APRIL 1472

My mother’s skill at foretelling the future is borne out. Less than a year after she warned me her heart would not last much longer, she complains of fatigue and keeps to her rooms. The baby I was carrying in the garden the day of the primrose races came early, and for the first time I go into my confinement without my mother’s company. I send her messages from my darkened room and she replies cheerfully from hers. But when I come out with a frail newborn girl, I find my mother in her chamber, too weary to rise. I take the baby girl, light as a little bird, and lay her in my mother’s arms every afternoon. For a week or two, the two of them watch the sun sink below the level of the window, and then like the gold of the sunset they slip away from me together.

At dusk, on the last day of April, I hear a calling noise, like a white-winged barn owl, and I go to my window and push open the shutters and look out. There is a waning moon rising off the horizon, white against a white sky; it too is wasting away, and in its cold light I can hear a calling, like a choir, and I know it is not the music of owls, nor singers nor nightingales, but Melusina. Our ancestor goddess is calling around the roof of the house, for her daughter Jacquetta of the House of Burgundy is dying.

I stand and listen to the eerie whistling for a while and then I swing the shutters closed and go to my mother’s room. I don’t hurry. I know there is no need to hurry to her anymore. The new baby is in her arms as she lies in her bed, the little head pressed to my mother’s cheek. They are both pale as marble, they are both lying with their eyes shut, they both seem to be peacefully asleep as the shadows of the evening darken the room. The moonlight on the water outside the chamber window throws the reflection of ripples onto the whitewashed ceiling of the room, so they look as if they are underwater, floating with Melusina in the fountain. But I know that they are both gone from me, and our water mother is singing them on their journey down the sweet river to the deep springs of home.

The White Queen
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