieve’s desires are flowcharted, every move
thought out like a chess player willing to sacrifice her queen in
order to slay her opponent’s king. Every move from Odenville to
undergrad at Spellman to grad school at UCLA to PhD from Pepperdine
University in Malibu, everything that she has accomplished or plans
to accomplish is on light green poster-sized engineering grid
paper, laminated and framed, hung at eye level on the west wall of
her office, facing due east. Like a prayer. Her ambitions hang on
the wall facing east for another reason as well. That way her map
to total domination of the free world will be brought to life and
highlighted with every sunrise.
The light of my life, the fire in my loins.
LaKeisha Shauna Smith no longer.
Now Genevieve Forbes.
When we married, she kept her last name, the one
she had decided would be hers from the first time she picked up a
magazine with that title, the new one that sang of richness and
power and old money, the name she crowned herself with.
Genevieve.
Not Gen. Not Vee. Not “JEH-nee-veev.”
Genevieve. “ZHAWN-vee-EHV.”
Write her name in soft italics; cross the ocean
and learn to speak it in its native language.
Let it roll off the tongue. Allow it to melt like
warm butter.
Genevieve.
I love her because she is an intellectual.
Brilliance is an aphrodisiac.
I despise her for the same reason.
3
“Tell her Willie done passed.”
“Willie? Who is he?”
“Willie Esther Savage, her grandmomma.”
It starts with a phone call. The caller ID shows
area code 256, one that I was not familiar with at the time. It was
a call coming in from the Birmingham area, the Pittsburgh of the
South. The voice on the other end sounded like that of an old man
who took his Jim Beam over ice, his tone Southern and rooted in
both poverty and ancestral slavery, a raspy-voiced smoker who
had—based on the way he punctuated every other word with a
cough—seen his better years: I’m not a doctor, but a deaf man could
hear emphysema and bronchitis dancing around inside his frame. When
I had answered he had asked for Shauna Smith, a name I was not used
to hearing. I told him he had the wrong number. Before I could hang
up, he changed and asked for Jennifer. Then tried again, asked for
Jenny Vee. Struggled with that name, my guess being that was the
closest he could get to the pronunciation of Genevieve. He did not
know her as Genevieve.
Cough. “The name she was borned with was LaKeisha
Shauna Smith.”
He has my attention. “Yes.”
“I think she calls herself Jenny Vee
something-another now she done moved away.”
I say, “I think you mean Genevieve, not Jenny
Vee.”
He pauses, then answers, “I reckon so.”
My chest tightens as I lean back from my desk,
away from the notes I’m looking over, notes regarding the breakdown
of the infected enzymes in semen and drugs we’ve developed, and my
eyes go to the clock. It’s after eight, close to the time she
usually gets in. Genevieve is off work, leaves at five on the dot,
but today is Tuesday. Tuesday and Thursday are her Pilates days.
Wednesday is an African dance class in Leimert Park; then from time
to time she walks across the street and watches poetry at World
Stage. She writes poetry but is not one to perform her work. Those
are the evenings she gives herself time to do something in the name
of self.
I lean forward and ask, “May I ask who is
calling?”
Cough. “What was that?”
“Who is this? Who are you?”
Cough. Cough. “Grandpa Fred. Mister Fred Smith
Junior. I’m her granddaddy on her daddy side. Need to get her the
word her grandmomma on her momma side done passed early this
morning. Willie Esther was gone before the cry of the crow.”
“She ... died?”
“Willie Esther lived to see eighty-three last
fall.”
My lips move in awkwardness. “Sorry to hear
that.”
“We calling all the family we can find right
now.” Another rattling cough. Sounded like his lungs were coming
undone. “She passed early this morning. Held on as long as she
could after that last stroke, but she done been called to glory. We
calling everybody and we didn’t want to not call LaKeisha Shauna
Smith and let her know when the funeral gon’ be.”
I correct him. “Genevieve.”
“Death don’t give a rat’s ass about nobody name.
All Death care about is coming to collect his due, and Death always
collect his due. We all gon’ die. With open arms, or kicking and
screaming, come time, we all meet Death, we all make that trip to
the other side.”
“Yes, we all will.”
“Yessir, I look out my window and see Death’s
doing every day.”
He speaks of death with ease, matter-of-factly,
as if it were just a part of life.
I get up from my glass-top desk, roll my chair
back so I can stretch my back. My hamstrings stick to the chair’s
leather. I have on a gray T-shirt and wrinkled shorts, what I wear
most of the time I am at home. I look out the window and see our
small backyard, which has a pool, bamboo trees that give us
privacy, the gazebo that houses our Jacuzzi. Then I glance due east
and see parts of downtown L.A. glittering miles away, its smog and
lights in the distance. In that same glass I see my gangly
reflection. Hair a little too long. As usual I need to shave.
I say, “May I have Genevieve call you?”
There is another pause. The kind that comes when
a person’s mind is spinning, questions rising. I imagine that old
man, his back bent, skin leathery and wrinkled, a road map to days
gone by, sitting in a worn and frayed chair, cane at his side,
thick glasses on, his free hand dragging back and forth over the
stubbles and rough texture in his pockmarked face, maybe shifting
his stained false teeth side to side, contemplating me and my
accent that rings of education and twenty-five years of living in
California, my disrespectful urban way that doesn’t add sir to the
end of a sentence.
He asks, “Who this I’m talking to?”
“Her husband.”
Cough. “What her last name now?”
“Forbes.”
Cough. “You Mister Forbes?”
“No. Genevieve kept her last name.”
“Woman who keeps her last name don’t intend on
keeping the man she marries.”
That is his litmus test for a healthy marriage.
Intentional or not, it stings.
“You talk real proper. Where you from?”
“Born in ... I grew up in Fresno,
California.”
“You sound the way they talk on television out
there.”
I chuckle at his Southern drawl and say,
“Okay.”
“When she done married?”
“She done married... uh ... she done married two
years ago.”
“You don’t say.” Cough. “What kinna work you
do?”
“I’m a research analyst.”
“You do what kinda searching?”
“No, research.”
“What kinna work is that?”
“I’m a research analyst. I study and analyze
cancers, neurodegenerative diseases, and now I’m working on AIDS
research training in the form of neurology.”
When I finish rambling, he says one word:
“Cancer?”
“I’ll have her call you. Let me write down your
number.”
“She know the number. Same number we done had
since nineteen-sixty.”
Grandpa Fred falls into a coughing fit.
The phone goes dead on his end.
My heart worries for Genevieve’s loss. I look at
my wedding ring. Her loss is my loss. This phone call has left me
the bearer of bad news, a task I do not want.
The phone screams in my ear, lets me know that it
is time I hang up.
His call leaves me feeling prickly, the smell of
both mystery and death in the air.
Genevieve has spoken of tragedies in her family,
reluctantly. Of her murdered mother and incarcerated father. Only
mentioned them once. Never gave any details.
I remember my mother. I remember her dying.
Remember living with my grandparents. Remember feeling lost and
alone. Remember not being able to attach to anyone for the fear of
death separating us and leaving me emotionally stranded.
I remember losing unconditional love.
Now I search for the remedy to my inner pain,
bask in pleasure to dull its sting.
![006](/epubstore/D/E-J-Dickey/Drive-me-crazy/OEBPS/dick_9781101142424_oeb_006_r1.jpg)
Grandpa Fred’s voice fades as I put my work to
the side and look at the television. The Lover, the
adaptation of Marguerite Duras’s novel, is on Showtime. What I see
makes me pause. She is beautiful and naked, in one of her erotic
scenes with her North China Lover, on top of him, her face sweaty,
in the throes of passion. She relishes him as he does her.
I envy them, the sensuality they have for each
other, their love.
On the television, the lovers love on, endless
pleasure and exploration. She is a teenager, still in boarding
school, young and inexperienced. He is in his thirties, a playboy,
a master lover. Both characters are nameless. Names, those labels
do not matter in the end.
I try to get back to my work, but I cannot.
I smile in appreciation and continue to sigh in
envy.
But in the end, the erotic moments are not why I
watch.
It’s what is said at the end.
That is what I wait for, the words I wait to hear
at the dimming of their day.
I watch to see how she answers the phone, now her
body aged and worn, and his voice is on the other end, listen to
hear how he tells her that despite them parting ways, despite their
separate marriages, despite the grandchildren, despite all the
irreplaceable years that have gone by on the breath of time, he
loves her still, loves her now as he did then, and will always love
her.
That is when my face gets hot, when my throat
tightens.
That is what I want. That is all I want. Love
eternal.
They loved each other to a depth that they could
not comprehend.
Yet their affair was doomed.
All love is doomed.