The parsonage stands at right angles to the road, facing down upon the church; so that, in fact, parsonage, church, and belfried school-house, form three sides of an irregular oblong, of which the fourth is open to the fields and moors that lie beyond. (page 13)

For a right understanding of the life of my dear friend, Charlotte Brontë, it appears to me more necessary in her case than in most others, that the reader should be made acquainted with the peculiar forms of population and society amidst which her earliest years were passed, and from which both her own and her sisters’ first impressions of human life must have been received. (page 18)

Children leading a secluded life are often thoughtful and dreamy: the impressions made upon them by the world without—the unusual sights of earth and sky—the accidental meetings with strange faces and figures—(rare occurrences in those out-of-the-way places)—are sometimes magnified by them into things so deeply significant as to be almost supernatural. (page 74)

“Human affairs are mutable, and human resolutions must bend to the course of events. We are all about to divide, break up, separate. Emily is going to school, Branwell is going to London, and I am going to be a governess.” (page 107)

“I am no teacher; to look on me in that light is to mistake me. To teach is not my vocation. What I am, it is useless to say. Those whom it concerns feel and find it out.” (page 326)

“I want us all to get on. I know we have talents, and I want them to be turned to account.” (page 166)

“Perfection is not the lot of humanity; and as long as we can regard those we love, and to whom we are closely allied, with profound and never-shaken esteem, it is a small thing that they should vex us occasionally by what appear to us unreasonable and headstrong notions.”

(page 231)

“There is no more respectable character on this earth than an unmarried woman, who makes her way through life quietly, perseveringly, without support of husband or brother.” (page 232)

She went on with her work steadily. But it was dreary to write without any one to listen to the progress of her tale,—to find fault or to sympathise,—while pacing the length of the parlour in the evenings, as in the days that were no more. Three sisters had done this,—then two, the other sister dropping off from the walk,—and now one was left desolate, to listen for echoing steps that never came,—and to hear the wind sobbing at the windows, with an almost articulate sound. (pages 317—318)

The characters were her companions in the quiet hours, which she spent utterly alone, unable often to stir out of doors for many days together. The interests of the persons in her novels supplied the lack of interest in her own life; and Memory and Imagination found their appropriate work, and ceased to prey upon her vitals. But too frequently she could not write, could not see her people, nor hear them speak; a great mist of headache had blotted them out; they were non existent to her. (page 402)

I appeal to that larger and more solemn public, who know how to look with tender humility at faults and errors; how to admire generously extraordinary genius, and how to reverence with warm, full hearts all noble virtue. To that Public I commit the memory of Charlotte Brontë. (page 454)