9
My love life was a mess,
but when it came to my professional life—and by this, I don’t mean
my work in the cemetery—I was in luck. The detective who headed the
original murder investigation was a stickler for detail and
incredibly organized. The file Quinn gave me before he stomped out
of my apartment (OK, he didn’t exactly stomp, but it wasn’t exactly
pretty, either) contained not only his original notes about the
case, but interviews with witnesses and suspects, crime scene
photos, the autopsy report, and what must have been every newspaper
article ever written about Jefferson Lamar and Vera Blaine.
I took the file marked BLAINE, VERA—CLOSED to the
cemetery with me the next day. Surprise, surprise . . . I don’t
know how he managed, but Absalom had somehow a) intimidated, b)
coerced, c) outright threatened, or d) all of the above, everyone
on the team to actually
“Body of Woman Found in Local Motel”
“Prison Warden Questioned in Slaying of Young
Secretary”
“Surprising Arrest in Vera Blaine Case”
“A Business Relationship Turned Tragic?”
“Warden’s Testimony Shaky, Evidence Solid”
The headlines screamed at me from article after
article, bolder and more sensational as the trial went on.
“Guilty!” the headline on one of the last articles
in the pile shouted. “Love Nest Turned Murder Scene” said another,
right above a photo of the Lake View Motel, a
not-so-charming-looking place with a half-burned-out neon sign and
a blacktop parking lot.
“I didn’t stand a chance.”
For the record, I did not squeal when I realized
Jefferson Lamar was standing right in back of me, reading over my
shoulder. I did, however, flinch. Like anyone could blame me?
I turned and gave him a glare. “Maybe they wouldn’t
have been so quick to convict you if you weren’t so sneaky.”
He didn’t get it.
It wasn’t worth trying to explain.
Instead, I fanned out the newspaper articles.
“There’s an awful lot here that sounds damning,” I said.
“Obviously. They convicted me.”
“Maybe they had good reason?” It wasn’t the first
time I’d given him the opportunity to tell the whole truth and
nothing but. This time, like the last, he stood firm.
“I didn’t do it,” he said, each of his words
precise and clipped so I couldn’t help but understand.
“Your testimony was shaky.” Just in case he’d
forgotten, I waved the newspaper article with the headline that
said the same thing. “You didn’t have much of an alibi.”
“I was in Cleveland, I’ll admit that much. I was
visiting my folks. Helen went out that evening. By the time I got
home, she was in bed, asleep.”
“You changed your story a couple times when they
questioned you about Vera. First you said you’d cut your finger the
morning she died. In your office. You said she helped you bandage
it. Then when the prosecutor questioned you . . .” I consulted the
article again, just to make sure I had my facts lined up right.
“You said it was in the afternoon, after lunch.”
“Morning? Lunchtime? What difference did something
as stupid as a cut on my hand make in light of what happened to
Vera? I got mixed up. I was nervous.”
“Just like you were nervous when they asked about
those motel receipts?” That was in another article. I read it over
again. “It says here the police found four receipts from the Lake
View Motel in your office. All from dates when you happened to be
conveniently out of the office at Central State.”
“And none of them had my name on them.” Lamar gave
me the kind of tight-jawed, unblinking glare I imagined he’d aimed
at the prosecutor when he asked the same sorts of questions. “If
they were mine, why would I be stupid enough to keep them? In my
office, no less. Obviously, somebody planted them.”
“But you could never prove that. Just like you
couldn’t prove that you didn’t kill Vera.”
“Somebody else did and pinned it on me.”
Which reminded me of the talk I’d had with Darcy
Coleman a couple days earlier. “Could it have been Mack Raphael?” I
asked.
“You found out about him, huh?” Lamar looked me
over and nodded, obviously impressed with my detective skills. It
was about damn time. “I wondered how long it would take you to dig
up that little piece of information. So, you talked to somebody
about the case and that somebody . . . does that somebody think Bad
Dog is the one who framed me?”
“That somebody is your old secretary, Darcy
Coleman,” I informed him. “And she didn’t come right out and say
it, but yeah, I think she’d like nothing better than to find out
that Bad Dog is the one who engineered the whole thing. Bad Dog or
somebody else. Anybody else, in fact. When you were convicted, she
felt betrayed.”
His expression softened. “She was a good kid.
Smart, too. I mean, obviously, you saw that. She must be smart if
she realized I didn’t do it.”
Was that a dig because I wasn’t willing to take him
at his word? Just in case, I figured I’d better point out that he
wasn’t the only one with issues about how the case was being
handled. “You could have saved me a lot of time if you’d just told
me about Bad Dog yourself.” I didn’t bother to add that he also
would have saved me the psychological damage of seeing Darcy and
her cronies (get it?) in their birthday suits. “You never mentioned
Reno Bob, either.”
“You needed independent verification. If I gave you
the names of the most obvious suspects, there was no reason for you
to listen. I’m biased, after all. This way,
Since it happened after Lamar was already dead, I
filled him in on Rodney’s conversion and subsequent confession.
“You want to help me out here and tell me if there’s anybody else
we’re missing?”
“Hundreds of people, I suppose. Aren’t the suspect
interviews in the file?”
They were, and together, Lamar and I read them
over. Quinn was right, Mack Raphael had never even been mentioned.
Neither had Reno Bob Oates.
“They were both incarcerated at the time,” Lamar
said. “Of course the police didn’t suspect them.”
“And you did?” I shook my head in wonder. “Call me
a little crazy, but it’s hard to figure out how a guy in prison
could kill anybody.”
“You’ve never been in a prison.” He turned that
eagle-eye stare on me one more time before we got back to
reading.
The rest of the interview file wasn’t all that
helpful. The cops had talked to a few other people in connection
with the case. For one reason or another, they were all eliminated
as suspects.
With a sigh of frustration, I shoved the interview
pages back in the file and pulled out the crime scene photos.
Sure, I’m a private investigator. And sure, I’ve
solved a bunch of murders in the time since I’d been bonked on the
head and received what my ghostly clients like to call my Gift. But
here’s the thing: when I meet my clients, they’re already dead, and
because they’re ghosts, they look just like they looked when they
were alive. They’re the age they were when they died, and they’re
wearing the kinds of clothes they wore when they were alive. Even
my
Thank goodness.
That was all good news because I tend to get queasy
at the sight of blood and gore. I’m not a big fan of violence,
either. I mean, I’d been shot, right? So I had every right to be
skittish when it came to that sort of thing. I’d also been almost
pitched off a bridge, too, and I’d been dumped in the lake,
and—
Well, let’s just leave it at that, a reminder that
a private detective’s life is not an easy one.
Let’s also say that I’m not used to this sort of
up-close-and-personal look at the aftermath of a crime.
There were maybe a dozen or so crime scene photos,
eight-by-tens, all black and white. For a couple minutes, I
shuffled through them, briefly glancing at the one on the top of
the pile before I put it on the bottom and moved on to the next. At
that point, I wasn’t looking at details. In fact, I was hardly
looking at all. I was just trying to get an overall impression, a
sense of the time and the place. While I was at it, I hoped maybe
I’d get desensitized to the horror of it all, too.
The pictures, see, made my blood run cold.
I got back to the first photo and started through
again, forcing myself to slow down and take a longer look. The
first picture was an overall shot of the motel, similar to the
photo I’d seen in the newspaper article. The next one was a
close-up of the door to room 12. The next picture took my breath
away. Not because it showed Vera’s body. In fact, I had to search
to even find it, crumpled where it was on the floor between the
dresser and the bed.
No, that wasn’t what caught my attention.
Neither was the fact that the Lake View looked like
a
What caught my attention and made my stomach flip
was the obvious ferocity of what had happened in that room.
One of the lamps was smashed to smithereens, shards
of it sparkling from the threadbare carpet and its shade crushed
and lying on the bed. The dresser was bumped away from its normal
spot against the wall, at least three feet from where it should
have been. I could tell because the fine folks at the Lake View
hadn’t moved the furniture the last time the room was painted. The
wall behind where the dresser normally stood was a couple shades
darker than the rest of the wall around it. The mirror that should
have hung over the dresser was shattered in a million spiderweb
pieces. The sheets on the bed were thrown back and twisted, and I’d
bet any money that if I was looking at a color photo, that splatter
of polka dots across them would have been bloodred.
“Wow.” I blinked away the tears that sprang to my
eyes and tried not to think about the horror of what must have
happened in that room. “The place is a wreck. There must have been
an awful lot of noise. You’d think someone would have called the
cops.”
“They probably did after they heard the shots,”
Lamar said. “Before that . . . that’s the kind of place where
everyone minds their own business. You know, a sleazy sort of place
with pink flamingoes on the bathroom wallpaper.” He leaned closer
for a better look, and I leaned back to be certain to stay out of
the freeze zone. “I saw the pictures only briefly when the police
interrogated me and then again at the trial. Poor kid.” His finger
hovered over the image of Vera. “It must have been terrible for
her.”
I needed a break from the photographs, so I
consulted the autopsy report. “It says here she was beaten before
she was shot. I guess that would explain the condition of the
room.” The list of contusions, abrasions, and broken bones was
staggering (not to mention stomach churning), so I let my gaze
drift to the last line of the report. “She was finally killed with
a .38 Smith & Wesson Special.”
“My gun.” There was no use denying it, so Lamar
didn’t even try.
“One shot nicked her arm. They call that a
defensive wound,” I said. “Another one punctured her lung. The
third one was at close range. Right to her heart.”
I set the autopsy report aside and moved to the
next photograph.
When she died, Vera Blaine was wearing a dark
skirt, pantyhose, and loafers. Her white Oxford-cloth shirt was
open at the throat and stained with dark patches. The shirt was
untucked, and there was still a sweater tied stylishly (for the
times, anyway) around her shoulders. Her clothing was speckled with
blood.
Most of the newspaper articles I’d read through
earlier had featured the same photo of Vera. The eighties was not a
kind decade, fashionwise. In what was probably her high school
graduation picture, Vera looked like a smiling cocker spaniel who’d
used too much eye shadow and whose hair was so gelled, moussed, and
blown dry, it puffed out around her like a cloud.
In the close-up photo of her battered body, Vera
looked pale and her hair was a tangled mess. Her dark eyes were
wide open, her lower lip was swollen, and there was a smear of
blood across her left cheek. She had about a dozen of those
brightly colored plastic jelly bracelets on her left arm.
“I had a bunch of those when I was a kid,” I said,
looking at the bracelets. The memory made me feel, in spite of the
years, as if there were a connection between me and Vera. I guess
that’s why my eyes misted. I knew I needed a distraction and needed
one fast. Now that Lamar had discovered that I was a competent PI,
I didn’t need him to think I was a crybaby girl. I found what I was
looking for when I caught a glimpse of a page marked DECEASED’S
PERSONAL EFFECTS.
Clearing my throat, I read it over. “Purse with
wallet containing sixteen dollars and forty-seven cents. Makeup,
lipstick, one package Trojan condoms. Hmmmm.” I thought this over,
then got back to reading. “Black duffel bag containing fishnet
stockings, a lace T-shirt, denim jacket with sewn on beads and
lace, a black miniskirt.” The condoms made sense to me, the rest of
it? I thought it over for a while before the truth dawned, and I
whistled below my breath. “That’s weird, isn’t it? According to the
newspaper reports, Vera didn’t check into the motel until around
seven that evening. Her body was found a little after two in the
morning. You were quoted . . .” I dug through the pile of newspaper
clippings until I found the one I was looking for. “Here,” I held
it up for him to see. “You were quoted as saying that Vera hadn’t
requested to take the next day as a vacation or personal day. Which
tells me she wasn’t planning on staying at the Lake View
overnight.”
While Lamar processed all this, I kept right on
thinking out loud. “Which means she shouldn’t have needed a change
of clothes. Unless . . .” I thought some more. About the condoms,
and the fishnets stockings, and the rest of that outfit, one that
would have turned even the sweetest-faced cocker spaniel into a
hot-to-trot French poodle. “Vera was obviously meeting somebody. I
mean, why hang out at a motel otherwise? But maybe
“Don’t be ridiculous.” Lamar’s rumble would have
shaken the windows if the old mausoleum had any. “She wasn’t that
kind of girl.”
“Her wardrobe says otherwise.” I looked through the
list again, then looked at Vera’s picture. “She came and went
dressed for the office. In a shirt she wore that day that still had
a little bit of your blood on it from when you cut yourself. That
explains why she never changed out of the bloodstained shirt before
she left Central State. She didn’t have to. By the time her date”—I
gave this word the emphasis it deserved—“arrived, she knew she’d
have her party clothes on, so she didn’t care about the stain. And
getting ready to leave, she changed her clothes so that when she
got back home, she looked just like she looked when she left for
the office that day.”
I narrowed my eyes, imagining Vera transformed into
a vampy punk. “At the very least, Little Miss Buttoned-down here
must have been planning a party. And my guess was that it was with
some sicko who liked his girls even younger than twenty-two. That
would explain all those jelly bracelets.”
Not to Lamar, of course.
“Jelly bracelets were a teenaged thing and a kid
thing. I told you, I had some back then, and I was maybe five. I
don’t think those bracelets were a wardrobe staple for a young
career woman, at least not one who normally dressed like she just
stepped out of the Official Preppy
Handbook.”
Lamar looked uncomfortable with the whole notion,
and I guess I couldn’t blame him. It must have been freaky to have
to face the fact that his little secretary
“Well, I doubt if the killer brought that stuff
with him.” Done with the list of Vera’s personal items, I tucked it
away and drummed my fingers against the aluminum arm of the lawn
chair. I knew I didn’t have to ask Lamar. After all, I’d just read
the newspaper articles. But I asked anyway, just to gauge his
reaction. “That’s what they said, right? In the newspapers and in
court, I mean. The cops’ theory was that you met Vera at the Lake
View for a little extracurricular hanky-panky, things got out of
hand, and bang!” I slapped my hand against the arm of the chair
hard enough to make Lamar jump.
If he wasn’t already dead, he would have been as
white as a ghost.
He ran his tongue over his lips. “That’s exactly
what they said. But they never had any proof. They couldn’t have
had any proof.”
“Because there was no proof to have.”
“Exactly.” He lifted his chin and pulled back his
shoulders. “I told you before—”
“I know.” I waved away any chance that he might
give me the I-am-innocent speech again. “I’m just trying to think
like they were thinking, and they were thinking what I’m thinking.
At least if they were thinking that there was more to Vera than met
the eye. You never got the vibe from her at the office, huh? She
never came on to you?”
His shoulders shot back just a little more. “Don’t
be ridiculous.”
“I’m not being ridiculous. I’m being objective. Or
at least I’m trying to be objective. So, being objective . . .” I
stood and did a turn around the mausoleum, carefully
Lamar’s eyebrows rose, and I knew a question was
going to follow.
“The jelly bracelets,” I said, fingering my own arm
as if I had a mess of them on. “She’d changed her clothes, but she
hadn’t had a chance to take off the bracelets yet.”
Seeing the logic, he nodded.
“Or,” I said, marching to the far side of the
mausoleum, then turning to come back the other way, “or her date
hadn’t shown up yet, although . . .” I hurried over to where I’d
left the file and flipped through the crime scene photos again,
just to confirm something to myself. “I think he’d already been and
gone. See? Look at how the sheets are tossed around. The bed’s
definitely been used, and not for sleeping.”
“Really!” Lamar’s lips thinned. “Isn’t it bad
enough the press trashed poor Vera’s reputation? Do you have to,
too?”
“I have to find out the truth, remember?” I looked
him in the eye. “You’re the one who asked me to get
involved.”
“Yes, of course. It’s just that—”
“And what difference does Vera’s reputation make at
this point? The girl’s been dead for more than twenty years.”
“Yes, she has, but—”
“And you can’t deny that she was at that motel for
a
Lamar winced at my choice of words, but he didn’t
argue. I mean, how could he?
“You also have to admit that any way you look at
it, the whole thing’s a little kinky. Whoever the guy was, he must
have been into young chicks. In that trashy outfit, she would have
looked like a teenager.”
“You’re wrong. I know you’re wrong.” Lamar ran a
hand over his close-cropped hair. “There’s something we’re
missing,” he said. “Something we’re not seeing. Let me have a look
at that picture again. The close-up of Vera.”
I found the picture he wanted and held it up for
him to see.
“What?” I asked, when his eyes narrowed just a bit.
“What do you—”
“She’s not wearing it. Her locket.” If he could
have tapped the photo that showed Vera’s very bare neck, he would
have. “She always wore a little gold locket. Always. She told me it
was a family heirloom, her grandmother’s, I think she said. She
opened it once to show me. There was a picture of her grandmother
inside. She was holding a baby, Vera’s mother. Show me her
graduation photo again.”
I found one of the newspaper articles. In it, Vera
was wearing the locket.
“That’s a clue. It’s got to be,” Lamar
insisted.
“Granny’s little gold locket doesn’t exactly mesh
with the tramp image,” I told him. “She probably took it off
when—”
“Read over the list of personal effects
again.”
I did. There was no mention of the locket.
“What does it mean?” I asked him.
But before he had a chance to answer, we heard an
unmistakable “Yoo hoo!” from right outside the door.
Ella stuck her head inside the mausoleum just as
Lamar poofed away into nothingness. I was sure she was there to see
me, but, Ella being Ella, she was easily distracted. And nothing
distracts a cemetery geek more than an old moldy mausoleum.
“Well, isn’t this wonderful!” Grinning, she stepped
inside and looked around. “Neoclassical, with a base plinth and
paneled corner pilasters! It’s got a double-leaf cast-iron door,
and of course, you noticed the pediment and dentiled entablature
outside. It’s glorious. Hi, Pepper.”
I returned the greeting and whispered a silent
prayer that I never grew up to be Ella. “What’s up?”
“Had to be here for the big announcement.”
It made me nervous when she said things like that.
“Big announcement about—”
“Oh, you’ll find out. And when you do, just don’t
forget, I’m always available to help in any way I can.” Her eyes
twinkling, she grabbed my hand and dragged me out of the mausoleum,
and it was a good thing she was in a hurry. She never noticed the
file folder I tucked behind Jake’s cooler when we zipped by.
When we emerged again into the sunlit afternoon,
Greer was standing nearby with her faithful cameraman. So were the
members of Team One.
“Over here.” Greer waved the cameraman toward the
section where my team was slaving away. “Let’s get a couple shots
of them all dirty and sweaty, you know, to show what hard work it
is. Ms. Martin . . .” She
Mae Tannager scooted into the newly cleared section
right behind me. “We’ve got a challenge.” She’d obviously been
instructed what to say. Mae delivered the line with as much pizzazz
as a fluffy pink woman could. “Team Two, we, the members of Team
One . . .” Like Vanna in front of the letter board, she motioned,
and her teammates tromped into position. Mae cleared her throat and
consulted the rumpled piece of notepaper she had clutched in one
hand. “As you know, our job here at Monroe Street Cemetery is going
to be done in just a few more weeks. But there’s a dedicated group
of volunteers who are going to take over the revitalization work
we’ve started. It wouldn’t be right to leave them without the
resources to complete the restoration. We’ve got to help them out.
And we’re going to do that by leaving them enough money to continue
the work we’ve begun here. Team One . . .” Again, she motioned.
Again, her teammates sparkled for the camera. “Team One announces a
fundraising challenge. The team that raises the most money will be
awarded extra points in the competition.”
Their smiles stayed firmly in place—one second,
two, three—while the camera rolled. The minute it was turned off,
though, Bianca, Lucinda, and Gretchen walked away. Mae still
twinkled because, as far as I could see, there wasn’t a time when
Mae didn’t twinkle. And Katherine Lamb?
She narrowed her eyes and shot me and my team a
look.
“We’ve already decided we’re doing a tea,” she
said. “So don’t even think about it. That’s the best fundraising
idea, and it’s already taken.”