YOU go down shade to the river,
where naked men sit on
flat brown rocks, to
watch the ferry, in the sun;
And you cross the ferry with the naked people,
go up the
tropical lane
Through the palm-trees and past
hollow paddy-fields where
naked men are
threshing rice
And
the monolithic water-buffaloes, like old, muddy stones
with
hair on them, are being idle;
And through the shadow of bread-fruit trees,
with their dark
green, glossy, fanged leaves
Very handsome, and some pure
yellow fanged leaves;
Out into the open, where the path runs on the
top of a dyke
between paddy-fields:
And there, of course, you meet
a huge and mud-grey
elephant advancing his frontal bone, his
trunk curled
round a log of wood:
So you step down the bank, to
make way.
Shuffle, shuffle, and his little
wicked eye has seen you as he
advances above
you,
The slow beast
curiously spreading his round feet for the
dust.
And the slim
naked man slips down, and the beast deposits
the
lump of wood, carefully.
The keeper hooks the vast knee, the creature
salaams.
White man, you are
saluted.
Pay a few
cents.
But the best is the Pera-hera, at
midnight, under the tropical
stars,
With a pale little wisp of a
Prince of Wales, diffident, up in
a small pagoda on the
temple side
And
white people in evening dress buzzing and crowding the
stand
upon the grass below and opposite:
And at last the Pera-hera procession, flambeaux
aloft in the
tropical night, of blazing
cocoa-nut,
Naked
dark men beneath,
And the huge frontal of three great elephants stepping
forth
to the tom-tom’s beat, in the
torch-light,
Slowly
sailing in gorgeous apparel through the flame-light,
in
front of a towering, grimacing white image of
wood.
The elephant bells striking slow,
tong-tong, tong-tong,
To music and queer chanting
Enormous shadow-processions
filing on in the flare of fire
In the fume of cocoa-nut oil, in the sweating
tropical night,
In
the noise of the tom-toms and singers;
Elephants after elephants curl their trunks,
vast shadows,
and some cry out
As they approach and salaam,
under the dripping fire of the
torches
That pale fragment of a Prince
up there, whose motto is
Ich
dien.
Pale, dispirited Prince, with his
chin on his hands, his nerves
tired out,
Watching and hardly seeing the
trunk-curl approach and
clumsy, knee-lifting
salaam
Of the
hugest, oldest of beasts in the night and the
fire-flare
below.
He is royalty, pale and dejected
fragment up aloft.
And down below huge homage of shadowy beasts; bare —
foot and trunk-lipped in the
night.
Chieftains, three of them abreast,
on foot
Strut like
peg-tops, wound around with hundreds of yards
of
fine linen.
They
glimmer with tissue of gold, and golden threads on a
jacket of velvet,
And their faces are dark, and fat, and
important.
They are royalty, dark-faced
royalty, showing the conscious
whites of their
eyes
And stepping in
homage, stubborn, to that nervous pale lad
up
there.
More elephants, tong, tong-tong,
loom up,
Huge, more
tassels swinging, more dripping fire of new
cocoa-nut cressets
High, high flambeaux, smoking of the east;
And scarlet hot embers of
torches knocked out of the sockets
among bare feet of
elephants and men on the path in
the dark.
And devil dancers luminous with
sweat, dancing on to the
shudder of
drums.
Tom-toms,
weird music of the devil, voices of men from the
jungle singing;
Endless, under the Prince.
Towards the tail of the everlasting
procession
In the
long hot night, mere dancers from insignificant
villages,
And
smaller, more frightened elephants.
Men-peasants from jungle villages
dancing and running with
sweat and
laughing,
Naked dark
men with ornaments on, on their naked arms
and
their naked breasts, the grooved loins
Gleaming like metal with running sweat as they
suddenly
turn, feet apart,
And dance, and dance, forever
dance, with breath half
sobbing in dark,
sweat-shining breasts,
And lustrous great tropical eyes unveiled now,
gleaming a
kind of laugh,
A naked, gleaming dark laugh,
like a secret out in the dark,
And flare of a tropical energy, tireless, afire
in the dark, slim
limbs and breasts,
Perpetual, fire-laughing
motion, among the slow shuffle
Of elephants.
The hot dark blood of itself a-laughing, wet,
half-devilish,
men all motion
Approaching under that small
pavilion, and tropical eyes
dilated look
up
Inevitably look
up
To the
Prince
To that tired
remnant of royalty up there
Whose motto is Ich
dien.
As if the homage of the kindled
blood of the east
Went up in wavelets to him, from the breasts and eyes
of
jungle
torch-men,
And he
couldn’t take it.
What would they do, those jungle men
running with sweat,
with the strange dark laugh in their
eyes, glancing up,
And the sparse-haired elephants slowly following,
If they knew that his motto was
Ich dien?
And that he meant it.
They begin to understand
The rickshaw boys begin to
understand
And then
the devil comes into their faces,
But a different sort, a cold, rebellious,
jeering devil.
In elephants and the east are two
devils, in all men maybe.
The mystery of the dark mountain of blood,
reeking in
homage, in lust, in rage,
And passive with everlasting
patience,
Then the
little, cunning pig-devil of the elephant’s lurking
eyes,
the unbeliever.
We dodged, when the Pera-hera was
finished, under the
hanging, hairy pigs’ tails
And the flat, flaccid mountains
of the elephants’ standing
haunches,
Vast-blooded
beasts,
Myself so
little dodging rather scared against the eternal
wrinkled pillars of their legs, as they were being dis —
mantled;
Then I knew they were dejected, having come to
hear the
repeated
Royal summons: Dien!
Ihr!
Serve!
Serve, vast
mountainous blood, in submission and splendour, serve
royalty.
Instead of which, the silent, fatal emission from that
pale,
shattered boy up there:
Ich
dien.
That’s why the night fell in
frustration.
That’s
why, as the elephants ponderously, with unseeming
swiftness, galloped uphill in the night, going back to
the
jungle villages,
As
the elephant bells sounded tong-tong-tong, bell of the
temple of blood in the night, swift-striking,
And the crowd like a field of
rice in the dark gave way like
liquid to the
dark
Looming gallop
of the beasts,
It
was as if the great bare bulks of elephants in the
obscure
light went over the hill-brow swiftly,
with their tails
between their legs, in haste to get
away,
Their bells
sounding frustrate and sinister.
And all the dark-faced,
cotton-wrapped people, more
numerous and
whispering than grains of rice in a rice —
field at night,
All the dark-faced,
cotton-wrapped people, a countless host
on
the shores of the lake, like thick wild rice by the
water’s edge,
Waiting for the fireworks of the after-show,
As the rockets went up, and the
glare passed over countless
faces, dark as black
rice growing,
Showing a glint of teeth, and glancing tropical eyes
aroused
in the night,
There was the faintest twist of
mockery in every face, across
the hiss of wonders as
the rocket burst
High, high up, in flakes, shimmering flakes of blue
fire,
above the palm-trees of the islet in the
lake,
O faces
upturned to the glare, O tropical wonder, wonder,
a
miracle in heaven!
And the shadow of a jeer, of underneath disappointment,
as
the rocket-coruscation died, and shadow
was the same
as before.
They were foiled, the myriad
whispering dark-faced cotton —
wrapped people.
They had come to see
royalty,
To bow
before royalty, in the land of elephants, bow deep,
bow
deep.
Bow deep, for
it’s good as a draught of cool water to bow
very,
very low to the royal.
And all there was to bow to, a
weary, diffident boy whose
motto is Ich dien.
I
serve! I
serve! in all the weary iron of his mien — ‘Tis I who
serve!
Drudge to the
public.
I wish they had given the three
feathers to me;
That
I had been he in the pavilion, as in a pepper-box aloft
and
alone
To stand and
hold feathers, three feathers above the world,
And say to them: Dien! Ihr!
Dient!
Omnes, vos
omnes, servite.
Serve me, I am
meet to be served.
Being royal of the gods.
And to the elephants:
First
great beasts of the earth
A prince has come back to you,
Blood-mountains.
Crook the knee and be
glad.
Kandy.