31

TOBY. MOLE DAY

YEAR TWENTY-FIVE

While the Flood rages, you must count the days, said Adam One. You must observe the risings of the Sun and the changings of the Moon, because to everything there is a season. On your Meditations, do not travel so far on your inner journeys that you enter the Timeless before it is time. In your Fallow states, do not descend to a level that is too deep for any resurgence, or the Night will come in which all hours are the same to you, and then there will be no Hope.

Toby’s been keeping track of the days on some old AnooYoo Spa-in-the-Park notepaper. Each pink page is topped with two long-lashed eyes, one of them winking, and with a lipstick kiss. She likes these eyes and smiling mouths: they’re companions of a sort. At the top of each fresh page she prints the Gardener Feast Day or Saint’s Day. She can still recite the entire list off by heart: Saint E.F. Schumacher, Saint Jane Jacobs, Saint Sigurdsdottir of Gullfoss, Saint Wayne Grady of Vultures; Saint James Lovelock, The Blessed Gautama Buddha, Saint Bridget Stutchbury of Shade Coffee, Saint Linnaeus of Botanical Nomenclature, The Feast of Crocodylidae, Saint Stephen Jay Gould of the Jurassic Shales, Saint Gilberto Silva of Bats. And the rest.

Under each Saint’s Day name she writes her gardening notes: what was planted, what was harvested, what phase of the moon, what insect guests.

Mole Day, she writes now. Year Twenty-five. Do the laundry. Gibbous Moon. Mole Day was part of Saint Euell’s Week. It wasn’t such a good anniversary.

On the bright side, there should be some polyberries by now, ripe ones. The strength of the polyberry gene splice is that it produces at all seasons. Perhaps in the late afternoon she’ll go down and pick them.

Two days back — on Saint Orlando Garrido of Lizards — she made an entry that wasn’t about gardening. Hallucination? she’d written. She ponders this entry now. It did seem like a hallucination at the time.

It was after the daily thunderstorm. She was up on the roof, checking the rain barrel connections: the flow from the single tap she’s kept open downstairs was blocked. She found the problem — drowned mouse clogging the intake — and was turning to go back down the stairs when she heard an odd sound. It was like singing, but not any singing she’d ever heard before.

She scanned with the binoculars. At first there was nothing, but then at the far end of the field a strange procession appeared. It seemed to consist entirely of naked people, though one man walking at the front had clothes on, and some sort of red hat, and — could it be? — sunglasses. Behind him there were men and women and children, every known skin colour; as she focused, she could see that several of the naked people had blue abdomens.

That was why she’s decided it must have been a hallucination: the blueness. And the crystalline, otherworldly singing. She’d seen the figures for only a moment. They were there, then they’d vanished, like smoke. They must have gone in among the trees, to follow the walkway there.

Her heart had leapt with joy — she couldn’t help it. She’d felt like running down the stairs, running outside, running after them. But it was far too much to hope for, other people — so many other people. Other people who looked so healthy. They couldn’t possibly be real. If she allowed herself to be lured outside by such a siren mirage — lured into the pig-ridden forest — she wouldn’t be the first person in history to have been destroyed by the overly optimistic projections of her own mind.

Confronted by too much emptiness, said Adam One, the brain invents. Loneliness creates company as thirst creates water. How many sailors have been wrecked in pursuit of islands that were merely a shimmering?

She takes her pencil and scratches out the question mark. Hallucination, it says now. Pure. Simple. No doubt about it.

She sets down her pencil, gathers her mop handle and her binoculars and the rifle, and trudges up the stairs to the rooftop to survey her domain. All is quiet this morning. No movement out there in the field — no large animals, no naked blue-tinged singers.

The Year of the Flood
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