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CHARLEY de MILO

By Laurence Mark Janifer

 

It isn't at all obvious--at first thought--that having two perfectly good, usable arms could be a real handicap to a man....

 

"To be, or not to be--that is the question. Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms ..." Hamlet, Act III, Scene I

The rocket was on the way up, but Professor Lightning didn't seem to care. Outside the cooktent Wrout flapped his arms and, on that signal, Seaman started up the big electric band, whooping it up with John Philip Sousa for openers, while all over the midway the lights snapped on, big whites and yellows, reds, greens, purples and dusky violets framing, in a titillating dimness, the front flap of the girlie tent. The outside talkers were busy outside the spectacle tents like Wicks' Hell Drivers, Biggest Auto Show in Fifty States--outside the grind shows, the eats, the rides: "Here and now, for the fourth part of one single dollar bill, the most amazing ..." "... Terrifying and strange beings from the farthest reaches of the Earth who will exhibit ..." "... Dances learned at the Court of the Sultan, Ay-rab dances right here, right on the inside, for only--"

And the crowd, filing in, laughed and chattered and shrieked on swooping rides, the Great Crane, the Space Race, the Merry-Go-Round and the Horses, threw down money to win a kewpie doll, a Hawaiian lei, a real life-size imitation scale model of Luna in three real dimensions ... living it up on the first show, while the rocket climbed on and out, and bubbled excitement in the blood.

The rocket was up: the carnival was open. But Professor Lightning didn't seem to care. He sat in the cooktent with his eyes hooded and hidden under the unshaded glow of a hundred-and-fifty-watt Forever bulb, while Charley de Milo fidgeted his feet, and listened, and tried to cut the old man off.

"Look, professor," he said nervously, "why don't we talk about it later? Table it, till after the show?" He scratched the side of his head with his left foot. "I got to go on in a couple of minutes," he said. "I can hear the talker going now. I got to--"

"Forget the show," Professor Lightning said. His voice was flatter and harsher, and his face more tense, than Charley ever remembered seeing it. "The show isn't important."

Charley blinked, trying to understand. "But, Professor--"

"Listen to me," Professor Lightning said. "The world is at the beginning of a new cultural revolution. Since the Cold War melted, and freedom of inquiry and research began to live again on both sides of the old Iron Curtain, science has begun a new Renaissance. The cultural interflow has--"

"Please, professor," Charley said miserably, rubbing his toes together. "There isn't much time before I got to go on. And you ought to be inside the Science tent, too, because any minute--"

"If I am not in the tent," Professor Lightning said calmly, "I will not appear in the show. It does not matter."

"But they'll fire you," Charley said. He grabbed for a cigarette with his right foot and got it into his mouth. Striking a match with his left foot, he lit the cigarette and blew out a long, ragged plume of smoke. "If you're not there on time," he said in strained tones, "they'll fire you. And what about me?"

Professor Lightning gestured with both big hands. It was the same movement he used every night, when he showed the crowd there were no wires or batteries secreted on his person. Charley half-expected him to grab hold of a couple of light bulbs and show them glowing in his fists. But the gesture was meant, this time, as an aid to relaxation. "Don't worry," Professor Lightning said, in a grating sort of caricature of a soothing tone. "If they fire me ... well, then, they save me the trouble of quitting. And as for you, my boy, a carnival job should be the furthest thing from your thoughts."

"Well, it isn't," Charley said sourly. "And if you'll excuse me, professor, I care how I get the money to eat, even if you don't. I got a good job--"

"You won't need your job," Professor Lightning said, "if you'll listen to me."

Charley made up his mind. Much as he hated to be impolite, there were some things more important than social forms, he decided. He stood up. "After the show, professor," he said with firmness, and went out of the cooktent, heading at a rapid dogtrot for the big tent at the other side of the midway. As he reached it he could see Dave Lungs, the outside talker, climb up on the front platform to begin his spiel.

"Marvels of the world!" Dave announced without preliminary. "Wonders of the natural universe! Surprises and startling sights for every member of the family!" By the time he had got that far, a crowd was beginning to collect in front of the platform. "For the fourth part of a single dollar bill--" Dave went on, but Charley didn't have the time to listen; he was in the bally.

He lifted the backflap of the tent with one foot, and wriggled inside.

As he made his way to the cluster of people near the front flap, past the booths and stands, he felt an enormous sense of relief. He had made it--with all of fifty seconds to spare.

Ned and Ed stood next to him. "Where you been?" Ed said in a nasal whisper.

"I got held up," Charley explained. "Professor Lightning, he was talking to me, and--"

"Later," Ned said. His voice was lower and throatier than Ed's; it was the only way Charley could tell them apart, but then, he thought, nobody ever had to tell them apart. They were, like all Siamese twins, always together. "We're going on," Ned said, and he and his twin moved forward.

Charley moved into place behind them, and came out blinking in the glare of the front platform.

"Siamese twins," Dave was shouting. "A contemporary marvel of science, ladies and gentlemen--and here we have ..."

Charley stepped forward as Ned and Ed stepped back into the shadows again.

"... Charley de Milo! Ladies and gentlemen, the world-wide fame of this brave and talented boy is stupendous! His feats of skill will amaze you! Watch him thread a needle! Watch him comb his hair! And all for one thin quarter, ladies and gentlemen, only the fourth part--"

The electronic band choked on Sousa, coughed and began again with Kabalevsky. Charley watched the audience below, staring up at him, hundreds of faces. He heard their gasp as he flexed his shoulders and turned. He grinned down, taking a second longer than usual, and then stepped back, still grinning.

"Charley de Milo, the Armless Wonder!" Dave said. "And many more sights inside, ladies and gentlemen, sights to amaze you, sights to chill your very blood, sights ..."

* * * * *

One-thirty, and the last show over. The rocket had come down for the night; all over the midway lights were blinking off and silence was creeping, like a stain, over the ground. Professor Lightning was sitting on his bunk, in the small tent he shared with Erma the Fish Girl. Erma was out drinking with Dave Lungs and some of the others, and only the professor and Charley de Milo were in the room. Charley was sitting on Erma's bunk, looking resigned.

"Well, if you still want to talk to me," he said, "now's your chance. O.K.?"

"I certainly want to talk to you," Professor Lightning said firmly. "I want to tell you of the most important moment of your life."

Charley tried to think of something to say to this, but there wasn't anything. He shifted on the bunk, scratched at his nose with his left foot, and grinned spastically. "Sure," he said at random. "And, by the way, I'm sorry about before, professor. But the show was going on, and--"

"The show," Professor Lightning said, in tones of the utmost contempt. "Forget about the show--now, and tomorrow, and forever."

"But--"

"No words," Professor Lightning said, raising a hand delicately. "Please. Allow me to tell you of my invention."

Charley sighed and lay back on the bed. "Invention, professor?" he said. "You mean sort of a machine?"

For some reason, Professor Lightning looked irritated. "It's not a machine," he said flatly. Then he sighed and his tone changed. "Charley, my boy," he said, "do you remember what I was telling you before? About how the world has entered a new Age of Science? How new inventions, new discoveries, are coming along every day?"

"Well, sure," Charley said. "The papers talk about it every once in a while. You know, I see the papers, or the Chicago American, anyhow. My mother sends it to me. She likes the columns."

"Why," Professor Lightning went on, as if he hadn't been listening at all, "right here in Wrout's Carnival Shows, we have things that just didn't exist ten or fifteen years ago. The electronic band. The Forever bulb."

"That's right," Charley put in. "And look at Joe Wicks. Why, he can do tricks with all those new things they got on cars, tricks nobody ever did before or even thought about in the old days."

"And more fundamental discoveries," the professor said. "Chadwick's Law of Dimensionality, Dvedkin and the Ontological Mean ... oh, I keep up with the literature. No matter what's happened to me, I keep up with the literature."

Charley sighed, very softly so as not to injure the professor's feelings. But he did hope the old man wasn't going to start on all those stories about his lost career again. Charley knew--everybody in the Wrout show did--that Professor Lightning had been a real professor once, at some college or other. Biology, or Biological Physics, or something else--he'd taught classes about it, and done research. And then there had been something about a girl, a student the professor had got himself involved with. Though it was pretty hard to imagine the professor, white-haired and thin the way he was now, chasing after a girl.

He'd been fired, or something, and he'd drifted for a while and then got himself an act and come with a Carnival. Charley knew the whole story. He didn't want to hear it again.

But the professor said: "I'm as good as I ever was--better than I ever was, my boy. I've been keeping up, doing experiments. I've been quiet about it."

Everybody, Charley thought, knew about Professor Lightning and his experiments. If they kept the old man happy, kept him contented and doing shows, why not? After all, the old guy didn't drink or anything really serious; if he wanted to play around with test tubes and even Bunsen burners, people figured, why, let him.

But Professor Lightning thought nobody knew. Well, he had been a real professor once, which is to say a square. Some people never really adjusted to carny life--where everybody knows everything.

Charley figured maybe it was better to act surprised. "Really?" he said. "Experiments?"

Professor Lightning looked pleased, which satisfied Charley. "I've been on the track of something big," he said. He seemed to be talking more to himself than to Charley. "Something new," he said. "And at last ... at last, my boy, I've found it. I'll be famous, Charley, famous--and so will you!"

"That's nice," Charley said politely. Then he blinked. "But what do you mean," he added, "me?"

"I want you to help me," the professor said. He leaned forward, and in the dim light of the tent's single lamp, his eyes glittered. "I want you to come with me."

"Come with you?" Charley said, and swallowed hard. He'd never thought, the way some did, that the old man was crazy. But it did look as if he'd slipped a couple of cogs for sure and for real. "Where?" Charley said.

"Washington," the professor said instantly. "New York. London, Paris. Rome. The world, Charley. The world that's going to do us homage."

Charley shifted a little in the bed. "Look, professor," he said, "I've got a job, right here in the carny. I couldn't leave here. So suppose we just--"

"Your job?" the professor said. "Your job's gone, my boy. Wait. Let me tell you what I've discovered. Let me tell you what has happened--happened to you, my boy. To you, and to me."

Charley sat upright, slowly. "Well," he said, "all right, professor."

Professor Lightning beamed, and his eyes glittered brighter and brighter. "Limb regeneration," he said, and his voice was as soft and quiet as if he'd been talking about the most beautiful woman in the world. "Limb regeneration."

* * * * *

Charley waited a long minute before he admitted to himself that he didn't have the faintest idea what the professor was talking about. "What?" he said at last.

Professor Lightning shook his head slightly. "Charley," he said softly, "you're an Armless Wonder. That's right, isn't it?"

"Sure it is, professor," Charley said. "You know that. I was born that way. Made a pretty good thing out of it, too."

"Well," Professor Lightning said, "you don't have to be one. Can you realize that?"

Charley nodded slowly. "Sure I don't," he said. "Only it's pretty good money, you know? And there's no sense in sitting around back home and feeling sorry for myself, is there? I mean, this way I can make money and have a job and--"

"No," Professor Lightning said emphatically.

Charley blinked. "No?" he said.

Professor Lightning shook his head, meaningfully. "Charley, my boy," he said, "I don't mean that you should go home and mope. But think about this: suppose you had your arms? Suppose you had two arms, just like everybody else."

"Why think about anything like that?" Charley said. "I mean, I am what I am. That's the way things are. Right?"

"Wrong," Professor Lightning said. "I can give you arms, Charley. I can make you normal. Just like everybody else."

"Well," Charley said. After a few seconds he said: "Gee." Then he said: "You're kidding me, professor."

"I'm perfectly serious," Professor Lightning said.

"But--"

"Let me show you," Professor Lightning said. He stood up and went to the flap of the tent. "Come with me," he said, and Charley got up, dumbly, and followed him out into the cool darkness outside.

Later, Charley couldn't remember all that Professor Lightning had showed him or told him. There were some strange-looking animals called salamanders; Professor Lightning had cut their tails off and they'd grown new tails. That, he said, happened in nature. But he had gone a step farther. He had isolated the particular factor that made such regrowth possible.

Charley remembered something about a molecular lattice, but it didn't make any sense to him, and was only a puzzle. But the professor told him all about the technique, in a very earnest and scientific voice that was convincing to listen to, and showed him mice that he'd cut the tails off of, and the mice had brand-new tails, and even feet in one or two cases. There were a whole lot of small animals in cages, all together in back of the professor's tent, and Charley looked at all of them. The professor had a flashlight, and everything was very clear and bright.

When the demonstration was over, Charley had no doubts at all. It was obvious to him that the professor could do just what he said he could do: grow limbs on things. Charley scratched his head with his left foot, nervously.

"That's why I came to you," the professor said. "I need a human being--just to show the scientific world that my technique works on human beings. And I've worked with you for a number of years now, Charley."

"Five," Charley said. "Five since you came with Wrout."

"I like you," the professor said. "I want to make you the first, the very first, person to be helped by my technique."

Charley shifted his feet. "You mean you want to give me arms," he said.

"That's right," the professor said.

"No," Charley said.

* * * * *

Professor Lightning nodded. "Now, then," he said. "We'll get right to work on ... Charley, my boy, what did you say?"

Charley licked his lips. "I said no," he said.

Professor Lightning waited a long minute. "You mean you don't believe me," he said at last. "You think I'm some sort of a crackpot."

"Not at all," Charley said politely. "I guess if you say you can do this ... well, I see all the animals, and everything, and I guess you can do it. That's O.K."

"But you're doubtful," Professor Lightning said.

Charley shook his head. "No," he said. "You can do it, all right. I guess I'm sure of that, professor."

"Then," the professor said, in a tenser voice, "you think it might be dangerous. You think you might be hurt, or that things might not work out right, or--"

"Gee," Charley said, "I never thought of anything like that, professor. I know you wouldn't want to hurt me."

"I certainly wouldn't," Professor Lightning said. "I want to help you. I want to make you normal. Like everybody else."

"Sure," Charley said uncomfortably.

"Then you'll do it," Professor Lightning said. "I knew you would, Charley. It's a great opportunity. And I offered it to you because you--"

"Gee, I know," Charley said, feeling more uncomfortable than ever. "And don't think I don't appreciate it. But look at it my way, professor." He paused. "Suppose I had two arms--just like everybody else, the way you tell me. What would happen to me?"

"Happen?" Professor Lightning blinked. "Why, Charley ... why, you could do anything you liked. Anything. You'd have the same opportunities as anybody else. You could be ... well, my boy, you could be anything."

"Could I?" Charley said. "Excuse me for talking about this, professor, but I've had a lot of time to think about it. And it's all sort of new to you. I mean, you weren't born the way I was, and so you just don't understand it."

Professor Lightning said: "But, my boy--"

"No." Charley said. "Let me explain this. Because it's important." He cleared his throat, sat down on the ground and fumbled for a cigarette. He found one in his shirt pocket, carried it to his lips with his right foot, and lit a match with his left. When he was smoking easily, he went on.

"Professor, do you know how old I am?" he said. "I'm forty-two years old. Maybe I don't look it, but that's how old I am. Now, I've spent all my life learning to do one thing, and I do a pretty good job of it. Anyhow, good enough to get me a spot with Wrout's show, and probably with anybody else I wanted to work for."

"But your arms--?" the professor said.

"That's what I mean," Charley said. "I don't have any arms. I never had any. Maybe I miss 'em, a little--but everything I do is based on the fact that I don't have 'em. Now, professor, do you know what I am?"

Professor Lightning frowned. "What you are?" he said.

"I'm an Armless Wonder," Charley said. "That's a pretty good thing to be. In a carny, they look up to an Armless Wonder--he's a freak, a born freak, and that's as high as you can go, in a carny. I get a good salary--I send enough to my mother and my sister, in Chicago, for them to live on. And I have what I need myself. I've got a job, professor, and standing, and respect." He paused. "Now, suppose I had arms. I'd have to start from scratch, all over again. I'd have to start from the bottom up, just learning the basic elements of any job I signed on for. I'd be a forty-two-year-old man doing the work of an eighteen-year-old. And not making much money. And not having much standing, or respect."

Charley took the cigarette out of his mouth with his right foot, held it for a second and put it back.

"I'd be normal," he said. "I'd be just like everybody else, professor. And what do I want anything like that for?"

* * * * *

Professor Lightning tried everything, but it wasn't any good. "Fame," he said, and Charley pointed out, calmly and reasonably, that the kind of fame he'd get from being an experimental subject was just like being a freak, all over again--except that it would wear off, and then, he asked, where would he be? Professor Lightning talked about Man's Duty to Science, and Charley countered with Science's Duty to Man. Professor Lightning tried friendship, and argument, and even force--but nothing worked. Incredible as it seemed to the professor, Charley was content to remain a freak, an Armless Wonder. More, he seemed to be proud and happy about it.

It was too bad that the professor didn't think of the one argument that might have worked. In the long run, it wouldn't have made any difference, perhaps--but it would have cleared matters up, right there and then. Because the one workable argument had a good chance of succeeding.

But, then, Professor Lightning really didn't understand carny. He never thought of the one good argument, and after a while he gave up, and went away.

Of course, that was several days later. Professor Lightning told Charley that he was leaving for New York, and Charley said: "What? In the middle of the season?" Then he told Wrout, and Wrout screamed and ranted and swore that Professor Lightning would never work in carny again. "I'll have you blacklisted!" he roared.

And Professor Lightning shrugged and smiled and went away to pack. He took all his notebooks, and all the cages with little animals in them, and he didn't seem at all disturbed. "I'll find another subject," he told Charley, when he left. "When they find out what I've got, in New York, they'll provide me with subjects by the hundred. I did want to help you ..."

"Thanks," Charley said honestly.

"... But that's the way things are, I suppose," Professor Lightning said. "Maybe some day you'll realize."

Charley shook his head. "I'm afraid not, professor," he said, and Professor Lightning shook Charley's foot, and left, and Charley went back to work in the freak show, and for a while he didn't even think about Professor Lightning. Then, of course, the news began to show up in the Chicago American, which Charley got two or three days late because his mother sent it to him by mail.

At first Charley didn't realize that Dr. Edmund Charles Schinsake was Professor Lightning, but then the American ran his picture; that was the day Professor Lightning was awarded a medal by the AMA, and Charley felt pleased and happy for the old man. It looked as it he'd got what he wanted.

Charley, of course, didn't think much about the professor's "limb regeneration"; he didn't need it, he thought, and he didn't want it, and that was that.

And then, one night, he was dropped from the bally, and he asked Dave Lungs about it, and Dave said: "Well, we want the biggest draw we can get, out there before the show," and put Erma, the Fish Girl, out in his place. And Charley started to wonder about that, and after a few days had gone by he found himself talking about it, to Ed Baylis, over in the cooktent while they were having lunch.

Baylis was a little man of sixty or so, with a wrinkled face like a walnut and a powerful set of lungs; he was Wrout's outside talker for the girlie show. "Because I'm old," he said, grinning. "I don't have trouble with the girls. And if I got to take one off the bally or out of the show there's no personal stuff that would make it tough, see what I mean?"

"That's what I'm worried about," Charley said.

"What?" Ed asked. He speared a group of string beans with his fork and conveyed them to his mouth. Charley, using his right foot, did the same.

"The bally," Charley said. "The way things are, Dave took me off, and I'm worrying about it."

"Maybe some kind of a change," Ed said.

Charley shook his head. "He said ... he said he wanted the biggest draw out there. Now, you know I'm a big draw, Ed. I always have been."

"Sure," Ed said. He chewed another mouthful and swallowed. "Still, people want a change now and then. Doesn't have to mean anything."

"Maybe not," Charley said uncomfortably. But he wasn't convinced.

* * * * *

The season drew to a close, and Charley went off to the Florida Keys, where he spent a month living with some friends before holing up with his mother and sister for the winter. He was offered a job in New York, at a year-round flea museum in Times Square, but after some thought he decided against it. He'd never had to work winters, and he wasn't going to start.

After all, he was still doing well, wasn't he? He told himself emphatically that he was. He was an Armless Wonder, a born freak, the top of the carny ladder, with a good job wherever he cared to look for one.

He had to tell himself that quite a few times before he began to believe it.

Spring came, and then summer, and Charley kissed his mother and his sister good-by and joined Wrout's Carnival Shows in Summit, Idaho, three days before their opening. He didn't notice much change from previous years, but it took an effort not to notice some things.

Not like the new man who'd taken Professor Lightning's place--a tall thin youngster who had an Electric Chair act. Or like the periodic quarrels between Ned and Ed; it seemed they'd met a girl over the winter season, and disagreed about her. Ed thought she was perfectly wonderful; Ned couldn't see her for beans.

No, things like that were a part of carny; you got used to them, as the show rolled along year after year, and paid no more attention to them than a housewife pays to rather uninteresting back-fence gossip.

It was something else that had changed, something important.

His contract, for instance. It was made out for the same pay as he'd been getting, but the option periods were shortened up; suddenly, Charley was living from season to season, with almost no assurance of continuous, steady work. Old man Wrout had looked a little less than happy when he'd given Charley the contract; he'd almost seemed ashamed, and he hadn't really looked Charley in the eye once. But when Charley asked what was wrong, he got no answer.

Or none that meant anything. "It's just the way things are," Wrout muttered. "Don't make no difference, kid."

But it did make a difference. Charley wasn't out in the bally any more, either; he was backstage among the second-rate acts, the tattooed man and the fire-eater and the rest, while Erma and Ned and Ed and the top-liners took their bows out before the crowd, pulling them in, and got the gasps and the applause.

The crowds in front of his own platform, inside during the show, were smaller, too. At first Charley thought that was due to the bally itself, but as the season began and wore on, the crowds continued to shrink beyond all expectation. Counting as he worked, combing his hair with one foot, drawing little sketches for the customers ("Take one home for only one extra dime, a treasured souvenir especially personalized for you by Charley de Milo")--counting the house, he discovered one evening that he was the smallest draw in the tent. The tattooed man did better than Charley de Milo, which was enough of a disgrace; the rest were so far ahead that Charley didn't even want to think about it.

His first idea was that somebody was out to get him. He could feel the muscles of his shoulders and back bunching up when he tried thinking what to do about the sabotage that had struck him; but an Armless Wonder has one very real disadvantage. He can comb his own hair and brush his own teeth; he can feed himself and--with proper clothing--dress himself; he can open doors and shut windows and turn the pages of books. But he can't engage in a free-for-all fight, not without long and careful training in that style of battle known as savate, or boxing with the feet. Charley had never learned savate; he had never needed it.

For the first time since he could remember, he felt helpless. He wasn't normal; he couldn't do what any normal man could do. He wanted to find the man who was sabotaging his show, and beat him into a confession, and throw him off the lot--

And he couldn't.

The muscles of his back pulled and pulled at him. He clenched his jaw. Then Dave Lungs came over to his platform and he forced himself to relax, sweating. There were four or five people behind Dave, ordinary marks with soft, soft faces and round eyes. While Dave talked Charley went through his act; perhaps ten other marks were scattered in the tent, standing at other platforms, watching other acts even without Dave there to guide them and talk them up.

And when he was through Dave sold exactly one of the sketches Charley had done. One. An old man bought it, a chubby little Santa Claus of a man with eyes that twinkled and a belly that undoubtedly shook like a jelly bowl when it was freed from its expensive orlon confines. Dave went off to the next platform, where Erma stood, and the marks followed him, and more drifted over. Erma had ten customers, Charley noticed, and he grabbed a handkerchief from the platform floor and wiped his damp face with one foot.

* * * * *

Something's wrong, he thought stupidly, and he must have said it aloud because, at his feet, a high, thin old voice said: "What was that, son? Did you say something?"

"Nothing at all," Charley mumbled, and looked down. The Santa Claus man was staring up at him. "Show's over," Charley said, more curtly than he meant. He took a deep breath and set his feet more firmly on the platform, but it didn't do any good. He was like a coiled spring, waiting for release.

"I don't expect any show," Santa Claus said. "Really I don't. But I did want to talk to you for a few minutes, if you don't mind."

"I'm not in a talking mood," Charley said. "Sorry." He was ashamed of the words as soon as he brought them out; that was no way to treat any stranger, not even a mark. But it was a long second before he could say anything else. Santa Claus stood watching him patiently, holding Charley's sketch by one corner in his left hand.

"I'm sorry," Charley said at last. "It ... must be the heat. I'm kind of on edge."

"Of course," Santa Claus said. "I understand. Really I do."

There was a little silence. Dave and the crowd trailed away from Erma and headed for Senor Alcala, the fire-eater at the end of the row. Charley barely heard Dave's spiel; he licked his lips and said: "You wanted to talk to me."

"Now," Santa Claus said, "I don't want you to be ashamed of anything. There's nothing personal in this, really there isn't. But I do want to help if I can, help anyone who needs help."

"I don't need help," Charley said. "I'm sorry." He tried to keep his voice gentle. The old man obviously meant well; there was no sense in hurting him.

"It's your ... infirmity," Santa Claus said. "Boy, have they been keeping the news from you?"

"News?" Charley said, with a sudden sick feeling.

"In New York," Santa Claus said. "There's a doctor there--a man who can help people like you. He has a new technique. I was reading in the papers just the other day--there was a man injured in a railroad accident, who lost one arm and one leg. This doctor used him as his first subject."

"He said he'd find another one," Charley put in without thinking.

"Another?"

"It doesn't matter," Charley said. "You were going to suggest that I go and see this doctor. Is that right?"

"Well," Santa Claus said, seeming oddly embarrassed, "it can't hurt, you know. And it might help. Really it might. And then ... then you might not have to ... have to be the way you are, and do what you do."

Charley took a long breath. "I'll think about it," he said, in the very politest tone he could manage.

"I only want to help," Santa Claus said.

"I'm sure you do," Charley said. "And thanks."

"If there's anything I can do--"

Charley smiled down. "That's all right," he said. "Thanks. But I guess you'd better join the rest--if you want to see the show at all."

Santa Claus said: "Oh. Of course." He turned and found the group just leaving Senor Alcala's platform, and scurried off to catch up with them. Charley stared at his retreating back, fighting to stay calm.

That was the way marks were, of course, and there wasn't anything to be done about it. It was always "the way you have to be," and "the things you have to do." It never seemed to enter their heads that pity was unnecessary baggage where a born freak was concerned, any more than it had entered Professor Lightning's head. A born freak, Charley reflected, had a pretty good life of it, all told; why, even marriage wasn't out of the question. Charley knew of some very happy ones.

But the marks pitied you, Charley thought. And maybe it wasn't especially smart to tell them anything different; pity, as much as anything else, keep them coming. Pity, and a kind of vicarious victory. When Charley threaded a needle, he was telling all the marks: "It doesn't matter what kind of accident happens to you--you can overcome it. You can go on and do anything. It's all what you make it--everything, every bad turn life hands you can be made into something better. If I can do it, you can do it."

That was what the marks felt, Charley thought. It was wrong-headed, it was stupid, and it could be a simple nuisance--but it brought in the dough. Why argue with it? Why try to change it?

Charley nearly grinned. The crowd of marks moved on down the other side of the tent, and Charley watched them. Ned and Ed drew the biggest crowd, an attentive, almost rapt crew who could be suckered into buying anything the Siamese twins wanted to sell them. Dave milked them for all they were worth, and Charley nodded quietly to himself. Dave was a good carny man.

He worked for the good of the show. Or--did he?

Dave had taken him off the bally. Did Dave have some reason to hate him? Could Dave be out to get him?

Charley couldn't think why, but it was a lead, the only one he had. And if Dave did turn out to be behind everything that was happening, Charley knew exactly what he was going to do.

He couldn't beat Dave himself.

But he had friends--

* * * * *

After the show, that night, Charley went hunting for Ed Baylis. Ed had been around Wrout's a long time, and if anything were going on Ed would know about it. Charley went down to the girlie tent, and found Ed just clearing up. All over the midway, the lights were going out, and the Mars Race game gave one final roar and came to a halt. The last customers were leaving.

Ed looked up when he came over. Charley didn't ease into the subject; he couldn't. "Something's wrong," he said at once. "I'm off the bally, and the crowds are going down. I don't like it, Ed."

Baylis shrugged. "Who would?" he said.

"But--something's wrong," Charley said. "Ed, you know what's happening. You get the word. Let me in on it."

"I don't know anything about this," Ed said at once. But his face was still, his eyes shuttered in the darkness.

Charley kept after him. They went behind the girlie tent, talking softly. Overhead a rocket burned by, but neither man looked up.

At last Ed sighed. "Just forget about it," he said. "Just do your job. That's all that matters. You don't want to know anything else."

"Why don't I?" Charley said. "Sure I do. And it's no good telling me to do my job. The way things are running, Ed, I'm not going to have a job very long."

"There's nothing you can do about it," Ed said. "Believe me. You don't want to know because knowing wouldn't do you any good. And you wouldn't believe me if I told you."

"Try me," Charley said. "Go ahead." He scratched at one shin with the other foot.

"Well," Ed began, and then stopped. He shook his head. "Look, Charley, let me tell this my way. Something like this happened before. A long while back--before the Cold War started, let alone ended."

"Go ahead," Charley said. A drop of sweat ran slowly down his forehead. He tried to ignore it.

"Did I ever tell you I used to talk for a strong-man act?" Ed said. "Not a sideshow talker, nothing like that; this guy had an act of his own, full tent and flies. Gondo, his name was, and I can still see those flies: Eighth Wonder of the World up on top, red on blue, and just Gondo underneath, pure white with red outlining. Class, but flashy, if you see what I mean. You never saw the like, kid."

Charley shook his head. "O.K.," he said. "But what does this have to do with--"

"Well," Ed cut in, "that was years ago; I was a youngster, pretty well just setting out. And Gondo drew crowds--big crowds. Lifting a wagonload of people on his back--that was one of his tricks. I think Sandow himself used to do it, but he had nothing on Gondo; the guy had style. Class. And he was a draw; I was working for J. C. Hobart Shows then, and there was nothing on the lot to top him."

Ed paused, rubbing at his chin reflectively.

"Then the crowds started to fall off," he said. "Just like with you, Charley. And nobody knew why. Gondo was doing the same act--no change there. So the change had to be some place else."

"Same with me," Charley said.

"Sure," Ed said. "The same with you. Charley, do you follow the papers?"

"I guess so," Charley said. "One, anyway. My mother sends it to me from Chicago. She likes the--"

"Sure," Ed said. "Well, did you ever hear about a Dr. Schinsake? Edmund Charles Schinsake?"

Charley snorted in surprise. "Who do you think you are?" he said. "Santa Claus?"

"What?"

"Nothing," Charley said. "It's just ... well, nothing. But sure, I know the guy. And so do you." He explained.

"Professor Lightning?" Ed said. "I never saw a picture. But it doesn't matter--except maybe it'll make the guy easier to see. Because this is it, Charley; I think you ought to go and see him."

There was a little silence.

"You, too?" Charley said. "You mean, so I can stop being a poor, poor cripple and stop making lots of money? Is that what you're talking about?"

"Listen, Charley," Ed said. "I--"

"Just give up," Charley cut in. "That's what you want me to do. Just give up and go to the good old doctor and ask him to give me some arms. Is that what you wanted to tell me about this Gondo of yours? How he just gave up and got a nice little white cottage some place and got a nice little low-paying job and lived unhappily ever after, because a carny isn't a healthy, well-adjusted life? Is that it, Ed?"

Ed Ribbed at his chin. "No, Charley," he said. "No, kid. Not at all. But I think you ought to--"

"Well, I won't," Charley said. "Look, Ed: I want you to get this straight. I don't care who's against me, or what they've got planned. I'm not going to give up. I'm going to find out what's going on, and I'm going to lick it. Have you got it?"

Ed sighed. "I've got it," he said. "But, Charley: there are some things you don't lick."

"I'll find out," Charley said. "Believe me, Ed. I'll find out."

* * * * *

But nobody else knew a thing--or, at least, nobody was willing to talk. Ned and Ed offered any help they could give--but said nothing that helped. Erma was puzzled, but ignorant; Senor Alcala knew nothing, and no one else was any better off, as far as Charley could discover.

After a week, Charley decided there was only one person for him to see. Ed Baylis had recommended him, and so had the little Santa Claus. Professor Lightning didn't look like much of a lead, but there was nothing else left. The audience was still dropping, little by little, and Charley knew perfectly well that something had to be done, and fast.

Getting a leave of absence was even easier than he'd expected it to be; and that was just one more proof of how far his standing with the show had dropped. People just didn't care; he wasn't a draw any more.

And his standing with the carny was all he had left. He had caught himself, lately, wondering if he would really be so badly off with two arms, like everybody else. The idea frightened him, but the way it kept coming back frightened him even more.

Leaving the carny lot, of course, he put on his sandals; outside the carnival, he had to wear shoes. They were laceless, of course, and made to be kicked off easily. Charley slipped into them and thought wryly of the professor and his "scientific Renaissance." The shoes were a new plastic, lightweight and long-lasting, but the dyeing problem hadn't quite been solved. Instead of a quiet, dull brown, they were a garish shade that almost approached olive drab.

Well, he thought, nothing's perfect. He shrugged into a harness and had his single suitcase attached to it; the harness and case were lightweight, too, and Charley headed for the station walking easily.

He climbed aboard the train and dropped his suitcase into the Automatic Porter, and then went to find a seat. The only one available was next to a middle-aged man chewing a cigar in a sour silence. Charley slipped into his seat without a word, and hoped the man would ignore him. He had a face like an overripe summer squash, and his big hands, clasped in his lap, were fat and white, covered with tiny freckles. Charley leaned back and closed his eyes.

A minute or so passed in silence.

Then a voice said: "Heading for New York?"

"That's right," Charley said tiredly. He opened his eyes. The middle-aged man was leaning toward him, smelling of his cheap cigar.

"Likewise," the man said. His voice was hoarse and unpleasant. "I thought you might be."

"That's right," Charley said. "Long trip." He hoped desperately that the man would leave him alone. He wasn't on display now; he wanted the time to think, to try and figure out what had been happening. He had to have some questions to ask Professor Lightning, and that meant that he had to have some sort of plan of action.

"Going to see that doctor," the middle-aged man said. "That right?"

"That's right," Charley said. Apparently Professor Lightning had become a nine-day wonder; anyone going to New York was presumed to be going to see him.

Then Charley corrected himself. Not anyone.

Any cripple.

"Get the arms fixed, right?" the middle-aged man said.

"That's right," Charley said for the third time. Maybe the man would take the hint.

But he had no such luck. "That's a fine thing the doctor is doing," he said. "I mean, helping all these people. Don't have to be ... well, look, bud, don't take me personally."

"I don't mind," Charley said. "I'm used to it."

"Sure," the man said. "Hey, by the way. My name's Roquefort. Al Roquefort."

"Charley de Milo," Charley said.

"Glad to know you," the man said. "So while we're traveling companions, you might say ... might as well get to be friendly."

"Sure," Charley said tiredly. He looked round the car. A great many people seemed to be heading East. There were no other seats. Charley sighed and shrugged himself deeper into the upholstery.

"You know," Roquefort said suddenly, "I can't help thinking."

"Oh?" Charley said, fidgeting his feet.

"That's right," Roquefort said. "I mean, all these people. And Dr. Schinsake. I remember once, I went to a circus, or a sideshow."

"Carnival, probably," Charley put in, knowing exactly what was coming.

"Something like that," Roquefort said. "Anyhow, they had this sideshow, and there was a man there without any legs. Did all kinds of tricks--got along real good. But I can't help thinking now: he wouldn't have to get along that way any more. Because this doctor would fix him up."

"I guess so," Charley said wearily.

"Sure," Roquefort said. "It's a great thing, what he's doing. All these freak shows ... you understand, it's just a name for them--"

"I understand," Charley said. "Don't worry about it." He shifted his feet nervously. Shoes always felt a little uncomfortable, even lightweight sandals; he felt trapped in them. Now, if he had arms and hands ...

He choked the thought off before it got any further.

"All these shows," Roquefort said, "why, there isn't any need for them any more. I mean the people without legs, or arms, anyhow. See? Because this doctor--"

"I see," Charley said.

"Why, anybody works in a show like that, I mean without arms or legs--why, he's just crazy, that's all. When he can get help, I mean."

"Sure," Charley said uneasily. "Sure, he's just crazy."

Roquefort chomped on his cigar and looked solemn and well-informed. Charley shivered slightly, and wondered why.

"Just crazy." Was that what they thought, he wondered. Was that what they were thinking when they looked up at him?

He shivered again and slipped his shoes off quietly. Immediately, he felt a little better.

But not very much.

* * * * *

New York was a madhouse worse than any carnival Charley had ever seen. He made his way, harness and suitcase on his back, through the station crowds and out into the taxi ramp. A line of the new cabs stood there, and Charley managed to grab one inches ahead of a woman with a small, crying child in tow. He gestured to the driver with his head, and the door slid open. He stepped inside, released the catch that let his suitcase thump to the floor, and sat down with a sigh.

"Tough, hey?" the cabbie said. His glowing nameplate read David Peters Wells. He turned around, showing a face that had little in common with the official license photo, under his name. He was swarthy and short, with large yellowing teeth and tiny eyes. "Where to, Mac?" he said.

Charley licked his lips. "I really don't know," he said.

The cabbie blinked. "What?"

"I'm going to need some help," Charley said. "I want to find a Dr. Schinsake, but I don't know where he is. If you can drive me to a drugstore, where we can look him up in a phone book--"

"Dr. Schinsake?" the driver said. "That's the guy who grows things? I mean, arms and legs? Like that?"

"That's right," Charley said.

"O.K., buddy," the driver said. "Just hang on." The cab started with a cough and a roar, and shot out of the terminal like a bazooka shell. Over the noise of travel, the cabbie said: "Going to get yourself fixed up? No offense, Mac."

"No offense," Charley said. "I'm just going to talk to him."

"Oh," the cabbie said. "Sure." There was silence for a second. Then the cabbie turned around. The machine shot ahead, down a wide avenue filled with cars. Charley took a deep breath and forgot to let it go. "You know," the cabbie said, "I seen something funny the other day."

"Really?" Charley said, through clenched teeth.

The cabbie turned back casually, flicked the wheel to avoid an oncoming truck, and continued: "Funny, yeah. Went to the Flea Museum ... you know, the sideshow here, on Forty-second?"

"I know it," Charley said. He'd been offered winter work in the place several times, though he'd never accepted. Everyone in carny life knew of the place.

"And, anyhow, I went down the other day, and there was this guy ... he was like you, Mac, I mean no arms. You don't mind me talking about it?"

Apparently everybody thought he was sensitive on the subject, Charley reflected tiredly. "I don't mind," he said.

"Sure," the cabbie said. A red light showed ahead and the cab screeched to a halt. "Anyhow, there he was, like a freak, you know? Hell, Mac, I was mad. I mean mad. The guy wants me to pay money to see him; he don't want to go get cured. He's like lazy, Mac. Lazy. Wants to sit around and let me pay money I work hard for, like some kind of a stuffed exhibit he thinks he is." The light changed; the cab shuddered and moved on. "And this doctor right here in the same city. Now, what do you think of that?"

Charley shrugged. "I wouldn't know," he said cautiously. He took out a cigarette with his left foot, lit it with his right, and slid both feet back into his shoes. "Nearly there?" he asked.

"No offense, Mac," the cabbie said, sounding obscurely troubled. "We're there in a minute." He turned and stared narrowly at Charley. The cab shot blindly on. "Say, listen. That with the cigarette. You belong to some kind of sideshow? I mean, no offense--"

"No offense," Charley said. "That's right. I'm with a carnival."

"We'll, you're doing the right thing," the cabbie said, turning back to the road again. Amazingly, there was no obstruction before them. "I mean, a guy has to be honest. With this doctor around, you can't be a no-arms guy any more; it's not fair. Right?"

Charley licked his lips. The cab stopped.

"Here we are," the driver announced.

Charley indicated his grouch-bag, still heavy with dollar bills, hanging round his neck. With scrupulous care, the driver extracted one bill. "Keep the change," Charley said. "And thanks for the conversation."

He stepped out, hooking the suitcase to his harness as he did so. And there, in front of him, was a small white-faced stone building. The cab roared away behind him, and Charley started across the sidewalk.

Now, in New York, he had found out what he was going to ask Professor Lightning. And it was the one thing he hadn't thought possible.

* * * * *

One flight of stairs led straight up from the doorway, and Charley took it slowly. At the top was a great wooden door with a brass plate screwed to it, and on the brass plate a single name was incised: Dr. E. C. Schinsake. There was nothing else. Charley slipped the shoe off his right foot, and rang the bell.

A voice inside said: "Who's there? Who is it, please?"

"It's me, professor," Charley called. He slipped the sandal back on. "Charley de Milo. I came to see you."

"Charley--" There was a second of silence. "Charley de Milo?" Professor Lightning's grating voice said. "From the show?" Footsteps came across a room, and the door swung open. Professor Lightning stood inside, just as tall and white-haired as ever, and Charley blinked, looking at him, and past him at the room.

People didn't live in rooms like that, he thought. They were only for the movies, or maybe for millionaires, but not for people, real people that Charley himself knew to talk to.

The furniture--a couch, a few chairs and tables, a phonograph--was glitteringly new and expensive-looking. The walls were freshly painted in soft, bright colors, and pictures hung on them, strange-looking pictures Charley couldn't make sense out of. But they looked right, somehow, in that room.

On the floor there was a rug deeper and softer-looking than any Charley had ever seen. And, away to the right, two floor-length windows sparkled, hung with great drapes and shining in the daylight. There were flowers growing outside the sills, just visible above the window frames. Charley gulped and took a breath.

"Come in," Professor Lightning said. "Come in." In the midst of the riot of wealth, the professor didn't seem to have changed at all. He was still wearing the same ratty robe he'd worn in the carnival, his hair was still as uncombed. It was only on second glance that Charley saw the look in his eyes. Professor Lightning was Dr. Schinsake now; the eyes said that, and were proud of it. And the world agreed with Dr. Schinsake.

Charley came into the bright room and stood quietly until Dr. Schinsake asked him to sit down.

"Well, now, my boy," he said. "You haven't given me a word since you rang the bell, and I would like to know why you're here. Frankly, you're lucky to catch me in; but we were up late last night, working in the labs. I'm afraid I overslept a little." His eyes shone with the mention of his laboratories. It was a far cry from the back of the science tent, Charley supposed.

But he'd come for a definite purpose. He licked his lips, waited a second, and said: "Professor, it's about my arms. What you said you could do."

"Your arms?" The old man frowned. "Now? You've come to me ... Charley, my boy, tell me why. Tell me why you have changed your mind now."

Charley nodded. "I ... I didn't start out here to ask you about my arms," he said. "But on the way I started putting things together. Professor, why do people come to side-shows?"

The old man shrugged. "Entertainment," he said.

"Sure, but there are all kinds of entertainment," Charley said. "Like strong men. There used to be a lot of strong men in carnivals, but there aren't any more. And now I know why. Ed Baylis started to tell me, but I ... well, never mind."

"Charley," the old man said. "What do strong men have to do with--"

"Let me tell you, professor," Charley said. "People don't care about strong men any more; there are too many gadgets around. Nobody has to be a strong man; nobody wants to watch one. They're useless. See?"

"Everyone can be his own strong man," the old man said.

"Right," Charley said. "The chain hoist--machines like that--they killed off the whole act. Years ago. And you've killed off the Armless Wonders and the Legless Wonders, professor. You've done it, all at once."

Professor Lightning shook his head. "I don't see--" he began.

"Anybody can grow new arms," Charley said. "So the man without arms--he's not an object of pity any more. He's just some guy who doesn't want to work. Nobody wants to go and see him; let him grow arms, if he doesn't want to be called a lazy bum. See?"

There was a little silence.

"I see," Professor Lightning said slowly. "Without pity, without a strong sense of identification, there is no audience."

"For me there isn't," Charley said. "Or for anybody like me."

Professor Lightning nodded. "Well," he said. "I hardly meant to ... well, Charley, you came for something else." His face seemed to lengthen. "And I must tell you ... Charley, I have been doing a lot of work. I am hardly a professional scientist; I have been away too long."

"But--"

"It is true," Professor Lightning said sadly. "Never mind; I've had my one discovery--how much an accident, no one may ever know. But I neglected to widen the scope of what I had done; I generalized too rapidly, my boy." He took a deep breath. "The method, the technique, is very complex," he said. "But imagine it this way: a man comes to New York. He explores it. Later, when he goes home, he is asked to draw a map of it--and he can do so, because he has the experience. He has the memory of New York, locked in his mind."

Charley nodded. "What does that have to do with me?" he said.

"The cells ... the cells of the body seem to have such a memory," the professor said. "It is the basis of my technique."

Charley nodded. "O.K.," he said "I don't care how it works, so long as it-- It does work, doesn't it?"

The professor shook his head. Very slowly, he said: "Not for you, my boy. Not for you." He paused. "You see, you were born without arms. In such a case the cellular memory does not seem to exist--like a man who has never been to New York. He cannot draw the map. He has no memory to begin with."

The silence this time was a long one.

At last Charley said: "But somebody could tell him. I mean about New York, so he could draw the map."

"Perhaps," the professor said. "We are working on it. Some day--"

"But not today," Charley said. "Is that it?"

"I ... I'm afraid so," the professor said.

Charley sat for a long time, thinking. He pictured the carnival, and the shrinking audiences. Could he explain to them why he couldn't get arms? Would any audience stop to listen and digest the truth? Charley thought of the armless man in the Flea Museum, and decided slowly that no explanation would be good enough. People didn't stop to make small distinctions. Not in a sideshow. Not in a carnival.

No.

There was only one thing he could do; he saw that clearly. But it took him a long time to find the right words. At last he had them.

"Professor," he said, "suppose I go right back to being a sideshow exhibit--but with a limited audience."

Professor Lightning looked puzzled. "What do you mean?" he said.

"Well," Charley said, carefully and with a sudden, surprising feeling of hope, "you don't happen to need a new guinea pig, do you?"

THE END

 

 

---

Contents

THE FIRST ONE

By HERBERT D. KASTLE

 

The first man to return from beyond the Great Frontier may be welcomed ... but will it be as a curiosity, rather than as a hero...?

There was the usual welcoming crowd for a celebrity, and the usual speeches by the usual politicians who met him at the airport which had once been twenty miles outside of Croton, but which the growing city had since engulfed and placed well within its boundaries. But everything wasn't usual. The crowd was quiet, and the mayor didn't seem quite as at-ease as he'd been on his last big welcoming--for Corporal Berringer, one of the crew of the spaceship Washington, first to set Americans upon Mars. His Honor's handclasp was somewhat moist and cold. His Honor's eyes held a trace of remoteness.

Still, he was the honored home-comer, the successful returnee, the hometown boy who had made good in a big way, and they took the triumphal tour up Main Street to the new square and the grandstand. There he sat between the mayor and a nervous young coed chosen as homecoming queen, and looked out at the police and fire department bands, the National Guard, the boy scouts and girl scouts, the Elks and Masons. Several of the churches in town had shown indecision as to how to instruct their parishioners to treat him. But they had all come around. The tremendous national interest, the fact that he was the First One, had made them come around. It was obvious by now that they would have to adjust as they'd adjusted to all the other firsts taking place in these--as the newspapers had dubbed the start of the Twenty-first Century--the Galloping Twenties.

He was glad when the official greeting was over. He was a very tired man and he had come farther, traveled longer and over darker country, than any man who'd ever lived before. He wanted a meal at his own table, a kiss from his wife, a word from his son, and later to see some old friends and a relative or two. He didn't want to talk about the journey. He wanted to forget the immediacy, the urgency, the terror; then perhaps he would talk.

Or would he? For he had very little to tell. He had traveled and he had returned and his voyage was very much like the voyages of the great mariners, from Columbus onward--long, dull periods of time passing, passing, and then the arrival.

The house had changed. He saw that as soon as the official car let him off at 45 Roosevelt Street. The change was, he knew, for the better. They had put a porch in front. They had rehabilitated, spruced up, almost rebuilt the entire outside and grounds. But he was sorry. He had wanted it to be as before.

The head of the American Legion and the chief of police, who had escorted him on this trip from the square, didn't ask to go in with him. He was glad. He'd had enough of strangers. Not that he was through with strangers. There were dozens of them up and down the street, standing beside parked cars, looking at him. But when he looked back at them, their eyes dropped, they turned away, they began moving off. He was still too much the First One to have his gaze met.

He walked up what had once been a concrete path and was now an ornate flagstone path. He climbed the new porch and raised the ornamental knocker on the new door and heard the soft music sound within. He was surprised that he'd had to do this. He'd thought Edith would be watching at a window.

And perhaps she had been watching ... but she hadn't opened the door.

The door opened; he looked at her. It hadn't been too long and she hadn't changed at all. She was still the small, slender girl he'd loved in high school, the small, slender woman he'd married twelve years ago. Ralphie was with her. They held onto each other as if seeking mutual support, the thirty-three-year old woman and ten-year-old boy. They looked at him, and then both moved forward, still together. He said, "It's good to be home!"

Edith nodded and, still holding to Ralphie with one hand, put the other arm around him. He kissed her--her neck, her cheek--and all the old jokes came to mind, the jokes of travel-weary, battle-weary men, the and-then-I'll-put-my-pack-aside jokes that spoke of terrible hunger. She was trembling, and even as her lips came up to touch his he felt the difference, and because of this difference he turned with urgency to Ralphie and picked him up and hugged him and said, because he could think of nothing else to say, "What a big fella, what a big fella."

Ralphie stood in his arms as if his feet were still planted on the floor, and he didn't look at his father but somewhere beyond him. "I didn't grow much while you were gone, Dad, Mom says I don't eat enough."

So he put him down and told himself that it would all change, that everything would loosen up just as his commanding officer, General Carlisle, had said it would early this morning before he left Washington.

"Give it some time," Carlisle had said. "You need the time; they need the time. And for the love of heaven, don't be sensitive."

* * * * *

Edith was leading him into the living room, her hand lying still in his, a cool, dead bird lying still in his. He sat down on the couch, she sat down beside him--but she had hesitated. He wasn't being sensitive; she had hesitated. His wife had hesitated before sitting down beside him.

Carlisle had said his position was analogous to Columbus', to Vasco De Gama's, to Preshoff's when the Russian returned from the Moon--but more so. Carlisle had said lots of things, but even Carlisle who had worked with him all the way, who had engineered the entire fantastic journey--even Carlisle the Nobel prize winner, the multi-degreed genius in uniform, had not actually spoken to him as one man to another.

The eyes. It always showed in their eyes.

He looked across the room at Ralphie, standing in the doorway, a boy already tall, already widening in the shoulders, already large of feature. It was like looking into the mirror and seeing himself twenty-five years ago. But Ralphie's face was drawn, was worried in a way that few ten-year-old faces are.

"How's it going in school?" he asked.

"Gee, Dad, it's the second month of summer vacation."

"Well, then, before summer vacation?"

"Pretty good."

Edith said, "He made top forum the six-month period before vacation, and he made top forum the six-month period you went away, Hank."

He nodded, remembering that, remembering everything, remembering the warmth of her farewell, the warmth of Ralphie's farewell, their tears as he left for the experimental flight station in the Aleutians. They had feared for him, having read of the many launchings gone wrong even in continent-to-continent experimental flight.

They had been right to worry. He had suffered much after that blow-up. But now they should be rejoicing, because he had survived and made the long journey. Ralphie suddenly said, "I got to go, Dad. I promised Walt and the others I'd pitch. It's Inter-Town Little League, you know. It's Harmon, you know. I got to keep my word." Without waiting for an answer, he waved his hand--it shook; a ten-year-old boy's hand that shook--and ran from the room and from the house.

He and Edith sat beside each other, and he wanted badly to take her in his arms, and yet he didn't want to oppress her. He stood up. "I'm very tired. I'd like to lie down a while." Which wasn't true, because he'd been lying down all the months of the way back.

She said, "Of course. How stupid of me, expecting you to sit around and make small talk and pick up just where you left off."

He nodded. But that was exactly what he wanted to do--make small talk and pick up just where he'd left off. But they didn't expect it of him; they wouldn't let him; they felt he had changed too much.

* * * * *

She led him upstairs and along the foyer past Ralphie's room and past the small guest room to their bedroom. This, too, had changed. It was newly painted and it had new furniture. He saw twin beds separated by an ornate little table with an ornate little lamp, and this looked more ominous a barrier to him than the twelve-foot concrete-and-barbed-wire fence around the experimental station.

"Which one is mine," he asked, and tried to smile.

She also tried to smile. "The one near the window. You always liked the fresh air, the sunshine in the morning. You always said it helped you to get up on time when you were stationed at the base outside of town. You always said it reminded you--being able to see the sky--that you were going to go up in it, and that you were going to come down from it to this bed again."

"Not this bed," he murmured, and was a little sorry afterward.

"No, not this bed," she said quickly. "Your lodge donated the bedroom set and I really didn't know--" She waved her hand, her face white.

He was sure then that she had known, and that the beds and the barrier between them were her own choice, if only an unconscious choice. He went to the bed near the window, stripped off his Air Force blue jacket, began to take off his shirt, but then remembered that some arm scars still showed. He waited for her to leave the room.

She said, "Well then, rest up, dear," and went out.

He took off his shirt and saw himself in the mirror on the opposite wall; and then took off his under-shirt. The body scars were faint, the scars running in long lines, one dissecting his chest, the other slicing diagonally across his upper abdomen to disappear under his trousers. There were several more on his back, and one on his right thigh. They'd been treated properly and would soon disappear. But she had never seen them.

Perhaps she never would. Perhaps pajamas and robes and dark rooms would keep them from her until they were gone.

Which was not what he'd considered at all important on leaving Walter Reed Hospital early this morning; which was something he found distasteful, something he felt beneath them both. And, at the same time, he began to understand that there would be many things, previously beneath them both, which would have to be considered. She had changed; Ralphie had changed; all the people he knew had probably changed--because they thought he had changed.

He was tired of thinking. He lay down and closed his eyes. He let himself taste bitterness, unhappiness, a loneliness he had never known before.

But sometime later, as he was dozing off, a sense of reassurance began filtering into his mind. After all, he was still Henry Devers, the same man who had left home eleven months ago, with a love for family and friends which was, if anything, stronger than before. Once he could communicate this, the strangeness would disappear and the First One would again become good old Hank. It was little enough to ask for--a return to old values, old relationships, the normalcies of the backwash instead of the freneticisms of the lime-light. It would certainly be granted to him.

He slept.

* * * * *

Dinner was at seven P.M. His mother came; his Uncle Joe and Aunt Lucille came. Together with Edith, Ralphie and himself, they made six, and ate in the dining room at the big table.

Before he'd become the First One, it would have been a noisy affair. His family had never been noted for a lack of ebullience, a lack of talkativeness, and Ralphie had always chosen mealtimes--especially with company present--to describe everything and anything that had happened to him during the day. And Edith herself had always chatted, especially with his mother, though they didn't agree about much. Still, it had been good-natured; the general tone of their lives had been good-natured.

This wasn't good-natured. Exactly what it was he wasn't sure. "Stiff" was perhaps the word.

They began with grapefruit, Edith and Mother serving quickly, efficiently from the kitchen, then sitting down at the table. He looked at Mother as he raised his first spoonful of chilled fruit, and said, "Younger than ever." It was nothing new; he'd said it many many times before, but his mother had always reacted with a bright smile and a quip something like, "Young for the Golden Age Center, you mean." This time she burst into tears. It shocked him. But what shocked him even more was the fact that no one looked up, commented, made any attempt to comfort her; no one indicated in any way that a woman was sobbing at the table.

He was sitting directly across from Mother, and reached out and touched her left hand which lay limply beside the silverware. She didn't move it--she hadn't touched him once beyond that first, quick, strangely-cool embrace at the door--then a few seconds later she withdrew it and let it drop out of sight.

So there he was, Henry Devers, at home with the family. So there he was, the hero returned, waiting to be treated as a human being.

The grapefruit shells were cleaned away and the soup served. Uncle Joe began to talk. "The greatest little development of circular uniform houses you ever did see," he boomed in his powerful salesman's voice. "Still going like sixty. We'll sell out before--" At that point he looked at Hank, and Hank nodded encouragement, desperately interested in this normalcy, and Joe's voice died away. He looked down at his plate, mumbled, "Soup's getting cold," and began to eat. His hand shook a little; his ruddy face was not quite as ruddy as Hank remembered it.

Aunt Lucille made a few quavering statements about the Ladies' Tuesday Garden Club, and Hank looked across the table to where she sat between Joe and Mother--his wife and son bracketed him, and yet he felt alone--and said, "I've missed fooling around with the lawn and the rose bushes. Here it is August and I haven't had my hand to a mower or trowel."

Aunt Lucille smiled, if you could call it that--a pitiful twitching of the lips--and nodded. She threw her eyes in his direction, and past him, and then down to her plate. Mother, who was still sniffling, said, "I have a dismal headache. I'm going to lie down in the guest room a while." She touched his shoulder in passing--his affectionate, effusive mother who would kiss stray dogs and strange children, who had often irritated him with an excess of physical and verbal caresses--she barely touched his shoulder and fled.

So now five of them sat at the table. The meat was served--thin, rare slices of beef, the pink blood-juice oozing warmly from the center. He cut into it and raised a forkful to his mouth, then glanced at Ralphie and said, "Looks fresh enough to have been killed in the back yard." Ralphie said, "Yeah, Dad." Aunt Lucille put down her knife and fork and murmured something to her husband. Joe cleared his throat and said Lucille was rapidly becoming a vegetarian and he guessed she was going into the living room for a while. "She'll be back for dessert, of course," he said, his laugh sounding forced.

Hank looked at Edith; Edith was busy with her plate. Hank looked at Ralphie; Ralphie was busy with his plate. Hank looked at Joe; Joe was chewing, gazing out over their heads to the kitchen. Hank looked at Lucille; she was disappearing into the living room.

He brought his fist down on the table. The settings jumped; a glass overturned, spilling water. He brought it down again and again. They were all standing now. He sat there and pounded the table with his big right fist--Henry Devers, who would never have thought of making such a scene before, but who was now so sick and tired of being treated as the First One, of being stood back from, looked at in awe of, felt in fear of, that he could have smashed more than a table.

Edith said, "Hank!"

He said, voice hoarse, "Shut up. Go away. Let me eat alone. I'm sick of the lot of you."

* * * * *

Mother and Joe returned a few minutes later where he sat forcing food down his throat. Mother said, "Henry dear--" He didn't answer. She began to cry, and he was glad she left the house then. He had never said anything really bad to his mother. He was afraid this would have been the time. Joe merely cleared his throat and mumbled something about getting together again soon and "drop out and see the new development" and he, too, was gone. Lucille never did manage to speak to him.

He finished his beef and waited. Soon Edith came in with the special dessert she'd been preparing half the day--a magnificent English trifle. She served him, and spooned out a portion for herself and Ralphie. She hesitated near his chair, and when he made no comment she called the boy. Then the three of them were sitting, facing the empty side of the table. They ate the trifle. Ralphie finished first and got up and said, "Hey, I promised--"

"You promised the boys you'd play baseball or football or handball or something; anything to get away from your father."

Ralphie's head dropped and he muttered, "Aw, no, Dad."

Edith said, "He'll stay home, Hank. We'll spend an evening together--talking, watching TV, playing Monopoly."

Ralphie said, "Gee, sure, Dad, if you want to."

Hank stood up. "The question is not whether I want to. You both know I want to. The question is whether you want to."

They answered together that of course they wanted to. But their eyes--his wife's and son's eyes--could not meet his, and so he said he was going to his room because he was, after all, very tired and would in all probability continue to be very tired for a long, long time and that they shouldn't count on him for normal social life.

He fell asleep quickly, lying there in his clothes.

But he didn't sleep long. Edith shook him and he opened his eyes to a lighted room. "Phil and Rhona are here." He blinked at her. She smiled, and it seemed her old smile. "They're so anxious to see you, Hank. I could barely keep Phil from coming up and waking you himself. They want to go out and do the town. Please, Hank, say you will."

He sat up. "Phil," he muttered. "Phil and Rhona." They'd had wonderful times together, from grammar school on. Phil and Rhona, their oldest and closest friends. Perhaps this would begin his real homecoming.

Do the town? They'd paint it and then tear it down!

* * * * *

It didn't turn out that way. He was disappointed; but then again, he'd also expected it. This entire first day at home had conditioned him to expect nothing good. They went to the bowling alleys, and Phil sounded very much the way he always had--soft spoken and full of laughter and full of jokes. He patted Edith on the head the way he always had, and clapped Hank on the shoulder (but not the way he always had--so much more gently, almost remotely), and insisted they all drink more than was good for them as he always had. And for once, Hank was ready to go along on the drinking. For once, he matched Phil shot for shot, beer for beer.

They didn't bowl very long. At ten o'clock they crossed the road to Manfred's Tavern, where Phil and the girls ordered sandwiches and coffee and Hank went right on drinking. Edith said something to him, but he merely smiled and waved his hand and gulped another ounce of nirvana.

There was dancing to a juke box in Manfred's Tavern. He'd been there many times before, and he was sure several of the couples recognized him. But except for a few abortive glances in his direction, it was as if he were a stranger in a city halfway around the world.

At midnight, he was still drinking. The others wanted to leave, but he said, "I haven't danced with my girl Rhona." His tongue was thick, his mind was blurred, and yet he could read the strange expression on her face--pretty Rhona, who'd always flirted with him, who'd made a ritual of flirting with him. Pretty Rhona, who now looked as if she were going to be sick.

"So let's rock," he said and stood up.

They were on the dance floor. He held her close, and hummed and chatted. And through the alcoholic haze saw she was a stiff-smiled, stiff-bodied, mechanical dancing doll.

The number finished; they walked back to the booth. Phil said, "Beddy-bye time."

Hank said, "First one dance with my loving wife."

He and Edith danced. He didn't hold her close as he had Rhona. He waited for her to come close on her own, and she did, and yet she didn't. Because while she put herself against him, there was something in her face--no, in her eyes; it always showed in the eyes--that made him know she was trying to be the old Edith and not succeeding. This time when the music ended, he was ready to go home.

They rode back to town along Route Nine, he and Edith in the rear of Phil's car, Rhona driving because Phil had drunk just a little too much, Phil singing and telling an occasional bad joke, and somehow not his old self. No one was his old self. No one would ever be his old self with the First One.

They turned left, to take the short cut along Hallowed Hill Road, and Phil finished a story about a Martian and a Hollywood sex queen and looked at his wife and then past her at the long, cast-iron fence paralleling the road. "Hey," he said, pointing, "do you know why that's the most popular place on earth?"

Rhona glanced to the left, and so did Hank and Edith. Rhona made a little sound, and Edith seemed to stop breathing, but Phil went on a while longer, not yet aware of his supposed faux pas.

"You know why?" he repeated, turning to the back seat, the laughter rumbling up from his chest. "You know why, folks?"

Rhona said, "Did you notice Carl Braken and his wife at--"

Hank said, "No, Phil, why is it the most popular place on earth?"

Phil said, "Because people are--" And then he caught himself and waved his hand and muttered, "I forgot the punch line."

"Because people are dying to get in," Hank said, and looked through the window, past the iron fence, into the large cemetery at the fleeting tombstones.

The car was filled with horrified silence when there should have been nothing but laughter, or irritation at a too-old joke. "Maybe you should let me out right here," Hank said. "I'm home--or that's what everyone seems to think. Maybe I should lie down in an open grave. Maybe that would satisfy people. Maybe that's the only way to act, like Dracula or another monster from the movies."

Edith said, "Oh, Hank, don't, don't!"

The car raced along the road, crossed a macadam highway, went four blocks and pulled to a stop. He didn't bother saying good night. He didn't wait for Edith. He just got out and walked up the flagstone path and entered the house.

* * * * *

"Hank," Edith whispered from the guest room doorway, "I'm so sorry--"

"There's nothing to be sorry about. It's just a matter of time. It'll all work out in time."

"Yes," she said quickly, "that's it. I need a little time. We all need a little time. Because it's so strange, Hank. Because it's so frightening. I should have told you that the moment you walked in. I think I've hurt you terribly, we've all hurt you terribly, by trying to hide that we're frightened."

"I'm going to stay in the guest room," he said, "for as long as necessary. For good if need be."

"How could it be for good? How, Hank?"

That question was perhaps the first firm basis for hope he'd had since returning. And there was something else; what Carlisle had told him, even as Carlisle himself had reacted as all men did.

"There are others coming, Edith. Eight that I know of in the tanks right now. My superior, Captain Davidson, who died at the same moment I did--seven months ago next Wednesday--he's going to be next. He was smashed up worse than I was, so it took a little longer, but he's almost ready. And there'll be many more, Edith. The government is going to save all they possibly can from now on. Every time a young and healthy man loses his life by accident, by violence, and his body can be recovered, he'll go into the tanks and they'll start the regenerative brain and organ process--the process that made it all possible. So people have to get used to us. And the old stories, the old terrors, the ugly old superstitions have to die, because in time each place will have some of us; because in time it'll be an ordinary thing."

Edith said, "Yes, and I'm so grateful that you're here, Hank. Please believe that. Please be patient with me and Ralphie and--" She paused. "There's one question."

He knew what the question was. It had been the first asked him by everyone from the president of the United States on down.

"I saw nothing," he said. "It was as if I slept those six and a half months--slept without dreaming."

She came to him and touched his face with her lips, and he was satisfied.

Later, half asleep, he heard a dog howling, and remembered stories of how they announced death and the presence of monsters. He shivered and pulled the covers closer to him and luxuriated in being safe in his own home.

THE END

 

 

---

Contents

IT COULD BE ANYTHING

By KEITH LAUMER

 

 

"She'll be pulling out in a minute, Brett," Mr. Phillips said. He tucked his railroader's watch back in his vest pocket. "You better get aboard--if you're still set on going."

"It was reading all them books done it," Aunt Haicey said. "Thick books, and no pictures in them. I knew it'd make trouble." She plucked at the faded hand-embroidered shawl over her thin shoulders, a tiny bird-like woman with bright anxious eyes.

"Don't worry about me," Brett said. "I'll be back."

"The place'll be yours when I'm gone," Aunt Haicey said. "Lord knows it won't be long."

"Why don't you change your mind and stay on, boy?" Mr. Phillips said, blinking up at the young man. "If I talk to Mr. J.D., I think he can find a job for you at the plant."

"So many young people leave Casperton," Aunt Haicey said. "They never come back."

Mr. Phillips clicked his teeth. "They write, at first," he said. "Then they gradually lose touch."

"All your people are here, Brett," Aunt Haicey said. "Haven't you been happy here?"

"Why can't you young folks be content with Casperton?" Mr. Phillips said. "There's everything you need here."

"It's that Pretty-Lee done it," Aunt Haicey said. "If it wasn't for that girl--"

A clatter ran down the line of cars. Brett kissed Aunt Haicey's dry cheek, shook Mr. Phillips' hand, and swung aboard. His suitcase was on one of the seats. He put it up above in the rack, and sat down, turned to wave back at the two old people.

It was a summer morning. Brett leaned back and watched the country slide by. It was nice country, Brett thought; mostly in corn, some cattle, and away in the distance the hazy blue hills. Now he would see what was on the other side of them: the cities, the mountains, and the ocean. Up until now all he knew about anything outside of Casperton was what he'd read or seen pictures of. As far as he was concerned, chopping wood and milking cows back in Casperton, they might as well not have existed. They were just words and pictures printed on paper. But he didn't want to just read about them. He wanted to see for himself.

* * *

Pretty-Lee hadn't come to see him off. She was probably still mad about yesterday. She had been sitting at the counter at the Club Rexall, drinking a soda and reading a movie magazine with a big picture of an impossibly pretty face on the cover--the kind you never see just walking down the street. He had taken the next stool and ordered a coke.

"Why don't you read something good, instead of that pap?" he asked her.

"Something good? You mean something dry, I guess. And don't call it ... that word. It doesn't sound polite."

"What does it say? That somebody named Doll Starr is fed up with glamor and longs for a simple home in the country and lots of kids? Then why doesn't she move to Casperton?"

"You wouldn't understand," said Pretty-Lee.

He took the magazine, leafed through it. "Look at this: all about people who give parties that cost thousands of dollars, and fly all over the world having affairs with each other and committing suicide and getting divorced. It's like reading about Martians."

"I still like to read about the stars. There's nothing wrong with it."

"Reading all that junk just makes you dissatisfied. You want to do your hair up crazy like the pictures in the magazines and wear weird-looking clothes--"

Pretty-Lee bent her straw double. She stood up and took her shopping bag. "I'm very glad to know you think my clothes are weird--"

"You're taking everything I say personally. Look." He showed her a full-color advertisement on the back cover of the magazine. "Look at this. Here's a man supposed to be cooking steaks on some kind of back-yard grill. He looks like a movie star; he's dressed up like he was going to get married; there's not a wrinkle anywhere. There's not a spot on that apron. There isn't even a grease spot on the frying pan. The lawn is as smooth as a billiard table. There's his son; he looks just like his pop, except that he's not grey at the temples. Did you ever really see a man that handsome, or hair that was just silver over the ears and the rest glossy black? The daughter looks like a movie starlet, and her mom is exactly the same, except that she has that grey streak in front to match her husband. You can see the car in the drive; the treads of the tires must have just been scrubbed; they're not even dusty. There's not a pebble out of place; all the flowers are in full bloom; no dead ones. No leaves on the lawn; no dry twigs showing on the trees. That other house in the background looks like a palace, and the man with the rake, looking over the fence: he looks like this one's twin brother, and he's out raking leaves in brand new clothes--"

Pretty-Lee grabbed her magazine. "You just seem to hate everything that's nicer than this messy town--"

"I don't think it's nicer. I like you; your hair isn't always perfectly smooth, and you've got a mended place on your dress, and you feel human, you smell human--"

"Oh!" Pretty-Lee turned and flounced out of the drug store.

* * *

Brett shifted in the dusty plush seat and looked around. There were a few other people in the car. An old man was reading a newspaper; two old ladies whispered together. There was a woman of about thirty with a mean-looking kid; and some others. They didn't look like magazine pictures, any of them. He tried to picture them doing the things you read in newspapers: the old ladies putting poison in somebody's tea; the old man giving orders to start a war. He thought about babies in houses in cities, and airplanes flying over, and bombs falling down: huge explosive bombs. Blam! Buildings fall in, pieces of glass and stone fly through the air. The babies are blown up along with everything else--

But the kind of people he knew couldn't do anything like that. They liked to loaf and eat and talk and drink beer and buy a new tractor or refrigerator and go fishing. And if they ever got mad and hit somebody--afterwards they were embarrassed and wanted to shake hands....

The train slowed, came to a shuddery stop. Through the window he saw a cardboardy-looking building with the words BAXTER'S JUNCTION painted across it. There were a few faded posters on a bulletin board. An old man was sitting on a bench, waiting. The two old ladies got off and a boy in blue jeans got on. The train started up. Brett folded his jacket and tucked it under his head and tried to doze off....

* * * * *

Brett awoke, yawned, sat up. The train was slowing. He remembered you couldn't use the toilets while the train was stopped. He got up and went to the end of the car. The door was jammed. He got it open and went inside and closed the door behind him. The train was going slower, clack-clack ... clack-clack ... clack; clack ... cuh-lack ...

He washed his hands, then pulled at the door. It was stuck. He pulled harder. The handle was too small; it was hard to get hold of. The train came to a halt. Brett braced himself and strained against the door. It didn't budge.

He looked out the grimy window. The sun was getting lower. It was about three-thirty, he guessed. He couldn't see anything but some dry-looking fields.

Outside in the corridor there were footsteps. He started to call, but then didn't. It would be too embarrassing, pounding on the door and yelling, "Let me out! I'm stuck in the toilet ..."

He tried to rattle the door. It didn't rattle. Somebody was dragging something heavy past the door. Mail bags, maybe. He'd better yell. But dammit, the door couldn't be all that hard to open. He studied the latch. All he had to do was turn it. He got a good grip and twisted. Nothing.

He heard the mail bag bump-bump, and then another one. To heck with it; he'd yell. He'd wait until he heard the footsteps pass the door again and then he'd make some noise.

Brett waited. It was quiet now. He rapped on the door anyway. No answer. Maybe there was nobody left in the car. In a minute the train would start up and he'd be stuck here until the next stop. He banged on the door. "Hey! The door is stuck!"

It sounded foolish. He listened. It was very quiet. He pounded again. The car creaked once. He put his ear to the door. He couldn't hear anything. He turned back to the window. There was no one in sight. He put his cheek flat against it, looked along the car. He saw only dry fields.

He turned around and gave the door a good kick. If he damaged it, it was too bad; the railroad shouldn't have defective locks on the doors. If they tried to make him pay for it, he'd tell them they were lucky he didn't sue the railroad ...

* * *

He braced himself against the opposite wall, drew his foot back, and kicked hard at the lock. Something broke. He pulled the door open.

He was looking out the open door and through the window beyond. There was no platform, just the same dry fields he could see on the other side. He came out and went along to his seat. The car was empty now.

He looked out the window. Why had the train stopped here? Maybe there was some kind of trouble with the engine. It had been sitting here for ten minutes or so now. Brett got up and went along to the door, stepped down onto the iron step. Leaning out, he could see the train stretching along ahead, one car, two cars--

There was no engine.

Maybe he was turned around. He looked the other way. There were three cars. No engine there either. He must be on some kind of siding ...

Brett stepped back inside, and pushed through into the next car. It was empty. He walked along the length of it, into the next car. It was empty too. He went back through the two cars and his own car and on, all the way to the end of the train. All the cars were empty. He stood on the platform at the end of the last car, and looked back along the rails. They ran straight, through the dry fields, right to the horizon. He stepped down to the ground, went along the cindery bed to the front of the train, stepping on the ends of the wooden ties. The coupling stood open. The tall, dusty coach stood silently on its iron wheels, waiting. Ahead the tracks went on--

And stopped.

He walked along the ties, following the iron rails, shiny on top, and brown with rust on the sides. A hundred feet from the train they ended. The cinders went on another ten feet and petered out. Beyond, the fields closed in. Brett looked up at the sun. It was lower now in the west, its light getting yellow and late-afternoonish. He turned and looked back at the train. The cars stood high and prim, empty, silent. He walked back, climbed in, got his bag down from the rack, pulled on his jacket. He jumped down to the cinders, followed them to where they ended. He hesitated a moment, then pushed between the knee-high stalks. Eastward across the field he could see what looked like a smudge on the far horizon.

He walked until dark, then made himself a nest in the dead stalks, and went to sleep.

* * *

He lay on his back, looking up at pink dawn clouds. Around him, dry stalks rustled in a faint stir of air. He felt crumbly earth under his fingers. He sat up, reached out and broke off a stalk. It crumbled into fragile chips. He wondered what it was. It wasn't any crop he'd ever seen before.

He stood, looked around. The field went on and on, dead flat. A locust came whirring toward him, plumped to earth at his feet. He picked it up. Long elbowed legs groped at his fingers aimlessly. He tossed the insect in the air. It fluttered away. To the east the smudge was clearer now; it seemed to be a grey wall, far away. A city? He picked up his bag and started on.

He was getting hungry. He hadn't eaten since the previous morning. He was thirsty too. The city couldn't be more than three hours' walk. He tramped along, the dry plants crackling under his feet, little puffs of dust rising from the dry ground. He thought about the rails, running across the empty fields, ending ...

He had heard the locomotive groaning up ahead as the train slowed. And there had been feet in the corridor. Where had they gone?

He thought of the train, Casperton, Aunt Haicey, Mr. Phillips. They seemed very far away, something remembered from long ago. Up above the sun was hot. That was real. The rest seemed unimportant. Ahead there was a city. He would walk until he came to it. He tried to think of other things: television, crowds of people, money: the tattered paper and the worn silver--

Only the sun and the dusty plain and the dead plants were real now. He could see them, feel them. And the suitcase. It was heavy; he shifted hands, kept going.

There was something white on the ground ahead, a small shiny surface protruding from the earth. Brett dropped the suitcase, went down on one knee, dug into the dry soil, pulled out a china teacup, the handle missing. Caked dirt crumbled away under his thumb, leaving the surface clean. He looked at the bottom of the cup. It was unmarked. Why just one teacup, he wondered, here in the middle of nowhere? He dropped it, took up his suitcase, and went on.

* * *

After that he watched the ground more closely. He found a shoe; it was badly weathered, but the sole was good. It was a high-topped work shoe, size 10-1/2-C. Who had dropped it here? He thought of other lone shoes he had seen, lying at the roadside or in alleys. How did they get there...?

Half an hour later he detoured around the rusted front fender of an old-fashioned car. He looked around for the rest of the car but saw nothing. The wall was closer now; perhaps five miles more.

A scrap of white paper fluttered across the field in a stir of air. He saw another, more, blowing along in the fitful gusts. He ran a few steps, caught one, smoothed it out.

BUY NOW--PAY LATER!

He picked up another.

PREPARE TO MEET GOD

A third said:

WIN WITH WILLKIE

* * * * *

The wall loomed above him, smooth and grey. Dust was caked on his skin and clothes, and as he walked he brushed at himself absently. The suitcase dragged at his arm, thumped against his shin. He was very hungry and thirsty. He sniffed the air, instinctively searching for the odors of food. He had been following the wall for a long time, searching for an opening. It curved away from him, rising vertically from the level earth. Its surface was porous, unadorned, too smooth to climb. It was, Brett estimated, twenty feet high. If there were anything to make a ladder from--

Ahead he saw a wide gate, flanked by grey columns. He came up to it, put the suitcase down, and wiped at his forehead with his handkerchief. Through the opening in the wall a paved street was visible, and the facades of buildings. Those on the street before him were low, not more than one or two stories, but behind them taller towers reared up. There were no people in sight; no sounds stirred the hot noon-time air. Brett picked up his bag and passed through the gate.

For the next hour he walked empty pavements, listening to the echoes of his footsteps against brownstone fronts, empty shop windows, curtained glass doors, and here and there a vacant lot, weed-grown and desolate. He paused at cross streets, looked down long vacant ways. Now and then a distant sound came to him: the lonely honk of a horn, a faintly tolling bell, a clatter of hooves.

He came to a narrow alley that cut like a dark canyon between blank walls. He stood at its mouth, listening to a distant murmur, like a crowd at a funeral. He turned down the narrow way.

It went straight for a few yards, then twisted. As he followed its turnings the crowd noise gradually grew louder. He could make out individual voices now, an occasional word above the hubbub. He started to hurry, eager to find someone to talk to.

Abruptly the voices--hundreds of voices, he thought--rose in a roar, a long-drawn Yaaayyyyy...! Brett thought of a stadium crowd as the home team trotted onto the field. He could hear a band now, a shrilling of brass, the clatter and thump of percussion instruments. Now he could see the mouth of the alley ahead, a sunny street hung with bunting, the backs of people, and over their heads the rhythmic bobbing of a passing procession, tall shakos and guidons in almost-even rows. Two tall poles with a streamer between them swung into view. He caught a glimpse of tall red letters:

... For Our Side!

* * *

He moved closer, edged up behind the grey-backed crowd. A phalanx of yellow-tuniced men approached, walking stiffly, fez tassels swinging. A small boy darted out into the street, loped along at their side. The music screeched and wheezed. Brett tapped the man before him.

"What's it all about...?"

He couldn't hear his own voice. The man ignored him. Brett moved along behind the crowd, looking for a vantage point or a thinning in the ranks. There seemed to be fewer people ahead. He came to the end of the crowd, moved on a few yards, stood at the curb. The yellow-jackets had passed now, and a group of round-thighed girls in satin blouses and black boots and white fur caps glided into view, silent, expressionless. As they reached a point fifty feet from Brett, they broke abruptly into a strutting prance, knees high, hips flirting, tossing shining batons high, catching them, twirling them, and up again ...

Brett craned his neck, looking for TV cameras. The crowd lining the opposite side of the street stood in solid ranks, drably clad, eyes following the procession, mouths working. A fat man in a rumpled suit and a panama hat squeezed to the front, stood picking his teeth. Somehow, he seemed out of place among the others. Behind the spectators, the store fronts looked normal, dowdy brick and mismatched glass and oxidizing aluminum, dusty windows and cluttered displays of cardboard, a faded sign that read TODAY ONLY--PRICES SLASHED. To Brett's left the sidewalk stretched, empty. To his right the crowd was packed close, the shout rising and falling. Now a rank of blue-suited policemen followed the majorettes, swinging along silently. Behind them, over them, a piece of paper blew along the street. Brett turned to the man on his right.

"Pardon me. Can you tell me the name of this town?"

The man ignored him. Brett tapped the man's shoulder. "Hey! What town is this?"

The man took off his hat, whirled it overhead, then threw it up. It sailed away over the crowd, lost. Brett wondered briefly how people who threw their hats ever recovered them. But then, nobody he knew would throw his hat ...

"You mind telling me the name of this place?" Brett said, as he took the man's arm, pulled. The man rotated toward Brett, leaning heavily against him. Brett stepped back. The man fell, lay stiffly, his arms moving, his eyes and mouth open.

"Ahhhhh," he said. "Whum-whum-whum. Awww, jawww ..."

Brett stooped quickly. "I'm sorry," he cried. He looked around. "Help! This man ..."

Nobody was watching. The next man, a few feet away, stood close against his neighbor, hatless, his jaw moving.

"This man's sick," said Brett, tugging at the man's arm. "He fell."

The man's eyes moved reluctantly to Brett. "None of my business," he muttered.

"Won't anybody give me a hand?"

"Probably a drunk."

Behind Brett a voice called in a penetrating whisper: "Quick! You! Get into the alley...!"

He turned. A gaunt man of about thirty with sparse reddish hair, perspiration glistening on his upper lip, stood at the mouth of a narrow way like the one Brett had come through. He wore a grimy pale yellow shirt with a wide-flaring collar, limp and sweat-stained, dark green knee-breeches, soft leather boots, scuffed and dirty, with limp tops that drooped over his ankles. He gestured, drew back into the alley. "In here."

Brett went toward him. "This man ..."

"Come on, you fool!" The man took Brett's arm, pulled him deeper into the dark passage. Brett resisted. "Wait a minute. That fellow ..." He tried to point.

"Don't you know yet?" The red-head spoke with a strange accent. "Golems ... You got to get out of sight before the--"

* * *

The man froze, flattened himself against the wall. Automatically Brett moved to a place beside him. The man's head was twisted toward the alley mouth. The tendons in his weathered neck stood out. He had a three-day stubble of beard. Brett could smell him, standing this close. He edged away. "What--"

"Don't make a sound! Don't move, you idiot!" His voice was a thin hiss.

Brett followed the other's eyes toward the sunny street. The fallen man lay on the pavement, moving feebly, eyes open. Something moved up to him, a translucent brownish shape, like muddy water. It hovered for a moment, then dropped on the man like a breaking wave, flowed around him. The body shifted, rotating stiffly, then tilted upright. The sun struck through the fluid shape that flowed down now, amber highlights twinkling, to form itself into the crested wave, flow away.

"What the hell...!"

"Come on!" The red-head turned, trotted silently toward the shadowy bend under the high grey walls. He looked back, beckoned impatiently, passed out of sight around the turn--

Brett came up behind him, saw a wide avenue, tall trees with chartreuse springtime leaves, a wrought-iron fence, and beyond it, rolling green lawns. There were no people in sight.

"Wait a minute! What is this place?!"

His companion turned red-rimmed eyes on Brett. "How long have you been here?" he asked. "How did you get in?"

"I came through a gate. Just about an hour ago."

"I knew you were a man as soon as I saw you talking to the golem," said the red-head. "I've been here two months; maybe more. We've got to get out of sight. You want food? There's a place ..." He jerked his thumb. "Come on. Time to talk later."

* * *

Brett followed him. They turned down a side street, pushed through the door of a dingy cafe. It banged behind them. There were tables, stools at a bar, a dusty juke box. They took seats at a table. The red-head groped under the table, pulled off a shoe, hammered it against the wall. He cocked his head, listening. The silence was absolute. He hammered again. There was a clash of crockery from beyond the kitchen door. "Now don't say anything," the red-head said. He eyed the door behind the counter expectantly. It flew open. A girl with red cheeks and untidy hair, dressed in a green waitress' uniform appeared, swept up to the table, pad and pencil in hand.

"Coffee and a ham sandwich," said the red-head. Brett said nothing. The girl glanced at him briefly, jotted hastily, whisked away.

"I saw them here the first day," the red-head said. "It was a piece of luck. I saw how the Gels started it up. They were big ones--not like the tidiers-up. As soon as they were finished, I came in and tried the same thing. It worked. I used the golem's lines--"

"I don't know what you're talking about," Brett said. "I'm going to ask that girl--"

"Don't say anything to her; it might spoil everything. The whole sequence might collapse; or it might call the Gels. I'm not sure. You can have the food when it comes back with it."

"Why do you say 'when "it" comes back'?"

"Ah." He looked at Brett strangely. "I'll show you."

Brett could smell food now. His mouth watered. He hadn't eaten for twenty-four hours.

"Care, that's the thing," the red-head said. "Move quiet, and stay out of sight, and you can live like a County Duke. Food's the hardest, but here--"

The red-cheeked girl reappeared, a tray balanced on one arm, a heavy cup and saucer in the other hand. She clattered them down on the table.

"Took you long enough," the red-head said. The girl sniffed, opened her mouth to speak--and the red-head darted out a stiff finger, jabbed her under the ribs. She stood, mouth open, frozen.

Brett half rose. "He's crazy, miss," he said. "Please accept--"

"Don't waste your breath." Brett's host was looking at him triumphantly. "Why do I call it 'it'?" He stood up, reached out and undid the top buttons of the green uniform. The waitress stood, leaning slightly forward, unmoving. The blouse fell open, exposing round white breasts--unadorned, blind.

"A doll," said the red-head. "A puppet; a golem."

* * *

Brett stared at her, the damp curls at her temple, the tip of her tongue behind her teeth, the tiny red veins in her round cheeks, and the white skin curving ...

"That's a quick way to tell 'em," said the red-head. "The teat is smooth." He rebuttoned the uniform, then jabbed again at the girl's ribs. She straightened, patted her hair.

"No doubt a gentleman like you is used to better," she said carelessly. She went away.

"I'm Awalawon Dhuva," the red-head said.

"My name's Brett Hale." Brett took a bite of the sandwich.

"Those clothes," Dhuva said. "And you have a strange way of talking. What county are you from?"

"Jefferson."

"Never heard of it. I'm from Wavly. What brought you here?"

"I was on a train. The tracks came to an end out in the middle of nowhere. I walked ... and here I am. What is this place?"

"Don't know." Dhuva shook his head. "I knew they were lying about the Fire River, though. Never did believe all that stuff. Religious hokum, to keep the masses quiet. Don't know what to believe now. Take the roof. They say a hundred kharfads up; but how do we know? Maybe it's a thousand--or only ten. By Grat, I'd like to go up in a balloon, see for myself."

"What are you talking about?" Brett said. "Go where in a balloon? See what?"

"Oh, I've seen one at the Tourney. Big hot-air bag, with a basket under it. Tied down with a rope. But if you cut the rope...! But you can bet the priests will never let that happen, no, sir." Dhuva looked at Brett speculatively. "What about your county: Fession, or whatever you called it. How high do they tell you it is there?"

"You mean the sky? Well, the air ends after a few miles and space just goes on--millions of miles--"

Dhuva slapped the table and laughed. "The people in Fesseron must be some yokels! Just goes on up; now who'd swallow that tale?" He chuckled.

"Only a child thinks the sky is some kind of tent," said Brett. "Haven't you ever heard of the Solar System, the other planets?"

"What are those?"

"Other worlds. They all circle around the sun, like the Earth."

"Other worlds, eh? Sailing around up under the roof? Funny; I never saw them." Dhuva snickered. "Wake up, Brett. Forget all those stories. Just believe what you see."

"What about that brown thing?"

"The Gels? They run this place. Look out for them, Brett. Stay alert. Don't let them see you."

* * *

"What do they do?"

"I don't know--and I don't want to find out. This is a great place--I like it here. I have all I want to eat, plenty of nice rooms for sleeping. There's the parades and the scenes. It's a good life--as long as you keep out of sight."

"How do you get out of here?" Brett asked, finishing his coffee.

"Don't know how to get out; over the wall, I suppose. I don't plan to leave though. I left home in a hurry. The Duke--never mind. I'm not going back."

"Are all the people here ... golems?" Brett said. "Aren't there any more real people?"

"You're the first I've seen. I spotted you as soon as I saw you. A live man moves different than a golem. You see golems doing things like knitting their brows, starting back in alarm, looking askance, and standing arms akimbo. And they have things like pursed lips and knowing glances and mirthless laughter. You know: all the things you read about, that real people never do. But now that you're here, I've got somebody to talk to. I did get lonesome, I admit. I'll show you where I stay and we'll fix you up with a bed."

"I won't be around that long."

"What can you get outside that you can't get here? There's everything you need here in the city. We can have a great time."

"You sound like my Aunt Haicey," Brett said. "She said I had everything I needed back in Casperton. How does she know what I need? How do you know? How do I know myself? I can tell you I need more than food and a place to sleep--"

"What more?"

"Everything. Things to think about and something worth doing. Why, even in the movies--"

"What's a movie?"

"You know, a play, on film. A moving picture."

"A picture that moves?"

"That's right."

"This is something the priests told you about?" Dhuva seemed to be holding in his mirth.

"Everybody's seen movies."

Dhuva burst out laughing. "Those priests," he said. "They're the same everywhere, I see. The stories they tell, and people believe them. What else?"

"Priests have nothing to do with it."

Dhuva composed his features. "What do they tell you about Grat, and the Wheel?"

"Grat? What's that?"

"The Over-Being. The Four-eyed One." Dhuva made a sign, caught himself. "Just habit," he said. "I don't believe that rubbish. Never did."

"I suppose you're talking about God," Brett said.

"I don't know about God. Tell me about it."

"He's the creator of the world. He's ... well, superhuman. He knows everything that happens, and when you die, if you've led a good life, you meet God in Heaven."

"Where's that?"

"It's ..." Brett waved a hand vaguely, "up above."

"But you said there was just emptiness up above," Dhuva recalled. "And some other worlds whirling around, like islands adrift in the sea."

"Well--"

"Never mind," Dhuva held up his hands. "Our priests are liars too. All that balderdash about the Wheel and the River of Fire. It's just as bad as your Hivvel or whatever you called it. And our Grat and your Mud, or Gog: they're the same--" Dhuva's head went up. "What's that?"

"I didn't hear anything."

* * *

Dhuva got to his feet, turned to the door. Brett rose. A towering brown shape, glassy and transparent, hung in the door, its surface rippling. Dhuva whirled, leaped past Brett, dived for the rear door. Brett stood frozen. The shape flowed--swift as quicksilver--caught Dhuva in mid-stride, engulfed him. For an instant Brett saw the thin figure, legs kicking, upended within the muddy form of the Gel. Then the turbid wave swept across to the door, sloshed it aside, disappeared. Dhuva was gone.

Brett stood rooted, staring at the doorway. A bar of sunlight fell across the dusty floor. A brown mouse ran along the baseboard. It was very quiet. Brett went to the door through which the Gel had disappeared, hesitated a moment, then thrust it open.

He was looking down into a great dark pit, acres in extent, its sides riddled with holes, the amputated ends of water and sewage lines and power cables dangling. Far below light glistened from the surface of a black pool. A few feet away the waitress stood unmoving in the dark on a narrow strip of linoleum. At her feet the chasm yawned. The edge of the floor was ragged, as though it had been gnawed away by rats. There was no sign of Dhuva.

Brett stepped back into the dining room, let the door swing shut. He took a deep breath, picked up a paper napkin from a table and wiped his forehead, dropped the napkin on the floor and went out into the street, his suitcase forgotten now. At the corner he turned, walked along past silent shop windows crowded with home permanents, sun glasses, fingernail polish, suntan lotion, paper cartons, streamers, plastic toys, vari-colored garments of synthetic fiber, home remedies, beauty aids, popular music, greeting cards ...

At the next corner he stopped, looking down the silent streets. Nothing moved. Brett went to a window in a grey concrete wall, pulled himself up to peer through the dusty pane, saw a room filled with tailor's forms, garment racks, a bicycle, bundled back issues of magazines without covers.

He went along to a door. It was solid, painted shut. The next door looked easier. He wrenched at the tarnished brass nob, then stepped back and kicked the door. With a hollow sound the door fell inward, taking with it the jamb. Brett stood staring at the gaping opening. A fragment of masonry dropped with a dry clink. Brett stepped through the breach in the grey facade. The black pool at the bottom of the pit winked a flicker of light back at him in the deep gloom.

* * *

Around him, the high walls of the block of buildings loomed in silhouette; the squares of the windows were ranks of luminous blue against the dark. Dust motes danced in shafts of sunlight. Far above, the roof was dimly visible, a spidery tangle of trusswork. And below was the abyss.

At Brett's feet the stump of a heavy brass rail projected an inch from the floor. It was long enough, Brett thought, to give firm anchor to a rope. Somewhere below, Dhuva--a stranger who had befriended him--lay in the grip of the Gels. He would do what he could--but he needed equipment--and help. First he would find a store with rope, guns, knives. He would--

The broken edge of masonry where the door had been caught his eye. The shell of the wall, exposed where the door frame had torn away, was wafer-thin. Brett reached up, broke off a piece. The outer face--the side that showed on the street--was smooth, solid-looking. The back was porous, nibbled. Brett stepped outside, examined the wall. He kicked at the grey surface. A great piece of wall, six feet high, broke into fragments, fell on the sidewalk with a crash, driving out a puff of dust. Another section fell. One piece of it skidded away, clattered down into the depths. Brett heard a distant splash. He looked at the great jagged opening in the wall--like a jigsaw picture with a piece missing. He turned and started off at a trot, his mouth dry, his pulse thumping painfully in his chest.

Two blocks from the hollow building, Brett slowed to a walk, his footsteps echoing in the empty street. He looked into each store window as he passed. There were artificial legs, bottles of colored water, immense dolls, wigs, glass eyes--but no rope. Brett tried to think. What kind of store would handle rope? A marine supply company, maybe. But where would he find one?

Perhaps it would be easiest to look in a telephone book. Ahead he saw a sign lettered HOTEL. Brett went up to the revolving door, pushed inside. He was in a dim, marble-panelled lobby, with double doors leading into a beige-carpeted bar on his right, the brass-painted cage of an elevator directly before him, flanked by tall urns of sand and an ascending staircase. On the left was a dark mahogany-finished reception desk. Behind the desk a man stood silently, waiting. Brett felt a wild surge of relief.

"Those things, those Gels!" he called, starting across the room. "My friend--"

He broke off. The clerk stood, staring over Brett's shoulder, holding a pen poised over a book. Brett reached out, took the pen. The man's finger curled stiffly around nothing. A golem.

* * *

Brett turned away, went into the bar. Vacant stools were ranged before a dark mirror. At the tables empty glasses stood before empty chairs. Brett started as he heard the revolving door thump-thump. Suddenly soft light bathed the lobby behind him. Somewhere a piano tinkled More Than You Know. With a distant clatter of closing doors the elevator came to life.

Brett hugged a shadowed corner, saw a fat man in a limp seersucker suit cross to the reception desk. He had a red face, a bald scalp blotched with large brown freckles. The clerk inclined his head blandly.

"Ah, yes, sir, a nice double with bath ..." Brett heard the unctuous voice of the clerk as he offered the pen. The fat man took it, scrawled something in the register. "... at fourteen dollars," the clerk murmured. He smiled, dinged the bell. A boy in tight green tunic and trousers and a pillbox cap with a chin strap pushed through a door beside the desk, took the key, led the way to the elevator. The fat man entered. Through the openwork of the shaft Brett watched as the elevator car rose, greasy cables trembling and swaying. He started back across the lobby--and stopped dead.

A wet brown shape had appeared in the entrance. It flowed across the rug to the bellhop. Face blank, the golem turned back to its door. Above, Brett heard the elevator stop. Doors clashed. The clerk stood poised behind the desk. The Gel hovered, then flowed away. The piano was silent now. The lights burned, a soft glow, then winked out. Brett thought about the fat man. He had seen him before ...

He went up the stairs. In the second floor corridor Brett felt his way along in near-darkness, guided by the dim light coming through transoms. He tried a door. It opened. He stepped into a large bedroom with a double bed, an easy chair, a chest of drawers. He crossed the room, looked out across an alley. Twenty feet away white curtains hung at windows in a brick wall. There was nothing behind the windows.

There were sounds in the corridor. Brett dropped to the floor behind the bed.

"All right, you two," a drunken voice bellowed. "And may all your troubles be little ones." There was laughter, squeals, a dry clash of beads flung against the door. A key grated. The door swung wide. Lights blazed in the hall, silhouetting the figures of a man in black jacket and trousers, a woman in a white bridal dress and veil, flowers in her hand.

"Take care, Mel!"

"... do anything I wouldn't do!"

"... kiss the bride, now!"

The couple backed into the room, pushed the door shut, stood against it. Brett crouched behind the bed, not breathing, waiting. The couple stood at the door, in the dark, heads down ...

* * *

Brett stood, rounded the foot of the bed, approached the two unmoving figures. The girl looked young, sleek, perfect-featured, with soft dark hair. Her eyes were half-open; Brett caught a glint of light reflected from the eyeball. The man was bronzed, broad-shouldered, his hair wavy and blond. His lips were parted, showing even white teeth. The two stood, not breathing, sightless eyes fixed on nothing.

Brett took the bouquet from the woman's hand. The flowers seemed real--except that they had no perfume. He dropped them on the floor, pulled at the male golem to clear the door. The figure pivoted, toppled, hit with a heavy thump. Brett raised the woman in his arms and propped her against the bed. Back at the door he listened. All was quiet now. He started to open the door, then hesitated. He went back to the bed, undid the tiny pearl buttons down the front of the bridal gown, pulled it open. The breasts were rounded, smooth, an unbroken creamy white ...

In the hall, he started toward the stair. A tall Gel rippled into view ahead, its shape flowing and wavering, now billowing out, then rising up. The shifting form undulated toward Brett. He made a move to run, then remembered Dhuva, stood motionless. The Gel wobbled past him, slumped suddenly, flowed under a door. Brett let out a breath. Never mind the fat man. There were too many Gels here. He started back along the corridor.

Soft music came from double doors which stood open on a landing. Brett went to them, risked a look inside. Graceful couples moved sedately on a polished floor, diners sat at tables, black-clad waiters moving among them. At the far side of the room, near a dusty rubber plant, sat the fat man, studying a menu. As Brett watched he shook out a napkin, ran it around inside his collar, then mopped his face.

Never disturb a scene, Dhuva had said. But perhaps he could blend with it. Brett brushed at his suit, straightened his tie, stepped into the room. A waiter approached, eyed him dubiously. Brett got out his wallet, took out a five-dollar bill.

"A quiet table in the corner," he said. He glanced back. There were no Gels in sight. He followed the waiter to a table near the fat man.

* * *

Seated, he looked around. He wanted to talk to the fat man, but he couldn't afford to attract attention. He would watch, and wait his chance.

At the nearby tables men with well-pressed suits, clean collars, and carefully shaved faces murmured to sleekly gowned women who fingered wine glasses, smiled archly. He caught fragments of conversation:

"My dear, have you heard ..."

"... in the low eighties ..."

"... quite impossible. One must ..."

"... for this time of year."

The waiter returned with a shallow bowl of milky soup. Brett looked at the array of spoons, forks, knives, glanced sideways at the diners at the next table. It was important to follow the correct ritual. He put his napkin in his lap, careful to shake out all the folds. He looked at the spoons again, picked a large one, glanced at the waiter. So far so good ...

"Wine, sir?"

Brett indicated the neighboring couple. "The same as they're having." The waiter turned away, returned holding a wine bottle, label toward Brett. He looked at it, nodded. The waiter busied himself with the cork, removing it with many flourishes, setting a glass before Brett, pouring half an inch of wine. He waited expectantly.

Brett picked up the glass, tasted it. It tasted like wine. He nodded. The waiter poured. Brett wondered what would have happened if he had made a face and spurned it. But it would be too risky to try. No one ever did it.

Couples danced, resumed their seats; others rose and took the floor. A string ensemble in a distant corner played restrained tunes that seemed to speak of the gentle faded melancholy of decorous tea dances on long-forgotten afternoons. Brett glanced toward the fat man. He was eating soup noisily, his napkin tied under his chin.

The waiter was back with a plate. "Lovely day, sir," he said.

"Great," Brett agreed.

The waiter placed a covered platter on the table, removed the cover, stood with carving knife and fork poised.

"A bit of the crispy, sir?"

Brett nodded. He eyed the waiter surreptitiously. He looked real. Some golems seemed realer than others; or perhaps it merely depended on the parts they were playing. The man who had fallen at the parade had been only a sort of extra, a crowd member. The waiter, on the other hand, was able to converse. Perhaps it would be possible to learn something from him ...

"What's ... uh ... how do you spell the name of this town?" Brett asked.

"I was never much of a one for spelling, sir," the waiter said.

"Try it."

"Gravy, sir?"

"Sure. Try to spell the name."

"Perhaps I'd better call the headwaiter, sir," the golem said stiffly.

From the corner of an eye Brett caught a flicker of motion. He whirled, saw nothing. Had it been a Gel?

"Never mind," he said. The waiter served potatoes, peas, refilled the wine glass, moved off silently. The question had been a little too unorthodox, Brett decided. Perhaps if he led up to the subject more obliquely ...

* * *

When the waiter returned Brett said, "Nice day."

"Very nice, sir."

"Better than yesterday."

"Yes indeed, sir."

"I wonder what tomorrow'll be like."

"Perhaps we'll have a bit of rain, sir."

Brett nodded toward the dance floor. "Nice orchestra."

"They're very popular, sir."

"From here in town?"

"I wouldn't know as to that, sir."

"Lived here long yourself?"

"Oh, yes, sir." The waiter's expression showed disapproval. "Would there be anything else, sir?"

"I'm a newcomer here," Brett said. "I wonder if you could tell me--"

"Excuse me, sir." The waiter was gone. Brett poked at the mashed potatoes. Quizzing golems was hopeless. He would have to find out for himself. He turned to look at the fat man. As Brett watched he took a large handkerchief from a pocket, blew his nose loudly. No one turned to look. The orchestra played softly. The couples danced. Now was as good a time as any ...

Brett rose, crossed to the other's table. The man looked up.

"Mind if I sit down?" Brett said. "I'd like to talk to you."

The fat man blinked, motioned to a chair. Brett sat down, leaned across the table. "Maybe I'm wrong," he said quietly, "but I think you're real."

The fat man blinked again. "What's that?" he snapped. He had a high petulant voice.

"You're not like the rest of them. I think I can talk to you. I think you're another outsider."

The fat man looked down at his rumpled suit. "I ... ah ... was caught a little short today. Didn't have time to change. I'm a busy man. And what business is it of yours?" He clamped his jaw shut, eyed Brett warily.

"I'm a stranger here," Brett said. "I want to find out what's going on in this place--"

"Buy an amusement guide. Lists all the shows--"

"I don't mean that. I mean these dummies all over the place, and the Gels--"

"What dummies? Jells? Jello? You don't like Jello?"

"I love Jello. I don't--"

"Just ask the waiter. He'll bring you your Jello. Any flavor you like. Now if you'll excuse me ..."

"I'm talking about the brown things; they look like muddy water. They come around if you interfere with a scene."

The fat man looked nervous. "Please. Go away."

"If I make a disturbance, the Gels will come. Is that what you're afraid of?"

"Now, now. Be calm. No need for you to get excited."

"I won't make a scene," Brett said. "Just talk to me. How long have you been here?"

"I dislike scenes. I dislike them intensely."

"When did you come here?"

"Just ten minutes ago. I just sat down. I haven't had my dinner yet. Please, young man. Go back to your table." The fat man watched Brett warily. Sweat glistened on his bald head.

"I mean this town. How long have you been here? Where did you come from?"

"Why, I was born here. Where did I come from? What sort of question is that? Just consider that the stork brought me."

"You were born here?"

"Certainly."

"What's the name of the town?"

* * *

"Are you trying to make a fool of me?" The fat man was getting angry. His voice was rising.

"Shhh," Brett cautioned. "You'll attract the Gels."

"Blast the Jilts, whatever that is!" the fat man snapped. "Now, get along with you. I'll call the manager."

"Don't you know?" Brett said, staring at the fat man. "They're all dummies; golems, they're called. They're not real."

"Who're not real?"

"All these imitation people at the tables and on the dance floor. Surely you realize--"

"I realize you're in need of medical attention." The fat man pushed back his chair and got to his feet. "You keep the table," he said. "I'll dine elsewhere."

"Wait!" Brett got up, seized the fat man's arm.

"Take your hands off me--" The fat man went toward the door. Brett followed. At the cashier's desk Brett turned suddenly, saw a fluid brown shape flicker--

"Look!" He pulled at the fat man's arm--

"Look at what?" The Gel was gone.

"It was there: a Gel."

The fat man flung down a bill, hurried away. Brett fumbled out a ten, waited for change. "Wait!" he called. He heard the fat man's feet receding down the stairs.

"Hurry," he said to the cashier. The woman sat glassy-eyed, staring at nothing. The music died. The lights flickered, went off. In the gloom Brett saw a fluid shape rise up--

He ran, pounding down the stairs. The fat man was just rounding the corner. Brett opened his mouth to call--and went rigid, as a translucent shape of mud shot from the door, rose up to tower before him. Brett stood, mouth half open, eyes staring, leaning forward with hands outflung. The Gel loomed, its surface flickering--waiting. Brett caught an acrid odor of geraniums.

A minute passed. Brett's cheek itched. He fought a desire to blink, to swallow--to turn and run. The high sun beat down on the silent street, the still window displays.

Then the Gel broke form, slumped, flashed away. Brett tottered back against the wall, let his breath out in a harsh sigh.

Across the street he saw a window with a display of camping equipment, portable stoves, boots, rifles. He crossed the street, tried the door. It was locked. He looked up and down the street. There was no one in sight. He kicked in the glass beside the latch, reached through and turned the knob. Inside he looked over the shelves, selected a heavy coil of nylon rope, a sheath knife, a canteen. He examined a Winchester repeating rifle with a telescopic sight, then put it back and strapped on a .22 revolver. He emptied two boxes of long rifle cartridges into his pocket, then loaded the pistol. He coiled the rope over his shoulder and went back out into the empty street.

* * *

The fat man was standing in front of a shop in the next block, picking at a blemish on his chin and eyeing the window display. He looked up with a frown, started away as Brett came up.

"Wait a minute," Brett called. "Didn't you see the Gel? the one that cornered me back there?"

The fat man looked back suspiciously, kept going.

"Wait!" Brett caught his arm. "I know you're real. I've seen you belch and sweat and scratch. You're the only one I can call on--and I need help. My friend is trapped--"

The fat man pulled away, his face flushed an even deeper red. "I'm warning you, you maniac: get away from me...!"

Brett stepped close, rammed the fat man hard in the ribs. He sank to his knees, gasping. The panama hat rolled away. Brett grabbed his arm, steadied him.

"Sorry," he said. "I had to be sure. You're real, all right. We've got to rescue my friend, Dhuva--"

The fat man leaned against the glass, rolling terrified eyes, rubbing his stomach. "I'll call the police!" he gasped.

"What police?" Brett waved an arm. "Look. Not a car in sight. Did you ever see the street that empty before?"

"Wednesday afternoon," the fat man gasped.

"Come with me. I want to show you. It's all hollow. There's nothing behind these walls--"

"Why doesn't somebody come along?" the fat man moaned.

"The masonry is only a quarter-inch thick," Brett said. "Come on; I'll show you."

"I don't like it," said the fat man. His face was pale and moist. "You're mad. What's wrong? It's so quiet ..."

"We've got to try to save him. The Gel took him down into this pit--"

"Let me go," the man whined. "I'm afraid. Can't you just let me lead my life in peace?"

"Don't you understand? The Gel took a man. They may be after you next."

"There's no one after me! I'm a business man ... a respectable citizen. I mind my own business, give to charity, go to church. All I want is to be left alone!"

* * *

Brett dropped his hands from the fat man's arms, stood looking at him: the blotched face, pale now, the damp forehead, the quivering jowls. The fat man stooped for his hat, slapped it against his leg, clamped it on his head.

"I think I understand now," said Brett. "This is your place, this imitation city. Everything's faked to fit your needs--like in the hotel. Wherever you go, the scene unrolls in front of you. You never see the Gels, never discover the secret of the golems--because you conform. You never do the unexpected."

"That's right. I'm law-abiding. I'm respectable. I don't pry. I don't nose into other people's business. Why should I? Just let me alone ..."

"Sure," Brett said. "Even if I dragged you down there and showed you, you wouldn't believe it. But you're not in the scene now. I've taken you out of it--"

Suddenly the fat man turned and ran a few yards, then looked back to see whether Brett was pursuing him. He shook a round fist.

"I've seen your kind before," he shouted. "Troublemakers."

Brett took a step toward him. The fat man yelped and ran another fifty feet, his coat tails bobbing. He looked back, stopped, a fat figure alone in the empty sunny street.

"You haven't seen the last of me!" he shouted. "We know how to deal with your kind." He tugged at his vest, went off along the sidewalk. Brett watched him go, then started back toward the hollow building.

* * * * *

The jagged fragments of masonry Brett had knocked from the wall lay as he had left them. He stepped through the opening, peered down into the murky pit, trying to judge its depth. A hundred feet at least. Perhaps a hundred and fifty.

He unslung the rope from his shoulder, tied one end to the brass stump, threw the coil down the precipitous side. It fell away into darkness, hung swaying. It was impossible to tell whether the end reached any solid footing below. He couldn't waste any more time looking for help. He would have to try it alone.

There was a scrape of shoe leather on the pavement outside. He turned, stepped out into the white sunlight. The fat man rounded the corner, recoiled as he saw Brett. He flung out a pudgy forefinger, his protruding eyes wide in his blotchy red face.

"There he is! I told you he came this way!" Two uniformed policemen came into view. One eyed the gun at Brett's side, put a hand on his own.

"Better take that off, sir."

"Look!" Brett said to the fat man. He stooped, picked up a crust of masonry. "Look at this--just a shell--"

"He's blasted a hole right in that building, officer!" the fat man shrilled. "He's dangerous."

The cop ignored the gaping hole in the wall. "You'll have to come along with me, sir. This gentleman registered a complaint ..."

Brett stood staring into the cop's eyes. They were pale blue eyes, looking steadily back at him from a bland face. Could the cop be real? Or would he be able to push him over, as he had other golems?

"The fellow's not right in the head," the fat man was saying to the cop. "You should have heard his crazy talk. A troublemaker. His kind have got to be locked up!"

The cop nodded. "Can't have anyone causing trouble."

"Only a young fellow," said the fat man. He mopped at his forehead with a large handkerchief. "Tragic. But I'm sure that you men know how to handle him."

"Better give me the gun, sir." The cop held out a hand. Brett moved suddenly, rammed stiff fingers into the cop's ribs. He stiffened, toppled, lay rigid, staring up at nothing.

"You ... you killed him," the fat man gasped, backing. The second cop tugged at his gun. Brett leaped at him, sent him down with a blow to the ribs. He turned to face the fat man.

"I didn't kill them! I just turned them off. They're not real, they're just golems."

"A killer! And right in the city, in broad daylight."

"You've got to help me!" Brett cried. "This whole scene: don't you see? It has the air of something improvised in a hurry, to deal with the unexpected factor; that's me. The Gels know something's wrong, but they can't quite figure out what. When you called the cops the Gels obliged--"

* * *

Startlingly the fat man burst into tears. He fell to his knees.

"Don't kill me ... oh, don't kill me ..."

"Nobody's going to kill you, you fool!" Brett snapped. "Look! I want to show you!" He seized the fat man's lapel, dragged him to his feet and across the sidewalk, through the opening. The fat man stopped dead, stumbled back--

"What's this? What kind of place is this?" He scrambled for the opening.

"It's what I've been trying to tell you. This city you live in--it's a hollow shell. There's nothing inside. None of it's real. Only you ... and me. There was another man: Dhuva. I was in a cafe with him. A Gel came. He tried to run. It caught him. Now he's ... down there."

"I'm not alone," the fat man babbled. "I have my friends, my clubs, my business associates. I'm insured. Lately I've been thinking a lot about Jesus--"

He broke off, whirled, and jumped for the doorway. Brett leaped after him, caught his coat. It ripped. The fat man stumbled over one of the cop-golems, went to hands and knees. Brett stood over him.

"Get up, damn it!" he snapped. "I need help and you're going to help me!" He hauled the fat man to his feet. "All you have to do is stand by the rope. Dhuva may be unconscious when I find him. You'll have to help me haul him up. If anybody comes along, any Gels, I mean--give me a signal. A whistle ... like this--" Brett demonstrated. "And if I get in trouble, do what you can. Here ..." Brett started to offer the fat man the gun, then handed him the hunting knife. "If anybody interferes, this may not do any good, but it's something. I'm going down now."

The fat man watched as Brett gripped the rope, let himself over the edge. Brett looked up at the glistening face, the damp strands of hair across the freckled scalp. Brett had no assurance that the man would stay at his post, but he had done what he could.

"Remember," said Brett. "It's a real man they've got, like you and me ... not a golem. We owe it to him." The fat man's hands trembled. He watched Brett, licked his lips. Brett started down.

* * * * *

The descent was easy. The rough face of the excavation gave footholds. The end of a decaying timber projected; below it was the stump of a crumbling concrete pipe two feet in diameter. Brett was ten feet below the rim of floor now. Above, the broad figure of the fat man was visible in silhouette against the jagged opening in the wall.

Now the cliff shelved back; the rope hung free. Brett eased past the cut end of a rusted water pipe, went down hand over hand. If there were nothing at the bottom to give him footing, it would be a long climb back ...

Twenty feet below he could see the still black water, pockmarked with expanding rings where bits of debris dislodged by his passage peppered the surface.

There was a rhythmic vibration in the rope. Brett felt it through his hands, a fine sawing sensation ...

He was falling, gripping the limp rope ...

He slammed on his back in three feet of oily water. The coils of rope collapsed around him with a sustained splashing. He got to his feet, groped for the end of the rope. The glossy nylon strands had been cleanly cut.

* * *

For half an hour Brett waded in waist-deep water along a wall of damp clay that rose sheer above him. Far above, bars of dim sunlight crossed the upper reaches of the cavern. He had seen no sign of Dhuva ... or the Gels.

He encountered a sodden timber that projected above the surface of the pool, clung to it to rest. Bits of flotsam--a plastic pistol, bridge tallies, a golf bag--floated in the black water. A tunnel extended through the clay wall ahead; beyond, Brett could see a second great cavern rising. He pictured the city, silent and empty above, and the honey-combed earth beneath. He moved on.

An hour later Brett had traversed the second cavern. Now he clung to an outthrust spur of granite directly beneath the point at which Dhuva had disappeared. Far above he could see the green-clad waitress standing stiffly on her ledge. He was tired. Walking in water, his feet floundering in soft mud, was exhausting. He was no closer to escape, or to finding Dhuva, than he had been when the fat man cut the rope. He had been a fool to leave the man alone, with a knife ... but he had had no choice.

He would have to find another way out. Endlessly wading at the bottom of the pit was useless. He would have to climb. One spot was as good as another. He stepped back and scanned the wall of clay looming over him. Twenty feet up, water dripped from the broken end of a four-inch water main. Brett uncoiled the rope from his shoulder, tied a loop in the end, whirled it and cast upward. It missed, fell back with a splash. He gathered it in, tried again. On the third try it caught. He tested it, then started up. His hands were slippery with mud and water. He twined the rope around his legs, inched higher. The slender cable was smooth as glass. He slipped back two feet, then inched upward, slipped again, painfully climbed, slipped, climbed.

After the first ten feet he found toe-holds in the muddy wall. He worked his way up, his hands aching and raw. A projecting tangle of power cable gave a secure purchase for a foot. He rested. Nearby, an opening two feet in diameter gaped in the clay: a tunnel. It might be possible to swing sideways across the face of the clay and reach the opening. It was worth a try. His stiff, clay-slimed hands would pull him no higher.

He gripped the rope, kicked off sideways, hooked a foot in the tunnel mouth, half jumped, half fell into the mouth of the tunnel. He clung to the rope, shook it loose from the pipe above, coiled it and looped it over his shoulder. On hands and knees he started into the narrow passage.

* * *

The tunnel curved left, then right, dipped, then angled up. Brett crawled steadily, the smooth stiff clay yielding and cold against his hands and sodden knees. Another smaller tunnel joined from the left. Another angled in from above. The tunnel widened to three feet, then four. Brett got to his feet, walked in a crouch. Here and there, barely visible in the near-darkness, objects lay imbedded in the mud: a silver-plated spoon, its handle bent; the rusted engine of an electric train; a portable radio, green with corrosion from burst batteries.

At a distance, Brett estimated, of a hundred yards from the pit, the tunnel opened into a vast cave, green-lit from tiny discs of frosted glass set in the ceiling far above. A row of discolored concrete piles, the foundations of the building above, protruded against the near wall, their surfaces nibbled and pitted. Between Brett and the concrete columns the floor was littered with pale sticks and stones, gleaming dully in the gloom.

Brett started across the floor. One of the sticks snapped underfoot. He kicked a melon-sized stone. It rolled lightly, came to rest with hollow eyes staring toward him. A human skull.

* * * * *

The floor of the cave covered an area the size of a city block. It was blanketed with human bones, with here and there a small cat skeleton or the fanged snout-bones of a dog. There was a constant rustling of rats that played among the rib cages, sat atop crania, scuttled behind shin-bones. Brett picked his way, stepping over imitation pearl necklaces, zircon rings, plastic buttons, hearing aids, lipsticks, compacts, corset stays, prosthetic devices, rubber heels, wrist watches, lapel watches, pocket watches with corroded brass chains.

Ahead Brett saw a patch of color: a blur of pale yellow. He hurried, stumbling over bone heaps, crunching eyeglasses underfoot. He reached the still figure where it lay slackly, face down. Gingerly he squatted, turned it on its back. It was Dhuva.

Brett slapped the cold wrists, rubbed the clammy hands. Dhuva stirred, moaned weakly. Brett pulled him to a sitting position. "Wake up!" he whispered. "Wake up!"

Dhuva's eyelids fluttered. He blinked dully at Brett.

"The Gels may turn up any minute," Brett hissed. "We have to get away from here. Can you walk?"

"I saw it," said Dhuva faintly. "But it moved so fast ..."

"You're safe here for the moment," Brett said. "There are none of them around. But they may be back. We've got to find a way out!"

Dhuva started up, staring around. "Where am I?" he said hoarsely. Brett seized his arm, steadied him on his feet.

"We're in a hollowed-out cave," he said. "The whole city is undermined with them. They're connected by tunnels. We have to find one leading back to the surface."

Dhuva gazed around at the acres of bones. "It left me here for dead."

"Or to die," said Brett.

"Look at them," Dhuva breathed. "Hundreds ... thousands ..."

"The whole population, it looks like. The Gels must have whisked them down here one by one."

"But why?"

"For interfering with the scenes. But that doesn't matter now. What matters is getting out. Come on. I see tunnels on the other side."

They crossed the broad floor, around them the white bones, the rustle of rats. They reached the far side of the cave, picked a six-foot tunnel which trended upward, a trickle of water seeping out of the dark mouth. They started up the slope.

* * *

"We have to have a weapon against the Gels," said Brett.

"Why? I don't want to fight them." Dhuva's voice was thin, frightened. "I want to get away from here ... even back to Wavly. I'd rather face the Duke."

"This was a real town, once," said Brett. "The Gels have taken it over, hollowed out the buildings, mined the earth under it, killed off the people, and put imitation people in their place. And nobody ever knew. I met a man who's lived here all his life. He doesn't know. But we know ... and we have to do something about it."

"It's not our business. I've had enough. I want to get away."

"The Gels must stay down below, somewhere in that maze of tunnels. For some reason they try to keep up appearances ... but only for the people who belong here. They play out scenes for the fat man, wherever he goes. And he never goes anywhere he isn't expected to."

"We'll get over the wall somehow," said Dhuva. "We may starve, crossing the dry fields, but that's better than this."

They emerged from the tunnel into a coal bin, crossed to a sagging door, found themselves in a boiler room. Stairs led up to sunlight. In the street, in the shadow of tall buildings, a boxy sedan was parked at the curb. Brett went to it, tried the door. It opened. Keys dangled from the ignition switch. He slid into the dusty seat. Behind him there was a hoarse scream. Brett looked up. Through the streaked windshield he saw a mighty Gel rear up before Dhuva, who crouched back against the blackened brick front of the building.

"Don't move, Dhuva!" Brett shouted. Dhuva stood frozen, flattened against the wall. The Gel towered, its surface rippling.

Brett eased from the seat. He stood on the pavement, fifteen feet from the Gel. The rank Gel odor came in waves from the creature. Beyond it he could see Dhuva's white terrified face.

Silently Brett turned the latch of the old-fashioned auto hood, raised it. The copper fuel line curved down from the firewall to a glass sediment cup. The knurled retaining screw turned easily; the cup dropped into Brett's hand. Gasoline ran down in an amber stream. Brett pulled off his damp coat, wadded it, jammed it under the flow. Over his shoulder he saw Dhuva, still rigid--and the Gel, hovering, uncertain.

The coat was saturated with gasoline now. Brett fumbled a match box from his pocket. Wet. He threw the sodden container aside. The battery caught his eye, clamped in a rusted frame under the hood. He jerked the pistol from its holster, used it to short the terminals. Tiny blue sparks jumped. He jammed the coat near, rasped the gun against the soft lead poles. With a whoosh! the coat caught; yellow flames leaped, soot-rimmed. Brett snatched at a sleeve, whirled the coat high. The great Gel, attracted by the sudden motion, rushed at him. He flung the blazing garment over the monster, leaped aside.

The creature went mad. It slumped, lashed itself against the pavement. The burning coat was thrown clear. The Gel threw itself across the pavement, into the gutter, sending a splatter of filthy water over Brett. From the corner of his eye, Brett saw Dhuva seize the burning coat, hurl it into the pooled gasoline in the gutter. Fire leaped twenty feet high; in its center the great Gel bucked and writhed. The ancient car shuddered as the frantic monster struck it. Black smoke boiled up; an unbelievable stench came to Brett's nostrils. He backed, coughing. Flames roared around the front of the car. Paint blistered and burned. A tire burst. In a final frenzy, the Gel whipped clear, lay, a great blackened shape of melting rubber, twitching, then still.

* * *

"They've tunneled under everything," Brett said. "They've cut through power lines and water lines, concrete, steel, earth; they've left the shell, shored up with spidery-looking trusswork. Somehow they've kept water and power flowing to wherever they needed it--"

"I don't care about your theories," Dhuva said; "I only want to get away."

"It's bound to work, Dhuva. I need your help."

"No."

"Then I'll have to try alone." He turned away.

"Wait," Dhuva called. He came up to Brett. "I owe you a life; you saved mine. I can't let you down now. But if this doesn't work ... or if you can't find what you want--"

"Then we'll go."

Together they turned down a side street, walking rapidly. At the next corner Brett pointed.

"There's one!" They crossed to the service station at a run. Brett tried the door. Locked. He kicked at it, splintered the wood around the lock. He glanced around inside. "No good," he called. "Try the next building. I'll check the one behind."

He crossed the wide drive, battered in a door, looked in at a floor covered with wood shavings. It ended ten feet from the door. Brett went to the edge, looked down. Diagonally, forty feet away, the underground fifty-thousand-gallon storage tank which supplied the gasoline pumps of the station perched, isolated, on a column of striated clay, ribbed with chitinous Gel buttresses. The truncated feed lines ended six feet from the tank. From Brett's position, it was impossible to say whether the ends were plugged.

Across the dark cavern a square of light appeared. Dhuva stood in a doorway looking toward Brett.

"Over here, Dhuva!" Brett uncoiled his rope, arranged a slip-noose. He measured the distance with his eye, tossed the loop. It slapped the top of the tank, caught on a massive fitting. He smashed the glass from a window, tied the end of the rope to the center post. Dhuva arrived, watched as Brett went to the edge, hooked his legs over the rope, and started across to the tank.

It was an easy crossing. Brett's feet clanged against the tank. He straddled the six-foot cylinder, worked his way to the end, then clambered down to the two two-inch feed lines. He tested their resilience, then lay flat, eased out on them. There were plugs of hard waxy material in the cut ends of the pipes. Brett poked at them with the pistol. Chunks loosened and fell. He worked for fifteen minutes before the first trickle came. Two minutes later, two thick streams of gasoline were pouring down into the darkness.

* * *

Brett and Dhuva piled sticks, scraps of paper, shavings, and lumps of coal around a core of gasoline-soaked rags. Directly above the heaped tinder a taut rope stretched from the window post to a child's wagon, the steel bed of which contained a second heap of combustibles. The wagon hung half over the ragged edge of the floor.

"It should take about fifteen minutes for the fire to burn through the rope," Brett said. "Then the wagon will fall and dump the hot coals in the gasoline. By then it will have spread all over the surface and flowed down side tunnels into other parts of the cavern system."

"But it may not get them all."

"It will get some of them. It's the best we can do right now. You get the fire going in the wagon; I'll start this one up."

Dhuva sniffed the air. "That fluid," he said. "We know it in Wavly as phlogistoneum. The wealthy use it for cooking."

"We'll use it to cook Gels." Brett struck a match. The fire leaped up, smoking. Dhuva watched, struck his match awkwardly, started his blaze. They stood for a moment watching. The nylon curled and blackened, melting in the heat.

"We'd better get moving," Brett said. "It doesn't look as though it will last fifteen minutes."

They stepped out into the street. Behind them wisps of smoke curled from the door. Dhuva seized Brett's arm. "Look!"

Half a block away the fat man in the panama hat strode toward them at the head of a group of men in grey flannel. "That's him!" the fat man shouted, "the one I told you about. I knew the scoundrel would be back!" He slowed, eyeing Brett and Dhuva warily.

"You'd better get away from here, fast!" Brett called. "There'll be an explosion in a few minutes--"

"Smoke!" the fat man yelped. "Fire! They've set fire to the city! There it is! pouring out of the window ... and the door!" He started forward. Brett yanked the pistol from the holster, thumbed back the hammer.

"Stop right there!" he barked. "For your own good I'm telling you to run. I don't care about that crowd of golems you've collected, but I'd hate to see a real human get hurt--even a cowardly one like you."

"These are honest citizens," the fat man gasped, standing, staring at the gun. "You won't get away with this. We all know you. You'll be dealt with ..."

"We're going now. And you're going too."

"You can't kill us all," the fat man said. He licked his lips. "We won't let you destroy our city."

* * *

As the fat man turned to exhort his followers Brett fired, once twice, three times. Three golems fell on their faces. The fat man whirled.

"Devil!" he shrieked. "A killer is abroad!" He charged, mouth open. Brett ducked aside, tripped the fat man. He fell heavily, slamming his face against the pavement. The golems surged forward. Brett and Dhuva slammed punches to the sternum, took clumsy blows on the shoulder, back, chest. Golems fell. Brett ducked a wild swing, toppled his attacker, turned to see Dhuva deal with the last of the dummies. The fat man sat in the street, dabbing at his bleeding nose, the panama still in place.

"Get up," Brett commanded. "There's no time left."

"You've killed them. Killed them all ..." The fat man got to his feet, then turned suddenly and plunged for the door from which a cloud of smoke poured. Brett hauled him back. He and Dhuva started off, dragging the struggling man between them. They had gone a block when their prisoner, with a sudden frantic jerk, freed himself, set off at a run for the fire.

"Let him go!" Dhuva cried. "It's too late to go back!"

The fat man leaped fallen golems, wrestled with the door, disappeared into the smoke. Brett and Dhuva sprinted for the corner. As they rounded it a tremendous blast shook the street. The pavement before them quivered, opened in a wide crack. A ten-foot section dropped from view. They skirted the gaping hole, dashed for safety as the facades along the street cracked, fell in clouds of dust. The street trembled under a second explosion. Cracks opened, dust rising in puffs from the long wavering lines. Masonry collapsed around them. They put their heads down and ran.

* * * * *

Winded, Brett and Dhuva walked through the empty streets of the city. Behind them, smoke blackened the sky. Embers floated down around them. The odor of burning Gel was carried on the wind. The late sun shone on the blank pavement. A lone golem in a tasseled fez, left over from the morning's parade, leaned stiffly against a lamp post, eyes blank. Empty cars sat in driveways. TV antennae stood forlornly against the sunset.

"That place looks lived-in," said Brett, indicating an open apartment window with a curtain billowing above a potted geranium. "I'll take a look."

He came back shaking his head. "They were all in the TV room. They looked so natural at first; I mean, they didn't look up or anything when I walked in. I turned the set off. The electricity is still working anyway. Wonder how long it will last?"

They turned down a residential street. Underfoot the pavement trembled at a distant blast. They skirted a crack, kept going. Occasional golems stood in awkward poses or lay across sidewalks. One, clad in black, tilted awkwardly in a gothic entry of fretted stone work. "I guess there won't be any church this Sunday," said Brett.

He halted before a brown brick apartment house. An untended hose welled on a patch of sickly lawn. Brett went to the door, stood listening, then went in. Across the room the still figure of a woman sat in a rocker. A curl stirred on her smooth forehead. A flicker of expression seemed to cross the lined face. Brett started forward. "Don't be afraid. You can come with us--"

He stopped. A flapping window-shade cast restless shadows on the still golem features on which dust was already settling. Brett turned away, shaking his head.

"All of them," he said. "It's as though they were snipped out of paper. When the Gels died their dummies died with them."

"Why?" said Dhuva. "What does it all mean?"

"Mean?" said Brett. He shook his head, started off again along the street. "It doesn't mean anything. It's just the way things are."

* * *

Brett sat in a deserted Cadillac, tuning the radio.

"... anybody hear me?" said a plaintive voice from the speaker. "This is Ab Gullorian, at the Twin Spires. Looks like I'm the only one left alive. Can anybody hear me?"

Brett tuned. "... been asking the wrong questions ... looking for the Final Fact. Now these are strange matters, brothers. But if a flower blooms, what man shall ask why? What lore do we seek in a symphony...?"

He twisted the knob again. "... Kansas City. Not more than half a dozen of us. And the dead! Piled all over the place. But it's a funny thing: Doc Potter started to do an autopsy--"

Brett turned the knob. "... CQ, CQ, CQ. This is Hollip Quate, calling CQ, CQ. There's been a disaster here at Port Wanderlust. We need--"

"Take Jesus into your hearts," another station urged.

"... to base," the radio said faintly, with much crackling. "Lunar Observatory to base. Come in, Lunar Control. This is Commander McVee of the Lunar Detachment, sole survivor--"

"... hello, Hollip Quate? Hollip Quate? This is Kansas City calling. Say, where did you say you were calling from...?"

"It looks as though both of us had a lot of mistaken ideas about the world outside," said Brett. "Most of these stations sound as though they might as well be coming from Mars."

"I don't understand where the voices come from," Dhuva said. "But all the places they name are strange to me ... except the Twin Spires."

"I've heard of Kansas City," Brett said, "but none of the other ones."

The ground trembled. A low rumble rolled. "Another one," Brett said. He switched off the radio, tried the starter. It groaned, turned over. The engine caught, sputtered, then ran smoothly.

"Get in, Dhuva. We might as well ride. Which way do we go to get out of this place?"

"The wall lies in that direction," said Dhuva. "But I don't know about a gate."

"We'll worry about that when we get to it," said Brett. "This whole place is going to collapse before long. We really started something. I suppose other underground storage tanks caught--and gas lines, too."

A building ahead cracked, fell in a heap of pulverized plaster. The car bucked as a blast sent a ripple down the street. A manhole cover popped up, clattered a few feet, dropped from sight. Brett swerved, gunned the car. It leaped over rubble, roared along the littered pavement. Brett looked in the rear-view mirror. A block behind them the street ended. Smoke and dust rose from the immense pit.

"We just missed it that time!" he called. "How far to the wall?"

"Not far! Turn here ..."

Brett rounded the corner with a shrieking of tires. Ahead the grey wall rose up, blank, featureless.

"This is a dead end!" Brett shouted.

"We'd better get out and run for it--"

"No time! I'm going to ram the wall! Maybe I can knock a hole in it."

* * *

Dhuva crouched; teeth gritted, Brett held the accelerator to the floor, roared straight toward the wall. The heavy car shot across the last few yards, struck--

And burst through a curtain of canvas into a field of dry stalks.

Brett steered the car in a wide curve to halt and look back. A blackened panama hat floated down, settled among the stalks. Smoke poured up in a dense cloud from behind the canvas wall. A fetid stench pervaded the air.

"That finishes that, I guess," Brett said.

"I don't know. Look there."

Brett turned. Far across the dry field columns of smoke rose from the ground.

"The whole thing's undermined," Brett said. "How far does it go?"

"No telling. But we'd better be off. Perhaps we can get beyond the edge of it. Not that it matters. We're all that's left ..."

"You sound like the fat man," Brett said. "But why should we be so surprised to find out the truth? After all, we never saw it before. All we knew--or thought we knew--was what they told us. The moon, the other side of the world, a distant city ... or even the next town. How do we really know what's there ... unless we go and see for ourselves? Does a goldfish in his bowl know what the ocean is like?"

"Where did they come from, those Gels? How much of the world have they undermined? What about Wavly? Is it a golem country too? The Duke ... and all the people I knew?"

"I don't know, Dhuva. I've been wondering about the people in Casperton. Like Doc Welch. I used to see him in the street with his little black bag. I always thought it was full of pills and scalpels; but maybe it really had zebra's tails and toad's eyes in it. Maybe he's really a magician on his way to cast spells against demons. Maybe the people I used to see hurrying to catch the bus every morning weren't really going to the office. Maybe they go down into caves and chip away at the foundations of things. Maybe they go up on rooftops and put on rainbow-colored robes and fly away. I used to pass by a bank in Casperton: a big grey stone building with little curtains over the bottom half of the windows. I never go in there. I don't have anything to do in a bank. I've always thought it was full of bankers, banking ... Now I don't know. It could be anything ..."

"That's why I'm afraid," Dhuva said. "It could be anything."

"Things aren't really any different than they were," said Brett, "... except that now we know." He turned the big car out across the field toward Casperton.

"I don't know what we'll find when we get back. Aunt Haicey, Pretty-Lee ... But there's only one way to find out."

The moon rose as the car bumped westward, raising a trail of dust against the luminous sky of evening.

THE END