Human Croquet
a tour de force’
Independent
‘Huge, exhilarating, loving and detailed
eruption of a novel…
an utterly intoxicating display of novelistic elan … big and
joyous,
literary and accessible … storytelling at its buoyant
best’
Scotsman
‘A triumph to follow up Behind the Scenes with this – astonishing
…
clearly an unlimited talent’
Margaret Forster
‘Wonderful … she is an extraordinary
writer – earthy and funny,
yet mysterious’
Deborah Moggach
‘There’s a laugh on every second page,
often a laugh out loud,
and Shakespeare makes a personal appearance’
Daily
Telegraph
‘A novel which will dazzle readers for
years to come’
Hilary Mantel, London Review of Books
‘Atkinson’s passion for England and
Engiishness is an unfashionable
and pleasant surprise. Shakespeare’s her hero but I think
Chaucer
might give her a wave’
Spectator
‘The author’s voice remains irresistible,
her dialogue wry and
imagery fluent’
Time
Out
‘A literary tour de force’
San Francisco
Chronicle
‘Kate Atkinson won the 1995 Whitbread
Book of the Year Prize for
her first novel … Can she produce something as original,
readable
and funny as her first book? Human Croquet
proves triumphantly that
she can’
Irish
Examiner
‘A belly-laugh a page … Atkinson is a
gifted storyteller’
New Statesman
‘Atkinson’s wit and her genius for
character put a varnish of delight
on the solid carpentry of her ideas. Her novels are remarkable
both
in and of themselves, and as evidence of an important
emerging
body of work from a brilliant and profoundly original
writer’
Daily
Express
‘No matter what category Human Croquet is ultimately slotted into
by the literary establishment – magical post-modern
metafiction?
post-magical realism? post-modern magicalism? – it offers
further
proof that Kate Atkinson is off and running in quite a
fantastic
direction of her own devising … What makes it so successful
is
that it really doesn’t matter if a reader recognizes every gesture
in
Atkinson’s literary high-wire act, because the multitude of
characters
are defined with such vivid specificity that they – and what
happens
to them – matter the most’
New York
Times Book Review
‘With just two novels, Atkinson has added
new colour to the
British literary landscape’
Guardian