CHAPTER XXXV

One speaks of the moods of spring, but the days that are her true children have only one mood; they are all full of the rising and dropping of winds, and the whistling of birds. New flowers may come out, the green embroidery of the hedges increase, but the same heaven broods overhead, soft, thick, and blue, the same figures, seen and unseen, are wandering by coppice and meadow. The morning that Margaret had spent with Miss Avery, and the afternoon she set out to entrap Helen, were the scales of a single balance. Time might never have moved, rain never have fallen, and man alone, with his schemes and ailments, was troubling Nature until he saw her through a veil of tears.

She protested no more. Whether Henry was right or wrong, he was most kind, and she knew of no other standard by which to judge him. She must trust him absolutely. As soon as he had taken up a business, his obtuseness vanished. He profited by the slightest indications, and the capture of Helen promised to be staged as deftly as the marriage of Evie.

They went down in the morning as arranged, and he discovered that their victim was actually in Hilton. On his arrival he called at all the livery-stables in the village, and had a few minutes' serious conversation with the proprietors. What he said, Margaret did not know—perhaps not the truth; but news arrived after lunch that a lady had come by the London train, and had taken a fly to Howards End.

"She was bound to drive," said Henry. "There will be her books."

"I cannot make it out," said Margaret for the hundredth time.

"Finish your coffee, dear. We must be off."

"Yes, Margaret, you know you must take plenty," said Dolly.

Margaret tried, but suddenly lifted her hand to her eyes. Dolly stole glances at her father-in-law which he did not answer. In the silence the motor came round to the door.

"You're not fit for it," he said anxiously. "Let me go alone. I know exactly what to do."

"Oh yes, I am fit," said Margaret, uncovering her face. "Only most frightfully worried. I cannot feel that Helen is really alive. Her letters and telegrams seem to have come from some one else. Her voice isn't in them. I don't believe your driver really saw her at the station. I wish I'd never mentioned it. I know that Charles is vexed. Yes, he is—" She seized Dolly's hand and kissed it. "There, Dolly will forgive me. There. Now we'll be off."

Henry had been looking at her closely. He did not like this breakdown.

"Don't you want to tidy yourself?" he asked.

"Have I time?"

"Yes, plenty."

She went to the lavatory by the front door, and as soon as the bolt slipped, Mr. Wilcox said quietly:

"Dolly, I'm going without her."

Dolly's eyes lit up with vulgar excitement. She followed him on tiptoe out to the car.

"Tell her I thought it best."

"Yes, Mr. Wilcox, I see."

"Say anything you like. All right."

The car started well, and with ordinary luck would have got away. But Porgly-woggles, who was playing in the garden, chose this moment to sit down in the middle of the path. Crane, in trying to pass him, ran one wheel over a bed of wallflowers. Dolly screamed. Margaret, hearing the noise, rushed out hatless, and was in time to jump on the footboard. She said not a single word; he was only treating her as she had treated Helen, and her rage at his dishonesty only helped to indicate what Helen would feel against them. She thought, "I deserve it; I am punished for lowering my colours." And she accepted his apologies with a calmness that astonished him.

"I still consider you are not fit for it," he kept saying.

"Perhaps I was not at lunch. But the whole thing is spread clearly before me now."

"I was meaning to act for the best."

"Just lend me your scarf, will you. This wind takes one's hair so."

"Certainly, dear girl. Are you all right now?"

"Look! My hands have stopped trembling."

"And have quite forgiven me? Then listen. Her cab should already have arrived at Howards End. (We're a little late, but no matter.) Our first move will be to send it down to wait at the farm, as, if possible, one doesn't want a scene before servants. A certain gentleman"—he pointed at Crane's back—"won't drive in, but will wait a little short of the front gate, behind the laurels. Have you still the keys of the house?"

"Yes."

"Well, they aren't wanted. Do you remember how the house stands?"

"Yes."

"If we don't find her in the porch, we can stroll round into the garden. Our object—"

Here they stopped to pick up the doctor.

"I was just saying to my wife, Mansbridge, that our main object is not to frighten Miss Schlegel. The house, as you know, is my property, so it should seem quite natural for us to be there. The trouble is evidently nervous—wouldn't you say so, Margaret?"

The doctor, a very young man, began to ask questions about Helen. Was she normal? Was there anything congenital or hereditary? Had anything occurred that was likely to alienate her from her family?

"Nothing," answered Margaret, wondering what would have happened if she had added: "Though she did resent my husband's immorality."

"She always was highly strung," pursued Henry, leaning back in the car as it shot past the church. "A tendency to spiritualism and those things, though nothing serious. Musical, literary, artistic, but I should say normal—a very charming girl."

Margaret's anger and terror increased every moment. How dare these men label her sister! What horrors lay ahead! What impertinences that shelter under the name of science! The pack was turning on Helen, to deny her human rights, and it seemed to Margaret that all Schlegels were threatened with her. "Were they normal?" What a question to ask! And it is always those who know nothing about human nature, who are bored by psychology—and shocked by physiology, who ask it. However piteous her sister's state, she knew that she must be on her side. They would be mad together if the world chose to consider them so.

It was now five minutes past three. The car slowed down by the farm, in the yard of which Miss Avery was standing. Henry asked her whether a cab had gone past. She nodded, and the next moment they caught sight of it, at the end of the lane. The car ran silently like a beast of prey. So unsuspicious was Helen that she was sitting in the porch, with her back to the road. She had come. Only her head and shoulders were visible. She sat framed in the vine, and one of her hands played with the buds. The wind ruffled her hair, the sun glorified it; she was as she had always been.

Margaret was seated next to the door. Before her husband could prevent her, she slipped out. She ran to the garden gate, which was shut, passed through it, and deliberately pushed it in his face. The noise alarmed Helen. Margaret saw her rise with an unfamiliar movement, and, rushing into the porch, learnt the simple explanation of all their fears—her sister was with child.

"Is the truant all right?" called Henry.

She had time to whisper: "Oh, my darling—" The keys of the house were in her hand. She unlocked Howards End and thrust Helen into it. "Yes, all right," she said, and stood with her back to the door.

CHAPTER XXXVI

"Margaret, you look upset!" said Henry.

Mansbridge had followed. Crane was at the gate, and the flyman had stood up on the box. Margaret shook her head at them; she could not speak any more. She remained clutching the keys, as if all their future depended on them. Henry was asking more questions. She shook her head again. His words had no sense. She heard him wonder why she had let Helen in. "You might have given me a knock with the gate," was another of his remarks. Presently she heard herself speaking. She, or someone for her, said, "Go away." Henry came nearer. He repeated, "Margaret, you look upset again. My dear, give me the keys. What are you doing with Helen?"

"Oh, dearest, do go away, and I will manage it all."

"Manage what?"

He stretched out his hand for the keys. She might have obeyed if it had not been for the doctor.

"Stop that at least," she said piteously; the doctor had turned back, and was questioning the driver of Helen's cab. A new feeling came over her; she was fighting for women against men. She did not care about rights, but if men came into Howards End, it should be over her body.

"Come, this is an odd beginning," said her husband.

The doctor came forward now, and whispered two words to Mr. Wilcox—the scandal was out. Sincerely horrified, Henry stood gazing at the earth.

"I cannot help it," said Margaret. "Do wait. It's not my fault. Please all four of you go away now."

Now the flyman was whispering to Crane.

"We are relying on you to help us, Mrs. Wilcox," said the young doctor. "Could you go in and persuade your sister to come out?"

"On what grounds?" said Margaret, suddenly looking him straight in the eyes.

Thinking it professional to prevaricate, he murmured something about a nervous breakdown.

"I beg your pardon, but it is nothing of the sort. You are not qualified to attend my sister, Mr. Mansbridge. If we require your services, we will let you know."

"I can diagnose the case more bluntly if you wish," he retorted.

"You could, but you have not. You are, therefore, not qualified to attend my sister."

"Come, come, Margaret!" said Henry, never raising his eyes. "This is a terrible business, an appalling business. It's doctor's orders. Open the door."

"Forgive me, but I will not."

"I don't agree."

Margaret was silent.

"This business is as broad as it's long," contributed the doctor. "We had better all work together. You need us, Mrs. Wilcox, and we need you."

"Quite so," said Henry.

"I do not need you in the least," said Margaret.

The two men looked at each other anxiously.

"No more does my sister, who is still many weeks from her confinement."

"Margaret, Margaret!"

"Well, Henry, send your doctor away. What possible use is he now?"

Mr. Wilcox ran his eye over the house. He had a vague feeling that he must stand firm and support the doctor. He himself might need support, for there was trouble ahead.

"It all turns on affection now," said Margaret. "Affection. Don't you see?" Resuming her usual methods, she wrote the word on the house with her finger. "Surely you see. I like Helen very much, you not so much. Mr. Mansbridge doesn't know her. That's all. And affection, when reciprocated, gives rights. Put that down in your note-book, Mr. Mansbridge. It's a useful formula."

Henry told her to be calm.

"You don't know what you want yourselves," said Margaret, folding her arms. "For one sensible remark I will let you in. But you cannot make it. You would trouble my sister for no reason. I will not permit it. I'll stand here all the day sooner."

"Mansbridge," said Henry in a low voice, "perhaps not now."

The pack was breaking up. At a sign from his master, Crane also went back into the car.

"Now, Henry, you," she said gently. None of her bitterness had been directed at him. "Go away now, dear. I shall want your advice later, no doubt. Forgive me if I have been cross. But, seriously, you must go."

He was too stupid to leave her. Now it was Mr. Mansbridge who called in a low voice to him.

"I shall soon find you down at Dolly's," she called, as the gate at last clanged between them. The fly moved out of the way, the motor backed, turned a little, backed again, and turned in the narrow road. A string of farm carts came up in the middle; but she waited through all, for there was no hurry. When all was over and the car had started, she opened the door. "Oh, my darling!" she said. "My darling, forgive me." Helen was standing in the hall.

CHAPTER XXXVII

Margaret bolted the door on the inside. Then she would have kissed her sister, but Helen, in a dignified voice, that came strangely from her, said:

"Convenient! You did not tell me that the books were unpacked. I have found nearly everything that I want."

"I told you nothing that was true."

"It has been a great surprise, certainly. Has Aunt Juley been ill?"

"Helen, you wouldn't think I'd invent that?"

"I suppose not," said Helen, turning away, and crying a very little. "But one loses faith in everything after this."

"We thought it was illness, but even then—I haven't behaved worthily."

Helen selected another book.

"I ought not to have consulted any one. What would our father have thought of me?"

She did not think of questioning her sister, or of rebuking her. Both might be necessary in the future, but she had first to purge a greater crime than any that Helen could have committed—that want of confidence that is the work of the devil.

"Yes, I am annoyed," replied Helen. "My wishes should have been respected. I would have gone through this meeting if it was necessary, but after Aunt Juley recovered, it was not necessary. Planning my life, as I now have to do."

"Come away from those books," called Margaret. "Helen, do talk to me."

"I was just saying that I have stopped living haphazard. One can't go through a great deal of—"—she left out the noun—"without planning one's actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known."

"But why didn't you tell me, dearest?"

"Yes," replied Helen judicially. "I might have, but decided to wait."

"I believe you would never have told me."

"Oh yes, I should. We have taken a flat in Munich."

Margaret glanced out of the window.

"By 'we' I mean myself and Monica. But for her, I am and have been and always wish to be alone."

"I have not heard of Monica."

"You wouldn't have. She's an Italian—by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through."

"You are very fond of her, then."

"She has been extraordinarily sensible with me."

Margaret guessed at Monica's type—"Italiano Inglesiato" they had named it—the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need!

"You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven't understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn't to me, who have been thinking over our futures for many months, and they won't be changed by a slight contretemps, such as this. I cannot live in England."

"Helen, you've not forgiven me for my treachery. You COULDN'T talk like this to me if you had."

"Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?"

"Series of mistakes."

"And a great deal of furniture has been unpacked."

"All."

"Who lives here, then?"

"No one."

"I suppose you are letting it, though."

"The house is dead," said Margaret, with a frown. "Why worry on about it?"

"But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn't the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes' own things."

"Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we—but by a mistake all our things were unpacked, and Miss Avery, instead of—" She stopped. "Look here, I can't go on like this. I warn you I won't. Helen, why should you be so miserably unkind to me, simply because you hate Henry?"

"I don't hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I'm not being unkind. But as for fitting in with your English life—no, put it out of your head at once. Imagine a visit from me at Ducie Street! It's unthinkable."

Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through—how much? Margaret did not know. But it was enough to part her from old habits as well as old friends.

"Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture.

"There's nothing to tell."

"But your marriage has been happy, Meg?"

"Yes, but I don't feel inclined to talk."

"You feel as I do."

"Not that, but I can't."

"No more can I. It is a nuisance, but no good trying."

Something had come between them. Perhaps it was Society, which henceforward would exclude Helen. Perhaps it was a third life, already potent as a spirit. They could find no meeting-place. Both suffered acutely, and were not comforted by the knowledge that affection survived.

"Look here, Meg, is the coast clear?"

"You mean that you want to go away from me?"

"I suppose so—dear old lady! it isn't any use. I knew we should have nothing to say. Give my love to Aunt Juley and Tibby, and take more yourself than I can say. Promise to come and see me in Munich later."

"Certainly, dearest."

"For that is all we can do."

It seemed so. Most ghastly of all was Helen's common sense; Monica had been extraordinarily good for her.

"I am glad to have seen you and the things." She looked at the bookcase lovingly, as if she was saying farewell to the past.

Margaret unbolted the door. She remarked: "The car has gone, and here's your cab."

She led the way to it, glancing at the leaves and the sky. The spring had never seemed more beautiful. The driver, who was leaning on the gate, called out, "Please, lady, a message," and handed her Henry's visiting-card through the bars.

"How did this come?" she asked.

Crane had returned with it almost at once.

She read the card with annoyance. It was covered with instructions in domestic French. When she and her sister had talked she was to come back for the night to Dolly's. "Il faut dormir sur ce sujet." while Helen was to be found une comfortable chambre a l'hotel. The final sentence displeased her greatly until she remembered that the Charles's had only one spare room, and so could not invite a third guest.

"Henry would have done what he could," she interpreted.

Helen had not followed her into the garden. The door once open, she lost her inclination to fly. She remained in the hall, going from bookcase to table. She grew more like the old Helen, irresponsible and charming.

"This IS Mr. Wilcox's house?" she inquired.

"Surely you remember Howards End?"

"Remember? I who remember everything! But it looks to be ours now."

"Miss Avery was extraordinary," said Margaret, her own spirits lightening a little. Again she was invaded by a slight feeling of disloyalty. But it brought her relief, and she yielded to it. "She loved Mrs. Wilcox, and would rather furnish her home with our things than think of it empty. In consequence here are all the library books."

"Not all the books. She hasn't unpacked the Art books, in which she may show her sense. And we never used to have the sword here."

"The sword looks well, though."

"Magnificent."

"Yes, doesn't it?"

"Where's the piano, Meg?"

"I warehoused that in London. Why?"

"Nothing."

"Curious, too, that the carpet fits."

"The carpet's a mistake," announced Helen. "I know that we had it in London, but this floor ought to be bare. It is far too beautiful."

"You still have a mania for under-furnishing. Would you care to come into the dining-room before you start? There's no carpet there. They went in, and each minute their talk became more natural.

"Oh, WHAT a place for mother's chiffonier!" cried Helen.

"Look at the chairs, though."

"Oh, look at them! Wickham Place faced north, didn't it?"

"North-west."

"Anyhow, it is thirty years since any of those chairs have felt the sun. Feel. Their dear little backs are quite warm."

"But why has Miss Avery made them set to partners? I shall just—"

"Over here, Meg. Put it so that any one sitting will see the lawn."

Margaret moved a chair. Helen sat down in it.

"Ye—es. The window's too high."

"Try a drawing-room chair."

"No, I don't like the drawing-room so much. The beam has been match-boarded. It would have been so beautiful otherwise."

"Helen, what a memory you have for some things! You're perfectly right. It's a room that men have spoilt through trying to make it nice for women. Men don't know what we want—"

"And never will."

"I don't agree. In two thousand years they'll know. Look where Tibby spilt the soup."

"Coffee. It was coffee surely."

Helen shook her head. "Impossible. Tibby was far too young to be given coffee at that time."

"Was father alive?"

"Yes."

"Then you're right and it must have been soup. I thinking of much later—that unsuccessful visit of Aunt Juley's, when she didn't realise that Tibby had grown up. It was coffee then, for he threw it down on purpose. There was some rhyme, 'Tea, coffee—coffee tea,' that she said to him every morning at breakfast. Wait a minute—how did it go?"

"I know—no, I don't. What a detestable boy Tibby was!"

"But the rhyme was simply awful. No decent person could put up with it."

"Ah, that greengage-tree," cried Helen, as if the garden was also part of their childhood. "Why do I connect it with dumb-bells? And there come the chickens. The grass wants cutting. I love yellow-hammers."

Margaret interrupted her. "I have got it," she announced.

       "'Tea, tea, coffee, tea,
         Or chocolaritee.'

"That every morning for three weeks. No wonder Tibby was wild."

"Tibby is moderately a dear now," said Helen.

"There! I knew you'd say that in the end. Of course he's a dear."

A bell rang.

"Listen! what's that?"

Helen said, "Perhaps the Wilcoxes are beginning the siege."

"What nonsense—listen!"

And the triviality faded from their faces, though it left something behind—the knowledge that they never could be parted because their love was rooted in common things. Explanations and appeals had failed; they had tried for a common meeting-ground, and had only made each other unhappy. And all the time their salvation was lying round them—the past sanctifying the present; the present, with wild heart-throb, declaring that there would after all be a future with laughter and the voices of children. Helen, still smiling, came up to her sister. She said, "It is always Meg." They looked into each other's eyes. The inner life had paid.

Solemnly the clapper tolled. No one was in the front. Margaret went to the kitchen, and struggled between packing-cases to the window. Their visitor was only a little boy with a tin can. And triviality returned.

"Little boy, what do you want?"

"Please, I am the milk."

"Did Miss Avery send you?" said Margaret, rather sharply.

"Yes, please."

"Then take it back and say we require no milk." While she called to Helen, "No, it's not the siege, but possibly an attempt to provision us against one."

"But I like milk," cried Helen. "Why send it away?"

"Do you? Oh, very well. But we've nothing to put it in, and he wants the can."

"Please, I'm to call in the morning for the can," said the boy.

"The house will be locked up then."

"In the morning would I bring eggs too?"

"Are you the boy whom I saw playing in the stacks last week?"

The child hung his head.

"Well, run away and do it again."

"Nice little boy," whispered Helen. "I say, what's your name? Mine's Helen."

"Tom."

That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return.

"Tom, this one here is Margaret. And at home we've another called Tibby."

"Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit.

"You're a very good and rather a clever little boy. Mind you come again.—Isn't he charming?"

"Undoubtedly," said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers."

"What do you mean?"

"I don't know."

"Because I probably agree with you."

"It kills what is dreadful and makes what is beautiful live."

"I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago."

"Meaning that I was dead. I felt it."

"Yes, the house has a surer life than we, even if it was empty, and, as it is, I can't get over that for thirty years the sun has never shone full on our furniture. After all, Wickham Place was a grave. Meg, I've a startling idea."

"What is it?"

"Drink some milk to steady you."

Margaret obeyed.

"No, I won't tell you yet," said Helen, "because you may laugh or be angry. Let's go upstairs first and give the rooms an airing."

They opened window after window, till the inside, too, was rustling to the spring. Curtains blew, picture frames tapped cheerfully. Helen uttered cries of excitement as she found this bed obviously in its right place, that in its wrong one. She was angry with Miss Avery for not having moved the wardrobes up. "Then one would see really." She admired the view. She was the Helen who had written the memorable letters four years ago. As they leant out, looking westward, she said: "About my idea. Couldn't you and I camp out in this house for the night?"

"I don't think we could well do that," said Margaret.

"Here are beds, tables, towels—"

"I know; but the house isn't supposed to be slept in, and Henry's suggestion was—"

"I require no suggestions. I shall not alter anything in my plans. But it would give me so much pleasure to have one night here with you. It will be something to look back on. Oh, Meg lovey, do let's!"

"But, Helen, my pet," said Margaret, "we can't without getting Henry's leave. Of course, he would give it, but you said yourself that you couldn't visit at Ducie Street now, and this is equally intimate."

"Ducie Street is his house. This is ours. Our furniture, our sort of people coming to the door. Do let us camp out, just one night, and Tom shall feed us on eggs and milk. Why not? It's a moon."

Margaret hesitated. "I feel Charles wouldn't like it," she said at last. "Even our furniture annoyed him, and I was going to clear it out when Aunt Juley's illness prevented me. I sympathise with Charles. He feels it's his mother's house. He loves it in rather an untaking way. Henry I could answer for—not Charles."

"I know he won't like it," said Helen. "But I am going to pass out of their lives. What difference will it make in the long run if they say, 'And she even spent the night at Howards End'?"

"How do you know you'll pass out of their lives? We have thought that twice before."

"Because my plans—"

"—which you change in a moment."

"Then because my life is great and theirs are little," said Helen, taking fire. "I know of things they can't know of, and so do you. We know that there's poetry. We know that there's death. They can only take them on hearsay. We know this is our house, because it feels ours. Oh, they may take the title-deeds and the door-keys, but for this one night we are at home."

"It would be lovely to have you once more alone," said Margaret. "It may be a chance in a thousand."

"Yes, and we could talk." She dropped her voice. "It won't be a very glorious story. But under that wych-elm—honestly, I see little happiness ahead. Cannot I have this one night with you?"

"I needn't say how much it would mean to me."

"Then let us."

"It is no good hesitating. Shall I drive down to Hilton now and get leave?"

"Oh, we don't want leave."

But Margaret was a loyal wife. In spite of imagination and poetry—perhaps on account of them—she could sympathise with the technical attitude that Henry would adopt. If possible, she would be technical, too. A night's lodging—and they demanded no more—need not involve the discussion of general principles.

"Charles may say no," grumbled Helen.

"We shan't consult him."

"Go if you like; I should have stopped without leave."

It was the touch of selfishness, which was not enough to mar Helen's character, and even added to its beauty. She would have stopped without leave and escaped to Germany the next morning. Margaret kissed her.

"Expect me back before dark. I am looking forward to it so much. It is like you to have thought of such a beautiful thing."

"Not a thing, only an ending," said Helen rather sadly; and the sense of tragedy closed in on Margaret again as soon as she left the house.

She was afraid of Miss Avery. It is disquieting to fulfil a prophecy, however superficially. She was glad to see no watching figure as she drove past the farm, but only little Tom, turning somersaults in the straw.

CHAPTER XXXVIII

The tragedy began quietly enough, and, like many another talk, by the man's deft assertion of his superiority. Henry heard her arguing with the driver, stepped out and settled the fellow, who was inclined to be rude, and then led the way to some chairs on the lawn. Dolly, who had not been "told," ran out with offers of tea. He refused them, and ordered them to wheel baby's perambulator away, as they desired to be alone.

"But the diddums can't listen; he isn't nine months old," she pleaded.

"That's not what I was saying," retorted her father-in-law.

Baby was wheeled out of earshot, and did not hear about the crisis till later years. It was now the turn of Margaret.

"Is it what we feared?" he asked.

"It is."

"Dear girl," he began, "there is a troublesome business ahead of us, and nothing but the most absolute honesty and plain speech will see us through." Margaret bent her head. "I am obliged to question you on subjects we'd both prefer to leave untouched. As you know, I am not one of your Bernard Shaws who consider nothing sacred. To speak as I must will pain me, but there are occasions—We are husband and wife, not children. I am a man of the world, and you are a most exceptional woman."

All Margaret's senses forsook her. She blushed, and looked past him at the Six Hills, covered with spring herbage. Noting her colour, he grew still more kind.

"I see that you feel as I felt when—My poor little wife! Oh, be brave! Just one or two questions, and I have done with you. Was your sister wearing a wedding-ring?"

Margaret stammered a "No."

There was an appalling silence.

"Henry, I really came to ask a favour about Howards End."

"One point at a time. I am now obliged to ask for the name of her seducer."

She rose to her feet and held the chair between them. Her colour had ebbed, and she was grey. It did not displease him that she should receive his question thus.

"Take your time," he counselled her. "Remember that this is far worse for me than for you."

She swayed; he feared she was going to faint. Then speech came, and she said slowly: "Seducer? No; I do not know her seducer's name."

"Would she not tell you?"

"I never even asked her who seduced her," said Margaret, dwelling on the hateful word thoughtfully.

"That is singular." Then he changed his mind. "Natural perhaps, dear girl, that you shouldn't ask. But until his name is known, nothing can be done. Sit down. How terrible it is to see you so upset! I knew you weren't fit for it. I wish I hadn't taken you."

Margaret answered, "I like to stand, if you don't mind, for it gives me a pleasant view of the Six Hills."

"As you like."

"Have you anything else to ask me, Henry?"

"Next you must tell me whether you have gathered anything. I have often noticed your insight, dear. I only wish my own was as good. You may have guessed something, even though your sister said nothing. The slightest hint would help us."

"Who is 'we'?"

"I thought it best to ring up Charles."

"That was unnecessary," said Margaret, growing warmer. "This news will give Charles disproportionate pain."

"He has at once gone to call on your brother."

"That too was unnecessary."

"Let me explain, dear, how the matter stands. You don't think that I and my son are other than gentlemen? It is in Helen's interests that we are acting. It is still not too late to save her name."

Then Margaret hit out for the first time. "Are we to make her seducer marry her?" she asked.

"If possible, yes."

"But, Henry, suppose he turned out to be married already? One has heard of such cases."

"In that case he must pay heavily for his misconduct, and be thrashed within an inch of his life."

So her first blow missed. She was thankful of it. What had tempted her to imperil both of their lives. Henry's obtuseness had saved her as well as himself. Exhausted with anger, she sat down again, blinking at him as he told her as much as he thought fit. At last she said: "May I ask you my question now?"

"Certainly, my dear."

"To-morrow Helen goes to Munich—"

"Well, possibly she is right."

"Henry, let a lady finish. To-morrow she goes; to-night, with your permission, she would like to sleep at Howards End."

It was the crisis of his life. Again she would have recalled the words as soon as they were uttered. She had not led up to them with sufficient care. She longed to warn him that they were far more important than he supposed. She saw him weighing them, as if they were a business proposition.

"Why Howards End?" he said at last. "Would she not be more comfortable, as I suggested, at the hotel?"

Margaret hastened to give him reasons. "It is an odd request, but you know what Helen is and what women in her state are." He frowned, and moved irritably. "She has the idea that one night in your house would give her pleasure and do her good. I think she's right. Being one of those imaginative girls, the presence of all our books and furniture soothes her. This is a fact. It is the end of her girlhood. Her last words to me were, 'A beautiful ending.'"

"She values the old furniture for sentimental reasons, in fact."

"Exactly. You have quite understood. It is her last hope of being with it."

"I don't agree there, my dear! Helen will have her share of the goods wherever she goes—possibly more than her share, for you are so fond of her that you'd give her anything of yours that she fancies, wouldn't you? and I'd raise no objection. I could understand it if it was her old home, because a home, or a house," he changed the word, designedly; he had thought of a telling point—"because a house in which one has once lived becomes in a sort of way sacred, I don't know why. Associations and so on. Now Helen has no associations with Howards End, though I and Charles and Evie have. I do not see why she wants to stay the night there. She will only catch cold."

"Leave it that you don't see," cried Margaret. "Call it fancy. But realise that fancy is a scientific fact. Helen is fanciful, and wants to."

Then he surprised her—a rare occurrence. He shot an unexpected bolt. "If she wants to sleep one night she may want to sleep two. We shall never get her out of the house, perhaps."

"Well?" said Margaret, with the precipice in sight. "And suppose we don't get her out of the house? Would it matter? She would do no one any harm."

Again the irritated gesture.

"No, Henry," she panted, receding. "I didn't mean that. We will only trouble Howards End for this one night. I take her to London to-morrow—"

"Do you intend to sleep in a damp house, too?"

"She cannot be left alone."

"That's quite impossible! Madness. You must be here to meet Charles."

"I have already told you that your message to Charles was unnecessary, and I have no desire to meet him."

"Margaret—my Margaret."

"What has this business to do with Charles? If it concerns me little, it concerns you less, and Charles not at all."

"As the future owner of Howards End," said Mr. Wilcox arching his fingers, "I should say that it did concern Charles."

"In what way? Will Helen's condition depreciate the property?"

"My dear, you are forgetting yourself."

"I think you yourself recommended plain speaking."

They looked at each other in amazement. The precipice was at their feet now.

"Helen commands my sympathy," said Henry. "As your husband, I shall do all for her that I can, and I have no doubt that she will prove more sinned against than sinning. But I cannot treat her as if nothing has happened. I should be false to my position in society if I did."

She controlled herself for the last time. "No, let us go back to Helen's request," she said. "It is unreasonable, but the request of an unhappy girl. Tomorrow she will go to Germany, and trouble society no longer. To-night she asks to sleep in your empty house—a house which you do not care about, and which you have not occupied for over a year. May she? Will you give my sister leave? Will you forgive her as you hope to be forgiven, and as you have actually been forgiven? Forgive her for one night only. That will be enough."

"As I have actually been forgiven—?"

"Never mind for the moment what I mean by that," said Margaret. "Answer my question."

Perhaps some hint of her meaning did dawn on him. If so, he blotted it out. Straight from his fortress he answered: "I seem rather unaccommodating, but I have some experience of life, and know how one thing leads to another. I am afraid that your sister had better sleep at the hotel. I have my children and the memory of my dear wife to consider. I am sorry, but see that she leaves my house at once."

"You have mentioned Mrs. Wilcox."

"I beg your pardon?"

"A rare occurrence. In reply, may I mention Mrs. Bast?"

"You have not been yourself all day," said Henry, and rose from his seat with face unmoved. Margaret rushed at him and seized both his hands. She was transfigured.

"Not any more of this!" she cried. "You shall see the connection if it kills you, Henry! You have had a mistress—I forgave you. My sister has a lover—you drive her from the house. Do you see the connection? Stupid, hypocritical, cruel—oh, contemptible!—a man who insults his wife when she's alive and cants with her memory when she's dead. A man who ruins a woman for his pleasure, and casts her off to ruin other men. And gives bad financial advice, and then says he is not responsible. These men are you. You can't recognise them, because you cannot connect. I've had enough of your unneeded kindness. I've spoilt you long enough. All your life you have been spoiled. Mrs. Wilcox spoiled you. No one has ever told what you are—muddled, criminally muddled. Men like you use repentance as a blind, so don't repent. Only say to yourself, 'What Helen has done, I've done.'"

"The two cases are different," Henry stammered. His real retort was not quite ready. His brain was still in a whirl, and he wanted a little longer.

"In what way different? You have betrayed Mrs. Wilcox, Helen only herself. You remain in society, Helen can't. You have had only pleasure, she may die. You have the insolence to talk to me of differences, Henry?"

Oh, the uselessness of it! Henry's retort came.

"I perceive you are attempting blackmail. It is scarcely a pretty weapon for a wife to use against her husband. My rule through life has been never to pay the least attention to threats, and I can only repeat what I said before: I do not give you and your sister leave to sleep at Howards End."

Margaret loosed his hands. He went into the house, wiping first one and then the other on his handkerchief. For a little she stood looking at the Six Hills, tombs of warriors, breasts of the spring. Then she passed out into what was now the evening.

CHAPTER XXXIX

Charles and Tibby met at Ducie Street, where the latter was staying. Their interview was short and absurd. They had nothing in common but the English language, and tried by its help to express what neither of them understood. Charles saw in Helen the family foe. He had singled her out as the most dangerous of the Schlegels, and, angry as he was, looked forward to telling his wife how right he had been. His mind was made up at once; the girl must be got out of the way before she disgraced them farther. If occasion offered she might be married to a villain, or, possibly, to a fool. But this was a concession to morality, it formed no part of his main scheme. Honest and hearty was Charles's dislike, and the past spread itself out very clearly before him; hatred is a skilful compositor. As if they were heads in a note-book, he ran through all the incidents of the Schlegels' campaign: the attempt to compromise his brother, his mother's legacy, his father's marriage, the introduction of the furniture, the unpacking of the same. He had not yet heard of the request to sleep at Howards End; that was to be their master-stroke and the opportunity for his. But he already felt that Howards End was the objective, and, though he disliked the house, was determined to defend it.

Tibby, on the other hand, had no opinions. He stood above the conventions: his sister had a right to do what she thought right. It is not difficult to stand above the conventions when we leave no hostages among them; men can always be more unconventional than women, and a bachelor of independent means need encounter no difficulties at all. Unlike Charles, Tibby had money enough; his ancestors had earned it for him, and if he shocked the people in one set of lodgings he had only to move into another. His was the leisure without sympathy—an attitude as fatal as the strenuous; a little cold culture may be raised on it, but no art. His sisters had seen the family danger, and had never forgotten to discount the gold islets that raised them from the sea. Tibby gave all the praise to himself, and so despised the struggling and the submerged.

Hence the absurdity of the interview; the gulf between them was economic as well as spiritual. But several facts passed; Charles pressed for them with an impertinence that the undergraduate could not withstand. On what date had Helen gone abroad? To whom? (Charles was anxious to fasten the scandal on Germany.) Then, changing his tactics, he said roughly: "I suppose you realise that you are your sister's protector?"

"In what sense?"

"If a man played about with my sister, I'd send a bullet through him, but perhaps you don't mind."

"I mind very much," protested Tibby.

"Who d'ye suspect, then? Speak out man. One always suspects some one."

"No one. I don't think so." Involuntarily he blushed. He had remembered the scene in his Oxford rooms.

"You are hiding something," said Charles. As interviews go, he got the best of this one. "When you saw her last, did she mention any one's name? Yes or no!" he thundered, so that Tibby started.

"In my rooms she mentioned some friends, called the Basts."

"Who are the Basts?"

"People—friends of hers at Evie's wedding."

"I don't remember. But, by great Scott, I do! My aunt told me about some rag-tsag. Was she full of them when you saw her? Is there a man? Did she speak of the man? Or—look here—have you had any dealings with him?"

Tibby was silent. Without intending it, he had betrayed his sister's confidence; he was not enough interested in human life to see where things will lead to. He had a strong regard for honesty, and his word, once given, had always been kept up to now. He was deeply vexed, not only for the harm he had done Helen, but for the flaw he had discovered in his own equipment.

"I see—you are in his confidence. They met at your rooms. Oh, what a family, what a family! God help the poor pater—s."

And Tibby found himself alone.

CHAPTER XL

Leonard—he would figure at length in a newspaper report, but that evening he did not count for much. The foot of the tree was in shadow, since the moon was still hidden behind the house. But above, to right, to left, down the long meadow the moonlight was streaming. Leonard seemed not a man, but a cause.

Perhaps it was Helen's way of falling in love—a curious way to Margaret, whose agony and whose contempt of Henry were yet imprinted with his image. Helen forgot people. They were husks that had enclosed her emotion. She could pity, or sacrifice herself, or have instincts, but had she ever loved in the noblest way, where man and woman, having lost themselves in sex, desire to lose sex itself in comradeship?

Margaret wondered, but said no word of blame. This was Helen's evening. Troubles enough lay ahead of her—the loss of friends and of social advantages, the agony, the supreme agony, of motherhood, which is not even yet a matter of common knowledge. For the present let the moon shine brightly and the breezes of the spring blow gently, dying away from the gale of the day, and let the earth, that brings increase, bring peace. Not even to herself dare she blame Helen.

She could not assess her trespass by any moral code; it was everything or nothing. Morality can tell us that murder is worse than stealing, and group most sins in an order all must approve, but it cannot group Helen. The surer its pronouncements on this point, the surer may we be that morality is not speaking. Christ was evasive when they questioned Him. It is those that cannot connect who hasten to cast the first stone.

This was Helen's evening—won at what cost, and not to be marred by the sorrows of others. Of her own tragedy Margaret never uttered a word.

"One isolates," said Helen slowly. "I isolated Mr. Wilcox from the other forces that were pulling Leonard downhill. Consequently, I was full of pity, and almost of revenge. For weeks I had blamed Mr. Wilcox only, and so, when your letters came—"

"I need never have written them," sighed Margaret. "They never shielded Henry. How hopeless it is to tidy away the past, even for others!"

"I did not know that it was your own idea to dismiss the Basts."

"Looking back, that was wrong of me."

"Looking back, darling, I know that it was right. It is right to save the man whom one loves. I am less enthusiastic about justice now. But we both thought you wrote at his dictation. It seemed the last touch of his callousness. Being very much wrought up by this time—and Mrs. Bast was upstairs. I had not seen her, and had talked for a long time to Leonard—I had snubbed him for no reason, and that should have warned me I was in danger. So when the notes came I wanted us to go to you for an explanation. He said that he guessed the explanation—he knew of it, and you mustn't know. I pressed him to tell me. He said no one must know; it was something to do with his wife. Right up to the end we were Mr. Bast and Miss Schlegel. I was going to tell him that he must be frank with me when I saw his eyes, and guessed that Mr. Wilcox had ruined him in two ways, not one. I drew him to me. I made him tell me. I felt very lonely myself. He is not to blame. He would have gone on worshipping me. I want never to see him again, though it sounds appalling. I wanted to give him money and feel finished. Oh, Meg, the little that is known about these things!"

She laid her face against the tree.

"The little, too, that is known about growth! Both times it was loneliness, and the night, and panic afterwards. Did Leonard grow out of Paul?"

Margaret did not speak for a moment. So tired was she that her attention had actually wandered to the teeth—the teeth that had been thrust into the tree's bark to medicate it. From where she sat she could see them gleam. She had been trying to count them. "Leonard is a better growth than madness," she said. "I was afraid that you would react against Paul until you went over the verge."

"I did react until I found poor Leonard. I am steady now. I shan't ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is over. I shall never rave against Wilcoxes any more. I understand how you married him, and you will now be very happy."

Margaret did not reply.

"Yes," repeated Helen, her voice growing more tender, "I do at last understand."

"Except Mrs. Wilcox, dearest, no one understands our little movements."

"Because in death—I agree."

"Not quite. I feel that you and I and Henry are only fragments of that woman's mind. She knows everything. She is everything. She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don't doubt that she knew when Henry deceived her."

"Good-night, Mrs. Wilcox," called a voice.

"Oh, good-night, Miss Avery."

"Why should Miss Avery work for us?" Helen murmured.

"Why, indeed?"

Miss Avery crossed the lawn and merged into the hedge that divided it from the farm. An old gap, which Mr. Wilcox had filled up, had reappeared, and her track through the dew followed the path that he had turfed over, when he improved the garden and made it possible for games.

"This is not quite our house yet," said Helen. "When Miss Avery called, I felt we are only a couple of tourists."

"We shall be that everywhere, and for ever."

"But affectionate tourists."

"But tourists who pretend each hotel is their home."

"I can't pretend very long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me."

Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon her outburst, and go on blustering and muddling into a ripe old age. But what was the good? She had just as soon vanish from his mind.

"Are you serious in asking me, Helen? Should I get on with your Monica?"

"You would not, but I am serious in asking you."

"Still, no more plans now. And no more reminiscences."

They were silent for a little. It was Helen's evening.

The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.

"Sleep now," said Margaret.

The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father's sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear fur a few moments at midnight. Margaret awoke and looked into the garden. How incomprehensible that Leonard Bast should have won her this night of peace! Was he also part of Mrs. Wilcox's mind?

CHAPTER XLI

Far different was Leonard's development. The months after Oniton, whatever minor troubles they might bring him, were all overshadowed by Remorse. When Helen looked back she could philosophise, or she could look into the future and plan for her child. But the father saw nothing beyond his own sin. Weeks afterwards, in the midst of other occupations, he would suddenly cry out, "Brute—you brute, I couldn't have—" and be rent into two people who held dialogues. Or brown rain would descend, blotting out faces and the sky. Even Jacky noticed the change in him. Most terrible were his sufferings when he awoke from sleep. Sometimes he was happy at first, but grew conscious of a burden hanging to him and weighing down his thoughts when they would move. Or little irons scorched his body. Or a sword stabbed him. He would sit at the edge of his bed, holding his heart and moaning, "Oh what SHALL I do, whatever SHALL I do?" Nothing brought ease. He could put distance between him and the trespass, but it grew in his soul.

Remorse is not among the eternal verities. The Greeks were right to dethrone her. Her action is too capricious, as though the Erinyes selected for punishment only certain men and certain sins. And of all means to regeneration Remorse is surely the most wasteful. It cuts away healthy tissues with the poisoned. It is a knife that probes far deeper than the evil. Leonard was driven straight through its torments and emerged pure, but enfeebled—a better man, who would never lose control of himself again, but also a smaller man, who had less to control. Nor did purity mean peace. The use of the knife can become a habit as hard to shake off as passion itself, and Leonard continued to start with a cry out of dreams.

He built up a situation that was far enough from the truth. It never occurred to him that Helen was to blame. He forgot the intensity of their talk, the charm that had been lent him by sincerity, the magic of Oniton under darkness and of the whispering river. Helen loved the absolute. Leonard had been ruined absolutely, and had appeared to her as a man apart, isolated from the world. A real man, who cared for adventure and beauty, who desired to live decently and pay his way, who could have travelled more gloriously through life than the juggernaut car that was crushing him. Memories of Evie's wedding had warped her, the starched servants, the yards of uneaten food, the rustle of overdressed women, motor-cars oozing grease on the gravel, a pretentious band. She had tasted the lees of this on her arrival; in the darkness, after failure, they intoxicated her. She and the victim seemed alone in a world of unreality, and she loved him absolutely, perhaps for half an hour.

In the morning she was gone. The note that she left, tender and hysterical in tone, and intended to be most kind, hurt her lover terribly. It was as if some work of art had been broken by him, some picture in the National Gallery slashed out of its frame. When he recalled her talents and her social position, he felt that the first passer-by had a right to shoot him down. He was afraid of the waitress and the porters at the railway-station. He was afraid at first of his wife, though later he was to regard her with a strange new tenderness, and to think, "There is nothing to choose between us, after all."

The expedition to Shropshire crippled the Basts permanently. Helen in her flight forgot to settle the hotel bill, and took their return tickets away with her; they had to pawn Jacky's bangles to get home, and the smash came a few days afterwards. It is true that Helen offered him five thousand pounds, but such a sum meant nothing to him. He could not see that the girl was desperately righting herself, and trying to save something out of the disaster, if it was only five thousand pounds. But he had to live somehow. He turned to his family, and degraded himself to a professional beggar. There was nothing else for him to do.

"A letter from Leonard," thought Blanche, his sister; "and after all this time." She hid it, so that her husband should not see, and when he had gone to his work read it with some emotion, and sent the prodigal a little money out of her dress allowance.

"A letter from Leonard!" said the other sister, Laura, a few days later. She showed it to her husband. He wrote a cruel, insolent reply, but sent more money than Blanche, so Leonard soon wrote to him again.

And during the winter the system was developed.

Leonard realised that they need never starve, because it would be too painful for his relatives. Society is based on the family, and the clever wastrel can exploit this indefinitely. Without a generous thought on either side, pounds and pounds passed. The donors disliked Leonard, and he grew to hate them intensely. When Laura censured his immoral marriage, he thought bitterly, "She minds that! What would she say if she knew the truth?" When Blanche's husband offered him work, he found some pretext for avoiding it. He had wanted work keenly at Oniton, but too much anxiety had shattered him, he was joining the unemployable. When his brother, the lay-reader, did not reply to a letter, he wrote again, saying that he and Jacky would come down to his village on foot. He did not intend this as blackmail. Still the brother sent a postal order, and it became part of the system. And so passed his winter and his spring.

In the horror there are two bright spots. He never confused the past. He remained alive, and blessed are those who live, if it is only to a sense of sinfulness. The anodyne of muddledom, by which most men blur and blend their mistakes, never passed Leonard's lips—

        "And if I drink oblivion of a day,
         So shorten I the stature of my soul."

It is a hard saying, and a hard man wrote it, but it lies at the root of all character.

And the other bright spot was his tenderness for Jacky. He pitied her with nobility now—not the contemptuous pity of a man who sticks to a woman through thick and thin. He tried to be less irritable. He wondered what her hungry eyes desired—nothing that she could express, or that he or any man could give her. Would she ever receive the justice that is mercy—the justice for by-products that the world is too busy to bestow? She was fond of flowers, generous with money, and not revengeful. If she had borne him a child he might have cared for her. Unmarried, Leonard would never have begged; he would have flickered out and died. But the whole of life is mixed. He had to provide for Jacky, and went down dirty paths that she might have a few feathers and the dishes of food that suited her.

One day he caught sight of Margaret and her brother. He was in St. Paul's. He had entered the cathedral partly to avoid the rain and partly to see a picture that had educated him in former years. But the light was bad, the picture ill placed, and Time and judgment were inside him now. Death alone still charmed him, with her lap of poppies, on which all men shall sleep. He took one glance, and turned aimlessly away towards a chair. Then down the nave he saw Miss Schlegel and her brother. They stood in the fairway of passengers, and their faces were extremely grave. He was perfectly certain that they were in trouble about their sister.

Once outside—and he fled immediately—he wished that he had spoken to them. What was his life? What were a few angry words, or even imprisonment? He had done wrong—that was the true terror. Whatever they might know, he would tell them everything he knew. He re-entered St. Paul's. But they had moved in his absence, and had gone to lay their difficulties before Mr. Wilcox and Charles.

The sight of Margaret turned remorse into new channels. He desired to confess, and though the desire is proof of a weakened nature, which is about to lose the essence of human intercourse, it did not take an ignoble form. He did not suppose that confession would bring him happiness. It was rather that he yearned to get clear of the tangle. So does the suicide yearn. The impulses are akin, and the crime of suicide lies rather in its disregard for the feelings of those whom we leave behind. Confession need harm no one—it can satisfy that test—and though it was un-English, and ignored by our Anglican cathedral, Leonard had a right to decide upon it.

Moreover, he trusted Margaret. He wanted her hardness now. That cold, intellectual nature of hers would be just, if unkind. He would do whatever she told him, even if he had to see Helen. That was the supreme punishment she would exact. And perhaps she would tell him how Helen was. That was the supreme reward.

He knew nothing about Margaret, not even whether she was married to Mr. Wilcox, and tracking her out took several days. That evening he toiled through the wet to Wickham Place, where the new flats were now appearing. Was he also the cause of their move? Were they expelled from society on his account? Thence to a public library, but could find no satisfactory Schlegel in the directory. On the morrow he searched again. He hung about outside Mr. Wilcox's office at lunch time, and, as the clerks came out said, "Excuse me, sir, but is your boss married?" Most of them stared, some said, "What's that to you?" but one, who had not yet acquired reticence, told him what he wished. Leonard could not learn the private address. That necessitated more trouble with directories and tubes. Ducie Street was not discovered till the Monday, the day that Margaret and her husband went down on their hunting expedition to Howards End.

He called at about four o'clock. The weather had changed, and the sun shone gaily on the ornamental steps—black and white marble in triangles. Leonard lowered his eyes to them after ringing the bell. He felt in curious health; doors seemed to be opening and shutting inside his body, and he had been obliged to sleep sitting up in bed, with his back propped against the wall. When the parlourmaid came he could not see her face; the brown rain had descended suddenly.

"Does Mrs. Wilcox live here?" he asked.

"She's out," was the answer.

"When will she be back?"

"I'll ask," said the parlourmaid.

Margaret had given instructions that no one who mentioned her name should ever be rebuffed. Putting the door on the chain—for Leonard's appearance demanded this—she went through to the smoking-room, which was occupied by Tibby. Tibby was asleep. He had had a good lunch. Charles Wilcox had not yet rung him up for the distracting interview. He said drowsily: "I don't know. Hilton. Howards End. Who is it?"

"I'll ask, sir."

"No, don't bother."

"They have taken the car to Howards End," said the parlourmaid to Leonard.

He thanked her, and asked whereabouts that place was.

"You appear to want to know a good deal," she remarked. But Margaret had forbidden her to be mysterious. She told him against her better judgment that Howards End was in Hertfordshire.

"Is it a village, please?"

"Village! It's Mr. Wilcox's private house—at least, it's one of them. Mrs. Wilcox keeps her furniture there. Hilton is the village."

"Yes. And when will they be back?"

"Mr. Schlegel doesn't know. We can't know everything, can we?" She shut him out, and went to attend to the telephone, which was ringing furiously.

He loitered away another night of agony. Confession grew more difficult. As soon as possible he went to bed. He watched a patch of moonlight cross the floor of their lodging, and, as sometimes happens when the mind is overtaxed, he fell asleep for the rest of the room, but kept awake for the patch of moonlight. Horrible! Then began one of those disintegrating dialogues. Part of him said: "Why horrible? It's ordinary light from the moon." "But it moves." "So does the moon." "But it is a clenched fist." "Why not?" "But it is going to touch me." "Let it." And, seeming to gather motion, the patch ran up his blanket. Presently a blue snake appeared; then another parallel to it. "Is there life in the moon?" "Of course." "But I thought it was uninhabited." "Not by Time, Death, Judgment, and the smaller snakes." "Smaller snakes!" said Leonard indignantly and aloud. "What a notion!" By a rending effort of the will he woke the rest of the room up. Jacky, the bed, their food, their clothes on the chair, gradually entered his consciousness, and the horror vanished outwards, like a ring that is spreading through water.

"I say, Jacky, I'm going out for a bit."

She was breathing regularly. The patch of light fell clear of the striped blanket, and began to cover the shawl that lay over her feet. Why had he been afraid? He went to the window, and saw that the moon was descending through a clear sky. He saw her volcanoes, and the bright expanses that a gracious error has named seas. They paled, for the sun, who had lit them up, was coming to light the earth. Sea of Serenity, Sea of Tranquillity, Ocean of the Lunar Storms, merged into one lucent drop, itself to slip into the sempiternal dawn. And he had been afraid of the moon!

He dressed among the contending lights, and went through his money. It was running low again, but enough for a return ticket to Hilton. As it clinked, Jacky opened her eyes.

"Hullo, Len! What ho, Len!"

"What ho, Jacky! see you again later."

She turned over and slept.

The house was unlocked, their landlord being a salesman at Covent Garden. Leonard passed out and made his way down to the station. The train, though it did not start for an hour, was already drawn up at the end of the platform, and he lay down in it and slept. With the first jolt he was in daylight; they had left the gateways of King's Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes—a wheel, whose fellow was the descending moon—and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees—that is a fact—grow out of one of the graves in Tewin churchyard. The grave's occupant—that is the legend—is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit—Mrs. Wilcox had known him—who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of "now." She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful.

Hilton was asleep, or at the earliest, breakfasting. Leonard noticed the contrast when he stepped out of it into the country. Here men had been up since dawn. Their hours were ruled, not by a London office, but by the movements of the crops and the sun. That they were men of the finest type only the sentimentalists can declare. But they kept to the life of daylight. They are England's hope. Clumsily they carry forward the torch of the sun, until such time as the nation sees fit to take it up. Half clodhopper, half board-school prig, they can still throw back to a nobler stock, and breed yeomen.

At the chalk pit a motor passed him. In it was another type, whom Nature favours—the Imperial. Healthy, ever in motion, it hopes to inherit the earth. It breeds as quickly as the yeoman, and as soundly; strong is the temptation to acclaim it as a super-yeoman, who carries his country's virtue overseas. But the Imperialist is not what he thinks or seems. He is a destroyer. He prepares the way for cosmopolitanism, and though his ambitions may be fulfilled, the earth that he inherits will be grey.

To Leonard, intent on his private sin, there came the conviction of innate goodness elsewhere. It was not the optimism which he had been taught at school. Again and again must the drums tap, and the goblins stalk over the universe before joy can be purged of the superficial. It was rather paradoxical, and arose from his sorrow. Death destroys a man, but the idea of death saves him—that is the best account of it that has yet been given. Squalor and tragedy can beckon to all that is great in us, and strengthen the wings of love. They can beckon; it is not certain that they will, for they are not love's servants. But they can beckon, and the knowledge of this incredible truth comforted him.

As he approached the house all thought stopped. Contradictory notions stood side by side in his mind. He was terrified but happy, ashamed, but had done no sin. He knew the confession: "Mrs. Wilcox, I have done wrong," but sunrise had robbed its meaning, and he felt rather on a supreme adventure.

He entered a garden, steadied himself against a motor-car that he found in it, found a door open and entered a house. Yes, it would be very easy. From a room to the left he heard voices, Margaret's amongst them. His own name was called aloud, and a man whom he had never seen said, "Oh, is he there? I am not surprised. I now thrash him within an inch of his life."

"Mrs. Wilcox," said Leonard, "I have done wrong."

The man took him by the collar and cried, "Bring me a stick." Women were screaming. A stick, very bright, descended. It hurt him, not where it descended, but in the heart. Books fell over him in a shower. Nothing had sense.

"Get some water," commanded Charles, who had all through kept very calm. "He's shamming. Of course I only used the blade. Here, carry him out into the air."

Thinking that he understood these things, Margaret obeyed him. They laid Leonard, who was dead, on the gravel; Helen poured water over him.

"That's enough," said Charles.

"Yes, murder's enough," said Miss Avery, coming out of the house with the sword.

CHAPTER XLII

When Charles left Ducie Street he had caught the first train home, but had no inkling of the newest development until late at night. Then his father, who had dined alone, sent for him, and in very grave tones inquired for Margaret.

"I don't know where she is, pater" said Charles. "Dolly kept back dinner nearly an hour for her."

"Tell me when she comes in."

Another hour passed. The servants went to bed, and Charles visited his father again, to receive further instructions. Mrs. Wilcox had still not returned.

"I'll sit up for her as late as you like, but she can hardly be coming. Isn't she stopping with her sister at the hotel?"

"Perhaps," said Mr. Wilcox thoughtfully—"perhaps."

"Can I do anything for you, sir?"

"Not to-night, my boy."

Mr. Wilcox liked being called sir. He raised his eyes, and gave his son more open a look of tenderness than he usually ventured. He saw Charles as little boy and strong man in one. Though his wife had proved unstable his children were left to him.

After midnight he tapped on Charles's door. "I can't sleep," he said. "I had better have a talk with you and get it over."

He complained of the heat. Charles took him out into the garden, and they paced up and down in their dressing-gowns. Charles became very quiet as the story unrolled; he had known all along that Margaret was as bad as her sister.

"She will feel differently in the morning," said Mr. Wilcox, who had of course said nothing about Mrs. Bast. "But I cannot let this kind of thing continue without comment. I am morally certain that she is with her sister at Howards End. The house is mine—and, Charles, it will be yours—and when I say that no one is to live there, I mean that no one is to live there. I won't have it." He looked angrily at the moon. "To my mind this question is connected with something far greater, the rights of property itself."

"Undoubtedly," said Charles.

Mr. Wilcox linked his arm in his son's, but somehow liked him less as he told him more. "I don't want you to conclude that my wife and I had anything of the nature of a quarrel. She was only overwrought, as who would not be? I shall do what I can for Helen, but on the understanding that they clear out of the house at once. Do you see? That is a sine qua non."

"Then at eight to-morrow I may go up in the car?"

"Eight or earlier. Say that you are acting as my representative, and, of course, use no violence, Charles."

On the morrow, as Charles returned, leaving Leonard dead upon the gravel, it did not seem to him that he had used violence. Death was due to heart disease. His stepmother herself had said so, and even Miss Avery had acknowledged that he only used the flat of the sword. On his way through the village he informed the police, who thanked him, and said there must be an inquest. He found his father in the garden shading his eyes from the sun.

"It has been pretty horrible," said Charles gravely. "They were there, and they had the man up there with them too."

"What—what man?"

"I told you last night. His name was Bast."

"My God! is it possible?" said Mr. Wilcox. "In your mother's house! Charles, in your mother's house!"

"I know, pater. That was what I felt. As a matter of fact, there is no need to trouble about the man. He was in the last stages of heart disease, and just before I could show him what I thought of him he went off. The police are seeing about it at this moment."

Mr. Wilcox listened attentively.

"I got up there—oh, it couldn't have been more than half-past seven. The Avery woman was lighting a fire for them. They were still upstairs. I waited in the drawing-room. We were all moderately civil and collected, though I had my suspicions. I gave them your message, and Mrs. Wilcox said, 'Oh yes, I see; yes,' in that way of hers."

"Nothing else?"

"I promised to tell you, 'with her love,' that she was going to Germany with her sister this evening. That was all we had time for."

Mr. Wilcox seemed relieved.

"Because by then I suppose the man got tired of hiding, for suddenly Mrs. Wilcox screamed out his name. I recognised it, and I went for him in the hall. Was I right, pater? I thought things were going a little too far."

"Right, my dear boy? I don't know. But you would have been no son of mine if you hadn't. Then did he just—just—crumple up as you said?" He shrunk from the simple word.

"He caught hold of the bookcase, which came down over him. So I merely put the sword down and carried him into the garden. We all thought he was shamming. However, he's dead right enough. Awful business!"

"Sword?" cried his father, with anxiety in his voice. "What sword? Whose sword?"

"A sword of theirs."

"What were you doing with it?"

"Well, didn't you see, pater, I had to snatch up the first thing handy. I hadn't a riding-whip or stick. I caught him once or twice over the shoulders with the flat of their old German sword."

"Then what?"

"He pulled over the bookcase, as I said, and fell," aid Charles, with a sigh. It was no fun doing errands for his father, who was never quite satisfied.

"But the real cause was heart disease? Of that you're sure?"

"That or a fit. However, we shall hear more than enough at the inquest on such unsavoury topics."

They went in to breakfast. Charles had a racking headache, consequent on motoring before food. He was also anxious about the future, reflecting that the police must detain Helen and Margaret for the inquest and ferret the whole thing out. He saw himself obliged to leave Hilton. One could not afford to live near the scene of a scandal—it was not fair on one's wife. His comfort was that the pater's eyes were opened at last. There would be a horrible smash-up, and probably a separation from Margaret; then they would all start again, more as they had been in his mother's time.

"I think I'll go round to the police-station," said his father when breakfast was over.

"What for?" cried Dolly, who had still not been "told."

"Very well, sir. Which car will you have?"

"I think I'll walk."

"It's a good half-mile," said Charles, stepping into the garden. "The sun's very hot for April. Shan't I take you up, and then, perhaps, a little spin round by Tewin?"

"You go on as if I didn't know my own mind," said Mr. Wilcox fretfully. Charles hardened his mouth. "You young fellows' one idea is to get into a motor. I tell you, I want to walk; I'm very fond of walking."

"Oh, all right; I'm about the house if you want me for anything. I thought of not going up to the office to-day, if that is your wish."

"It is, indeed, my boy," said Mr. Wilcox, and laid a hand on his sleeve.

Charles did not like it; he was uneasy about his father, who did not seem himself this morning. There was a petulant touch about him—more like a woman. Could it be that he was growing old? The Wilcoxes were not lacking in affection; they had it royally, but they did not know how to use it. It was the talent in the napkin, and, for a warm-hearted man, Charles had conveyed very little joy. As he watched his father shuffling up the road, he had a vague regret—a wish that something had been different somewhere—a wish (though he did not express it thus) that he had been taught to say "I" in his youth. He meant to make up for Margaret's defection, but knew that his father had been very happy with her until yesterday. How had she done it? By some dishonest trick, no doubt—but how?

Mr. Wilcox reappeared at eleven, looking very tired. There was to be an inquest on Leonard's body to-morrow, and the police required his son to attend.

"I expected that," said Charles. "I shall naturally be the most important witness there."

CHAPTER XLIII

Out of the turmoil and horror that had begun with Aunt Juley's illness and was not even to end with Leonard's death, it seemed impossible to Margaret that healthy life should re-emerge. Events succeeded in a logical, yet senseless, train. People lost their humanity, and took values as arbitrary as those in a pack of playing-cards. It was natural that Henry should do this and cause Helen to do that, and then think her wrong for doing it; natural that she herself should think him wrong; natural that Leonard should want to know how Helen was, and come, and Charles be angry with him for coming—natural, but unreal. In this jangle of causes and effects what had become of their true selves? Here Leonard lay dead in the garden, from natural causes; yet life was a deep, deep river, death a blue sky, life was a house, death a wisp of hay, a flower, a tower, life and death were anything and everything, except this ordered insanity, where the king takes the queen, and the ace the king. Ah, no; there was beauty and adventure behind, such as the man at her feet had yearned for; there was hope this side of the grave; there were truer relationships beyond the limits that fetter us now. As a prisoner looks up and sees stars beckoning, so she, from the turmoil and horror of those days, caught glimpses of the diviner wheels.

And Helen, dumb with fright, but trying to keep calm for the child's sake, and Miss Avery, calm, but murmuring tenderly, "No one ever told the lad he'll have a child"—they also reminded her that horror is not the end. To what ultimate harmony we tend she did not know, but there seemed great chance that a child would be born into the world, to take the great chances of beauty and adventure that the world offers. She moved through the sunlit garden, gathering narcissi, crimson-eyed and white. There was nothing else to be done; the time for telegrams and anger was over and it seemed wisest that the hands of Leonard should be folded on his breast and be filled with flowers. Here was the father; leave it at that. Let Squalor be turned into Tragedy, whose eyes are the stars, and whose hands hold the sunset and the dawn.

And even the influx of officials, even the return of the doctor, vulgar and acute, could not shake her belief in the eternity of beauty. Science explained people, but could not understand them. After long centuries among the bones and muscles it might be advancing to knowledge of the nerves, but this would never give understanding. One could open the heart to Mr. Mansbridge and his sort without discovering its secrets to them, for they wanted everything down in black and white, and black and white was exactly what they were left with.

They questioned her closely about Charles. She never suspected why. Death had come, and the doctor agreed that it was due to heart disease. They asked to see her father's sword. She explained that Charles's anger was natural, but mistaken. Miserable questions about Leonard followed, all of which she answered unfalteringly. Then back to Charles again. "No doubt Mr. Wilcox may have induced death," she said; "but if it wasn't one thing it would have been another as you know." At last they thanked her and took the sword and the body down to Hilton. She began to pick up the books from the floor.

Helen had gone to the farm. It was the best place for her, since she had to wait for the inquest. Though, as if things were not hard enough, Madge and her husband had raised trouble; they did not see why they should receive the offscourings of Howards End. And, of course, they were right. The whole world was going to be right, and amply avenge any brave talk against the conventions. "Nothing matters," the Schlegels had said in the past, "except one's self-respect and that of one's friends." When the time came, other things mattered terribly. However, Madge had yielded, and Helen was assured of peace for one day and night, and to-morrow she would return to Germany.

As for herself, she determined to go too. No message came from Henry; perhaps he expected her to apologise. Now that she had time to think over her own tragedy, she was unrepentant. She neither forgave him for his behaviour nor wished to forgive him. Her speech to him seemed perfect. She would not have altered a word. It had to be uttered once in a life, to adjust the lopsidedness of the world. It was spoken not only to her husband, but to thousands of men like him—a protest against the inner darkness in high places that comes with a commercial age. Though he would build up his life without hers, she could not apologise. He had refused to connect, on the clearest issue that can be laid before a man, and their love must take the consequences.

No, there was nothing more to be done. They had tried not to go over the precipice, but perhaps the fall was inevitable. And it comforted her to think that the future was certainly inevitable; cause and effect would go jangling forward to some goal doubtless, but to none that she could imagine. At such moments the soul retires within, to float upon the bosom of a deeper stream, and has communion with the dead, and sees the world's glory not diminished, but different in kind to what she has supposed. She alters her focus until trivial things are blurred. Margaret had been tending this way all the winter. Leonard's death brought her to the goal. Alas! that Henry should fade away as reality emerged, and only her love for him should remain clear, stamped with his image like the cameos we rescue out of dreams.

With unfaltering eye she traced his future. He would soon present a healthy mind to the world again, and what did he or the world care if he was rotten at the core? He would grow into a rich, jolly old man, at times a little sentimental about women, but emptying his glass with anyone. Tenacious of power, he would keep Charles and the rest dependent, and retire from business reluctantly and at an advanced age. He would settle down—though she could not realise this. In her eyes Henry was always moving and causing others to move, until the ends of the earth met. But in time he must get too tired to move, and settle down. What next? The inevitable word. The release of the soul to its appropriate Heaven.

Would they meet in it? Margaret believed in immortality for herself. An eternal future had always seemed natural to her. And Henry believed in it for himself. Yet, would they meet again? Are there not rather endless levels beyond the grave, as the theory that he had censured teaches? And his level, whether higher or lower, could it possibly be the same as hers?

Thus gravely meditating, she was summoned by him. He sent up Crane in the motor. Other servants passed like water, but the chauffeur remained, though impertinent and disloyal. Margaret disliked Crane, and he knew it.

"Is it the keys that Mr. Wilcox wants?" she asked.

"He didn't say, madam."

"You haven't any note for me?"

"He didn't say, madam."

After a moment's thought she locked up Howards End. It was pitiable to see in it the stirrings of warmth that would be quenched for ever. She raked out the fire that was blazing in the kitchen, and spread the coals in the gravelled yard. She closed the windows and drew the curtains. Henry would probably sell the place now.

She was determined not to spare him, for nothing new had happened as far as they were concerned. Her mood might never have altered from yesterday evening. He was standing a little outside Charles's gate, and motioned the car to stop. When his wife got out he said hoarsely: "I prefer to discuss things with you outside."

"It will be more appropriate in the road, I am afraid," said Margaret. "Did you get my message?"

"What about?"

"I am going to Germany with my sister. I must tell you now that I shall make it my permanent home. Our talk last night was more important than you have realised. I am unable to forgive you and am leaving you."

"I am extremely tired," said Henry, in injured tones. "I have been walking about all the morning, and wish to sit down."

"Certainly, if you will consent to sit on the grass."

The Great North Road should have been bordered all its length with glebe. Henry's kind had filched most of it. She moved to the scrap opposite, wherein were the Six Hills. They sat down on the farther side, so that they could not be seen by Charles or Dolly.

"Here are your keys," said Margaret. She tossed them towards him. They fell on the sunlit slope of grass, and he did not pick them up.

"I have something to tell you," he said gently.

She knew this superficial gentleness, this confession of hastiness, that was only intended to enhance her admiration of the male.

"I don't want to hear it," she replied. "My sister is going to be ill. My life is going to be with her now. We must manage to build up something, she and I and her child."

"Where are you going?"

"Munich. We start after the inquest, if she is not too ill."

"After the inquest?"

"Yes."

"Have you realised what the verdict at the inquest will be?"

"Yes, heart disease."

"No, my dear; manslaughter."

Margaret drove her fingers through the grass. The hill beneath her moved as if it were alive.

"Manslaughter," repeated Mr. Wilcox. "Charles may go to prison. I dare not tell him. I don't know what to do—what to do. I'm broken—I'm ended."

No sudden warmth arose in her. She did not see that to break him was her only hope. She did not enfold the sufferer in her arms. But all through that day and the next a new life began to move. The verdict was brought in. Charles was committed for trial. It was against all reason that he should be punished, but the law, notwithstanding, sentenced him to three years' imprisonment. Then Henry's fortress gave way. He could bear no one but his wife; he shambled up to Margaret afterwards and asked her to do what she could with him. She did what seemed easiest—she took him down to recruit at Howards End.

CHAPTER XLIV

Tom's father was cutting the big meadow. He passed again and again amid whirring blades and sweet odours of grass, encompassing with narrowing circles the sacred centre of the field. Tom was negotiating with Helen. "I haven't any idea," she replied. "Do you suppose baby may, Meg?"

Margaret put down her work and regarded them absently. "What was that?" she asked.

"Tom wants to know whether baby is old enough to play with hay?"

"I haven't the least notion," answered Margaret, and took up her work again.

"Now, Tom, baby is not to stand; he is not to lie on his face; he is not to lie so that his head wags; he is not to be teased or tickled; and he is not to be cut into two or more pieces by the cutter. Will you be as careful as all that?"

Tom held out his arms.

"That child is a wonderful nursemaid," remarked Margaret.

"He is fond of baby. That's why he does it!" was Helen's answer. "They're going to be lifelong friends."

"Starting at the ages of six and one?"

"Of course. It will be a great thing for Tom."

"It may be a greater thing for baby."

Fourteen months had passed, but Margaret still stopped at Howards End. No better plan had occurred to her. The meadow was being recut, the great red poppies were reopening in the garden. July would follow with the little red poppies among the wheat, August with the cutting of the wheat. These little events would become part of her year after year. Every summer she would fear lest the well should give out, every winter lest the pipes should freeze; every westerly gale might blow the wych-elm down and bring the end of all things, and so she could not read or talk during a westerly gale. The air was tranquil now. She and her sister were sitting on the remains of Evie's rockery, where the lawn merged into the field.

"What a time they all are!" said Helen. "What can they be doing inside?" Margaret, who was growing less talkative, made no answer. The noise of the cutter came intermittently, like the breaking of waves. Close by them a man was preparing to scythe out one of the dell-holes.

"I wish Henry was out to enjoy this," said Helen. "This lovely weather and to be shut up in the house! It's very hard."

"It has to be," said Margaret. "The hay fever is his chief objection against living here, but he thinks it worth while."

"Meg, is or isn't he ill? I can't make out."

"Not ill. Eternally tired. He has worked very hard all his life, and noticed nothing. Those are the people who collapse when they do notice a thing."

"I suppose he worries dreadfully about his part of the tangle."

"Dreadfully. That is why I wish Dolly had not come, too, to-day. Still, he wanted them all to come. It has to be."

"Why does he want them?"

Margaret did not answer.

"Meg, may I tell you something? I like Henry."

"You'd be odd if you didn't," said Margaret.

"I usen't to."

"Usen't!" She lowered her eyes a moment to the black abyss of the past. They had crossed it, always excepting Leonard and Charles. They were building up a new life, obscure, yet gilded with tranquillity. Leonard was dead; Charles had two years more in prison. One usen't always to see clearly before that time. It was different now.

"I like Henry because he does worry."

"And he likes you because you don't."

Helen sighed. She seemed humiliated, and buried her face in her hands. After a time she said: "About love," a transition less abrupt than it appeared.

Margaret never stopped working.

"I mean a woman's love for a man. I supposed I should hang my life on to that once, and was driven up and down and about as if something was worrying through me. But everything is peaceful now; I seem cured. That Herr Forstmeister, whom Frieda keeps writing about, must be a noble character, but he doesn't see that I shall never marry him or anyone. It isn't shame or mistrust of myself. I simply couldn't. I'm ended. I used to be so dreamy about a man's love as a girl, and think that for good or evil love must be the great thing. But it hasn't been; it has been itself a dream. Do you agree?"

"I do not agree. I do not."

"I ought to remember Leonard as my lover," said Helen, stepping down into the field. "I tempted him, and killed him, and it is surely the least I can do. I would like to throw out all my heart to Leonard on such an afternoon as this. But I cannot. It is no good pretending. I am forgetting him." Her eyes filled with tears. "How nothing seems to match—how, my darling, my precious—" She broke off. "Tommy!"

"Yes, please?"

"Baby's not to try and stand.—There's something wanting in me. I see you loving Henry, and understanding him better daily, and I know that death wouldn't part you in the least. But I—Is it some awful, appalling, criminal defect?"

Margaret silenced her. She said: "It is only that people are far more different than is pretended. All over the world men and women are worrying because they cannot develop as they are supposed to develop. Here and there they have the matter out, and it comforts them. Don't fret yourself, Helen. Develop what you have; love your child. I do not love children. I am thankful to have none. I can play with their beauty and charm, but that is all—nothing real, not one scrap of what there ought to be. And others—others go farther still, and move outside humanity altogether. A place, as well as a person, may catch the glow. Don't you see that all this leads to comfort in the end? It is part of the battle against sameness. Differences, eternal differences, planted by God in a single family, so that there may always be colour; sorrow perhaps, but colour in the daily grey. Then I can't have you worrying about Leonard. Don't drag in the personal when it will not come. Forget him."

"Yes, yes, but what has Leonard got out of life?"

"Perhaps an adventure."

"Is that enough?"

"Not for us. But for him."

Helen took up a bunch of grass. She looked at the sorrel, and the red and white and yellow clover, and the quaker grass, and the daisies, and the bents that composed it. She raised it to her face.

"Is it sweetening yet?" asked Margaret.

"No, only withered."

"It will sweeten to-morrow."

Helen smiled. "Oh, Meg, you are a person," she said. "Think of the racket and torture this time last year. But now I couldn't stop unhappy if I tried. What a change—and all through you!"

"Oh, we merely settled down. You and Henry learnt to understand one another and to forgive, all through the autumn and the winter."

"Yes, but who settled us down?"

Margaret did not reply. The scything had begun, and she took off her pince-nez to watch it.

"You!" cried Helen. "You did it all, sweetest, though you're too stupid to see. Living here was your plan—I wanted you; he wanted you; and everyone said it was impossible, but you knew. Just think of our lives without you, Meg—I and baby with Monica, revolting by theory, he handed about from Dolly to Evie. But you picked up the pieces, and made us a home. Can't it strike you—even for a moment—that your life has been heroic? Can't you remember the two months after Charles's arrest, when you began to act, and did all?"

"You were both ill at the time," said Margaret. "I did the obvious things. I had two invalids to nurse. Here was a house, ready furnished and empty. It was obvious. I didn't know myself it would turn into a permanent home. No doubt I have done a little towards straightening the tangle, but things that I can't phrase have helped me."

"I hope it will be permanent," said Helen, drifting away to other thoughts.

"I think so. There are moments when I feel Howards End peculiarly our own."

"All the same, London's creeping."

She pointed over the meadow—over eight or nine meadows, but at the end of them was a red rust.

"You see that in Surrey and even Hampshire now," she continued. "I can see it from the Purbeck Downs. And London is only part of something else, I'm afraid. Life's going to be melted down, all over the world."

Margaret knew that her sister spoke truly. Howards End, Oniton, the Purbeck Downs, the Oderberge, were all survivals, and the melting-pot was being prepared for them. Logically, they had no right to be alive. One's hope was in the weakness of logic. Were they possibly the earth beating time?

"Because a thing is going strong now, it need not go strong for ever," she said. "This craze for motion has only set in during the last hundred years. It may be followed by a civilisation that won't be a movement, because it will rest on the earth. All the signs are against it now, but I can't help hoping, and very early in the morning in the garden I feel that our house is the future as well as the past."

They turned and looked at it. Their own memories coloured it now, for Helen's child had been born in the central room of the nine. Then Margaret said, "Oh, take care—!" for something moved behind the window of the hall, and the door opened.

"The conclave's breaking at last. I'll go."

It was Paul.

Helen retreated with the children far into the field. Friendly voices greeted her. Margaret rose, to encounter a man with a heavy black moustache.

"My father has asked for you," he said with hostility.

She took her work and followed him.

"We have been talking business," he continued, "but I dare say you knew all about it beforehand."

"Yes, I did."

Clumsy of movement—for he had spent all his life in the saddle—Paul drove his foot against the paint of the front door. Mrs. Wilcox gave a little cry of annoyance. She did not like anything scratched; she stopped in the hall to take Dolly's boa and gloves out of a vase.

Her husband was lying in a great leather chair in the dining-room, and by his side, holding his hand rather ostentatiously, was Evie. Dolly, dressed in purple, sat near the window. The room was a little dark and airless; they were obliged to keep it like this until the carting of the hay. Margaret joined the family without speaking; the five of them had met already at tea, and she knew quite well what was going to be said. Averse to wasting her time, she went on sewing. The clock struck six.

"Is this going to suit everyone?" said Henry in a weary voice. He used the old phrases, but their effect was unexpected and shadowy. "Because I don't want you all coming here later on and complaining that I have been unfair."

"It's apparently got to suit us," said Paul.

"I beg your pardon, my boy. You have only to speak, and I will leave the house to you instead."

Paul frowned ill-temperedly, and began scratching at his arm. "As I've given up the outdoor life that suited me, and I have come home to look after the business, it's no good my settling down here," he said at last. "It's not really the country, and it's not the town."

"Very well. Does my arrangement suit you, Evie?"

"Of course, father."

"And you, Dolly?"

Dolly raised her faded little face, which sorrow could wither but not steady. "Perfectly splendidly," she said. "I thought Charles wanted it for the boys, but last time I saw him he said no, because we cannot possibly live in this part of England again. Charles says we ought to change our name, but I cannot think what to, for Wilcox just suits Charles and me, and I can't think of any other name."

There was a general silence. Dolly looked nervously round, fearing that she had been inappropriate. Paul continued to scratch his arm.

"Then I leave Howards End to my wife absolutely," said Henry. "And let everyone understand that; and after I am dead let there be no jealousy and no surprise."

Margaret did not answer. There was something uncanny in her triumph. She, who had never expected to conquer anyone, had charged straight through these Wilcoxes and broken up their lives.

"In consequence, I leave my wife no money," said Henry. "That is her own wish. All that she would have had will be divided among you. I am also giving you a great deal in my lifetime, so that you may be independent of me. That is her wish, too. She also is giving away a great deal of money. She intends to diminish her income by half during the next ten years; she intends when she dies to leave the house to her nephew, down in the field. Is all that clear? Does everyone understand?"

Paul rose to his feet. He was accustomed to natives, and a very little shook him out of the Englishman. Feeling manly and cynical, he said: "Down in the field? Oh, come! I think we might have had the whole establishment, piccaninnies included."

Mrs. Cahill whispered: "Don't, Paul. You promised you'd take care." Feeling a woman of the world, she rose and prepared to take her leave.

Her father kissed her. "Good-bye, old girl," he said; "don't you worry about me."

"Good-bye, dad."

Then it was Dolly's turn. Anxious to contribute, she laughed nervously, and said: "Good-bye, Mr. Wilcox. It does seem curious that Mrs. Wilcox should have left Margaret Howards End, and yet she get it, after all."

From Evie came a sharply-drawn breath. "Goodbye," she said to Margaret, and kissed her.

And again and again fell the word, like the ebb of a dying sea.

"Good-bye."

"Good-bye, Dolly."

"So long, father."

"Good-bye, my boy; always take care of yourself."

"Good-bye, Mrs. Wilcox."

"Good-bye."

Margaret saw their visitors to the gate. Then she returned to her husband and laid her head in his hands. He was pitiably tired. But Dolly's remark had interested her. At last she said: "Could you tell me, Henry, what was that about Mrs. Wilcox having left me Howards End?"

Tranquilly he replied: "Yes, she did. But that is a very old story. When she was ill and you were so kind to her she wanted to make you some return, and, not being herself at the time, scribbled 'Howards End' on a piece of paper. I went into it thoroughly, and, as it was clearly fanciful, I set it aside, little knowing what my Margaret would be to me in the future."

Margaret was silent. Something shook her life in its inmost recesses, and she shivered.

"I didn't do wrong, did I?" he asked, bending down.

"You didn't, darling. Nothing has been done wrong."

From the garden came laughter. "Here they are at last!" exclaimed Henry, disengaging himself with a smile. Helen rushed into the gloom, holding Tom by one hand and carrying her baby on the other. There were shouts of infectious joy.

"The field's cut!" Helen cried excitedly—"the big meadow! We've seen to the very end, and it'll be such a crop of hay as never!"

End of the Project Gutenberg EBook of Howards End, by E. M. Forster

*** END OF THIS PROJECT GUTENBERG EBOOK HOWARDS END ***

***** This file should be named 2946-h.htm or 2946-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/9/4/2946/

Produced by Eve Sobol, and David Widger


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.