25
Recognizing the caller ID as the sheriff’s
office central number, Fiona answered her mobile phone, expecting
to hear Walt’s voice. She was disappointed to discover it was
Nancy, his secretary. Standing in the cottage’s small galley
kitchen, she glanced out the window over the sink into the stand of
aspen trees and the blinding shock of lilies mixing with the white
bark.
“Nancy?”
“I need a little clarification on something. We
just got the GPS coordinates for the pickup truck you
requested—”
“Oh, thank God.”
“Thing is, the coordinates have it on the Engleton
property.”
“What?”
“There’s like a five-yard possibility of error or
something, so . . . I’m not exactly sure how to proceed with this.
You want me to send a dep—”
“No, no!” she said, hurrying to the far side of the
living room and looking toward the main house. “I can’t believe
this. I’m so sorry. Let me look around and get back to you.
Does it show where on the property? Does it get that
detailed?”
“There’s a hybrid view: satellite image laid on top
of the mapping software. It shows the truck as in the main house.
Like the living room. But there’s that margin of error.”
“I’ll look.”
“Call me back, would you, please?”
“Promise. Give me five minutes.” She disconnected
the call and slipped the phone into a pocket absentmindedly. She
crossed the driveway, oblivious to the chittering of tree squirrels
and a red-sailed para-glider working the thermals above a northern
ridge. To her there was only the garage. The closer she drew to it,
the more trepidation.
Maybe the device had been removed from the truck
and left in the garage, and if so, what did that say about the
truck’s disappearance? She and Walt had checked the garage, had
stood in the empty bay.
She rose to tiptoe and peered through the garage
door’s glass pane, looking in on the truck bed. Parked right where
it belonged. She felt foolish and embarrassed to have put Walt up
to the GPS search. Kira had obviously taken the truck and returned
it, and Fiona found herself overcome with anger, furious at the
girl for putting her through the worry and concern.
She marched to the front door of the home and found
it locked. She knocked loudly, pounding on the door. Kira didn’t
answer. She tried the handle again, and stormed back across to the
cottage to get her key. Returning, she opened the door and barged
inside.
“Kira! Kira?” She marched room to room, growing
madder by the minute. “Kira!” Hit the stairs running. Up a
flight, two doors to the right. Threw open the door.
Empty. No sign of Kira, no different than the room
had appeared the last time she’d checked. A twinge of fright ran
through her. It hadn’t occurred to her someone other than Kira
might have returned the truck. Someone other than Kira might be
inside. The mountain man, for instance—was he the one she’d
apparently mentioned while under hypnosis? The one who’d given her
the concussion?
She moved stealthily, creeping along the hallway
toward the elegant stairway leading to the ground-level living
room. Clinging to the handrail, she took each step carefully,
turning her head side to side to take in everything around her. Her
“damn you, Kira” attitude had reversed, and she was now once again
concerned for the missing girl’s well-being, panicked over her own
situation, wondering how she’d allowed her emotions to dictate.
Nancy would have sent a deputy had she asked; in her determination
to protect Kira and the Engletons, she’d acted hastily and
stupidly.
She hesitated at the bottom of the stairs. She
heard the low hum of the twin Sub-Zero refrigerators, the ticking
of the ship’s clock on the mantel. Ringing in her ears, and the
thump of her own blood coursing past her eardrums. The house was
enormous, multiple levels with several wings, a wine cellar, a
sauna, a workout gym. On the one hand, she felt terrified; on the
other, if Kira had returned the truck, she wanted to talk to her
before the sheriff’s office did.
The front door called to her. She would feel safer
once outside. Instead, she rounded the bottom of the unsupported,
curving cherrywood staircase, and moved down a hallway lined with
closets and family photos to a back stairwell that she followed
lower to the split level. She searched the weight room, the his/her
bathrooms, and the sauna. Two guest bedrooms. A utility/storage
area. The laundry. She returned upstairs and made her way into the
south wing, a guest wing consisting of a pair of two-bedroom
suites. Checked all the closets and all four bathrooms.
As she returned to the living room, she was filled
with an added sense of dread, the feeling of being watched. She
snatched up a leaded crystal cube—a philanthropic award given to
Michael and Leslie by a California hospital—clutching it like a
baseball, but wielding it as a weapon carried high at her
shoulder.
“I know you’re in here,” she said softly, knowing
no such thing. “I can feel you.” Feeling too much to know
what she felt.
She eyed the wide hallway leading to the garage. It
stretched out beyond her, suddenly much longer. More closets and a
pantry lined it—a person could hide behind any of the doors,
waiting. She tried to slow her breathing, to calm herself, but it
was useless. She pressed her back to the wall and edged toward the
first of the doors, jumped across the hall and backed up to the
opposing wall. She kept the glass cube held high, visualized
herself smashing it into a stranger’s face. She tacked her way down
the hall, wall to wall, ever alert. Reached the garage door and
threw it open.
It bounced off the stopper and came back at her and
she blocked it with her toe. A box freezer in the garage groaned
and Fiona suddenly viewed it as a coffin and moved toward it
cautiously, slipping past the pickup truck that shouldn’t have been
there. With her back to the freezer, her fingers deciphered its
latch and forced it open and she lifted its springed lid blindly,
finally gathering the courage to peer behind her and see nothing
but bricks of frozen meat in white paper wrappers.
Now, finally, she felt her nerves settling. Her
last great fear was that she would find Kira in the truck. She
gathered her courage, climbed onto the side rail, and, holding to
the exterior mirror with her left hand and still clutching the
glass cube in her right, pressed her eyes to the glass and tried to
see inside. She moved front seat to back. Empty.
She climbed into the truck bed and hesitated only
briefly before popping the lid on the Tuff-Box toolbox mounted
below the cab’s rear window. Tools. A jumper cable. No body.
She sat down into the truck bed and released an audible sigh,
waited for her light-headedness to pass, and collected herself.
Slowly, the anger at Kira reentered her, and it was everything she
could do to suppress it.
She owed Nancy a phone call. She owed Walt an
explanation. But her imagination got the better of her. She’d been
fixated on trying to explain what had happened to her, where Kira
had gone, the body at the bottom of the mountain.
Knowing Nancy was expecting her call, she moved
quickly now, suddenly energized, freed of the weight of her prior
fears. It was almost as if she’d rehearsed it, the way she went
about it so methodically.
She found the blank sheets of paper and the Scotch
tape in Michael’s office. The acrylic paint in Leslie’s painting
studio. She tripped the garage door on her return, and climbed into
the truck and found the keys in the center island’s cup holder. She
slipped the key into the ignition and left the driver’s door open
and the key alarm sounding as she placed the taped-together sheets
of copy paper behind each of the truck tires, mixed the eggplant
purple paint with some water, and meticulously applied the paint to
the tire rubber as if she’d done it a hundred times. She climbed
behind the wheel and backed up the truck, and then collected the
four strips of paper and liked three of the four she saw. She
repeated the procedure for the front right tire and then wiped down
all four tires with a wet rag and parked the truck and shut the
automatic door, returning to her cottage, where she generated
photographs of the truck tire impressions from the Gale crime
scene.
The scale was wrong and so she reprinted two of the
photographs, this time enlarging the photos to where she got less
of the impression, but a wider width.
Then, placing the photographs next to the
impressions she’d taken from the garage, she studied the tread
pattern and took out a tape measure from her kitchen junk drawer,
and noticed her hands shaking as she counted the rows of tread
pattern and tried to calculate the widths. At last she turned
around the photo to her right and moved it along the taped-together
copy pages, and gasped at what she saw.
She jumped and let out a cry as the phone in her
pocket buzzed, jolting her. She reached for it, knowing who it
would be before ever checking the caller ID.
Her thumb hovered, wondering whether to answer it
or not.