16


“You think I’m mad. Perhaps I am. But listen, Henry Frankenstein. While you were digging in your graves, piecing together dead tiss-yoos, I, my dear pupil, went for my material to the source of life…”

Earnest Thesiger as Dr. Praetorius—the greatest performance of his career—was lecturing his former student. The movie was only half over, but it was time to go. He’d pick up where he left off before bedtime. Too bad. He loved this movie. Especially the score—Franz Waxman’s best ever. Who’d have thought that later on in his career, the creator of such a majestic, stirring piece would wind up doing the incidental music for turkeys like Return to Peyton Place. Some people never get the recognition they deserve.

He pulled on a T-shirt with “The Byrds” written on the front; next came the shoulder holster with the little Semmerling under his left arm; a loose short-sleeved shirt went over that, followed by a pair of cut-off jeans, and sneakers—no socks. By the time he had everything loaded in his mini-shopping cart and was ready to go, darkness had settled on the city.

He walked down Amsterdam Avenue to where Bahkti’s grandmother had been attacked last night, found a deserted alley, and slipped into the shadows. He hadn’t wanted to leave his apartment house in drag—his neighbors already considered him more than a little odd—and this was as good a dressing room as any place else.

First he took off his outer shirt. Then he reached into the bag and pulled out the dress—good quality but out of fashion and in need of ironing. That went over the T-shirt and shoulder holster, followed by a gray wig, then black shoes with no heels. He didn’t want to look like a shopping-bag lady; a derelict had nothing to attract the man Jack was after. He wanted a look of faded dignity. New Yorkers see women like this all the time, in their late fifties on up toward eighty. They’re all the same. They trudge along, humped over not so much from a softening of the vertebrae as from the weight of life itself, their center of gravity thrust way forward, usually looking down, or if the head is raised, never looking anyone in the eye. The key word with them is alone. They make irresistible targets.

And Jack was going to be one of them tonight. As an added inducement, he slipped a good quality paste diamond ring onto the fourth finger of his left hand. He couldn’t let anyone get a close look at him, but he was sure the type of man he was searching for would spot the gleam from that ring a good two blocks away. And as a back-up attraction: a fat roll of bills, mostly singles, tight against his skin under one of the straps of his shoulder holster.

Jack put his sneakers and the sap into the paper bag in the upper basket of the little shopping cart. He checked himself in a store window: He’d never make it as a transvestite. Then he began a slow course along the sidewalk, dragging the cart behind him.

Time to go to work.


The Tomb
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