6.
Feet up on the chair, knees drawn in, her
eyes five inches from the book in her lap, wisps of hair come loose
from her barrettes to form a fuzzy nimbus around her face, Biscuit
read:
Following the church ceremonies, the priests and a
large number of people gathered at ancestral cemeteries and placed
pancakes, pretzels, loaves of bread, and one or two decorated eggs
on the graves. Sometimes they added a cup of meal or a bit of
sweetened cereal. After the ceremony priests later gathered the
remaining food and took it home. Finally, the priests said the
office of the dead.
The office of the dead?
She pictured a large metal desk flanked by filing
cabinets, a window behind with blinds drawn, blocking out all but a
hint of flashing neon sign. A cloaked, hooded figure enthroned on a
swivel chair, feet up on the desk, cigar burning in the ashtray,
scythe leaning against the wall, old-fashioned rotary phone getting
ready to jingle.
She herself was occupying an office at the moment:
that of the children’s librarian, Mrs. Mukhopadhyay. Just beyond
the door, which was not shut, Mrs. Mukhopadhyay chatted with young
patrons and their caregivers at the circulation desk. It was a
rainy Saturday; prime time in the children’s room. “How are you
feeling?” one mother after another kept asking in knowing,
confidential tones while Mrs. Mukhopadhyay scanned the bar codes on
their books.They all said virtually the same things, as if reading
from a script: a string of hopefuls auditioning for a bit part—“Are
you tired? You look great.”
Biscuit paid scant attention to the content of Mrs.
Mukhopadhyay’s replies, listening mostly to the rise and fall of
her voice. She believed Mrs. Mukhopadhyay possessed the prettiest
voice in the world. Sometimes at home, alone in her room, Biscuit
would stand before her full-length mirror and chat sotto voce with
her reflection in her best approximation of the librarian’s Bengali
lilt. It was a water voice, trickling and eddying and cool.
Tucked into the librarian’s chair, half listening
to her converse just outside the office; listening, too, to the
Brahms chamber works wending softly from the librarian’s portable
CD player, Biscuit breathed contentedly over the fat book on her
lap. It was from upstairs, the adult stacks. It had truly hundreds
of pages. Nearly a thousand. Wafery, yellowed, vanilla-smelling
pages that fell with a dense plunk, like a plank, when you
flipped over a great sheaf at once.
Biscuit flipped just so now, idly, backward,
traveling, much as a finger travels on a spun globe, from the
Southeast Russian province of Saratov to land, by chance, among the
Parsis, the Zoroastrians of Bombay:
Vultures look hungrily on while the
funeral-servants remove the body from the bier, lay it on the stone
bed, and strip it of the white garments. After these are thrown
into the well, the bier is borne from the Tower of Silence, and the
vultures begin their meal. In the course of a few hours the bones
are usually stripped bare.
Traveling forward again, to the Tanala of
Madagascar, where her finger came down on this passage:
To discover a body of a drowned person, a banana
tree core encircled with a silver bracelet is cast on the water, in
the belief that it will rest motionless over the spot where the
drowned one lies. After this, if divers fail to bring up the body,
the Ikongo conduct funeral services over the deceased’s mat and
pillow.
The customs, in their peculiarity and their
specificity, had the quality of belonging to a fairy tale. Biscuit
considered that they were only slightly more real than fairy tales.
Even at age nine, she knew not to believe everything she read, not
even in a library book from the adult nonfiction section. She was
no budding historian (already in school she showed signs of being a
poor history student, with remarkably little regard for the
significance of dates), but even if the book were not so gorgeously
redolent of age, even if its leaves and binding did not give off
such an unambiguous waft of antiquity, she did know how to find a
copyright, and this one told her that the book had been written
long before she was born, before her parents had been born, too,
and in her view this was enough to render it manifestly Old,
belonging to that one vast, misty category that included everything
from horse-drawn carriages and hoop skirts to typewriters and
black-and-white TVs.
Sometimes, Biscuit knew, what had been perfectly
correct in Olden times was not so anymore. In other musty books
she’d found references to things that no longer applied:
gramophones, polio, Negroes, beef tea, the admonition that ladies
ought not swim. It wasn’t only books. Her own grandma was always
saying things Biscuit knew to be wrong. She claimed that drinking
cold milk with hot soup would give a person a bellyache; that
“Orientals” had an inborn talent for math; that the television
remote could under no circumstances be programmed to work for the
DVD player (Paul had rather rudely but effectively proven her wrong
on this last). All these errors made Biscuit feel rather sorry for
her grandma; but more, they told a cautionary tale.
And so she brought to this aged book of funeral
customs a mixture of skepticism and indulgence, yet this made what
she read no less satisfying or useful to her.
Leafing again:
The world outside first learns of a death when the
family hangs blue and white or blue and yellow lanterns at the
front door and pastes white paper over the red good-luck strips. In
addition to this ceremony, it is customary in Peiping to station a
drummer outside the front door, to the left of the entrance if a
man has died, and to the right, if a woman.
Gold leaf and pearls are placed in the mouth of the
dead in some parts of China, and a ball of red paper mixed with
incense ash is tucked between the lips.
Mrs. Mukhopadhyay had helped Biscuit find the book.
Never mind that it lay within the library’s upper provinces, two
stories above the cozy, underground children’s enclave; Mrs.
Mukhopadhyay’s range knew no bounds. She had jotted the call
number, 393–Death customs, on the back of an old card-catalog card,
her bangles jangling cool music as she did, and then she’d
explained exactly where that number would turn out to be in the
stacks. “Alllll the way up, against the far wall,” she’d said,
tracing the route on a map in the air with a flourish that produced
more silver-sliding notes.
Now Mrs. Mukhopadhyay came into her office carrying
two damaged books: a Nancy Drew clinging to its binding by frail
threads, and a picture book that looked as though a bite had been
taken out of its cover. These she deposited into the plastic bin
that she referred to as “the clinic”; bit by bit, as time allowed,
she would triage its contents, mending the mendable and removing
from circulation those volumes deemed past repair. For now, she
went behind the desk and squatted to remove her boysenberry yogurt
from the mini-fridge.
“Should I get up?” asked Biscuit.
“No, I want to sit here.” Mrs. Mukhopadhyay settled
into the rocking chair in the corner, beneath the square window
that gave a view of the roots of bushes, the undersides of leaves,
and snippets of patrons’ feet and legs. Once, gazing out this
window during a downpour, Biscuit had spotted a clear-winged bug
perched upside down on a rhododendron leaf: using it, in effect, as
an umbrella. The cleverness of the infinitesimal! Now she watched
as Mrs. Mukhopadhyay put her feet up on a low stool, leaned her
head back and closed her eyes. Her belly was getting very big now,
not unlike how Biscuit’s mother had looked just a few weeks
earlier.
“So,” she asked, opening her eyes and unlidding her
yogurt container, “how is your research going?” She said this
without any amusement in her voice, without the speckling hint of
laughter most adults would have sowed among the words.
“It’s good.”
“You are finding interesting things?”
Biscuit nodded.
“Read me something. For example.”
Biscuit flipped a plank of pages: plunk.
Landed in Bali. Read: “‘At sunset the embers are quenched, and any
charred bones and fragments are mounded, covered with palm-leaves,
and placed in an urn fashioned from a coconut shell and covered
with a white cloth, for carrying to the sea. When the procession
reaches the shore, the priest enters the water, and after having
begged it to bear the ashes safely away, scatters them on the
waves.’”
“That has a beautiful sound to it,” Mrs.
Mukhopadhyay remarked, licking the back of her spoon.
Biscuit looked up, surprised, in perfect
agreement.
“Is there more?”
She continued. “‘Further offerings are dedicated to
the soul. Its last earthly ties are severed’—severed?”
Mrs. Mukhopadhyay made a scissoring motion.
“Snipped.”
“Oh. ‘. . . are severed by the symbolism of burning
a string and breaking an egg.’”
Mrs. Mukhopadhyay chuckled. “I like that: an
egg.”
Biscuit looked at the clock. Four-thirty. It was
her turn to make supper: meat loaf and rice. She and Paul each got
supper duty once a week now. The custom had been instituted in the
Ryrie household several months earlier, under the banner of We All
Have to Pitch in More Now with a New Baby on the Way, and it had
not been amended to reflect the fact that the new baby was dead.
Meat loaf was supposed to be fun for kids to make, or so Biscuit’s
mother had read or heard: the tactile experience of mixing all
those ingredients by hand. Biscuit hated it, the cold, the greasy
pink squish. “I have to go.”
“Would you like to take the book home with
you?”
You were only allowed to check out adult books on
an adult card. Mrs. Mukhopadhyay was offering to bend the rules for
Biscuit. She flushed with pleasure yet muttered no, suddenly
tongue-tied. She did not want her parents to see the book.
Mrs. Mukhopadhyay put her spoon in the yogurt and
leaned forward. She looked as though she were about to ask the
question Biscuit had come most to dread, and which she’d find most
especially dreadful coming from this, her special friend. Everyone
had been asking this question—teachers, friends of the family,
grown-ups whose names she didn’t know but who somehow knew hers.
“How’s your mother?” or worse, “How’s Mom?” as if Biscuit’s mother
were their mother, too. “Tell her I send my best,” they’d say.
“Tell her we’re thinking about her.” As if they couldn’t tell her
themselves. As if Biscuit’s mother had traveled somewhere far away,
out of the reach of their voices, their words.
But it occurred to Biscuit that if Mrs.
Mukhopadhyay were to ask about her mother it would not be the same
thing at all. If Mrs. Mukhopadhyay asked, there would be room to
respond with something other than a pinched “fine.” There would be
room to keep silent, or cry, or tell the truth.
Then Mrs. Mukhopadhyay’s expression changed. She
said, “Oh!” and placed a hand against her side. She looked up at
Biscuit, her eyes wide. “A big one,” she explained.
Biscuit got up from the librarian’s chair. She
still held the book of funeral customs, with two hands.
“You can leave it right there.” On the desk.
“Thanks.”
It was only a block to her house, too short.
Biscuit walked it slowly, running her hand along the tops of low
hedges where they lined the sidewalk. They were bare, bony, their
twigs stiff brown bones. She had been to a funeral just once, when
she was six. She remembered it very well, the physical details as
well as the mood. It happened that on a summer evening just after
she’d been tucked in, a sparrow had flown against her windowpane.
She’d been lying awake, bored, looking out the window at the
still-light greenness, and so she’d seen it happen. The thump of
its body was terrible and quick. She’d run down the stairs in her
short summer nightgown, slipped into the kitchen and out through
the Dutch door. In her six-year-old mind it was a story that had
already been written. She, its hero. Its ending, plain: with a
stroke of her finger the sparrow would awaken and ascend in the
dusk.
The backyard was bathed in shadows of nightfall,
just beginning to be lit by fireflies. She’d been aware of enjoying
herself. Her skin tingled in the cooling air. Right through her
nightie she could feel it. She’d never been outside alone in
evening before. It had a smell, the evening grass and evening dirt.
She paused to inhale it: the scent of a story about a girl who
mends a bird and is rewarded for her kindness. She whispered to the
bird inside her head: I’m coming.
What reward? Every morning thereafter, the girl
would awake to find a present under her pillow: a feather, a berry,
a seed.
Finding the sparrow proved too easy. It lay
directly beneath her window, unbloodied, its feathers and beak and
claws all more exact, more finely formed and particular than she’d
imagined. She touched it, but it did not stir. She gathered it in
her palm and carried it inside, hopeful. Her parents took it from
her.
The next day they’d all filed into the backyard.
There was a shoe box coffin, lined with grass. Her father wore a
necktie; her mother wore a dress. Paul, whose third-grade class had
been doing limericks, recited a poem that began, “There once was a
brown bird from Nyack.” Biscuit helped to dig the hole under the
bridal wreath bush.The ground was hard, not soft. She hadn’t been
able to make much difference; it was her father who got the hole
big enough for the box. After, she helped to fill the hole back up
with her hands and that earth was warm and crumbly. It stayed under
her fingernails until her evening bath, in which she’d scraped out
each caked half-moon: not regular dirt but funeral dirt. She soaked
in it a long time, until the water grew cold. What she remembered
best was the formal, slightly exalted feeling she had as she’d
stood wearing her towel like a cape beside the tub after, watching
her bathwater with its measure of ceremonial dirt circle the
drain.