Wherever You Go, There You Are
I need you to take Chrissie for a little
bit,” Aunt Edie says, because apparently I pass for a role model
these days. It’s Thursday night, and they’re standing on the
doorstep, unannounced. Aunt Edie doesn’t bother coming in. She
looks exhausted, her eyes puffy from crying, her usually impeccably
braided white hair hanging loose and disheveled. Her last living
sibling, Chrissie’s grandfather, has been in the hospital all
summer, and odds are he isn’t coming out again. I tell Aunt Edie
that I’m going out of town tomorrow—which is true, there’s a
half-packed suitcase on my bed to prove it. She tells me I can take
Chrissie with me, which more or less settles it. Chrissie breezes
past me. Her footsteps on the creaking wood floor of my father’s
house swallow her hello. I have a long list of reasons why Chrissie
shouldn’t come on this trip, but few of them I’ll admit to myself,
let alone to my great-aunt. In any case, she isn’t leaving much
room for argument.
“I’m tired,” says Aunt Edie. “She needs someone to
look out for her, and I’ve got other things on my mind right now.”
She reaches into her purse and stretches out her hand to give me
Chrissie’s cell phone, which Chrissie is apparently banned from
using. “Her father’s not leaving Bobby’s bedside,” Aunt Edie goes
on, “and Tia can’t take her because she’s too busy with nursing
school, so that leaves you.”
I stop myself from asking who it is Tia’s supposed
to be nursing. Tia is Aunt Edie’s granddaughter, my
cousin—Chrissie’s, too—but she is not a nurse or a nursing student.
She may possibly own a nursing uniform, but if she does, it has
breakaway snaps and she’s generally wearing a G-string under it. I
don’t know where Aunt Edie got nurse from, but no one’s allowed to
say Tia’s a stripper. Tia’s job bothers Aunt Edie for reasons
involving hellfire and eternal damnation. It bothers me because
even though Tia’s twenty-five like I am, she looks thirteen. I love
her, don’t get me wrong, but she’s got chicken legs, and nothing in
the way of hips or boobs, and a big head with wide almond eyes and
a long blond weave, and while I can imagine many reasons why men
might pay good money to see a real live woman, there’s something
unsettling about so many of them paying to see a real live Bratz
doll.
In fairness, there isn’t much else to do in
Waterton, Delaware. It’s close to everything else in Delaware
without actually being part of any of it—about an hour away from
the noisy hedonism of Rehoboth Beach’s and Ocean City’s boardwalks,
about an hour from the suburban sprawl subdivisions that might as
well be North Maryland or South Jersey. It’s not quite the Delaware
that’s mostly pig and tobacco farms, though there are farms in
Waterton, and a fresh fruit and vegetable stand every mile or so,
and the world’s largest scrapple factory. When you approach the
city limits from the highway, there’s a painted wooden sign that
says WELCOME TO WATERTON: WHEREVER YOU GO, THERE YOU ARE. It
doesn’t tell you that where you are is a city that gets seventy
percent of its annual revenue from ticketing speeding tourists who
got lost on their way to the beach. It’s mostly a town that still
exists because no one’s gotten around to telling it that it can’t
anymore. The highlight of most people’s weekends is losing money
down at the Seahorse Casino, which is forty minutes away and not
even a fun casino. It’s just a big room full of slot machines and
fluorescent light, and the only drinks they serve are shitty beer
and something called Delaware Punch, which tastes less like punch
and more like the Seahorse Casino is determined to single-handedly
use up the nation’s entire supply of banana schnapps. Considering
the options, it makes sense that Tia does good business here.
I live here because right now I have no place else
to be. The house I’m staying in is my father’s, and was my
grandfather’s before that. It was either come here and be alone for
a while, or move in with my mother, which would have felt like an
admission of failure on both of our parts. The house is on the back
corner of a parcel of land that was once large enough that it meant
something for black people to own it back in the day, but it’s been
divided and subdivided through the years—split between children in
wills, sold off piecemeal to developers, whittled down so that,
between the fifteen of us, everyone in my generation probably owns
about a square inch of it. My father moved into the house twenty
years ago, after my parents’ divorce, looking for a place to get
his head together. Or at least, my father’s furniture moved into
the house; my father himself got into the antiques market and seems
perpetually on a plane to some faraway place in pursuit of a stamp,
a coin, a rare baseball card, anything of more-than-obvious
value.
Now that I’m here again, I can hardly blame him for
leaving so often; I am learning the hard way that it’s not a good
place to get over anything. In every room of the house, fighting
with my father’s coin chests and signed sports posters and ceramic
knickknacks, there’s a reminder of what people are supposed to mean
to each other. The set of initials carved into the handmade frame
of the front door. A sepia-toned photograph of my grandparents, who
died within weeks of each other, months after their forty-fifth
anniversary. The lavender corsage my grandmother wore at her
wedding; my uncle Bobby found it pressed into my grandfather’s
Bible decades later and had it framed on the wall of the master
bedroom. The wooden archway leading to the dining room, the one
that had been knocked down and rebuilt by my father at Uncle
Bobby’s request, the year a foot amputation confined his late wife
to a wheelchair too big to fit through the original doorway. The
wedding quilt on the living room wall, the one thing besides their
life savings that my grandparents had salvaged from the house they
fled in Georgia, hours before a mob torched it on a trumped-up
theft charge. As a child, I’d taken comfort in the house’s
memorabilia—I imagined this was the sort of unconditional love that
all adults had eventually—but now, fresh off the end of my last
relationship, the house feels like a museum of lack: here is the
sort of love you never saw up close, here are souvenirs from all
the places your father was when he was not with you, here is
something whole that one day you will own a fraction of.
Chrissie’s sprawled out on the bed I’ve been
sleeping in since I got here a few months ago. It’s the same bed I
slept in when I visited here as a kid, with the same Strawberry
Shortcake sheets I never had the heart to tell my father I outgrew,
and lying on them Chrissie looks like a little kid herself. Her
hair is tied up in a silk headscarf, which means she must have
spent half a day blow-drying and flat-ironing it movie-star
straight, humidity be damned. She’s wearing cut-offs and ratty
sneakers and smells like a bottle of tamarind perfume I remember
her borrowing from me the last time she was over here.
Chrissie’s parents are splitting and she’s spending
the summer in Waterton, Delaware, with her father because that’s
supposed to make her OK with it, except her father’s been cocooning
himself in the hospital all summer, and Chrissie’s spent most of
her time so far playing hearts with Aunt Edie and the two widows
next door, and the rest of it mysteriously unaccounted for, though
Tia’s filled me in on some rumors.
“Where are you going?” Chrissie asks me, nudging my
suitcase with her elbow.
“We’re going to North Carolina, I guess. Aunt Edie
wants you to come with me.”
“What’s in North Carolina?”
I consider the question. “A friend” would be a lie
of omission; “an ex” would put Brian in the same category as Jay,
who I came here to get away from. Jay, who still lives in the
apartment with my name on the lease and is probably fucking another
girl on my sofa right now. Jay, who earlier this week sent me an
e-mail that seemed to presume I would take time off from not
speaking to him, and working on my own dissertation (“She Real
Cool: The Art and Activism of Gwendolyn Brooks”), in order to
proofread his (“Retroactive Intentionality: [Re]Reading Radical
Artists’ Self-Assessments”).
“A friend,” I say. “Brian. He’s in a band. He wants
me to see his show.”
“A friend you’re meeting in your underwear?”
Chrissie asks, sitting up and gesturing toward my suitcase, which
for the time being contains nothing but toiletries and underwear.
She arches her eyebrows at me and giggles. “What kind of show does
he want you to see?”
“I haven’t thought about the clothes yet. Underwear
is the easy part of packing. There’s no deciding. You can’t go
wrong with underwear.”
“So the only panties you own are black lace?” she
asks, smirking into the suitcase.
“Shut up,” I say. “You shouldn’t be looking through
other people’s underwear. And what do you know about lace
underwear, anyway?”
Chrissie blushes so red I’m sorry I asked, and then
just as quickly starts singing, “I see London, I see France,
Brian’s gonna see Carla’s slutty underpants . . .”
Given my history with Brian, this is too close to
true. Every item of non-underwear clothing I’ve considered packing
I’ve rejected because it would seem like a deliberate provocation.
I don’t own much that Brian hasn’t ripped off of me at some point
in the past, even when he was seeing other women, even when he was
with the fiancée before the one I’m ostensibly going down there to
meet. I shush Chrissie off to bed while I finish packing, but I
hear her in the next room, tossing and turning, riffling through
the pages of a magazine. When I finally zip my suitcase shut, I go
back into the bedroom to check on her. I haven’t seen too much of
Chrissie since I’ve been in town, and she thinks I’ve been avoiding
her. She’s probably right: lately watching Chrissie has been like
watching a taped recording of my own adolescence, which is nothing
I want to revisit.
Though the lights are off in the bedroom when I go
to check on her, I can tell Chrissie’s only pretending to be
asleep.
“Night, Chris,” I say.
“Night,” she mumbles.
“Hey,” she calls as I start to leave. “Can Tia come
with us tomorrow? It’d be fun. Like a girls’ road trip.”
I consider the many reasons why this would not be
fun. Tia never liked Brian. Once he made the mistake of telling her
he understood oppression because he was half Irish and one-eighth
Native American. After that, Tia always called him
he-who-has-metal-in-his-face, because of his eyebrow piercing.
Brian never liked Tia, except for that one time in college he
drunkenly asked me if I thought she’d be into a threesome, and I
stopped speaking to him for a month.
“Tia’s working,” I say. “And anyway, she needs to
be around in case anything happens with Uncle Bobby. Aunt Edie’s
going to need her.”
“People are going to need us too,” Chrissie
protests. “He’s my grandfather.”
“Of course they will,” I say. “We’ll come back if
anything happens.”
The truth is, I’m not sure who needs me. My father
paid an obligatory visit to Uncle Bobby, and then did what he does:
he’s spending the summer in India looking at death statues. We are
all walking around on eggshells, waiting for a death the way people
wait on rain-storms when the sky promises bad weather, but so far
nobody has talked to me about it, and nobody has asked me to do
anything more difficult than make potato salad.
It’s afternoon by the time we get on the
road the next day, and we spend hours stuck in beach traffic.
Chrissie’s awake enough to resent that I’ve confined her cell phone
to the glove compartment. It’s beeping because someone’s left her a
message, and between the beeping and her whining, I’m thinking of
opening the glove compartment myself. My cigarettes are in there,
but nobody, especially Chrissie, is supposed to know I smoke when
I’m stressed.
“It could be my parents,” she says. I ignore
this.
“We might as well not even be driving,” Chrissie
says. “And I’m hungry.”
“Well, then you should have eaten when we stopped
for brunch,” I say. Chrissie has been doing this thing where
whenever we eat out together, she orders whatever I order, then
suddenly remembers she can’t eat it because she’s on a diet, and
has two bites and three glasses of water instead. At the diner on
the way out of town, she had three french fries and a mouse-sized
nibble of her grilled cheese.
“I wasn’t hungry when we stopped,” she says.
“Then you can wait until we get to Richmond for
dinner.”
The traffic picks up around the Bay Bridge. In the
glove compartment Chrissie’s phone is still beeping something
insistent.
“You should let me get it,” she says. “What if my
grandfather died?”
“Then someone would have called me,” I say.
Both pleas for her phone having failed, Chrissie
sulks, actively. Her sulking takes the form of rummaging through
her miniature beaded purse in search of beauty product after beauty
product. When she is done with the glitter lotion and the lip gloss
and the eye shadow, it’s true her skin has a glow to it, but her
hands are covered in sparkles, like a kid who’s just finished an
art project.
“I’ll let you answer the phone when you tell me why
Aunt Edie doesn’t want you to have it in the first place,” I
say.
“I’ve got a boyfriend,” Chrissie says.
“Of course you do,” I say.
“So, I can talk to him?”
“Pick up the phone if you want, but you shouldn’t,
he’s an asshole.”
“You’ve never even seen him.”
“Don’t have to,” I say. “He’s a fifteen-year-old
boy, which means he’s an asshole by default, or he’s older than
that, in which case he’s an asshole for dating you.”
“I don’t look fourteen,” says Chrissie, which
answers one question but isn’t any kind of counterargument to my
original point. It’s true, though, she doesn’t look fourteen, in
the way no girl looks fourteen once she’s got tits and an ass like
Chrissie’s and men have stopped looking at her face. She’s the
wrong kind of pretty, the kind that’s soft but not fragile, the
kind that inspires the impulse to touch.
The boyfriend doesn’t answer when Chrissie
calls him back.
“Asshole,” she mutters.
“Look at the water,” I say, because we’re driving
over the Chesapeake, and I’ve always thought it was a beautiful
view, the wires of the bridge cutting into the image of the water
beneath. Passing through the bridge with the sloping wires on
either side always feels to me like being inside of a giant
stringed instrument. Chrissie looks sideways out the window for a
second, then turns back to me.
“We’re going all the way to North Carolina just to
see this guy?” she asks.
“What else do you want to do?”
“I think maybe I should go to a doctor.”
“What’s wrong with you?” I ask. I’m already
checking out the traffic headed back to Delaware, because if this
kid tells me she’s pregnant I’m turning the car around and giving
her back to Aunt Edie. I’ve already done my lifetime share of
abortion hand-holding.
“I think my vagina’s broken,” she says.
“OK,” I say. “OK, look. I don’t know what that
means, and I don’t think I want to, because as far as I’m
concerned, you don’t have a vagina and won’t for ten years, and
even then I probably won’t want to hear much about it, OK? Talk to
your mother about this stuff.”
“If I ever met a woman without a vagina, it’s my
mother,” Chrissie says.
“Don’t say that,” I say, because you’re supposed to
remind people how they actually do love their parents. Chrissie’s
mom is away at a summerlong church retreat. For a while she sent
Chrissie post-cards that said things like YOU’RE NEVER ALONE WHEN
YOU’RE WITH JESUS and I PUT ALL OF MY EGGS IN ONE BASKET AND GAVE
THEM TO THE LORD. Chrissie finally wrote back, Can Jesus make me
an omelet, then? He’s kind of a crappy mom otherwise. She
hasn’t gotten a post-card since.
“Is something wrong?” I ask. “Are you sick or
something?”
“No,” she says, “but we tried to have sex last week
and I hadn’t done it before and it didn’t work.”
“What do you mean, ‘it didn’t work’?”
“It wouldn’t go in,” she says. “So he stopped and I
left because I thought maybe there was something wrong with
me.”
“Well, what did you do beforehand?” I ask.
When she answers, it becomes clear to me that this
kid has no idea what’s supposed to be happening, and neither does
her boyfriend. I feel kind of sorry for her entire generation,
because they’ve learned all the theatrical parts of sex so they
walk around pouting and posing like little baby porn stars, and all
the clinical parts of sex so they know when to demand penicillin,
but not the basic mechanical processes of actual pleasure, which
everyone assumes someone else has covered. I didn’t know shit about
sex when I was her age, but at least I was allowed to say so; no
one expected us to be certified experts. It’s not my subject of
choice, but I don’t know who else will explain things to her,
except maybe Tia, which seems dangerous. When I’m done, I tack on a
speech about how she’s fourteen and emotional right now and he’s
probably too old for her and even if there’s a condom it could
break or fall off and she could die, and besides, she’s not
comfortable enough with her body to enjoy anything that happens to
it yet, and there’s lots of things she can do that aren’t actually
fucking.
Maybe I’ve kind of freaked her out, because
somewhere north of Columbia we pass a Friendly’s, and she gets all
excited about it. Even though we’re nowhere near Richmond I agree
to stop when she asks. She’s dropped the diet stuff, at least, but
if you’ve ever seen anything more disturbing than a kid eating a
Reese’s Pieces Happy Face Sundae after you’ve just explained to her
how to give a proper blow job, I don’t want to hear about it.
Chrissie sleeps most of the rest of the way
to Raleigh. I could use her to keep an eye on the map, because I’ve
only been down here a handful of times, and I hate this stretch of
highway. There’s something about the compressed space of cars that
makes people want to say things out loud, maybe just to see what
echoes back, and every memory I have of this part of 95 is a memory
of argument. The first time I went to Raleigh, I was about
Chrissie’s age and my mom was driving. On the way back, we were
trying to get out of the state a few hours ahead of the tropical
storm that was on its way, but already it was thundering and
lightning, and the rain was steadily splattering onto our
windshield, distorting everything on the other side faster than the
windshield wipers could clear it.
The argument we’d been having was stupid. It was
Father’s Day, and she wanted me to call her boyfriend, this jackass
dentist she’d been seeing for a while, and wish him a happy
Father’s Day. The dentist was always blowing my mother off at the
last minute. He yelled when they fought, and sulked when he didn’t
get his way. He’d stretched his fairly substantial income to its
natural limits, and was always “borrowing” money from my mom that
we never got back. You could smell the bullshit coming off of him,
unless you were my mother, and then you thought he was the answer
to our prayers. I said the dentist had his own kids and I already
had a father to call, and my mother said my father was out of the
country and the dentist’s kids weren’t going to call him, and I
said that’s because even they know he’s an asshole. My mother got
all huffy and cried and said she was just trying to have a family,
and I said she already had a family, at least until I was eighteen
and I could get away from her crazy ass, and she pulled over and
slapped me and then said, I’m getting out now, and until the
car door opened and the sting of the rain hit me, I didn’t know out
of what.
Through the stream of rain on the windshield, I
watched my mother get smaller and smaller because of distance and
water. It was like watching a person deflate. I understood that if
she wasn’t coming back, I wasn’t going anywhere, not because I was
still a few months away from my learner’s permit, but because I
lacked the instinct to run. I understood, for the first time, how
much I loved my mother. I understood that if I could help it, I
would never love anybody that much again. When she got back in the
car ten minutes later, soaking wet and both of us still crying, we
didn’t say a word about it—not then, not all the way back to
DC.
I want to wake Chrissie and tell her about this as
if it’s a warning: Don’t push too hard; your last chance to see a
person the way you wanted them to be may come at any moment. One
minute you have a parent, or a friend, or a lover, something solid,
and physics tells you their resistance will always be there to meet
you as you press yourself into relief against them. Then all of a
sudden your mother is a fading outline in a thunderstorm, wet and
weak and so far out of reach; or your lover who may also be your
best and only friend is pulled so quickly into someone else’s life
that you don’t even realize he’s left yours until you’re getting a
save-the-date card; or your father is somewhere at the other end of
the world and even if you had a number for him, you’d feel wrong
calling to tell him to quit collecting stuff when it’s painfully
clear that you have nothing to offer to replace it. But I don’t
wake Chrissie because she’s sleeping like a baby, and anyway, she
isn’t a baby and she doesn’t need me to tell her what it is to
watch somebody let you down by being human in the saddest and
neediest ways, what it is to push at something that has long since
given way. It hits me like my mother’s slap that just watching me
these days is teaching her this lesson.
I wake Chrissie up just before the highway
exit so she can read me the rest of the directions. The bar is not
hard to find and has its own parking lot. On the outside it’s kind
of like a giant cottage, mute stucco with a brown shingled roof.
Inside, it’s big and dimly lit. The ceilings are high and the
splintered wooden rafters are showing. We’re still early for the
show and there are only a handful of people in the bar. I can see
Brian onstage with his back to me. I try to sneak up on him, but
before I get all the way there he turns around.
“Hey, stranger,” he says, hopping down from the
stage. He hugs me like I’ve just gotten back from a war. The smell
of him is like if someone made a perfume out of cigarette smoke. “I
missed you, kid.”
“I missed you too,” I say, kissing him on the
cheek. Chrissie smirks beside me, and starts humming the underpants
song under her breath again.
“Who’s this?” asks Brian, taking note of Chrissie
for the first time.
“I gotta pee,” says Chrissie. She walks off in the
other direction. The sound of her heels against the floor of the
mostly empty bar is less of a controlled staccato and more of a
stomp, stomp, stomp.
“Who was that?” asks a shaggy-looking guy
messing with the keyboard.
“That’s fourteen and it’s my cousin,” I say.
“I’ve got a knife in my pocketbook and I will cut you if you touch
her.”
“Shame,” says the keyboardist. “You legal,
then?”
“Stop flirting with my sister,” says Brian, hugging
me to him again.
Brian and I call each other brother and sister
because it lets us pretend we have an excuse for still knowing each
other. In anyone else’s life, Brian would be the college ex I never
spoke to again, and I would be the crazy ex who’d once deliberately
destroyed his brand-new guitar. But instead of being embarrassed by
everything that’s happened between us, we’re both comforted by the
fact that someone else has seen us at all of our possible worsts
and hung around anyway.
There was a point, maybe even a year, where we were
fucking each other for the conversation afterward. Not that the sex
was bad, it just wasn’t the point anymore. We talked about our
futures, the ones we never dared to imagine being full of anything
but chaos. We toasted to the shortcomings of the various potential
stepparents we’d grown up with: between the two of us, nineteen in
total. When he was at his drunkest, he always told me the story
about the time his mother passed him off as a neighbor she babysat,
in order to date a banker who didn’t want kids, and when we were
done laughing as though it were hysterical, him imitating the
banker and his eight-year-old self, one of us would cry for real,
and I would hold him and tell him I was sorry he was so fucked up,
and he would tell me he was sorry I was fucked up enough to want
him anyway.
“So, where’s this poor girl you’ve tricked
into marrying you?” I ask. “Is she locked up somewhere so she
doesn’t escape before the wedding?”
“Ha,” says Brian, but his smile feels forced.
“She’s on her way. Alan and I came in the van with the
equipment.”
The last time Brian got engaged, he would have
cracked up at the joke. The last girl was an actress, someone he
met at an Exxon convenience store on a road trip right after the
play she was in had ended its run. They’d gotten engaged a month
later, two weeks before she got called to New York for a better
gig. Brian came to see me right after she left, and we’d spent the
weekend in bed with each other, him talking about how wonderful she
was, me reminding him of all the other women he’d said that about.
I’d met Jay two weeks later. When Brian’s engagement inevitably
fell through, we joked that if things had ended between them a few
months sooner, he could have kept the wedding date and married me
instead.
Brian and I almost did get married once, but not
for real for real. We were in Vegas, which is a city I’ve always
loved for its ability to be at once shameless about its fantasy
self and honest about its real one, which is the only reason I’ve
ever loved anything. A college friend with too much money had
invited us out there for a birthday party, and we were
champagne-drunk and tired of the Strip one night. I said I’d always
wanted to get married in Vegas, because marriage was just a big
flashy spectacle designed to cover up the tacky tragedy of human
loneliness, and why would you get married anywhere you could forget
that? Brian said he’d always wanted Elvis at his wedding, but only
if it was fat Elvis, and anyway, us being us we might as well get
our first divorces out of the way early. All of it was kind of a
joke and kind of not, and I don’t remember why we didn’t do it,
just that we ended up riding those gondola boats around the
underground of The Venetian all night instead.
Brian bounces off to get me a vodka tonic,
extra lime—he doesn’t have to ask what I’m drinking—and while I’m
waiting for him to come back, or Chrissie to reappear from the
ladies’ room, the fiancée walks in the front door. I haven’t seen
her picture, but I know her right away. She’s wearing a vintage
Wonder Woman T-shirt stretched tight across her chest, and Brian’s
got a thing for both boobs and comic books. She’s cute. Platinum
blond hair, layered and flipped up at the ends, a dab of frosted
lip gloss. If her look was a smell, it would be grape bubble gum.
Her name is Miranda. Brian met her at the go-kart track two years
ago, but they’ve only been dating six months. She’s an elementary
school teacher who moonlights as a semiprofessional local comedian.
Ever since he met her, I get random text messages from him, jokes
and one-liners, and I know it means he’s watching her
perform.
She obviously recognizes me when she sees me, and
even though her smile seems genuine, I resent this girl already—not
for having him, but because I’ll have to have her now. She’s like a
crayon drawing he’s handing me, and like her or not I’ll have to
pin her to my refrigerator for years.
“So, what do you think?” Brian whispers when he
returns with my drink.
“Nicely done,” I say.
He looks relieved. When Miranda comes over, she
hugs me first, awkwardly smushing into the hand I’d extended to
shake hers.
“I’m sorry,” she says, laughing a little as she
pulls away. “Was that weird? I feel like we already know each
other.”
“No,” I lie. I’m saved from making further small
talk when Chrissie finally rejoins us, looking like she’s ready for
a glamour shot. She’s let her hair down and combed some sort of
glitter through it, and put on mounds of blush and eye shadow and a
coffee-colored lipstick that’s a good two shades too dark for her
skin tone. I can’t open my mouth to tell her to wash her face,
because I’m too busy trying not to laugh at her.
“Your sister?” Miranda asks.
“Cousin,” I say.
“Clearly, good looks run in the family,” she says.
Her voice flutters a little when she laughs. “And those are great
shoes,” she says to Chrissie.
It’s as if she has studied a playbook on meeting
your fiancé’s ex-girlfriend. Chrissie looks at me like she doesn’t
know whether it’s OK to accept the compliment. I look away, because
I don’t want her to think she needs my permission to like the girl,
but I also don’t want to give it. Besides, Chrissie’s shoes are
tacky stiletto sandals from Pay-less, and I probably should have
talked her out of them this morning.
Brian ushers Miranda and me to a table up front,
and then disappears to bring back drinks for her and Chrissie. By
the time he gets back, a beer for her and a Shirley Temple for
Chrissie, a decent crowd has started to filter in. Before the set
he squeezes my hand for luck, then gives Miranda a closed-mouth
kiss. Chrissie watches this like it’s a spectator sport, and seems
pleased enough that I’ve brought her into my real life that she’s
reconciled herself with the indignity of drinking the Shirley
Temple.
“This is kind of all right,” she says when Brian
finally starts playing, which, given her usual tone these days, is
like she’s handing him a Grammy.
Watching Brian perform always makes me feel weirdly
proprietary about him, which is stupid, because this is the thing
about him that has to be public. But I was there when he was
making this shit up on his guitar, and when he’d wake up at three
a.m. to whisper a song into my ear, and when he was ready to give
it all up and get a real job and I told him not to. When Miranda
leans forward into the music and closes her eyes like Brian is
singing to her directly, something in me snaps. “Isn’t he great?”
she whispers to me between songs, opening her eyes again and
looking so sincere that I have to look away to stop myself from
telling her he isn’t really hers, that she only loves him because
she’ll never know him the way I do. It makes me happy when I
recognize myself in a lyric, even if the lyric is I lied, you
lied, I lied, to really love something is suicide, because how
I feel about Brian hasn’t been about love in a long time, it’s been
about mattering the most, and as I count the songs, I’m confident
I’m still winning on that scorecard.
When the set is over, Brian and the
keyboardist, Alan, disappear backstage for a minute, and Miranda
asks a million questions about Delaware. I let Chrissie answer most
of them, which means that the answer she gets most frequently is
“dumb,” followed closely by “stupid.”
“Still,” says Miranda, “summer’s great when you’re
a kid, isn’t it? I get jealous of my students sometimes—they don’t
know how good they have it.”
“Summer’s awesome,” says Chrissie. “My
grandfather’s dying. And my dad won’t even talk to me about it, and
my parents just got divorced, and my mom’s at Bible camp trying to
join some weirdo cult thing because she’s lonely and is trying to
pretend Jesus is her boyfriend, and my boyfriend works at a
gas station and has never left the state of Delaware, even though
he’s older than me and Delaware is, like, ten feet big and he
apparently doesn’t understand enough about sex to make it work
right so I can fuck him to get my mind off things.”
She takes an emphatic sip of her Shirley Temple,
even though the drink is nothing but melting red ice by now, and
stomps back to the bathroom. A guy at the bar reaches for her arm
as she passes him, but she doesn’t break stride long enough to
notice.
“I’m sorry,” Miranda says, sliding her
chair out of the way so I can go after Chrissie. I stay put.
“She’ll be fine,” I say, by which I mean that I
can’t help her. I think of offering to get Miranda a drink, but her
first beer is still barely half gone, an observation that prompts
me to push my own empty glass behind a napkin holder. The tables in
the bar are covered in old newsprint that’s been lacquered over,
and I try to make out the words to one of the stories shellacked
beneath my drink, but can’t read it in the dim light. Beside it, a
vintage ad warns me: Perspiration Ruins Panty Hose!
“Is this weird for you?” Miranda finally
asks.
“Which part?” I ask, and she doesn’t press it. I
keep an eye on the bathroom door to see when Chrissie comes
out.
“I know about all the nonsense, with him and
women,” she says after a minute. “I’m not an idiot. I’m not
pretending this is foolproof. But you should see how serious he is
about things these days. About his music. About not fucking up the
way he has before. About being honest with himself. About dealing
with all the stuff he’s not over. You made him a better person. I
hope you know that.”
“If I did,” I say, “it was an accident.”
I laugh, and we both pretend I’m kidding.
By the time Brian and the keyboardist stop
mingling with the crowd and selling ten-dollar CDs with homemade
covers, Chrissie and her slightly smudged mascara have rejoined us.
Miranda and Chrissie and I are doing our best impressions of people
having fun in a bar, and I find it briefly hysterical the work
we’re putting into emotionally containing ourselves in front of a
guy who prints out all of his song lyrics and sets them on fire in
mini trash cans when he gets really angry, until it occurs to me
that maybe he doesn’t do that anymore. While a folksinger in a long
tie-dye dress sets up her sound equipment, the speaker continues
playing the crappy Top Forty that started when Brian went off, and
Alan grimaces. He’s taken off the black collared shirt he performed
in and is wearing a T-shirt that says I’M NOT A GYNECOLOGIST, BUT
I’LL TAKE A LOOK. His arms beneath the cap sleeves are covered in
baby-fine hairs, dirty blond like the hair on his head.
Dirty is the right adjective for him altogether. Chrissie
whispers something into his ear that I hope is music-related, but
probably isn’t because of the way he turns away from her and licks
his upper lip. He whispers something back to her and she
smiles.
“Alan,” says Miranda, while I’m still trying
to figure out where to intervene, but he ignores her and keeps
talking to Chrissie.
“There’s your smile,” he says. “Not that you don’t
have great pouting lips, but something’s gotta give. You’re
fourteen, right? Whatever it is, it’s not forever.”
“My parents are splitting,” she says again. “And my
grandfather is dying. So it’s pretty much forever.” She does this
dramatic half-sigh thing and puts her pout back on.
“Chrissie,” I say, “stop it.”
It’s not that I doubt she’s upset, it’s that I’m
watching her turn into the kind of girl who always needs to assert
that something tangible is wrong in order to justify making things
worse. Alan knows she’s overdoing it, too, because he smirks a
little and raises his beer glass.
“To death and divorce, then,” he says, “which are
forever.”
“And marriage,” I say, clinking my drink to his and
nodding at Brian, “which is not.”
Miranda’s looking at Brian like she’s
waiting for him to say something, and he’s looking at the floor
like the universe will work this one out without him. I look at
Miranda, the startled flicker in her eyes fading to something
almost wounded as Brian stays silent, and for a second I feel
something like triumph. Then I look at Chrissie. Her pout is gone,
and she is smiling at me with a giddy sort of pride. It makes me
want to hit something that this is the thing that has finally put
me entirely back in her good graces.
Miranda grabs her purse from the back of the chair,
and makes a show of fishing out her keys. When she finds them, she
holds them aloft for a second, like she’s not sure what happens
next.
“OK,” she says, standing up. Nobody looks at her
directly. “I’m going home.”
“I’m sorry,” I say. “It was just a joke. I
shouldn’t have said it.”
“I hope next time we meet, you find our engagement
just slightly less hysterical,” she says. “I want to like you.
Brian wants me to like you.”
Brian still doesn’t look up. “Are you coming with
me?” Miranda asks. He throws up his arms as if this decision is out
of his hands.
“I can’t leave before Angie’s set is over,” Brian
says. “I’ll call you later. I’ll get a ride home with Alan.”
“Yeah you will,” says Miranda, and I want to tell
her right then how much I like her, how at this point the last
fiancée would have been weeping and begging and making a total fool
of herself, but she’s already leaving. Brian doesn’t get up.
“You’re a bitch,” Brian says to me—not like he’s
mad, just like it’s an observation.
I turn to Chrissie to tell her to go outside for a
second, but Alan is already motioning her toward the bar. I let
them go and turn back to Brian.
“I’m sorry,” I say. “This probably wasn’t the best
week for this. We’re all a little high-strung.”
“Are you OK?” he asks. He puts a hand on my knee.
There’s a faint flicker of a scar below his index finger, from
where I accidentally burned him with a cigarette lighter
once.
“I’m as OK as I get.”
“I really do love her,” he says. “Not the idea of
her, but her. This isn’t like the other times. I’m trying to do
something right here.”
“Which other times?” I ask.
“Don’t do that,” he says. “I’m not going to lie to
you about what you and I were. Are.”
“I know,” I say. “I know. I’ll apologize to her
tomorrow.”
“If she ’s speaking to me tomorrow,” he says.
“Why wouldn’t she be?”
“Right,” he says. His hand is still on my knee.
“Why wouldn’t she be? I’ll call her later.”
I lean into him and reach for the cigarettes in his
shirt pocket, and brush my arm against his while he lights my
cigarette.
“I should get Chrissie,” I say, but I don’t look
away from him. The look in his eyes could melt glass.
Chrissie’s laughter from across the room
interrupts our silent negotiation. She’s standing at the bar with
Alan and a girl in a tissue-thin tank top. Alan’s already got his
hand on Tank Top Girl’s hip, and Chrissie’s holding something in
her hand that is clearly not a Shirley Temple and probably not
straight soda. Her eyes are scanning the room, and I assume she’s
looking not for me but for a guy she can use to make Alan jealous,
because she doesn’t realize she’s already lost this fight.
“I should get her out of here,” I say. “Where’d you
find that asshole?”
“Please,” says Brian. “If I weren’t here and you
weren’t babysitting, you’d have gone home with him already.”
“I go home with a lot of assholes,” I say. “At
least I don’t love any of them anymore.”
“Really?” says Brian.
“I’m over Jay,” I say. “We don’t speak. And anyway,
he told me once that love was not a real thing because it was
comprised of too many subsidiary emotions.”
I wait for Brian to laugh, but he doesn’t.
“Jay wasn’t the one I was talking about,” he says
finally.
“Stop,” I say. I look away from him and then turn
back.
Brian told me once that I was the only woman in the
world he was completely honest with. He said my problem with
relationships is that I make everyone feel like it’s good enough to
be who they actually are. At the time I had thought these were both
good things.
“Trust me on this,” he’d said. “Appreciate the
liars. When people don’t hide things, it means they don’t care
enough to be afraid of losing you.”
Chrissie finally seems to realize she’s been
outplayed and starts to head back to the table. Behind her, Alan
has his hand on the small of Tank Top Girl’s back and is leaning in
to her ear. I watch Chrissie walk to us. I can tell her heels have
started to hurt her, because she’s scooting her feet across the
floor instead of picking them up all the way. As she gets closer, I
slide away from Brian. Chrissie stops halfway between the bar and
our table and looks over her shoulder to see if Alan’s even noticed
she’s gone. She’s smart enough to look only a little disappointed
when she sees he’s still thoroughly engrossed in Tank Top Girl’s
earlobe. When she sits back down at the table, I slide her
half-full drink away from her.
“Hey,” she says, “I’m thirsty.”
“You should’ve thought about that before you asked
Alan to put rum in your drink.”
“You should have thought about that before you
brought me to a bar.”
“Touché,” I say. “We’re leaving soon.”
Chrissie looks curiously at Brian, then glances
back at me, and I try to relax my face into blank nonchalance, as
if she’s the only one immature enough to imagine this night ending
differently.
It’s barely after midnight when I finish my
cigarette and Chrissie’s drink, and Chrissie pretends she wants to
stay through the end of the folksinger. It’s the worst pretext
ever: the folksinger is singing a song that’s about either a blow
job or her psych medication, and she keeps wailing, You cannot
make me swallow, and no one wants to listen to that. I’m
hugging Brian good-bye and apologizing again when the phone rings.
It’s Tia. I step outside because I can’t hear her over the
background noise.
“Where the fuck are you?” she says.
“I’m in North Carolina,” I say, “with Chrissie. I
told you we were going.”
“Did you?” she says. “Well, look, get back here.
Uncle Bobby died. Everyone’s at the hospital.”
“OK,” I say, and I take a minute to go get
Chrissie, not because I’m broken up, but because I feel like I’m
supposed to be and I can’t walk back in there too composed.
When I tell Chrissie, she doesn’t lose it
at first. We’re standing outside the bar, and then she sits on the
toadstool bench outside the place with her arms folded across her
chest and the overhead light washing out her makeup. She looks like
such a little kid then that I’m sorry I brought her here to begin
with. For a minute she doesn’t say anything, and then the
floodgates open. It’s the first time I’ve actually seen her cry in
years, and it’s so much that crying isn’t even the right word for
it. Brian comes out to check on us but when he sees her he walks to
the corner of the parking lot.
“He doesn’t even fucking talk to me,” Chrissie
says, when she can talk again. “All summer I’ve been there, and he
doesn’t even fucking talk to me. I would have sat there with him. I
would have sat in that hospital with him all fucking summer
long.”
“He’s trying to be a good dad,” I say. “He’s trying
to protect you. He’s trying to be a man about things.”
“Yeah, well. He’s being an asshole,” she
says.
“They don’t really know the difference,” I say.
“You’ll go home. He’ll feel better. He won’t say it, but he
will.”
“I won’t feel better,” she says, “I won’t
ever feel better.”
“You will,” I say, which may be a lie.
The best thing about the two years I spent
with Jay is that splitting the rent let me pay off my credit cards,
so I’m able to put Chrissie on a last-minute red-eye flight to
Baltimore. Tia promises to pick her up there when the flight lands.
I don’t go back with her because of the car and because there’s
nothing for me to do there yet. The next few days will be comfort
and shifting obligations, but no one will miss me or need me the
way Chrissie’s father needs her right now. My own will take a few
days to fly back from India, and his current girlfriend, someone he
met on a cruise to London, will be with him to comfort him in the
meantime. Aunt Edie will have Tia. I am, for a moment, absurdly
jealous of Chrissie, because there is not a single person in the
world my mere presence will comfort right now, not a single place I
need to be more than this one.
Brian’s waiting in my car outside the airport. He
drives without asking me which hotel, and I know if I end up at his
apartment I’m not sleeping on the couch, but the thought of waking
up next to him suddenly feels more terrifying than comforting, more
like undoing something than fixing it.
“Stop,” I say. “Stop the car.”
“We’re on the highway,” he says.
“So get off the fucking highway, then,” I say. At
first I think he’s going to ignore me, but he gets off at the next
exit and pulls into the parking lot of a Waffle House just past the
exit ramp.
“What’s wrong now?” he asks.
I don’t answer him, I just get out of the car and
slam the door. It’s still Saturday night in the parking lot—more
drunk strangers and other people’s problems than I can handle right
now—so, after watching a girl vomit into the bushes and then go
back to screaming at someone on her cell phone, I bang on the
window until Brian leans over and opens the passenger-side door. I
sit back in the seat and fasten my seat belt while he leans his
forehead against the steering wheel. If I didn’t know him better, I
might think he was praying. I turn away from him and look out the
windshield, into the window of the Waffle House in front of
us.
If you have ever been to a pancake house in the
middle of the night, then you know how resolutely depressing it
is—you live in one of the few cities where it is never actually the
middle of the night. In a city like this one, the first hour or so
after bar time may be upbeat, because people are still trying to
get something from the night: joy or sex or gradual sobriety. At
around five a.m. you’ll see the first waves of people beginning the
new day or ending the night with sleepless exuberance. But between
those hours, the pancake house is a dead zone for possibility.
Everyone is there for lack of something: good and nourishing food,
sufficient coordination to drive the rest of the way home, an
appropriate person to love or fuck, a reason to get up the next
morning.
I allow myself to say out loud that maybe it is
simple lack, and not some unbreakable connection, that has kept
Brian and me attached to each other all this time; that for a long
time all I’ve been in his presence is the absence of better things.
He stays quiet. Through the window, I watch a middle-aged man in a
trucker hat stare at the back silhouette of a girl in ripped
fishnets and a too-tight miniskirt, not exactly lecherously, but
like she is a planet he has never been to, something so far out of
this reality that he might as well look carefully.
“Just fucking go,” I say to Brian. “I’ll be fine if
you just go.”
I can hear him breathing, and his arm is touching
mine, but just barely.
“This is me,” he says. “I’m not going to leave you.
And anyway, it’s your goddamn car, and I’m not walking home.”
“Fine, then. Stay,” I say.
I look away from the Waffle House window and back
toward the highway. The traffic keeps going by, candy-painted SUVs,
slick sports cars, an eighteen-wheeler.
“I should take you to your hotel,” Brian says
quietly, but he doesn’t start the engine and he doesn’t get out of
the car, and we sit there like that, waiting for something better
to present itself.