FOR THE YEAR 1810 ADDITIONS TO BLAKE’S CATALOGUE OF PICTURES & C

The Last Judgment [will be] when all those are Cast away who trouble Religion with Questions concerning Good & Evil or Eating of the Tree of those Knowledges or Reasonings which hinder the Vision of God, turning all into a Consuming Fire. When Imagination, Art & Science & all Intellectual Gifts, all the Gifts of the Holy Ghost, are look’d upon as of no use & only Contention remains to Man, then the Last Judgment begins, & its Vision is seen by the Imaginative Eye of Every one according to the situation he holds.

The Last Judgment is not Fable or Allegory, but Vision. Fable or Allegory are a totally distinct & inferior kind of Poetry. Vision or Imagination is a Representation of what Eternally Exists, Really & Unchangeably. Fable or Allegory is Form’d by the daughters of Memory. Imagination is surrounded by the daughters of Inspiration, who in the aggregate are call’d Jerusalem. Fable is allegory, but what Critics call The Fable, is Vision itself. The Hebrew Bible & the Gospel of Jesus are not Allegory, but Eternal Vision or Imagination of All that Exists. Note here that Fable or Allegory is seldom without some Vision. Pilgrim’s Progress is full of it, the Greek Poets the same; but Allegory & Vision ought to be known as Two Distinct Things, & so call’d for the Sake of Eternal Life. Plato has made Socrates say that Poets & Prophets do not know or Understand what they write or Utter; this is a most Pernicious Falshood. If they do not, pray is an inferior kind to be call’d Knowing? Plato confutes himself.

The Last Judgment is one of these Stupendous Visions. I have represented it as I saw it; to different People it appears differently as every thing else does; for tho’ on Earth things seem Permanent, they are less permanent than a Shadow, as we all know too well.

The Nature of Visionary Fancy, or Imagination, is very little known, & the Eternal nature & permanence of its ever Existent Images is consider’d as less permanent than the things of Vegetative & Generative Nature; yet the Oak dies as well as the Lettuce, but Its Eternal Image & Individuality never dies, but renews by its seed; just so the Imaginative Image returns by the seed of Contemplative Thought; the Writings of the Prophets illustrate these conceptions of the Visionary Fancy by their various sublime & Divine Images as seen in the Worlds of Vision.

The Learned m ... or Heroes; this is an ... & not Spiritual ... while the Bible ... of Virtue & Vice ... as they are Ex ... is the Real Di ... Things. The ... when they Assert that Jupiter usurped the Throne of his Father, Saturn, & brought on an Iron Age & Begat on Mnemosyne, or Memory, The Greek Muses, which are not Inspiration as the Bible is. Reality was Forgot, & the Vanities of Time & Space only Remember’d & call’d Reality. Such is the Mighty difference between Allegoric Fable & Spiritual Mystery. Let it here be Noted that the Greek Fables originated in Spiritual Mystery & Real Visions, which are lost & clouded in Fable & Allegory, while the Hebrew Bible & the Greek Gospel are Genuine, Preserv’d by the Saviour’s Mercy. The Nature of my Work is Visionary or Imaginative; it is an Endeavour to Restore what the Ancients call’d the Golden Age.

This world of Imagination is the world of Eternity; it is the divine bosom into which we shall all go after the death of the Vegetated body. This World of Imagination is Infinite & Eternal, whereas the world of Generation, or Vegetation, is Finite & Temporal. There Exist in that Eternal World the Permanent Realities of Every Thing which we see reflected in this Vegetable Glass of Nature. All Things are comprehended in their Eternal Forms in the divine body of the Saviour, the True Vine of Eternity, The Human Imagination, who appear’d to Me as Coming to Judgment among his Saints & throwing off the Temporal that the Eternal might be Establish’d; around him were seen the Images of Existences according to a certain order Suited to my Imaginative Eye as follows.

Jesus seated between the Two Pillars, Jachin & Boaz, with the Word of divine Revelation on his knees, & on each side the four & twenty Elders sitting in judgment; the Heavens opening around him by unfolding the clouds around his throne. The Old H[eave]n & O[1d] Earth are passing away & the N[ew] H[eaven] & N[ew] Earth descending. The Just arise on his right & the wicked on his Left hand. A sea of fire issues from before the throne. Adam & Eve appear first, before the Judgment seat in humiliation. Abel surrounded by Innocents, & Cain, with the flint in his hand with which he slew his brother, falling with the head downward. From the Cloud on which Eve stands, Satan is seen falling headlong wound round by the tail of the serpent whose bulk, nail’d to the Cross round which he wreathes, is falling into the Abyss. Sin is also represented as a female bound in one of the Serpent’s folds, surrounded by her fiends. Death is Chain’d to the Cross, & Time falls together with death, dragged down by a demon crown’d with Laurel; another demon with a Key has the charge of Sin & is dragging her down by the hair; beside them a figure is seen, scaled with iron scales from head to feet, precipitating himself into the Abyss with the Sword & Balances: he is Og, King of Bashan.

On the Right, Beneath the Cloud on which Abel Kneels, is Abraham with Sarah & Isaac, also Hagar & Ishmael. Abel kneels on a bloody Cloud &c. (to come in here as two leaves forward).

In Eternity one Thing never Changes into another Thing. Each Identity is Eternal: consequently Apuleius’s Golden Ass & Ovid’s Metamorphosis & others of the like kind are Fable; yet they contain Vision in a sublime degree, being derived from real Vision in More ancient Writings. Lot’s Wife being Changed into [a] Pillar of Salt alludes to the Mortal Body being render’d a Permanent Statue, but not Changed or Transformed into Another Identity while it retains its own Individuality. A Man can never become Ass nor Horse; some are born with shapes of Men, who may be both, but Eternal Identity is one thing & Corporeal Vegetation is another thing. Changing Water into Wine by Jesus & into Blood by Moses relates to Vegetable Nature also.

Ishmael is Mahomed, & on the left, beneath the falling figure of Cain, is Moses casting his tables of stone into the deeps. It ought to be understood that the Persons, Moses & Abraham, are not here meant, but the States Signified by those Names, the Individuals being representatives or Visions of those States as they were reveal’d to Mortal Man in the Series of Divine Revelations as they are written in the Bible; these various States I have seen in my Imagination; when distant they appear as One Man, but as you approach they appear Multitudes of Nations. Abraham hovers above his posterity, which appear as Multitudes of Children ascending from the Earth, surrounded by Stars, as it was said: “As the Stars of Heaven for Multitude.” Jacob & his Twelve Sons hover beneath the feet of Abraham & receive their children from the Earth. I have seen, when at a distance, Multitudes of Men in Harmony appear like a single Infant, sometimes in the Arms of a Female; this represented the Church.

But to proceed with the description of those on the Left hand—beneath the Cloud on which Moses kneels is two figures, a Male & Female, chain’d together by the feet; they represent those who perish’d by the flood; beneath them a multitude of their associates are seen falling headlong; by the side of them is a Mighty fiend with a Book in his hand, which is Shut; he represents the person nam’d in Isaiah, xxii c. & 20 v., Eliakim, the Son of Hilkiah: he drags Satan down headlong: he is crown’d with oak; by the side of the Scaled figure representing Og, King of Bashan, is a Figure with a Basket, emptying out the vanities of Riches & Worldly Honours: he is Araunah, the Jebusite, master of the threshing floor; above him are two figures, elevated on a Cloud, representing the Pharisees who plead their own Righteousness before the throne; they are weighed down by two fiends. Beneath the Man with the Basket are three fiery fiends with grey beards & scourges of fire: they represent Cruel Laws; they scourge a groupe of figures down into the deeps; beneath them are various figures in attitudes of contention representing various States of Misery, which, alas, every one on Earth is liable to enter into, & against which we should all watch. The Ladies will be pleas’d to see that I have represented the Furies by Three Men & not by three Women. It is not because I think the Ancients wrong, but they will be pleas’d to remember that mine is Vision & not Fable. The Spectator may suppose them Clergymen in the Pulpit, scourging Sin instead of Forgiving it.

The Earth beneath these falling Groupes of figures is rocky & burning, and seems as if convuls’d by Earthquakes; a Great City on fire is seen in the distance; the armies are fleeing upon the Mountains. On the foreground, hell is opened & many figures are descending into it down stone steps & beside a Gate beneath a rock where sin & death are to be closed Eternally by that Fiend who carries the key in one hand & drags them down with the other. On the rock & above the Gate a fiend with wings urges the wicked onwards with fiery darts; he is Hazael, the Syrian, who drives abroad all those who rebell against their Saviour; beneath the steps [is] Babylon, represented by a King crowned, Grasping his Sword and his Sceptre: he is just awaken’d out of his Grave; around him are other Kingdoms arising to Judgment, represented in this Picture as Single Personages according to the descriptions in the Prophets. The Figure dragging up a Woman by her hair represents the Inquisition, as do those contending on the sides of the Pit, & in Particular the Man strangling two women represents a Cruel Church.

Two persons, one in Purple, the other in Scarlet, are descending down the steps into the Pit; these are Caiaphas & Pilate—Two States where all those reside who Calumniate & Murder under Pretence of Holiness & Justice. Caiaphas has a Blue Flame like a Miter on his head. Pilate has bloody hands that never can be cleansed; the Females behind them represent the Females belonging to such States, who are under perpetual terrors & vain dreams, plots & secret deceit. Those figures that descend into the Flames before Caiaphas & Pilate are Judas & those of his Class. Achitophel is also here with the cord in his hand.

Between the Figures of Adam & Eve appears a fiery Gulph descending from the sea of fire before the throne; in this Cataract Four Angels descend headlong with four trumpets to awake the dead; beneath these is the Seat of the Harlot, nam’d Mystery in the Revelations. She is siezed by Two Beings each with three heads; they represent Vegetative Existence; as it is written in Revelations, they strip her naked & burn her with fire; it represents the Eternal Consummation of Vegetable Life & Death with its Lusts. The wreathed Torches in their hands represents Eternal Fire which is the fire of Generation or Vegetation; it is an Eternal Consummation. Those who are blessed with Imaginative Vision see This Eternal Female & tremble at what others fear not, while they despise & laugh at what others fear. Her Kings & Councellors & Warriors descend in Flames, Lamenting & looking upon her in astonishment & Terror, & Hell is open’d beneath her Seat on the Left hand. Beneath her feet is a flaming Cavern in which is seen the Great Red Dragon with seven heads & ten Horns; he has Satan’s book of Accusations lying on the Rock open before him; he is bound in chains by Two strong demons; they are Gog & Magog, who have been compell’d to subdue their Master (Ezekiel, xxxviii c, 8 v.) with their Hammer & Tongs, about to new-Create the Seven-Headed Kingdoms. The Graves beneath are open’d, & the dead awake & obey the call of the Trumpet; those on the Right hand awake in joy, those on the Left in Horror; beneath the Dragon’s Cavern a Skeleton begins to Animate, starting into life at the Trumpet’s sound, while the Wicked contend with each other on the brink of perdition. On the Right a Youthful couple are awaked by their Children; an Aged patriarch is awaked by his aged wife—He is Albion, our Ancestor, patriarch of the Atlantic Continent, whose History Preceded that of the Hebrews & in whose Sleep, or Chaos, Creation began; at their head the Aged Woman is Brittannica, the Wife of Albion: Jerusalem is their daughter. Little Infants creep out of the flowery mould into the Green fields of the blessed who in various joyful companies embrace & ascend to meet Eternity.

The Persons who ascend to Meet the Lord, coming in the Clouds with power & great Glory, are representations of those States described in the Bible under the Names of the Fathers before & after the Flood. Noah is seen in the Midst of these, canopied by a Rainbow, on his right hand Shem & on his Left Japhet; these three Persons represent Poetry, Painting & Music, the three Powers in Man of conversing with Paradise, which the flood did not Sweep away. Above Noah is the Church Universal, represented by a Woman Surrounded by Infants. There is such a State in Eternity: it is composed of the Innocent civilized Heathen & the Uncivilized Savage, who, having not the Law, do by Nature the things contain’d in the Law. This State appears like a Female crown’d with stars, driven into the Wilderness; she has the Moon under her feet. The Aged Figure with Wings, having a writing tablet & taking account of the numbers who arise, is That Angel of the Divine Presence mention’d in Exodus, xiv c., 19 v. & in other Places; this Angel is frequently call’d by the Name of Jehovah Elohim, The “I am” of the Oaks of Albion.

Around Noah & beneath him are various figures Risen into the Air; among these are Three Females, representing those who are not of the dead but of those found alive at the Last Judgment; they appear to be innocently gay & thoughtless, not being among the condemn’d because ignorant of crime in the midst of a corrupted Age; the Virgin Mary was of this Class. A Mother Meets her numerous Family in the Arms of their Father; these are representations of the Greek Learned & Wise, as also of those of other Nations, such as Egypt & Babylon, in which were multitudes who shall meet the Lord coming in the Clouds.

The Children of Abraham, or Hebrew Church, are represented as a Stream of Figures, on which are seen Stars somewhat like the Milky way; they ascend from the Earth where Figures kneel Embracing above the Graves, & Represent Religion, or Civilized Life such as it is in the Christian Church, who are the Offspring of the Hebrew.

Just above the graves & above the spot where the Infants creep out of the Ground stand two, a Man & Woman; these are the Primitive Christians. The two Figures in purifying flames by the side of the dragon’s cavern represents the Latter state of the Church when on the verge of Perdition, yet protected by a Flaming Sword. Multitudes are seen ascending from the Green fields of the blessed in which a Gothic Church is representative of true Art, Call’d Gothic in All Ages by those who follow’d the Fashion, as that is call’d which is without Shape or Fashion. On the right hand of Noah a Woman with Children Represents the State Call’d Laban the Syrian; it is the Remains of Civilization in the State from whence Abraham was taken. Also on the right hand of Noah A Female descends to meet her Lover or Husband, representative of that Love, call’d Friendship, which Looks for no other heaven than their Beloved & in him sees all reflected as in a Glass of Eternal Diamond.

On the right hand of these rise the diffident & Humble, & on their left a solitary Woman with her infant: these are caught up by three aged Men who appear as suddenly emerging from the blue sky for their help. These three Aged Men represent divine Providence as oppos’d to, & distinct from, divine vengeance, represented by three Aged men on the side of the Picture among the Wicked, with scourges of fire.

If the Spectator could enter into these Images in his Imagination, approaching them on the Fiery Chariot of his Contemplative Thought, if he could Enter into Noah’s Rainbow or into his bosom, or could make a Friend & Companion of one of these Images of wonder, which always intreats him to leave mortal things (as he must know), then would he arise from his Crave, then would he meet the Lord in the Air & then he would be happy. General Knowledge is Remote Knowledge; it is in Particulars that Wisdom consists & Happiness too. Both in Art & in Life, General Masses are as Much Art as a Pasteboard Man is Human. Every Man has Eyes, Nose & Mouth; this Every Idiot knows, but he who enters into & discriminates most minutely the Manners & Intentions, the Characters in all their branches, is the alone Wise or Sensible Man, & on this discrimination All Art is founded. I intreat, then, that the Spectator will attend to the Hands & Feet, to the Lineaments of the Countenances; they are all descriptive of Character, & not a line is drawn without intention, & that most discriminate & particular. As Poetry admits not a Letter that is Insignificant, so Painting admits not a Grain of Sand or a Blade of Grass Insignincant—much less an Insignificant Blur or Mark.

A Last Judgment is Necessary because Fools flourish. Nations Flourish under Wise Rulers & are depress’d under foolish Rulers; it is the same with Individuals as Nations; works of Art can only be produc’d in Perfection where the Man is either in Affluence or is Above the Care of it. Poverty is the Fool’s Rod, which at last is turn’d on his own back; this is A Last Judgment—when Men of Real Art Govern & Pretenders Fall. Some People & not a few Artists have asserted that the Painter of this Picture would not have done so well if he had been properly Encourag’d. Let those who think so, reflect on the State of Nations under Poverty & their incapability of Art; tho’ Art is Above Either, the Argument is better for Affluence than Poverty; & tho’ he would not have been a greater Artist, yet he would have produc’d Greater works of Art in proportion to his means. A Last Judgment is not for the purpose of making Bad Men better, but for the Purpose of hindering them from opressing the Good with Poverty & Pain by means of Such Vile Arguments & Insinuations.

Around the Throne Heaven is open’d & the Nature of Eternal Things Display’d, All Springing from the Divine Humanity. All beams from him & as he himself has said, All dwells in him. He is the Bread & the Wine; he is the Water of Life; accordingly on Each Side of the opening Heaven appears an Apostle; that on the Right Represents Baptism, that on the Left Represents the Lord’s Supper. All Life consists of these Two, Throwing off Error & Knaves from our company continually & Recieving Truth or Wise Men into our Company continually. He who is out of the Church & opposes it is no less an Agent of Religion than he who is in it; to be an Error & to be Cast out is a part of God’s design. No man can Embrace True Art till he has Explor’d & cast out False Art (such is the Nature of Mortal Things), or he will be himself Cast out by those who have Already Embraced True Art. Thus My Picture is a History of Art & Science, the Foundation of Society, Which is Humanity itself. What are all the Gifts of the Spirit but Mental Gifts? Whenever any Individual Rejects Error & Embraces Truth, a Last Judgment passes upon that Individual.

Here they are no longer talking of what is Good & Evil, or of what is Right or Wrong, & puzzling themselves in Satan’s Labyrinth, But are Conversing with Eternal Realities as they Exist in the Human Imagination. We are in a World of Generation & death, & this world we must cast off if we would be Painters such as Rafael, Mich. Angelo & the Ancient Sculptors; if we do not cast off this world we shall be only Venetian Painters, who will be cast off & Lost from Art.

Jesus is surrounded by Beams of Glory in which are seen all around him Infants emanating from him; these represent the Eternal Births of Intellect from the divine Humanity. A Rainbow surrounds the throne & the Glory, in which youthful Nuptials recieve the infants in their hands. In Eternity Woman is the Emanation of Man; she has No Will of her own. There is no such thing in Eternity as a Female Will, & Queens.

On the Side next Baptism are seen those call’d in the Bible Nursing Fathers & Nursing Mothers; they represent Education. On the Side next the Lord’s Supper The Holy Family, consisting of Mary, Joseph, John the Baptist, Zacharias & Elizabeth, recieving the Bread & Wine, among other Spirits of the Just made perfect. Beneath these a Cloud of Women & Children are taken up, fleeing from the rolling Cloud which separates the Wicked from the Seats of Bliss. These represent those who, tho’ willing, were too weak to Reject Error without the Assistance & Countenance of those Already in the Truth; for a Man Can only Reject Error by the Advice of a Friend or by the Immediate Inspiration of God; it is for this Reason among many others that I have put the Lord’s Supper on the Left hand of the Throne, for it appears so at the Last Judgment, for a Protection.

Many suppose that before the Creation All was Solitude & Chaos. This is the most pernicious Idea that can enter the Mind, as it takes away all sublimity from the Bible & Limits All Existence to Creation & to Chaos, To the Time & Space fixed by the Corporeal Vegetative Eye, & leaves the Man who entertains such an Idea the habitation of Unbelieving demons. Eternity Exists, and All things in Eternity, Independent of Creation which was an act of Mercy. I have represented those who are in Eternity by some in a Cloud within the Rainbow that Surrounds the Throne; they merely appear as in a Cloud when any thing of Creation, Redemption or Judgment are the, Subjects of Contemplation, tho’ their Whole Contemplation is concerning these things; the Reason they so appear is The Humiliation of the Reason & doubting Self-hood, & the Giving all up to Inspiration. By this it will be seen that I do not consider either the Just or the Wicked to be in a Supreme State, but to be every one of them States of the Sleep which the Soul may fall into in its deadly dreams of Good and Evil when it leaves Paradise following the Serpent.

The Greeks represent Chronos or Time as a very Aged Man; this is Fable, but the Real Vision of Time is in Eternal Youth. I have, however, somewhat accomodated my Figure of Time to the common opinion, as I myself am also infected with it & my Visions also infected, & I see Time aged, alas, too much so.

Allegories are things that Relate to Moral Virtues. Moral Virtues do not Exist; they are Allegories & dissimulations. But Time & Space are Real Beings, a Male & a Female. Time is a Man, Space is a Woman, & her Masculine Portion is Death.

The Combats of Good & Evil is Eating of the Tree of Knowledge. The Combats of Truth & Error is Eating of the Tree of Life; these are not only Universal, but Particular. Each are Personified. There is not an Error but it has a Man for its Agent, that is, it is a Man. There is not a Truth but it has also a Man. Good & Evil are Qualities in Every Man, whether a Good or Evil Man. These are Enemies & destroy one another by every Means in their power, both of deceit & of open Violence. The deist & the Christian are but the Results of these Opposing Natures. Many are deists who would in certain Circumstances have been Christians in outward appearance. Voltaire was one of this number; he was as intolerant as an Inquisitor. Manners make the Man, not Habits. It is the same in Art: by their Works ye shall know them; the Knave who is Converted to Deism & the Knave who is Converted to Christianity is still a Knave, but he himself will not know it, tho’ Every body else does. Christ comes, as he came at first, to deliver those who were bound under the Knave, not to deliver the Knave. He Comes to deliver Man, the Accused, & not Satan, the Accuser. We do not find any where that Satan is Accused of Sin; he is only accused of Unbelief & thereby drawing Man into Sin that he may accuse him. Such is the Last Judgment—a deliverance from Satan’s Accusation. Satan thinks that Sin is displeasing to God; he ought to know that Nothing is displeasing to Cod but Unbelief & Eating of the Tree of Knowledge of Good & Evil.

Men are admitted into Heaven not because they have curbed & govern’d their Passions or have No Passions, but because they have Cultivated their Understandings. The Treasures of Heaven are not Negations of Passion, but Realities of Intellect, from which all the Passions Emanate Uncurbed in their Eternal Glory. The Fool shall not enter into Heaven let him be ever so Holy. Holiness is not The Price of Enterance into Heaven. Those who are cast out are All Those who, having no Passions of their own because No Intellect, Have spent their lives in Curbing & Governing other People’s by the Various arts of Poverty & Cruelty of all kinds. Wo, Wo, Wo to you Hypocrites. Even Murder, the Courts of Justice, more merciful than the Church, are compell’d to allow is not done in Passion, but in Cool Blooded design & Intention.

The Modem Church Crucifies Christ with the Head Downwards.

Many Persons, such as Paine & Voltaire, with some of the Ancient Greeks, say: “we will not converse concerning Good & Evil; we will live in Paradise & Liberty.” You may do so in Spirit, but not in the Mortal Body as you pretend, till after the Last Judgment; for in Paradise they have no Corporeal & Mortal Body—that originated with the Fall & was call’d Death & cannot be removed but by a Last Judgment. While we are in the world of Mortality we Must Suffer. The Whole Creation Groans to be deliver’d; there will always be as many Hypocrites born as Honest Men, & they will always have superior Power in Mortal Things. You cannot have Liberty in this World without what you call Moral Virtue, & you cannot have Moral Virtue without the Slavery of that half of the Human Race who hate what you call Moral Virtue.

The Nature of Hatred & Envy & of All the Mischiefs in the World are here depicted. No one Envies or Hates one of his Own Party; even the devils love one another in their Way; they torment one another for other reasons than Hate or Envy; these are only employ’d against the Just. Neither can Seth Envy Noah, or Elijah Envy Abraham, but they may both of them Envy the Success of Satan or of Og or Molech. The Horse never Envies the Peacock, nor the Sheep the Coat, but they Envy a Rival in Life & Existence whose ways & means exceed their own, let him be of what Class of Animals he will; a dog will envy a Cat who is pamper’d at the expense of his comfort, as I have often seen. The Bible never tells us that devils torment one another thro’ Envy; it is thro’ this that they torment the Just—but for what do they torment one another? I answer: For the Coercive Laws of Hell, Moral Hypocrisy. They torment a Hypocrite when he is discover’d; they punish a Failure in the tormentor who has suffer’d the Subject of his torture to Escape. In Hell all is Self Righteousness; there is no such thing there as Forgiveness of Sin; he who does Forgive Sin is Crucified as an Abettor of Criminals, & he who performs Works of Mercy in Any shape whatever is punish’d &, if possible, destroy’d, not thro’ envy or Hatred or Malice, but thro’ Self Righteousness that thinks it does God service, which God is Satan. They do not Envy one another: They contemn & despise one another: Forgiveness of Sin is only at the Judgment Seat of Jesus the Saviour, where the Accuser is cast out, not because he Sins, but because he torments the Just & makes them do what he condemns as Sin & what he knows is opposite to their own Identity.

It is not because Angels are Holier than Men or Devils that makes them Angels, but because they do not Expect Holiness from one another, but from God only.

The Player is a liar when he says: “Angels are happier than Men because they are better.” Angels are happier than Men & Devils because they are not always Prying after Good & Evil in one another & eating the Tree of Knowledge for Satan’s Gratification.

Thinking as I do that the Creator of this World is a very Cruel Being, & being a Worshipper of Christ, I cannot help saying: “the Son, O how unlike the Father!” First God Almighty comes with a Thump on the Head. Then Jesus Christ comes with a balm to heal it.

The Last Judgment is an Overwhelming of Bad Art & Science. Mental Things are alone Real; what is call’d Corporeal, Nobody Knows of its Dwelling Place: it is in Fallacy, & its Existence an Imposture. Where is the Existence Out of Mind or Thought? Where is it but in the Mind of a Fool? Some People flatter themselves that there will be No Last Judgment & that Bad Art will be adopted & mixed with Good Art, That Error or Experiment will make a Part of Truth, & they Boast that it is its Foundation; these People flatter themselves: I will not Flatter them. Error is Created. Truth is Eternal. Error, or Creation, will be Burned up, & then, & not till Then, Truth or Eternity will appear. It is Burnt up the Moment Men cease to behold it. I assert for My Self that I do not behold the outward Creation & that to me it is hindrance & not Action; it is as the dirt upon my feet, No part of Me. “What,” it will be Question’d, “When the Sun rises, do you not see a round disk of fire somewhat like a Guinea?” 0 no, no, I see an Innumerable company of the Heavenly host crying, “Holy, Holy, Holy is the Lord God Almighty.” I question not my Corporeal or Vegetative Eye any more than I would Question a Window concerning a Sight. I look thro’ it & not with it.