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Contents

THE DOPE ON MARS

By JACK SHARKEY

 

Somebody had to get the human angle on this trip ... but what was humane about sending me?

 

My agent was the one who got me the job of going along to write up the first trip to Mars. He was always getting me things like that--appearances on TV shows, or mentions in writers' magazines. If he didn't sell much of my stuff, at least he sold me.

"It'll be the biggest break a writer ever got," he told me, two days before blastoff. "Oh, sure there'll be scientific reports on the trip, but the public doesn't want them; they want the human slant on things."

"But, Louie," I said weakly, "I'll probably be locked up for the whole trip. If there are fights or accidents, they won't tell me about them."

"Nonsense," said Louie, sipping carefully at a paper cup of scalding coffee. "It'll be just like the public going along vicariously. They'll identify with you."

"But, Louie," I said, wiping the dampness from my palms on the knees of my trousers as I sat there, "how'll I go about it? A story? An article? A you-are-there type of report? What?"

Louie shrugged. "So keep a diary. It'll be more intimate, like."

"But what if nothing happens?" I insisted hopelessly.

Louie smiled. "So you fake it."

I got up from the chair in his office and stepped to the door. "That's dishonest," I pointed out.

"Creative is the word," Louie said.

So I went on the first trip to Mars. And I kept a diary. This is it. And it is honest. Honest it is.

* * * * *

October 1, 1960

They picked the launching date from the March, 1959, New York Times, which stated that this was the most likely time for launching. Trip time is supposed to take 260 days (that's one way), so we're aimed toward where Mars will be (had better be, or else).

There are five of us on board. A pilot, co-pilot, navigator and biochemist. And, of course, me. I've met all but the pilot (he's very busy today), and they seem friendly enough.

Dwight Kroger, the biochemist, is rather old to take the "rigors of the journey," as he puts it, but the government had a choice between sending a green scientist who could stand the trip or an accomplished man who would probably not survive, so they picked Kroger. We've blasted off, though, and he's still with us. He looks a damn sight better than I feel. He's kind of balding, and very iron-gray-haired and skinny, but his skin is tan as an Indian's, and right now he's telling jokes in the washroom with the co-pilot.

Jones (that's the co-pilot; I didn't quite catch his first name) is scarlet-faced, barrel-chested and gives the general appearance of belonging under the spreading chestnut tree, not in a metal bullet flinging itself out into airless space. Come to think of it, who does belong where we are?

The navigator's name is Lloyd Streeter, but I haven't seen his face yet. He has a little cubicle behind the pilot's compartment, with all kinds of maps and rulers and things. He keeps bent low over a welded-to-the-wall (they call it the bulkhead, for some reason or other) table, scratching away with a ballpoint pen on the maps, and now and then calling numbers over a microphone to the pilot. His hair is red and curly, and he looks as though he'd be tall if he ever gets to stand up. There are freckles on the backs of his hands, so I think he's probably got them on his face, too. So far, all he's said is, "Scram, I'm busy."

Kroger tells me that the pilot's name is Patrick Desmond, but that I can call him Pat when I get to know him better. So far, he's still Captain Desmond to me. I haven't the vaguest idea what he looks like. He was already on board when I got here, with my typewriter and ream of paper, so we didn't meet.

My compartment is small but clean. I mean clean now. It wasn't during blastoff. The inertial gravities didn't bother me so much as the gyroscopic spin they put on the ship so we have a sort of artificial gravity to hold us against the curved floor. It's that constant whirly feeling that gets me. I get sick on merry-go-rounds, too.

They're having pork for dinner today. Not me.

* * * * *

October 2, 1960

Feeling much better today. Kroger gave me a box of Dramamine pills. He says they'll help my stomach. So far, so good.

Lloyd came by, also. "You play chess?" he asked.

"A little," I admitted.

"How about a game sometime?"

"Sure," I said. "Do you have a board?"

He didn't.

Lloyd went away then, but the interview wasn't wasted. I learned that he is tall and does have a freckled face. Maybe we can build a chessboard. With my paper and his ballpoint pen and ruler, it should be easy. Don't know what we'll use for pieces, though.

Jones (I still haven't learned his first name) has been up with the pilot all day. He passed my room on the way to the galley (the kitchen) for a cup of dark brown coffee (they like it thick) and told me that we were almost past the Moon. I asked to look, but he said not yet; the instrument panel is Top Secret. They'd have to cover it so I could look out the viewing screen, and they still need it for steering or something.

I still haven't met the pilot.

* * * * *

October 3, 1960

Well, I've met the pilot. He is kind of squat, with a vulturish neck and close-set jet-black eyes that make him look rather mean, but he was pleasant enough, and said I could call him Pat. I still don't know Jones' first name, though Pat spoke to him, and it sounded like Flants. That can't be right.

Also, I am one of the first five men in the history of the world to see the opposite side of the Moon, with a bluish blurred crescent beyond it that Pat said was the Earth. The back of the Moon isn't much different from the front. As to the space in front of the ship, well, it's all black with white dots in it, and none of the dots move, except in a circle that Pat says is a "torque" result from the gyroscopic spin we're in. Actually, he explained to me, the screen is supposed to keep the image of space locked into place no matter how much we spin. But there's some kind of a "drag." I told him I hoped it didn't mean we'd land on Mars upside down. He just stared at me.

I can't say I was too impressed with that 16 x 19 view of outer space. It's been done much better in the movies. There's just no awesomeness to it, no sense of depth or immensity. It's as impressive as a piece of velvet with salt sprinkled on it.

Lloyd and I made a chessboard out of a carton. Right now we're using buttons for men. He's one of these fast players who don't stop and think out their moves. And so far I haven't won a game.

It looks like a long trip.

* * * * *

October 4, 1960

I won a game. Lloyd mistook my queen-button for my bishop-button and left his king in jeopardy, and I checkmated him next move. He said chess was a waste of time and he had important work to do and he went away.

I went to the galley for coffee and had a talk about moss with Kroger. He said there was a good chance of lichen on Mars, and I misunderstood and said, "A good chance of liking what on Mars?" and Kroger finished his coffee and went up front.

When I got back to my compartment, Lloyd had taken away the chessboard and all his buttons. He told me later he needed it to back up a star map.

Pat slept mostly all day in his compartment, and Jones sat and watched the screen revolve. There wasn't much to do, so I wrote a poem, sort of.

Mary, Mary, quite contrary, How does your garden grow? With Martian rime, Venusian slime, And a radioactive hoe.

I showed it to Kroger. He says it may prove to be environmentally accurate, but that I should stick to prose.

* * * * *

October 5, 1960

Learned Jones' first name. He wrote something in the ship's log, and I saw his signature. His name is Fleance, like in "Macbeth." He prefers to be called Jones. Pat uses his first name as a gag. Some fun.

And only 255 days to go.

* * * * *

April 1, 1961

I've skipped over the last 177 days or so, because there's nothing much new. I brought some books with me on the trip, books that I'd always meant to read and never had the time. So now I know all about Vanity Fair, Pride and Prejudice, War and Peace, Gone with the Wind, and Babbitt.

They didn't take as long as I thought they would, except for Vanity Fair. It must have been a riot when it first came out. I mean, all those sly digs at the aristocracy, with copious interpolations by Mr. Thackeray in case you didn't get it when he'd pulled a particularly good gag. Some fun.

And only 78 days to go.

* * * * *

June 1, 1961

Only 17 days to go. I saw Mars on the screen today. It seems to be descending from overhead, but Pat says that that's the "torque" doing it. Actually, it's we who are coming in sideways.

We've all grown beards, too. Pat said it was against regulations, but what the hell. We have a contest. Longest whiskers on landing gets a prize.

I asked Pat what the prize was and he told me to go to hell.

* * * * *

June 18, 1961

Mars has the whole screen filled. Looks like Death Valley. No sign of canals, but Pat says that's because of the dust storm down below. It's nice to have a "down below" again. We're going to land, so I have to go to my bunk. It's all foam rubber, nylon braid supports and magnesium tubing. Might as well be cement for all the good it did me at takeoff. Earth seems awfully far away.

* * * * *

June 19, 1961

Well, we're down. We have to wear gas masks with oxygen hook-ups. Kroger says the air is breathable, but thin, and it has too much dust in it to be any fun to inhale. He's all for going out and looking for lichen, but Pat says he's got to set up camp, then get instructions from Earth. So we just have to wait. The air is very cold, but the Sun is hot as hell when it hits you. The sky is a blinding pink, or maybe more of a pale fuchsia. Kroger says it's the dust. The sand underfoot is kind of rose-colored, and not really gritty. The particles are round and smooth.

No lichen so far. Kroger says maybe in the canals, if there are any canals. Lloyd wants to play chess again.

Jones won the beard contest. Pat gave him a cigar he'd smuggled on board (no smoking was allowed on the ship), and Jones threw it away. He doesn't smoke.

* * * * *

June 20, 1961

Got lost today. Pat told me not to go too far from camp, so, when I took a stroll, I made sure every so often that I could still see the rocket behind me. Walked for maybe an hour; then the oxygen gauge got past the halfway mark, so I started back toward the rocket. After maybe ten steps, the rocket disappeared. One minute it was standing there, tall and silvery, the next instant it was gone.

Turned on my radio pack and got hold of Pat. Told him what happened, and he told Kroger. Kroger said I had been following a mirage, to step back a bit. I did, and I could see the ship again. Kroger said to try and walk toward where the ship seemed to be, even when it wasn't in view, and meantime they'd come out after me in the jeep, following my footprints.

Started walking back, and the ship vanished again. It reappeared, disappeared, but I kept going. Finally saw the real ship, and Lloyd and Jones waving their arms at me. They were shouting through their masks, but I couldn't hear them. The air is too thin to carry sound well.

All at once, something gleamed in their hands, and they started shooting at me with their rifles. That's when I heard the noise behind me. I was too scared to turn around, but finally Jones and Lloyd came running over, and I got up enough nerve to look. There was nothing there, but on the sand, paralleling mine, were footprints. At least I think they were footprints. Twice as long as mine, and three times as wide, but kind of featureless because the sand's loose and dry. They doubled back on themselves, spaced considerably farther apart.

"What was it?" I asked Lloyd when he got to me.

"Damned if I know," he said. "It was red and scaly, and I think it had a tail. It was two heads taller than you." He shuddered. "Ran off when we fired."

"Where," said Jones, "are Pat and Kroger?"

I didn't know. I hadn't seen them, nor the jeep, on my trip back. So we followed the wheel tracks for a while, and they veered off from my trail and followed another, very much like the one that had been paralleling mine when Jones and Lloyd had taken a shot at the scaly thing.

"We'd better get them on the radio," said Jones, turning back toward the ship.

There wasn't anything on the radio but static.

Pat and Kroger haven't come back yet, either.

* * * * *

June 21, 1961

We're not alone here. More of the scaly things have come toward the camp, but a few rifle shots send them away. They hop like kangaroos when they're startled. Their attitudes aren't menacing, but their appearance is. And Jones says, "Who knows what's 'menacing' in an alien?"

We're going to look for Kroger and Pat today. Jones says we'd better before another windstorm blows away the jeep tracks. Fortunately, the jeep has a leaky oil pan, so we always have the smears to follow, unless they get covered up, too. We're taking extra oxygen, shells, and rifles. Food, too, of course. And we're locking up the ship.

* * * * *

It's later, now. We found the jeep, but no Kroger or Pat. Lots of those big tracks nearby. We're taking the jeep to follow the aliens' tracks. There's some moss around here, on reddish brown rocks that stick up through the sand, just on the shady side, though. Kroger must be happy to have found his lichen.

The trail ended at the brink of a deep crevice in the ground. Seems to be an earthquake-type split in solid rock, with the sand sifting over this and the far edge like pink silk cataracts. The bottom is in the shade and can't be seen. The crack seems to extend to our left and right as far as we can look.

There looks like a trail down the inside of the crevice, but the Sun's setting, so we're waiting till tomorrow to go down.

Going down was Jones' idea, not mine.

* * * * *

June 22, 1961

Well, we're at the bottom, and there's water here, a shallow stream about thirty feet wide that runs along the center of the canal (we've decided we're in a canal). No sign of Pat or Kroger yet, but the sand here is hard-packed and damp, and there are normal-size footprints mingled with the alien ones, sharp and clear. The aliens seem to have six or seven toes. It varies from print to print. And they're barefoot, too, or else they have the damnedest-looking shoes in creation.

The constant shower of sand near the cliff walls is annoying, but it's sandless (shower-wise) near the stream, so we're following the footprints along the bank. Also, the air's better down here. Still thin, but not so bad as on the surface. We're going without masks to save oxygen for the return trip (Jones assures me there'll be a return trip), and the air's only a little bit sandy, but handkerchiefs over nose and mouth solve this.

We look like desperadoes, what with the rifles and covered faces. I said as much to Lloyd and he told me to shut up. Moss all over the cliff walls. Swell luck for Kroger.

* * * * *

We've found Kroger and Pat, with the help of the aliens. Or maybe I should call them the Martians. Either way, it's better than what Jones calls them.

They took away our rifles and brought us right to Kroger and Pat, without our even asking. Jones is mad at the way they got the rifles so easily. When we came upon them (a group of maybe ten, huddling behind a boulder in ambush), he fired, but the shots either bounced off their scales or stuck in their thick hides. Anyway, they took the rifles away and threw them into the stream, and picked us all up and took us into a hole in the cliff wall. The hole went on practically forever, but it didn't get dark. Kroger tells me that there are phosphorescent bacteria living in the mold on the walls. The air has a fresh-dug-grave smell, but it's richer in oxygen than even at the stream.

We're in a small cave that is just off a bigger cave where lots of tunnels come together. I can't remember which one we came in through, and neither can anyone else. Jones asked me what the hell I kept writing in the diary for, did I want to make it a gift to Martian archeologists? But I said where there's life there's hope, and now he won't talk to me. I congratulated Kroger on the lichen I'd seen, but he just said a short and unscientific word and went to sleep.

There's a Martian guarding the entrance to our cave. I don't know what they intend to do with us. Feed us, I hope. So far, they've just left us here, and we're out of rations.

Kroger tried talking to the guard once, but he (or it) made a whistling kind of sound and flashed a mouthful of teeth. Kroger says the teeth are in multiple rows, like a tiger shark's. I'd rather he hadn't told me.

* * * * *

June 23, 1961, I think

We're either in a docket or a zoo. I can't tell which. There's a rather square platform surrounded on all four sides by running water, maybe twenty feet across, and we're on it. Martians keep coming to the far edge of the water and looking at us and whistling at each other. A little Martian came near the edge of the water and a larger Martian whistled like crazy and dragged it away.

"Water must be dangerous to them," said Kroger.

"We shoulda brought water pistols," Jones muttered.

Pat said maybe we can swim to safety. Kroger told Pat he was crazy, that the little island we're on here underground is bordered by a fast river that goes into the planet. We'd end up drowned in some grotto in the heart of the planet, says Kroger.

"What the hell," says Pat, "it's better than starving."

It is not.

* * * * *

June 24, 1961, probably

I'm hungry. So is everybody else. Right now I could eat a dinner raw, in a centrifuge, and keep it down. A Martian threw a stone at Jones today, and Jones threw one back at him and broke off a couple of scales. The Martian whistled furiously and went away. When the crowd thinned out, same as it did yesterday (must be some sort of sleeping cycle here), Kroger talked Lloyd into swimming across the river and getting the red scales. Lloyd started at the upstream part of the current, and was about a hundred yards below this underground island before he made the far side. Sure is a swift current.

But he got the scales, walked very far upstream of us, and swam back with them. The stream sides are steep, like in a fjord, and we had to lift him out of the swirling cold water, with the scales gripped in his fist. Or what was left of the scales. They had melted down in the water and left his hand all sticky.

Kroger took the gummy things, studied them in the uncertain light, then tasted them and grinned.

The Martians are made of sugar.

* * * * *

Later, same day. Kroger said that the Martian metabolism must be like Terran (Earth-type) metabolism, only with no pancreas to make insulin. They store their energy on the outside of their bodies, in the form of scales. He's watched them more closely and seen that they have long rubbery tubes for tongues, and that they now and then suck up water from the stream while they're watching us, being careful not to get their lips (all sugar, of course) wet. He guesses that their "blood" must be almost pure water, and that it washes away (from the inside, of course) the sugar they need for energy.

I asked him where the sugar came from, and he said probably their bodies isolated carbon from something (he thought it might be the moss) and combined it with the hydrogen and oxygen in the water (even I knew the formula for water) to make sugar, a common carbohydrate.

Like plants, on Earth, he said. Except, instead of using special cells on leaves to form carbohydrates with the help of sunpower, as Earth plants do in photosynthesis (Kroger spelled that word for me), they used the shape of the scales like prisms, to isolate the spectra (another Kroger word) necessary to form the sugar.

"I don't get it," I said politely, when he'd finished his spiel.

"Simple," he said, as though he were addressing me by name. "They have a twofold reason to fear water. One: by complete solvency in that medium, they lose all energy and die. Two: even partial sprinkling alters the shape of the scales, and they are unable to use sunpower to form more sugar, and still die, if a bit slower."

"Oh," I said, taking it down verbatim. "So now what do we do?"

"We remove our boots," said Kroger, sitting on the ground and doing so, "and then we cross this stream, fill the boots with water, and spray our way to freedom."

"Which tunnel do we take?" asked Pat, his eyes aglow at the thought of escape.

Kroger shrugged. "We'll have to chance taking any that seem to slope upward. In any event, we can always follow it back and start again."

"I dunno," said Jones. "Remember those teeth of theirs. They must be for biting something more substantial than moss, Kroger."

"We'll risk it," said Pat. "It's better to go down fighting than to die of starvation."

The hell it is.

* * * * *

June 24, 1961, for sure

The Martians have coal mines. That's what they use those teeth for. We passed through one and surprised a lot of them chewing gritty hunks of anthracite out of the walls. They came running at us, whistling with those tubelike tongues, and drooling dry coal dust, but Pat swung one of his boots in an arc that splashed all over the ground in front of them, and they turned tail (literally) and clattered off down another tunnel, sounding like a locomotive whistle gone berserk.

We made the surface in another hour, back in the canal, and were lucky enough to find our own trail to follow toward the place above which the jeep still waited.

Jones got the rifles out of the stream (the Martians had probably thought they were beyond recovery there) and we found the jeep. It was nearly buried in sand, but we got it cleaned off and running, and got back to the ship quickly. First thing we did on arriving was to break out the stores and have a celebration feast just outside the door of the ship.

It was pork again, and I got sick.

* * * * *

June 25, 1961

We're going back. Pat says that a week is all we were allowed to stay and that it's urgent to return and tell what we've learned about Mars (we know there are Martians, and they're made of sugar).

"Why," I said, "can't we just tell it on the radio?"

"Because," said Pat, "if we tell them now, by the time we get back we'll be yesterday's news. This way we may be lucky and get a parade."

"Maybe even money," said Kroger, whose mind wasn't always on science.

"But they'll ask why we didn't radio the info, sir," said Jones uneasily.

"The radio," said Pat, nodding to Lloyd, "was unfortunately broken shortly after landing."

Lloyd blinked, then nodded back and walked around the rocket. I heard a crunching sound and the shattering of glass, not unlike the noise made when one drives a rifle butt through a radio.

Well, it's time for takeoff.

* * * * *

This time it wasn't so bad. I thought I was getting my space-legs, but Pat says there's less gravity on Mars, so escape velocity didn't have to be so fast, hence a smoother (relatively) trip on our shock-absorbing bunks.

Lloyd wants to play chess again. I'll be careful not to win this time. However, if I don't win, maybe this time I'll be the one to quit.

Kroger is busy in his cramped lab space trying to classify the little moss he was able to gather, and Jones and Pat are up front watching the white specks revolve on that black velvet again.

Guess I'll take a nap.

* * * * *

June 26, 1961

Hell's bells. Kroger says there are two baby Martians loose on board ship. Pat told him he was nuts, but there are certain signs he's right. Like the missing charcoal in the air-filtration-and-reclaiming (AFAR) system. And the water gauges are going down. But the clincher is those two sugar crystals Lloyd had grabbed up when we were in that zoo. They're gone.

Pat has declared a state of emergency. Quick thinking, that's Pat. Lloyd, before he remembered and turned scarlet, suggested we radio Earth for instructions. We can't.

Here we are, somewhere in a void headed for Earth, with enough air and water left for maybe three days--if the Martians don't take any more.

Kroger is thrilled that he is learning something, maybe, about Martian reproductive processes. When he told Pat, Pat put it to a vote whether or not to jettison Kroger through the airlock. However, it was decided that responsibility was pretty well divided. Lloyd had gotten the crystals, Kroger had only studied them, and Jones had brought them aboard.

So Kroger stays, but meanwhile the air is getting worse. Pat suggested Kroger put us all into a state of suspended animation till landing time, eight months away. Kroger said, "How?"

* * * * *

June 27, 1961

Air is foul and I'm very thirsty. Kroger says that at least--when the Martians get bigger--they'll have to show themselves. Pat says what do we do then? We can't afford the water we need to melt them down. Besides, the melted crystals might all turn into little Martians.

Jones says he'll go down spitting.

Pat says why not dismantle interior of rocket to find out where they're holing up? Fine idea.

How do you dismantle riveted metal plates?

* * * * *

June 28, 1961

The AFAR system is no more and the water gauges are still dropping. Kroger suggests baking bread, then slicing it, then toasting it till it turns to carbon, and we can use the carbon in the AFAR system.

We'll have to try it, I guess.

* * * * *

The Martians ate the bread. Jones came forward to tell us the loaves were cooling, and when he got back they were gone. However, he did find a few of the red crystals on the galley deck (floor). They're good-sized crystals, too. Which means so are the Martians.

Kroger says the Martians must be intelligent, otherwise they couldn't have guessed at the carbohydrates present in the bread after a lifelong diet of anthracite. Pat says let's jettison Kroger.

This time the vote went against Kroger, but he got a last-minute reprieve by suggesting the crystals be pulverized and mixed with sulphuric acid. He says this'll produce carbon.

I certainly hope so.

So does Kroger.

* * * * *

Brief reprieve for us. The acid-sugar combination not only produces carbon but water vapor, and the gauge has gone up a notch. That means that we have a quart of water in the tanks for drinking. However, the air's a bit better, and we voted to let Kroger stay inside the rocket.

Meantime, we have to catch those Martians.

* * * * *

June 29, 1961

Worse and worse. Lloyd caught one of the Martians in the firing chamber. We had to flood the chamber with acid to subdue the creature, which carbonized nicely. So now we have plenty of air and water again, but besides having another Martian still on the loose, we now don't have enough acid left in the fuel tanks to make a landing.

Pat says at least our vector will carry us to Earth and we can die on our home planet, which is better than perishing in space.

The hell it is.

* * * * *

March 3, 1962

Earth in sight. The other Martian is still with us. He's where we can't get at him without blow-torches, but he can't get at the carbon in the AFAR system, either, which is a help. However, his tail is prehensile, and now and then it snakes out through an air duct and yanks food right off the table from under our noses.

Kroger says watch out. We are made of carbohydrates, too. I'd rather not have known.

* * * * *

March 4, 1962

Earth fills the screen in the control room. Pat says if we're lucky, he might be able to use the bit of fuel we have left to set us in a descending spiral into one of the oceans. The rocket is tighter than a submarine, he insists, and it will float till we're rescued, if the plates don't crack under the impact.

We all agreed to try it. Not that we thought it had a good chance of working, but none of us had a better idea.

* * * * *

I guess you know the rest of the story, about how that destroyer spotted us and got us and my diary aboard, and towed the rocket to San Francisco. News of the "captured Martian" leaked out, and we all became nine-day wonders until the dismantling of the rocket.

Kroger says he must have dissolved in the water, and wonders what that would do. There are about a thousand of those crystal-scales on a Martian.

So last week we found out, when those red-scaled things began clambering out of the sea on every coastal region on Earth. Kroger tried to explain to me about salinity osmosis and hydrostatic pressure and crystalline life, but in no time at all he lost me.

The point is, bullets won't stop these things, and wherever a crystal falls, a new Martian springs up in a few weeks. It looks like the five of us have abetted an invasion from Mars.

Needless to say, we're no longer heroes.

I haven't heard from Pat or Lloyd for a week. Jones was picked up attacking a candy factory yesterday, and Kroger and I were allowed to sign on for the flight to Venus scheduled within the next few days--because of our experience.

Kroger says there's only enough fuel for a one-way trip. I don't care. I've always wanted to travel with the President.

 

 

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Contents

HELLHOUNDS OF THE COSMOS

By Clifford D. Simak

 

Weird are the conditions of the interdimensional struggle faced by Dr. White's ninety-nine men.

 

The paper had gone to press, graphically describing the latest of the many horrible events which had been enacted upon the Earth in the last six months. The headlines screamed that Six Corners, a little hamlet in Pennsylvania, had been wiped out by the Horror. Another front-page story told of a Terror in the Amazon Valley which had sent the natives down the river in babbling fear. Other stories told of deaths here and there, all attributable to the "Black Horror," as it was called.

The telephone rang.

"Hello," said the editor.

"London calling," came the voice of the operator.

"All right," replied the editor.

He recognized the voice of Terry Masters, special correspondent. His voice came clearly over the transatlantic telephone.

"The Horror is attacking London in force," he said. "There are thousands of them and they have completely surrounded the city. All roads are blocked. The government declared the city under martial rule a quarter of an hour ago and efforts are being made to prepare for resistance against the enemy."

"Just a second," the editor shouted into the transmitter.

He touched a button on his desk and in a moment an answering buzz told him he was in communication with the press-room.

"Stop the presses!" he yelled into the speaking tube. "Get ready for a new front make-up!"

"O.K.," came faintly through the tube, and the editor turned back to the phone.

"Now let's have it," he said, and the voice at the London end of the wire droned on, telling the story that in another half hour was read by a world which shuddered in cold fear even as it scanned the glaring headlines.

* * * * *

"Woods," said the editor of the Press to a reporter, "run over and talk to Dr. Silas White. He phoned me to send someone. Something about this Horror business."

Henry Woods rose from his chair without a word and walked from the office. As he passed the wire machine it was tapping out, with a maddeningly methodical slowness, the story of the fall of London. Only half an hour before it had rapped forth the flashes concerning the attack on Paris and Berlin.

He passed out of the building into a street that was swarming with terrified humanity. Six months of terror, of numerous mysterious deaths, of villages blotted out, had set the world on edge. Now with London in possession of the Horror and Paris and Berlin fighting hopelessly for their lives, the entire population of the world was half insane with fright.

Exhorters on street corners enlarged upon the end of the world, asking that the people prepare for eternity, attributing the Horror to the act of a Supreme Being enraged with the wickedness of the Earth.

Expecting every moment an attack by the Horror, people left their work and gathered in the streets. Traffic, in places, had been blocked for hours and law and order were practically paralyzed. Commerce and transportation were disrupted as fright-ridden people fled from the larger cities, seeking doubtful hiding places in rural districts from the death that stalked the land.

A loudspeaker in front of a music store blared forth the latest news flashes.

"It has been learned," came the measured tones of the announcer, "that all communication with Berlin ceased about ten minutes ago. At Paris all efforts to hold the Horror at bay have been futile. Explosives blow it apart, but have the same effect upon it as explosion has on gas. It flies apart and then reforms again, not always in the same shape as it was before. A new gas, one of the most deadly ever conceived by man, has failed to have any effect on the things. Electric guns and heat guns have absolutely no effect upon them.

"A news flash which has just come in from Rome says that a large number of the Horrors has been sighted north of that city by airmen. It seems they are attacking the capitals of the world first. Word comes from Washington that every known form of defense is being amassed at that city. New York is also preparing...."

Henry Woods fought his way through the crowd which milled in front of the loudspeaker. The hum of excitement was giving away to a silence, the silence of a stunned people, the fearful silence of a populace facing a presence it is unable to understand, an embattled world standing with useless weapons before an incomprehensible enemy.

In despair the reporter looked about for a taxi, but realized, with a groan of resignation, that no taxi could possibly operate in that crowded street. A street car, blocked by the stream of humanity which jostled and elbowed about it, stood still, a defeated thing.

Seemingly the only man with a definite purpose in that whirlpool of terror-stricken men and women, the newspaperman settled down to the serious business of battling his way through the swarming street.

* * * * *

"Before I go to the crux of the matter," said Dr. Silas White, about half an hour later, "let us first review what we know of this so-called Horror. Suppose you tell me exactly what you know of it."

Henry Woods shifted uneasily in his chair. Why didn't the old fool get down to business? The chief would raise hell if this story didn't make the regular edition. He stole a glance at his wrist-watch. There was still almost an hour left. Maybe he could manage it. If the old chap would only snap into it!

"I know no more," he said, "than is common knowledge."

The gimlet eyes of the old white-haired scientist regarded the newspaperman sharply.

"And that is?" he questioned.

There was no way out of it, thought Henry. He'd have to humor the old fellow.

"The Horror," he replied, "appeared on Earth, so far as the knowledge of man is concerned, about six months ago."

Dr. White nodded approvingly.

"You state the facts very aptly," he said.

"How so?"

"When you say 'so far as the knowledge of man is concerned.'"

"Why is that?"

"You will understand in due time. Please proceed."

Vaguely the newspaperman wondered whether he was interviewing the scientist or the scientist interviewing him.

* * * * *

"They were first reported," Woods said, "early this spring. At that time they wiped out a small village in the province of Quebec. All the inhabitants, except a few fugitives, were found dead, killed mysteriously and half eaten, as if by wild beasts. The fugitives were demented, babbling of black shapes that swept down out of the dark forest upon the little town in the small hours of the morning.

"The next that was heard of them was about a week later, when they struck in an isolated rural district in Poland, killing and feeding on the population of several farms. In the next week more villages were wiped out, in practically every country on the face of the Earth. From the hinterlands came tales of murder done at midnight, of men and women horribly mangled, of livestock slaughtered, of buildings crushed as if by some titanic force.

"At first they worked only at night and then, seeming to become bolder and more numerous, attacked in broad daylight."

The newspaperman paused.

"Is that what you want?" he asked.

"That's part of it," replied Dr. White, "but that's not all. What do these Horrors look like?"

"That's more difficult," said Henry. "They have been reported as every conceivable sort of monstrosity. Some are large and others are small. Some take the form of animals, others of birds and reptiles, and some are cast in appalling shapes such as might be snatched out of the horrid imagery of a thing which resided in a world entirely alien to our own."

* * * * *

Dr. White rose from his chair and strode across the room to confront the other.

"Young man," he asked, "do you think it possible the Horror might have come out of a world entirely alien to our own?"

"I don't know," replied Henry. "I know that some of the scientists believe they came from some other planet, perhaps even from some other solar system. I know they are like nothing ever known before on Earth. They are always inky black, something like black tar, you know, sort of sticky-looking, a disgusting sight. The weapons of mankind can't affect them. Explosives are useless and so are projectiles. They wade through poison gas and fiery chemicals and seem to enjoy them. Elaborate electrical barriers have failed. Heat doesn't make them turn a hair."

"And you think they came from some other planet, perhaps some other solar system?"

"I don't know what to think," said Henry. "If they came out of space they must have come in some conveyance, and that would certainly have been sighted, picked up long before it arrived, by our astronomers. If they came in small conveyances, there must have been many of them. If they came in a single conveyance, it would be too large to escape detection. That is, unless--"

"Unless what?" snapped the scientist.

"Unless it traveled at the speed of light. Then it would have been invisible."

"Not only invisible," snorted the old man, "but non-existent."

A question was on the tip of the newspaperman's tongue, but before it could be asked the old man was speaking again, asking a question:

"Can you imagine a fourth dimension?"

"No, I can't," said Henry.

"Can you imagine a thing of only two dimensions?"

"Vaguely, yes."

The scientist smote his palms together.

"Now we're coming to it!" he exclaimed.

Henry Woods regarded the other narrowly. The old man must be turned. What did fourth and second dimensions have to do with the Horror?

"Do you know anything about evolution?" questioned the old man.

"I have a slight understanding of it. It is the process of upward growth, the stairs by which simple organisms climb to become more complex organisms."

Dr. White grunted and asked still another question:

"Do you know anything about the theory of the exploding universe? Have you ever noted the tendency of the perfectly balanced to run amuck?"

The reporter rose slowly to his feet.

"Dr. White," he said, "you phoned my paper you had a story for us. I came here to get it, but all you have done is ask me questions. If you can't tell me what you want us to publish, I will say good-day."

The doctor put forth a hand that shook slightly.

"Sit down, young man," he said. "I don't blame you for being impatient, but I will now come to my point."

The newspaperman sat down again.

* * * * *

"I have developed a hypothesis," said Dr. White, "and have conducted several experiments which seem to bear it out. I am staking my reputation upon the supposition that it is correct. Not only that, but I am also staking the lives of several brave men who believe implicitly in me and my theory. After all, I suppose it makes little difference, for if I fail the world is doomed, if I succeed it is saved from complete destruction.

"Have you ever thought that our evolutionists might be wrong, that evolution might be downward instead of upward? The theory of the exploding universe, the belief that all of creation is running down, being thrown off balance by the loss of energy, spurred onward by cosmic accidents which tend to disturb its equilibrium, to a time when it will run wild and space will be filled with swirling dust of disintegrated worlds, would bear out this contention.

"This does not apply to the human race. There is no question that our evolution is upward, that we have arisen from one-celled creatures wallowing in the slime of primal seas. Our case is probably paralleled by thousands of other intelligences on far-flung planets and island universes. These instances, however, running at cross purposes to the general evolutional trend of the entire cosmos, are mere flashes in the eventual course of cosmic evolution, comparing no more to eternity than a split second does to a million years.

"Taking these instances, then, as inconsequential, let us say that the trend of cosmic evolution is downward rather than upward, from complex units to simpler units rather than from simple units to more complex ones.

"Let us say that life and intelligence have degenerated. How would you say such a degeneration would take place? In just what way would it be manifested? What sort of transition would life pass through in passing from one stage to a lower one? Just what would be the nature of these stages?"

The scientist's eyes glowed brightly as he bent forward in his chair. The newspaperman said simply: "I have no idea."

"Man," cried the old man, "can't you see that it would be a matter of dimensions? From the fourth dimension to the third, from the third to the second, from the second to the first, from the first to a questionable existence or plane which is beyond our understanding or perhaps to oblivion and the end of life. Might not the fourth have evolved from a fifth, the fifth from a sixth, the sixth from a seventh, and so on to no one knows what multidimension?"

* * * * *

Dr. White paused to allow the other man to grasp the importance of his statements. Woods failed lamentably to do so.

"But what has this to do with the Horror?" he asked.

"Have you absolutely no imagination?" shouted the old man.

"Why, I suppose I have, but I seem to fail to understand."

"We are facing an invasion of fourth-dimensional creatures," the old man whispered, almost as if fearful to speak the words aloud. "We are being attacked by life which is one dimension above us in evolution. We are fighting, I tell you, a tribe of hellhounds out of the cosmos. They are unthinkably above us in the matter of intelligence. There is a chasm of knowledge between us so wide and so deep that it staggers the imagination. They regard us as mere animals, perhaps not even that. So far as they are concerned we are just fodder, something to be eaten as we eat vegetables and cereals or the flesh of domesticated animals. Perhaps they have watched us for years, watching life on the world increase, lapping their monstrous jowls over the fattening of the Earth. They have awaited the proper setting of the banquet table and now they are dining.

"Their thoughts are not our thoughts, their ideals not our ideals. Perhaps they have nothing in common with us except the primal basis of all life, self-preservation, the necessity of feeding.

"Maybe they have come of their own will. I prefer to believe that they have. Perhaps they are merely following the natural course of events, obeying some immutable law legislated by some higher being who watches over the cosmos and dictates what shall be and what shall not be. If this is true it means that there has been a flaw in my reasoning, for I believed that the life of each plane degenerated in company with the degeneration of its plane of existence, which would obey the same evolutional laws which govern the life upon it. I am quite satisfied that this invasion is a well-planned campaign, that some fourth-dimensional race has found a means of breaking through the veil of force which separates its plane from ours."

"But," pointed out Henry Woods, "you say they are fourth-dimensional things. I can't see anything about them to suggest an additional dimension. They are plainly three-dimensional."

"Of course they are three-dimensional. They would have to be to live in this world of three dimensions. The only two-dimensional objects which we know of in this world are merely illusions, projections of the third dimension, like a shadow. It is impossible for more than one dimension to live on any single plane.

"To attack us they would have to lose one dimension. This they have evidently done. You can see how utterly ridiculous it would be for you to try to attack a two-dimensional thing. So far as you were concerned it would have no mass. The same is true of the other dimensions. Similarly a being of a lesser plane could not harm an inhabitant of a higher plane. It is apparent that while the Horror has lost one material dimension, it has retained certain fourth-dimensional properties which make it invulnerable to the forces at the command of our plane."

The newspaperman was now sitting on the edge of his chair.

"But," he asked breathlessly, "it all sounds so hopeless. What can be done about it?"

Dr. White hitched his chair closer and his fingers closed with a fierce grasp upon the other's knee. A militant boom came into his voice.

"My boy," he said, "we are to strike back. We are going to invade the fourth-dimensional plane of these hellhounds. We are going to make them feel our strength. We are going to strike back."

Henry Woods sprang to his feet.

"How?" he shouted. "Have you...?"

Dr. White nodded.

"I have found a way to send the third-dimensional into the fourth. Come and I will show you."

* * * * *

The machine was huge, but it had an appearance of simple construction. A large rectangular block of what appeared to be a strange black metal was set on end and flanked on each side by two smaller ones. On the top of the large block was set a half-globe of a strange substance, somewhat, Henry thought, like frosted glass. On one side of the large cube was set a lever, a long glass panel, two vertical tubes and three clock-face indicators. The control board, it appeared, was relatively simple.

Beside the mass of the five rectangles, on the floor, was a large plate of transparent substance, ground to a concave surface, through which one could see an intricate tangle of wire mesh.

Hanging from the ceiling, directly above the one on the floor, was another concave disk, but this one had a far more pronounced curvature.

Wires connected the two disks and each in turn was connected to the rectangular machine.

"It is a matter of the proper utilization of two forces, electrical and gravitational," proudly explained Dr. White. "Those two forces, properly used, warp the third-dimensional into the fourth. A reverse process is used to return the object to the third. The principle of the machine is--"

The old man was about to launch into a lengthy discussion, but Henry interrupted him. A glance at his watch had shown him press time was drawing perilously close.

"Just a second," he said. "You propose to warp a third-dimensional being into a fourth dimension. How can a third-dimensional thing exist there? You said a short time ago that only a specified dimension could exist on one single plane."

"You have missed my point," snapped Dr. White. "I am not sending a third-dimensional thing to a fourth dimension. I am changing the third-dimensional being into a fourth-dimensional being. I add a dimension, and automatically the being exists on a different plane. I am reversing evolution. This third dimension we now exist on evolved, millions of eons ago, from a fourth dimension. I am sending a lesser entity back over those millions of eons to a plane similar to one upon which his ancestors lived inconceivably long ago."

"But, man, how do you know you can do it?"

* * * * *

The doctor's eyes gleamed and his fingers reached out to press a bell.

A servant appeared almost at once.

"Bring me a dog," snapped the old man. The servant disappeared.

"Young man," said Dr. White, "I am going to show you how I know I can do it. I have done it before, now I am going to do it for you. I have sent dogs and cats back to the fourth dimension and returned them safely to this room. I can do the same with men."

The servant reappeared, carrying in his arms a small dog. The doctor stepped to the control board of his strange machine.

"All right, George," he said.

The servant had evidently worked with the old man enough to know what was expected of him. He stepped close to the floor disk and waited. The dog whined softly, sensing that all was not exactly right.

The old scientist slowly shoved the lever toward the right, and as he did so a faint hum filled the room, rising to a stupendous roar as he advanced the lever. From both floor disk and upper disk leaped strange cones of blue light, which met midway to form an hour-glass shape of brilliance.

The light did not waver or sparkle. It did not glow. It seemed hard and brittle, like straight bars of force. The newspaperman, gazing with awe upon it, felt that terrific force was there. What had the old man said? Warp a third-dimensional being into another dimension! That would take force!

As he watched, petrified by the spectacle, the servant stepped forward and, with a flip, tossed the little dog into the blue light. The animal could be discerned for a moment through the light and then it disappeared.

"Look in the globe!" shouted the old man; and Henry jerked his eyes from the column of light to the half-globe atop the machine.

He gasped. In the globe, deep within its milky center, glowed a picture that made his brain reel as he looked upon it. It was a scene such as no man could have imagined unaided. It was a horribly distorted projection of an eccentric landscape, a landscape hardly analogous to anything on Earth.

* * * * *

"That's the fourth dimension, sir," said the servant.

"That's not the fourth dimension," the old man corrected him. "That's a third-dimensional impression of the fourth dimension. It is no more the fourth dimension than a shadow is three-dimensional. It, like a shadow, is merely a projection. It gives us a glimpse of what the fourth plane is like. It is a shadow of that plane."

Slowly a dark blotch began to grow in the landscape. Slowly it assumed definite form. It puzzled the reporter. It looked familiar. He could have sworn he had seen it somewhere before. It was alive, for it had moved.

"That, sir, is the dog," George volunteered.

"That was the dog," Dr. White again corrected him. "God knows what it is now."

He turned to the newspaperman.

"Have you seen enough?" he demanded.

Henry nodded.

The other slowly began to return the lever to its original position. The roaring subsided, the light faded, the projection in the half-globe grew fainter.

"How are you going to use it?" asked the newspaperman.

"I have ninety-eight men who have agreed to be projected into the fourth dimension to seek out the entities that are attacking us and attack them in turn. I shall send them out in an hour."

"Where is there a phone?" asked the newspaperman.

"In the next room," replied Dr. White.

As the reporter dashed out of the door, the light faded entirely from between the two disks and on the lower one a little dog crouched, quivering, softly whimpering.

* * * * *

The old man stepped from the controls and approached the disk. He scooped the little animal from where it lay into his arms and patted the silky head.

"Good dog," he murmured; and the creature snuggled close to him, comforted, already forgetting that horrible place from which it had just returned.

"Is everything ready, George?" asked the old man.

"Yes, sir," replied the servant. "The men are all ready, even anxious to go. If you ask me, sir, they are a tough lot."

"They are as brave a group of men as ever graced the Earth," replied the scientist gently. "They are adventurers, every one of whom has faced danger and will not shrink from it. They are born fighters. My one regret is that I have not been able to secure more like them. A thousand men such as they should be able to conquer any opponent. It was impossible. The others were poor soft fools. They laughed in my face. They thought I was an old fool--I, the man who alone stands between them and utter destruction."

His voice had risen to almost a scream, but it again sank to a normal tone.

"I may be sending ninety-eight brave men to instant death. I hope not."

"You can always jerk them back, sir," suggested George.

"Maybe I can, maybe not," murmured the old man.

Henry Woods appeared in the doorway.

"When do we start?" he asked.

"We?" exclaimed the scientist.

"Certainly, you don't believe you're going to leave me out of this. Why, man, it's the greatest story of all time. I'm going as special war correspondent."

"They believed it? They are going to publish it?" cried the old man, clutching at the newspaperman's sleeve.

"Well, the editor was skeptical at first, but after I swore on all sorts of oaths it was true, he ate it up. Maybe you think that story didn't stop the presses!"

"I didn't expect them to. I just took a chance. I thought they, too, would laugh at me."

"But when do we start?" persisted Henry.

"You are really in earnest? You really want to go?" asked the old man, unbelievingly.

"I am going. Try to stop me."

Dr. White glanced at his watch.

"We will start in exactly thirty-four minutes," he said.

* * * * *

"Ten seconds to go." George, standing with watch in hand, spoke in a precise manner, the very crispness of his words betraying the excitement under which he labored.

The blue light, hissing, drove from disk to disk; the room thundered with the roar of the machine, before which stood Dr. White, his hand on the lever, his eyes glued on the instruments before him.

In a line stood the men who were to fling themselves into the light to be warped into another dimension, there to seek out and fight an unknown enemy. The line was headed by a tall man with hands like hams, with a weather-beaten face and a wild mop of hair. Behind him stood a belligerent little cockney. Henry Woods stood fifth in line. They were a motley lot, adventurers every one of them, and some were obviously afraid as they stood before that column of light, with only a few seconds of the third dimension left to them. They had answered a weird advertisement, and had but a limited idea of what they were about to do. Grimly, though, they accepted it as a job, a bizarre job, but a job. They faced it as they had faced other equally dangerous, but less unusual, jobs.

"Five seconds," snapped George.

The lever was all the way over now. The half-globe showed, within its milky interior, a hideously distorted landscape. The light had taken on a hard, brittle appearance and its hiss had risen to a scream. The machine thundered steadily with a suggestion of horrible power.

"Time up!"

The tall man stepped forward. His foot reached the disk; another step and he was bathed in the light, a third and he glimmered momentarily, then vanished. Close on his heels followed the little cockney.

With his nerves at almost a snapping point, Henry moved on behind the fourth man. He was horribly afraid, he wanted to break from the line and run, it didn't matter where, any place to get away from that steady, steely light in front of him. He had seen three men step into it, glow for a second, and then disappear. A fourth man had placed his foot on the disk.

Cold sweat stood out on his brow. Like an automaton he placed one foot on the disk. The fourth man had already disappeared.

"Snap into it, pal," growled the man behind.

Henry lifted the other foot, caught his toe on the edge of the disk and stumbled headlong into the column of light.

He was conscious of intense heat which was instantly followed by equally intense cold. For a moment his body seemed to be under enormous pressure, then it seemed to be expanding, flying apart, bursting, exploding....

* * * * *

He felt solid ground under his feet, and his eyes, snapping open, saw an alien land. It was a land of somber color, with great gray moors, and beetling black cliffs. There was something queer about it, an intangible quality that baffled him.

He looked about him, expecting to see his companions. He saw no one. He was absolutely alone in that desolate brooding land. Something dreadful had happened! Was he the only one to be safely transported from the third dimension? Had some horrible accident occurred? Was he alone?

Sudden panic seized him. If something had happened, if the others were not here, might it not be possible that the machine would not be able to bring him back to his own dimension? Was he doomed to remain marooned forever in this terrible plane?

He looked down at his body and gasped in dismay. It was not his body!

It was a grotesque caricature of a body, a horrible profane mass of flesh, like a phantasmagoric beast snatched from the dreams of a lunatic.

It was real, however. He felt it with his hands, but they were not hands. They were something like hands; they served the same purpose that hands served in the third dimension. He was, he realized, a being of the fourth dimension, but in his fourth-dimensional brain still clung hard-fighting remnants of that faithful old third-dimensional brain. He could not, as yet, see with fourth-dimensional eyes, think purely fourth-dimensional thoughts. He had not oriented himself as yet to this new plane of existence. He was seeing the fourth dimension through the blurred lenses of millions of eons of third-dimensional existence. He was seeing it much more clearly than he had seen it in the half-globe atop the machine in Dr. White's laboratory, but he would not see it clearly until every vestige of the third dimension was wiped from him. That, he knew, would come in time.

He felt his weird body with those things that served as hands, and he found, beneath his groping, unearthly fingers, great rolling muscles, powerful tendons, and hard, well-conditioned flesh. A sense of well-being surged through him and he growled like an animal, like an animal of that horrible fourth plane.

But the terrible sounds that came from between his slobbering lips were not those of his own voice, they were the voices of many men.

* * * * *

Then he knew. He was not alone. Here, in this one body were the bodies, the brains, the power, the spirit, of those other ninety-eight men. In the fourth dimension, all the millions of third-dimensional things were one. Perhaps that particular portion of the third dimension called the Earth had sprung from, or degenerated from, one single unit of a dissolving, worn-out fourth dimension. The third dimension, warped back to a higher plane, was automatically obeying the mystic laws of evolution by reforming in the shape of that old ancestor, unimaginably removed in time from the race he had begot. He was no longer Henry Woods, newspaperman; he was an entity that had given birth, in the dim ages when the Earth was born, to a third dimension. Nor was he alone. This body of his was composed of other sons of that ancient entity.

He felt himself grow, felt his body grow vaster, assume greater proportions, felt new vitality flow through him. It was the other men, the men who were flinging themselves into the column of light in the laboratory to be warped back to this plane, to be incorporated in his body.

It was not his body, however. His brain was not his alone. The pronoun, he realized, represented the sum total of those other men, his fellow adventurers.

Suddenly a new feeling came, a feeling of completeness, a feeling of supreme fitness. He knew that the last of the ninety-eight men had stepped across the disk, that all were here in this giant body.

Now he could see more clearly. Things in the landscape, which had escaped him before, became recognizable. Awful thoughts ran through his brain, heavy, ponderous, black thoughts. He began to recognize the landscape as something familiar, something he had seen before, a thing with which he was intimate. Phenomena, which his third-dimensional intelligence would have gasped at, became commonplace. He was finally seeing through fourth-dimensional eyes, thinking fourth-dimensional thoughts.

Memory seeped into his brain and he had fleeting visions, visions of dark caverns lit by hellish flames, of huge seas that battered remorselessly with mile-high waves against towering headlands that reared titanic toward a glowering sky. He remembered a red desert scattered with scarlet boulders, he remembered silver cliffs of gleaming metallic stone. Through all his thoughts ran something else, a scarlet thread of hate, an all-consuming passion, a fierce lust after the life of some other entity.

He was no longer a composite thing built of third-dimensional beings. He was a creature of another plane, a creature with a consuming hate, and suddenly he knew against whom this hate was directed and why. He knew also that this creature was near and his great fists closed and then spread wide as he knew it. How did he know it? Perhaps through some sense which he, as a being of another plane, held, but which was alien to the Earth. Later, he asked himself this question. At the time, however, there was no questioning on his part. He only knew that somewhere near was a hated enemy and he did not question the source of his knowledge....

* * * * *

Mumbling in an idiom incomprehensible to a third-dimensional being, filled with rage that wove redly through his brain, he lumbered down the hill onto the moor, his great strides eating up the distance, his footsteps shaking the ground.

At the foot of the hill he halted and from his throat issued a challenging roar that made the very crags surrounding the moor tremble. The rocks flung back the roar as if in mockery.

Again he shouted and in the shout he framed a lurid insult to the enemy that lurked there in the cliffs.

Again the crags flung back the insult, but this time the echoes, booming over the moor, were drowned by another voice, the voice of the enemy.

At the far end of the moor appeared a gigantic form, a form that shambled on grotesque, misshapen feet, growling angrily as he came.

He came rapidly despite his clumsy gait, and as he came he mouthed terrific threats.

Close to the other he halted and only then did recognition dawn in his eyes.

"You, Mal Shaff?" he growled in his guttural tongue, and surprise and consternation were written large upon his ugly face.

"Yes, it is I, Mal Shaff," boomed the other. "Remember, Ouglat, the day you destroyed me and my plane. I have returned to wreak my vengeance. I have solved a mystery you have never guessed and I have come back. You did not imagine you were attacking me again when you sent your minions to that other plane to feed upon the beings there. It was I you were attacking, fool, and I am here to kill you."

Ouglat leaped and the thing that had been Henry Woods, newspaperman, and ninety-eight other men, but was now Mal Shaff of the fourth dimension, leaped to meet him.

Mal Shaff felt the force of Ouglat, felt the sharp pain of a hammering fist, and lashed out with those horrible arms of his to smash at the leering face of his antagonist. He felt his fists strike solid flesh, felt the bones creak and tremble beneath his blow.

His nostrils were filled with the terrible stench of the other's foul breath and his filthy body. He teetered on his gnarled legs and side-stepped a vicious kick and then stepped in to gouge with straightened thumb at the other's eye. The thumb went true and Ouglat howled in pain.

Mal Shaff leaped back as his opponent charged head down, and his knotted fist beat a thunderous tattoo as the misshapen beast closed in. He felt clawing fingers seeking his throat, felt ghastly nails ripping at his shoulders. In desperation he struck blindly, and Ouglat reeled away. With a quick stride he shortened the distance between them and struck Ouglat a hard blow squarely on his slavering mouth. Pressing hard upon the reeling figure, he swung his fists like sledge-hammers, and Ouglat stumbled, falling in a heap on the sand.

Mal Shaff leaped upon the fallen foe and kicked him with his taloned feet, ripping him wickedly. There was no thought of fair play, no faintest glimmer of mercy. This was a battle to the death: there could be no quarter.

* * * * *

The fallen monster howled, but his voice cut short as his foul mouth, with its razor-edged fangs, closed on the other's body. His talons, seeking a hold, clawed deep.

Mal Shaff, his brain a screaming maelstrom of weird emotions, aimed pile-driver blows at the enemy, clawed and ripped. Together the two rolled, locked tight in titanic battle, on the sandy plain and a great cloud of heavy dust marked where they struggled.

In desperation Ouglat put every ounce of his strength into a heave that broke the other's grip and flung him away.

The two monstrosities surged to their feet, their eyes red with hate, glaring through the dust cloud at one another.

Slowly Ouglat's hand stole to a black, wicked cylinder that hung on a belt at his waist. His fingers closed upon it and he drew the weapon. As he leveled it at Mal Shaff, his lips curled back and his features distorted into something that was not pleasant to see.

Mal Shaff, with doubled fists, saw the great thumb of his enemy slowly depressing a button on the cylinder, and a great fear held him rooted in his tracks. In the back of his brain something was vainly trying to explain to him the horror of this thing which the other held.

Then a multicolored spiral, like a corkscrew column of vapor, sprang from the cylinder and flashed toward him. It struck him full on the chest and even as it did so he caught the ugly fire of triumph in the red eyes of his enemy.

He felt a stinging sensation where the spiral struck, but that was all. He was astounded. He had feared this weapon, had been sure it portended some form of horrible death. But all it did was to produce a slight sting.

For a split second he stood stock-still, then he surged forward and advanced upon Ouglat, his hands outspread like claws. From his throat came those horrible sounds, the speech of the fourth dimension.

"Did I not tell you, foul son of Sargouthe, that I had solved a mystery you have never guessed at? Although you destroyed me long ago, I have returned. Throw away your puny weapon. I am of the lower dimension and am invulnerable to your engines of destruction. You bloated...." His words trailed off into a stream of vileness that could never have occurred to a third-dimensional mind.

Ouglat, with every line of his face distorted with fear, flung the weapon from him, and turning, fled clumsily down the moor, with Mal Shaff at his heels.

* * * * *

Steadily Mal Shaff gained and with only a few feet separating him from Ouglat, he dived with outspread arms at the other's legs.

The two came down together, but Mal Shaff's grip was broken by the fall and the two regained their feet at almost the same instant.

The wild moor resounded to their throaty roaring and the high cliffs flung back the echoes of the bellowing of the two gladiators below. It was sheer strength now and flesh and bone were bruised and broken under the life-shaking blows that they dealt. Great furrows were plowed in the sand by the sliding of heavy feet as the two fighters shifted to or away from attack. Blood, blood of fourth-dimensional creatures, covered the bodies of the two and stained the sand with its horrible hue. Perspiration streamed from them and their breath came in gulping gasps.

The lurid sun slid across the purple sky and still the two fought on. Ouglat, one of the ancients, and Mal Shaff, reincarnated. It was a battle of giants, a battle that must have beggared even the titanic tilting of forgotten gods and entities in the ages when the third-dimensional Earth was young.

Mal Shaff had no conception of time. He may have fought seconds or hours. It seemed an eternity. He had attempted to fight scientifically, but had failed to do so. While one part of him had cried out to elude his opponent, to wait for openings, to conserve his strength, another part had shouted at him to step in and smash, smash, smash at the hated monstrosity pitted against him.

It seemed Ouglat was growing in size, had become more agile, that his strength was greater. His punches hurt more; it was harder to hit him.

Still Mal Shaff drilled in determinedly, head down, fists working like pistons. As the other seemed to grow stronger and larger, he seemed to become smaller and weaker.

It was queer. Ouglat should be tired, too. His punches should be weaker. He should move more slowly, be heavier on his feet.

There was no doubt of it. Ouglat was growing larger, was drawing on some mysterious reserve of strength. From somewhere new force and life were flowing into his body. But from where was this strength coming?

A huge fist smashed against Mal Shaff's jaw. He felt himself lifted, and the next moment he skidded across the sand.

Lying there, gasping for breath, almost too fagged to rise, with the black bulk of the enemy looming through the dust cloud before him, he suddenly realized the source of the other's renewed strength.

Ouglat was recalling his minions from the third dimension! They were incorporating in his body, returning to their parent body!

They were coming back from the third dimension to the fourth dimension to fight a third-dimensional thing reincarnated in the fourth-dimensional form it had lost millions of eons ago!

This was the end, thought Mal Shaff. But he staggered to his feet to meet the charge of the ancient enemy and a grim song, a death chant immeasurably old, suddenly and dimly remembered from out of the mists of countless millenniums, was on his lips as he swung a pile-driver blow into the suddenly astonished face of the rushing Ouglat....

* * * * *

The milky globe atop the machine in Dr. White's laboratory glowed softly, and within that glow two figures seemed to struggle.

Before the machine, his hands still on the controls, stood Dr. Silas White. Behind him the room was crowded with newspapermen and photographers.

Hours had passed since the ninety-eight men--ninety-nine, counting Henry Woods--had stepped into the brittle column of light to be shunted back through unguessed time to a different plane of existence. The old scientist, during all those hours, had stood like a graven image before his machine, eyes staring fixedly at the globe.

Through the open windows he had heard the cry of the newsboy as the Press put the greatest scoop of all time on the street. The phone had rung like mad and George answered it. The doorbell buzzed repeatedly and George ushered in newspapermen who had asked innumerable questions, to which he had replied briefly, almost mechanically. The reporters had fought for the use of the one phone in the house and had finally drawn lots for it. A few had raced out to use other phones.

Photographers came and flashes popped and cameras clicked. The room was in an uproar. On the rare occasions when the reporters were not using the phone the instrument buzzed shrilly. Authoritative voices demanded Dr. Silas White. George, his eyes on the old man, stated that Dr. Silas White could not be disturbed, that he was busy.

From the street below came the heavy-throated hum of thousands of voices. The street was packed with a jostling crowd of awed humanity, every eye fastened on the house of Dr. Silas White. Lines of police held them back.

"What makes them move so slowly?" asked a reporter, staring at the globe. "They hardly seem to be moving. It looks like a slow motion picture."

"They are not moving slowly," replied Dr. White. "There must be a difference in time in the fourth dimension. Maybe what is hours to us is only seconds to them. Time must flow more slowly there. Perhaps it is a bigger place than this third plane. That may account for it. They aren't moving slowly, they are fighting savagely. It's a fight to the death! Watch!"

* * * * *

The grotesque arm of one of the figures in the milky globe was moving out slowly, loafing along, aimed at the head of the other. Slowly the other twisted his body aside, but too slowly. The fist finally touched the head, still moving slowly forward, the body following as slowly. The head of the creature twisted, bent backward, and the body toppled back in a leisurely manner.

"What does White say?... Can't you get a statement of some sort from him? Won't he talk at all? A hell of a fine reporter you are--can't even get a man to open his mouth. Ask him about Henry Woods. Get a human-interest slant on Woods walking into the light. Ask him how long this is going to last. Damn it all, man, do something, and don't bother me again until you have a real story--yes, I said a real story--are you hard of hearing? For God's sake, do something!"

The editor slammed the receiver on the hook.

"Brooks," he snapped, "get the War Department at Washington. Ask them if they're going to back up White. Go on, go on. Get busy.... How will you get them? I don't know. Just get them, that's all. Get them!"

Typewriters gibbered like chuckling morons through the roaring tumult of the editorial rooms. Copy boys rushed about, white sheets clutched in their grimy hands. Telephones jangled and strident voices blared through the haze that arose from the pipes and cigarettes of perspiring writers who feverishly transferred to paper the startling events that were rocking the world.

The editor, his necktie off, his shirt open, his sleeves rolled to the elbow, drummed his fingers on the desk. It had been a hectic twenty-four hours and he had stayed at the desk every minute of the time. He was dead tired. When the moment of relaxation came, when the tension snapped, he knew he would fall into an exhausted stupor of sleep, but the excitement was keeping him on his feet. There was work to do. There was news such as the world had never known before. Each new story meant a new front make-up, another extra. Even now the presses were thundering, even now papers with the ink hardly dry upon them were being snatched by the avid public from the hands of screaming newsboys.

* * * * *

A man raced toward the city desk, waving a sheet of paper in his hand. Sensing something unusual the others in the room crowded about as he laid the sheet before the editor.

"Just came in," the man gasped.

The paper was a wire dispatch. It read:

"Rome--The Black Horror is in full retreat. Although still apparently immune to the weapons being used against it, it is lifting the siege of this city. The cause is unknown."

The editor ran his eye down the sheet. There was another dateline:

"Madrid--The Black Horror, which has enclosed this city in a ring of dark terror for the last two days, is fleeing, rapidly disappearing...."

The editor pressed a button. There was an answering buzz.

"Composing room," he shouted, "get ready for a new front! Yes, another extra. This will knock their eyes out!"

A telephone jangled furiously. The editor seized it.

"Yes. What was that?... White says he must have help. I see. Woods and the others are weakening. Being badly beaten, eh?... More men needed to go out to the other plane. Wants reinforcements. Yes. I see. Well, tell him that he'll have them. If he can wait half an hour we'll have them walking by thousands into that light. I'll be damned if we won't! Just tell White to hang on! We'll have the whole nation coming to the rescue!"

He jabbed up the receiver.

"Richards," he said, "write a streamer, 'Help Needed,' 'Reinforcements Called'--something of that sort, you know. Make it scream. Tell the foreman to dig out the biggest type he has. A foot high. If we ever needed big type, we need it now!"

He turned to the telephone.

"Operator," he said, "get me the Secretary of War at Washington. The secretary in person, you understand. No one else will do."

He turned again to the reporters who stood about the desk.

"In two hours," he explained, banging the desk top for emphasis, "we'll have the United States Army marching into that light Woods walked into!"

* * * * *

The bloody sun was touching the edge of the weird world, seeming to hesitate before taking the final plunge behind the towering black crags that hung above the ink-pot shadows at their base. The purple sky had darkened until it was almost the color of soft, black velvet. Great stars were blazing out.

Ouglat loomed large in the gathering twilight, a horrible misshapen ogre of an outer world. He had grown taller, broader, greater. Mal Shaff's head now was on a level with the other's chest; his huge arms seemed toylike in comparison with those of Ouglat, his legs mere pipestems.

Time and time again he had barely escaped as the clutching hands of Ouglat reached out to grasp him. Once within those hands he would be torn apart.

The battle had become a game of hide and seek, a game of cat and mouse, with Mal Shaff the mouse.

Slowly the sun sank and the world became darker. His brain working feverishly, Mal Shaff waited for the darkness. Adroitly he worked the battle nearer and nearer to the Stygian darkness that lay at the foot of the mighty crags. In the darkness he might escape. He could no longer continue this unequal fight. Only escape was left.

The sun was gone now. Blackness was dropping swiftly over the land, like a great blanket, creating the illusion of the glowering sky descending to the ground. Only a few feet away lay the total blackness under the cliffs.

Like a flash Mal Shaff darted into the blackness, was completely swallowed in it. Roaring, Ouglat followed.

His shoulders almost touching the great rock wall that shot straight up hundreds of feet above him, Mal Shaff ran swiftly, fear lending speed to his shivering legs. Behind him he heard the bellowing of his enemy. Ouglat was searching for him, a hopeless search in that total darkness. He would never find him. Mal Shaff felt sure.

Fagged and out of breath, he dropped panting at the foot of the wall. Blood pounded through his head and his strength seemed to be gone. He lay still and stared out into the less dark moor that stretched before him.

For some time he lay there, resting. Aimlessly he looked out over the moor, and then he suddenly noted, some distance to his right, a hill rising from the moor. The hill was vaguely familiar. He remembered it dimly as being of great importance.

A sudden inexplicable restlessness filled him. Far behind him he heard the enraged bellowing of Ouglat, but that he scarcely noticed. So long as darkness lay upon the land he knew he was safe from his enemy.

The hill had made him restless. He must reach the top. He could think of no logical reason for doing so. Obviously he was safer here at the base of the cliff, but a voice seemed to be calling, a friendly voice from the hilltop.

* * * * *

He rose on aching legs and forged ahead. Every fiber of his being cried out in protest, but resolutely he placed one foot ahead of the other, walking mechanically.

Opposite the hill he disregarded the strange call that pulsed down upon him, long enough to rest his tortured body. He must build up his strength for the climb.

He realized that danger lay ahead. Once he quitted the blackness of the cliff's base, Ouglat, even in the darkness that lay over the land, might see him. That would be disastrous. Once over the top of the hill he would be safe.

Suddenly the landscape was bathed in light, a soft green radiance. One moment it had been pitch dark, the next it was light, as if a giant search-light had been snapped on.

In terror, Mal Shaff looked for the source of the light. Just above the horizon hung a great green orb, which moved up the ladder of the sky even as he watched.

A moon! A huge green satellite hurtling swiftly around this cursed world!

A great, overwhelming fear sat upon Mal Shaff and with a high, shrill scream of anger he raced forward, forgetful of aching body and outraged lungs.

His scream was answered from far off, and out of the shadows of the cliffs toward the far end of the moor a black figure hurled itself. Ouglat was on the trail!

Mal Shaff tore madly up the slope, topped the crest, and threw himself flat on the ground, almost exhausted.

* * * * *

A queer feeling stole over him, a queer feeling of well-being. New strength was flowing into him, the old thrill of battle was pounding through his blood once more.

Not only were queer things happening to his body, but also to his brain. The world about him looked queer, held a sort of an intangible mystery he could not understand. A half question formed in the back of his brain. Who and what was he? Queer thoughts to be thinking! He was Mal Shaff, but had he always been Mal Shaff?

He remembered a brittle column of light, creatures with bodies unlike his body, walking into it. He had been one of those creatures. There was something about dimensions, about different planes, a plan for one plane to attack another!

He scrambled to his bowed legs and beat his great chest with mighty, long-nailed hands. He flung back his head and from his throat broke a sound to curdle the blood of even the bravest.

On the moor below Ouglat heard the cry and answered it with one equally ferocious.

Mal Shaff took a step forward, then stopped stock-still. Through his brain went a sharp command to return to the spot where he had stood, to wait there until attacked. He stepped back, shifting his feet impatiently.

He was growing larger; every second fresh vitality was pouring into him. Before his eyes danced a red curtain of hate and his tongue roared forth a series of insulting challenges to the figure that was even now approaching the foot of the hill.

As Ouglat climbed the hill, the night became an insane bedlam. The challenging roars beat like surf against the black cliffs.

Ouglat's lips were flecked with foam, his red eyes were mere slits, his mouth worked convulsively.

They were only a few feet apart when Ouglat charged.

* * * * *

Mal Shaff was ready for him. There was no longer any difference in their size and they met like the two forward walls of contending football teams.

Mal Shaff felt the soft throat of the other under his fingers and his grip tightened. Maddened, Ouglat shot terrific blow after terrific blow into Mal Shaff's body.

Try as he might, however, he could not shake the other's grip.

It was silent now. The night seemed brooding, watching the struggle on the hilltop.

Larger and larger grew Mal Shaff, until he overtopped Ouglat like a giant.

Then he loosened his grip and, as Ouglat tried to scuttle away, reached down to grasp him by the nape of his neck.

High above his head he lifted his enemy and dashed him to the ground. With a leap he was on the prostrate figure, trampling it apart, smashing it into the ground. With wild cries he stamped the earth, treading out the last of Ouglat, the Black Horror.

When no trace of the thing that had been Ouglat remained, he moved away and viewed the trampled ground.

Then, for the first time he noticed that the crest of the hill was crowded with other monstrous figures. He glared at them, half in surprise, half in anger. He had not noticed their silent approach.

"It is Mal Shaff!" cried one.

"Yes, I am Mal Shaff. What do you want?"

"But, Mal Shaff, Ouglat destroyed you once long ago!"

"And I, just now," replied Mal Shaff, "have destroyed Ouglat."

The figures were silent, shifting uneasily. Then one stepped forward.

"Mal Shaff," it said, "we thought you were dead. Apparently it was not so. We welcome you to our land again. Ouglat, who once tried to kill you and apparently failed, you have killed, which is right and proper. Come and live with us again in peace. We welcome you."

Mal Shaff bowed.

Gone was all thought of the third dimension. Through Mal Shaff's mind raced strange, haunting memories of a red desert scattered with scarlet boulders, of silver cliffs of gleaming metallic stone, of huge seas battering against towering headlands. There were other things, too. Great palaces of shining jewels, and weird nights of inhuman joy where hellish flames lit deep, black caverns.

He bowed again.

"I thank you, Bathazar," he said.

Without a backward look he shambled down the hill with the others.

* * * * *

"Yes?" said the editor. "What's that you say? Doctor White is dead! A suicide! Yeah, I understand. Worry, hey! Here, Roberts, take this story."

He handed over the phone.

"When you write it," he said, "play up the fact he was worried about not being able to bring the men back to the third dimension. Give him plenty of praise for ending the Black Horror. It's a big story."

"Sure," said Roberts, then spoke into the phone: "All right, Bill, shoot the works."

 

 

---

Contents

DREAM TOWN

by HENRY SLESAR

 

The woman in the doorway looked so harmless. Who was to tell she had some rather startling interests?

 

The woman in the doorway looked like Mom in the homier political cartoons. She was plump, apple-cheeked, white-haired. She wore a fussy, old-fashioned nightgown, and was busily clutching a worn house-robe around her expansive middle. She blinked at Sol Becker's rain-flattened hair and hang-dog expression, and said: "What is it? What do you want?"

"I'm sorry--" Sol's voice was pained. "The man in the diner said you might put me up. I had my car stolen: a hitchhiker; going to Salinas ..." He was puffing.

"Hitchhiker? I don't understand." She clucked at the sight of the pool of water he was creating in her foyer. "Well, come inside, for heaven's sake. You're soaking!"

"Thanks," Sol said gratefully.

With the door firmly shut behind him, the warm interior of the little house covered him like a blanket. He shivered, and let the warmth seep over him. "I'm terribly sorry. I know how late it is." He looked at his watch, but the face was too misty to make out the hour.

"Must be nearly three," the woman sniffed. "You couldn't have come at a worse time. I was just on my way to court--"

The words slid by him. "If I could just stay overnight. Until the morning. I could call some friends in San Fernando. I'm very susceptible to head colds," he added inanely.

"Well, take those shoes off, first," the woman grumbled. "You can undress in the parlor, if you'll keep off the rug. You won't mind using the sofa?"

"No, of course not. I'd be happy to pay--"

"Oh, tush, nobody's asking you to pay. This isn't a hotel. You mind if I go back upstairs? They're gonna miss me at the palace."

"No, of course not," Sol said. He followed her into the darkened parlor, and watched as she turned the screw on a hurricane-style lamp, shedding a yellow pool of light over half a flowery sofa and a doily-covered wing chair. "You go on up. I'll be perfectly fine."

"Guess you can use a towel, though. I'll get you one, then I'm going up. We wake pretty early in this house. Breakfast's at seven; you'll have to be up if you want any."

"I really can't thank you enough--"

"Tush," the woman said. She scurried out, and returned a moment later with a thick bath towel. "Sorry I can't give you any bedding. But you'll find it nice and warm in here." She squinted at the dim face of a ship's-wheel clock on the mantle, and made a noise with her tongue. "Three-thirty!" she exclaimed. "I'll miss the whole execution ..."

"The what?"

"Goodnight, young man," Mom said firmly.

She padded off, leaving Sol holding the towel. He patted his face, and then scrubbed the wet tangle of brown hair. Carefully, he stepped off the carpet and onto the stone floor in front of the fireplace. He removed his drenched coat and suit jacket, and squeezed water out over the ashes.

He stripped down to his underwear, wondering about next morning's possible embarrassment, and decided to use the damp bath towel as a blanket. The sofa was downy and comfortable. He curled up under the towel, shivered once, and closed his eyes.

* * * * *

He was tired and very sleepy, and his customary nightly review was limited to a few detached thoughts about the wedding he was supposed to attend in Salinas that weekend ... the hoodlum who had responded to his good-nature by dumping him out of his own car ... the slogging walk to the village ... the little round woman who was hurrying off, like the White Rabbit, to some mysterious appointment on the upper floor ...

Then he went to sleep.

A voice awoke him, shrill and questioning.

"Are you nakkid?"

His eyes flew open, and he pulled the towel protectively around his body and glared at the little girl with the rust-red pigtails.

"Huh, mister?" she said, pushing a finger against her freckled nose. "Are you?"

"No," he said angrily. "I'm not naked. Will you please go away?"

"Sally!" It was Mom, appearing in the doorway of the parlor. "You leave the gentleman alone." She went off again.

"Yes," Sol said. "Please let me get dressed. If you don't mind." The girl didn't move. "What time is it?"

"Dunno," Sally shrugged. "I like poached eggs. They're my favorite eggs in the whole world."

"That's good," Sol said desperately. "Now why don't you be a good girl and eat your poached eggs. In the kitchen."

"Ain't ready yet. You going to stay for breakfast?"

"I'm not going to do anything until you get out of here."

She put the end of a pigtail in her mouth and sat down on the chair opposite. "I went to the palace last night. They had an exelution."

"Please," Sol groaned. "Be a good girl, Sally. If you let me get dressed, I'll show you how to take your thumb off."

"Oh, that's an old trick. Did you ever see an exelution?"

"No. Did you ever see a little girl with her hide tanned?"

"Huh?"

"Sally!" Mom again, sterner. "You get out of there, or you-know-what ..."

"Okay," the girl said blithely. "I'm goin' to the palace again. If I brush my teeth. Aren't you ever gonna get up?" She skipped out of the room, and Sol hastily sat up and reached for his trousers.

When he had dressed, the clothes still damp and unpleasant against his skin, he went out of the parlor and found the kitchen. Mom was busy at the stove. He said: "Good morning."

"Breakfast in ten minutes," she said cheerfully. "You like poached eggs?"

"Sure. Do you have a telephone?"

"In the hallway. Party line, so you may have to wait."

He tried for fifteen minutes to get through, but there was a woman on the line who was terribly upset about a cotton dress she had ordered from Sears, and was telling the world about it.

Finally, he got his call through to Salinas, and a sleepy-voiced Fred, his old Army buddy, listened somewhat indifferently to his tale of woe. "I might miss the wedding," Sol said unhappily. "I'm awfully sorry." Fred didn't seem to be half as sorry as he was. When Sol hung up, he was feeling more despondent than ever.

A man, tall and rangy, with a bobbing Adam's apple and a lined face, came into the hallway. "Hullo?" he said inquiringly. "You the fella had the car stolen?"

"Yes."

The man scratched his ear. "Take you over to Sheriff Coogan after breakfast. He'll let the Stateys know about it. My name's Dawes."

Sol accepted a careful handshake.

"Don't get many people comin' into town," Dawes said, looking at him curiously. "Ain't seen a stranger in years. But you look like the rest of us." He chuckled.

Mom called out: "Breakfast!"

* * * * *

At the table, Dawes asked his destination.

"Wedding in Salinas," he explained. "Old Army friend of mine. I picked this hitchhiker up about two miles from here. He seemed okay."

"Never can tell," Dawes said placidly, munching egg. "Hey, Ma. That why you were so late comin' to court last night?"

"That's right, Pa." She poured the blackest coffee Sol had ever seen. "Didn't miss much, though."

"What court is that?" Sol asked politely, his mouth full.

"Umagum," Sally said, a piece of toast sticking out from the side of her mouth. "Don't you know nothin'?"

"Armagon," Dawes corrected. He looked sheepishly at the stranger. "Don't expect Mister--" He cocked an eyebrow. "What's the name?"

"Becker."

"Don't expect Mr. Becker knows anything about Armagon. It's just a dream, you know." He smiled apologetically.

"Dream? You mean this--Armagon is a place you dream about?"

"Yep," Dawes said. He lifted cup to lip. "Great coffee, Ma." He leaned back with a contented sigh. "Dream about it every night. Got so used to the place, I get all confused in the daytime."

Mom said: "I get muddle-headed too, sometimes."

"You mean--" Sol put his napkin in his lap. "You mean you dream about the same place?"

"Sure," Sally piped. "We all go there at night. I'm goin' to the palace again, too."

"If you brush your teeth," Mom said primly.

"If I brush my teeth. Boy, you shoulda seen the exelution!"

"Execution," her father said.

"Oh, my goodness!" Mom got up hastily. "That reminds me. I gotta call poor Mrs. Brundage. It's the least I could do."

"Good idea," Dawes nodded. "And I'll have to round up some folks and get old Brundage out of there."

Sol was staring. He opened his mouth, but couldn't think of the right question to ask. Then he blurted out: "What execution?"

"None of your business," the man said coldly. "You eat up, young man. If you want me to get Sheriff Coogan lookin' for your car."

The rest of the meal went silently, except for Sally's insistence upon singing her school song between mouthfuls. When Dawes was through, he pushed back his plate and ordered Sol to get ready.

Sol grabbed his topcoat and followed the man out the door.

"Have to stop someplace first," Dawes said. "But we'll be pickin' up the Sheriff on the way. Okay with you?"

"Fine," Sol said uneasily.

The rain had stopped, but the heavy clouds seemed reluctant to leave the skies over the small town. There was a skittish breeze blowing, and Sol Becker tightened the collar of his coat around his neck as he tried to keep up with the fast-stepping Dawes.

* * * * *

They crossed the street diagonally, and entered a two-story wooden building. Dawes took the stairs at a brisk pace, and pushed open the door on the second floor. A fat man looked up from behind a desk.

"Hi, Charlie. Thought I'd see if you wanted to help move Brundage."

The man batted his eyes. "Oh, Brundage!" he said. "You know, I clean forgot about him?" He laughed. "Imagine me forgetting that?"

"Yeah." Dawes wasn't amused. "And you Prince Regent."

"Aw, Willie--"

"Well, come on. Stir that fat carcass. Gotta pick up Sheriff Coogan, too. This here gentleman has to see him about somethin' else."

The man regarded Sol suspiciously. "Never seen you before. Night or day. Stranger?"

"Come on!" Dawes said.

The fat man grunted and hoisted himself out of the swivel chair. He followed lamely behind the two men as they went out into the street again.

A woman, with an empty market basket, nodded casually to them. "Mornin', folks. Enjoyed it last night. Thought you made a right nice speech, Mr. Dawes."

"Thanks," Dawes answered gruffly, but obviously flattered. "We were just goin' over to Brundage's to pick up the body. Ma's gonna pay a call on Mrs. Brundage around ten o'clock. You care to visit?"

"Why, I think that's very nice," the woman said. "I'll be sure and do that." She smiled at the fat man. "Mornin', Prince."

Sol's head was spinning. As they left the woman and continued their determined march down the quiet street, he tried to find answers.

"Look, Mr. Dawes." He was panting; the pace was fast. "Does she dream about this--Armagon, too? That woman back there?"

"Yep."

Charlie chuckled. "He's a stranger, all right."

"And you, Mr.--" Sol turned to the fat man. "You also know about this palace and everything?"

"I told you," Dawes said testily. "Charlie here's Prince Regent. But don't let the fancy title fool you. He got no more power than any Knight of the Realm. He's just too dern fat to do much more'n sit on a throne and eat grapes. That right, Charlie?"

The fat man giggled.

"Here's the Sheriff," Dawes said.

The Sheriff, a sleepy-eyed citizen with a long, sad face, was rocking on a porch as they approached his house, trying to puff a half-lit pipe. He lifted one hand wearily when he saw them.

"Hi, Cookie," Dawes grinned. "Thought you, me, and Charlie would get Brundage's body outa the house. This here's Mr. Becker; he got another problem. Mr. Becker, meet Cookie Coogan."

The Sheriff joined the procession, pausing only once to inquire into Sol's predicament.

He described the hitchhiker incident, but Coogan listened stoically. He murmured something about the Troopers, and shuffled alongside the puffing fat man.

Sol soon realized that their destination was a barber shop.

Dawes cupped his hands over the plate glass and peered inside. Gold letters on the glass advertised: HAIRCUT SHAVE & MASSAGE PARLOR. He reported: "Nobody in the shop. Must be upstairs."

* * * * *

The fat man rang the bell. It was a while before an answer came.

It was a reedy woman in a housecoat, her hair in curlers, her eyes red and swollen.

"Now, now," Dawes said gently. "Don't you take on like that, Mrs. Brundage. You heard the charges. It hadda be this way."

"My poor Vincent," she sobbed.

"Better let us up," the Sheriff said kindly. "No use just lettin' him lay there, Mrs. Brundage."

"He didn't mean no harm," the woman snuffled. "He was just purely ornery, Vincent was. Just plain mean stubborn."

"The law's the law," the fat man sighed.

Sol couldn't hold himself in.

"What law? Who's dead? How did it happen?"

Dawes looked at him disgustedly. "Now is it any of your business? I mean, is it?"

"I don't know," Sol said miserably.

"You better stay out of this," the Sheriff warned. "This is a local matter, young man. You better stay in the shop while we go up."

They filed past him and the crying Mrs. Brundage.

When they were out of sight, Sol pleaded with her.

"What happened? How did your husband die?"

"Please ..."

"You must tell me! Was it something to do with Armagon? Do you dream about the place, too?"

She was shocked at the question. "Of course!"

"And your husband? Did he have the same dream?"

Fresh tears resulted. "Can't you leave me alone?" She turned her back. "I got things to do. You can make yourself comfortable--" She indicated the barber chairs, and left through the back door.

Sol looked after her, and then ambled over to the first chair and slipped into the high seat. His reflection in the mirror, strangely gray in the dim light, made him groan. His clothes were a mess, and he needed a shave. If only Brundage had been alive ...

He leaped out of the chair as voices sounded behind the door. Dawes was kicking it open with his foot, his arms laden with two rather large feet, still encased in bedroom slippers. Charlie was at the other end of the burden, which appeared to be a middle-aged man in pajamas. The Sheriff followed the trio up with a sad, undertaker expression. Behind him came Mrs. Brundage, properly weeping.

"We'll take him to the funeral parlor," Dawes said, breathing hard. "Weighs a ton, don't he?"

"What killed him?" Sol said.

"Heart attack."

The fat man chuckled.

The tableau was grisly. Sol looked away, towards the comfortingly mundane atmosphere of the barber shop. But even the sight of the thick-padded chairs, the shaving mugs on the wall, the neat rows of cutting instruments, seemed grotesque and morbid.

"Listen," Sol said, as they went through the doorway. "About my car--"

The Sheriff turned and regarded him lugubriously. "Your car? Young man, ain't you got no respect?"

Sol swallowed hard and fell silent. He went outside with them, the woman slamming the barber-shop door behind him. He waited in front of the building while the men toted away the corpse to some new destination.

* * * * *

He took a walk.

The town was just coming to life. People were strolling out of their houses, commenting on the weather, chuckling amiably about local affairs. Kids on bicycles were beginning to appear, jangling the little bells and hooting to each other. A woman, hanging wash in the back yard, called out to him, thinking he was somebody else.

He found a little park, no more than twenty yards in circumference, centered around a weatherbeaten monument of some unrecognizable military figure. Three old men took their places on the bench that circled the General, and leaned on their canes.

Sol was a civil engineer. But he made like a reporter.

"Pardon me, sir." The old man, leathery-faced, with a fine yellow moustache, looked at him dumbly. "Have you ever heard of Armagon?"

"You a stranger?"

"Yes."

"Thought so."

Sol repeated the question.

"Course I did. Been goin' there ever since I was a kid. Night-times, that is."

"How--I mean, what kind of place is it?"

"Said you're a stranger?"

"Yes."

"Then 'tain't your business."

That was that.

He left the park, and wandered into a thriving luncheonette. He tried questioning the man behind the counter, who merely snickered and said: "You stayin' with the Dawes, ain't you? Better ask Willie, then. He knows the place better than anybody."

He asked about the execution, and the man stiffened.

"Don't think I can talk about that. Fella broke one of the Laws; that's about it. Don't see where you come into it."

At eleven o'clock, he returned to the Dawes residence, and found Mom in the kitchen, surrounded by the warm nostalgic odor of home-baked bread. She told him that her husband had left a message for the stranger, informing him that the State Police would be around to get his story.

He waited in the house, gloomily turning the pages of the local newspaper, searching for references to Armagon. He found nothing.

At eleven-thirty, a brown-faced State Trooper came to call, and Sol told his story. He was promised nothing, and told to stay in town until he was contacted again by the authorities.

Mom fixed him a light lunch, the greatest feature of which was some hot biscuits she plucked out of the oven. It made him feel almost normal.

He wandered around the town some more after lunch, trying to spark conversation with the residents.

He learned little.

* * * * *

At five-thirty, he returned to the Dawes house, and was promptly leaped upon by little Sally.

"Hi! Hi! Hi!" she said, clutching his right leg and almost toppling him over. "We had a party in school. I had chocolate cake. You goin' to stay with us?"

"Just another night," Sol told her, trying to shake the girl off. "If it's okay with your folks. They haven't found my car yet."

"Sally!" Mom was peering out of the screen door. "You let Mr. Becker alone and go wash. Your Pa will be home soon."

"Oh, pooh," the girl said, her pigtails swinging. "Do you got a girlfriend, mister?"

"No." Sol struggled towards the house with her dead weight on his leg. "Would you mind? I can't walk."

"Would you be my boyfriend?"

"Well, we'll talk about it. If you let go my leg."

Inside the house, she said: "We're having pot roast. You stayin'?"

"Of course Mr. Becker's stayin'," Mom said. "He's our guest."

"That's very kind of you," Sol said. "I really wish you'd let me pay something--"

"Don't want to hear another word about pay."

* * * * *

Mr. Dawes came home an hour later, looking tired. Mom pecked him lightly on the forehead. He glanced at the evening paper, and then spoke to Sol.

"Hear you been asking questions, Mr. Becker."

Sol nodded, embarrassed. "Guess I have. I'm awfully curious about this Armagon place. Never heard of anything like it before."

Dawes grunted. "You ain't a reporter?"

"Oh, no. I'm an engineer. I was just satisfying my own curiosity."

"Uh-huh." Dawes looked reflective. "You wouldn't be thinkin' about writing us up or anything. I mean, this is a pretty private affair."

"Writing it up?" Sol blinked. "I hadn't thought of it. But you'll have to admit--it's sure interesting."

"Yeah," Dawes said narrowly. "I guess it would be."

"Supper!" Mom called.

After the meal, they spent a quiet evening at home. Sally went to bed, screaming her reluctance, at eight-thirty. Mom, dozing in the big chair near the fireplace, padded upstairs at nine. Then Dawes yawned widely, stood up, and said goodnight at quarter-of-ten.

He paused in the doorway before leaving.

"I'd think about that," he said. "Writing it up, I mean. A lot of folks would think you were just plum crazy."

Sol laughed feebly. "I guess they would at that."

"Goodnight," Dawes said.

"Goodnight."

He read Sally's copy of Treasure Island for about half an hour. Then he undressed, made himself comfortable on the sofa, snuggled under the soft blanket that Mom had provided, and shut his eyes.

He reviewed the events of the day before dropping off to sleep. The troublesome Sally. The strange dream world of Armagon. The visit to the barber shop. The removal of Brundage's body. The conversations with the townspeople. Dawes' suspicious attitude ...

Then sleep came.

* * * * *

He was flanked by marble pillars, thrusting towards a high-domed ceiling.

The room stretched long and wide before him, the walls bedecked in stunning purple draperies.

He whirled at the sound of footsteps, echoing stridently on the stone floor. Someone was running towards him.

It was Sally, pigtails streaming out behind her, the small body wearing a flowing white toga. She was shrieking, laughing as she skittered past him, clutching a gleaming gold helmet.

He called out to her, but she was too busy outdistancing her pursuer. It was Sheriff Coogan, puffing and huffing, the metal-and-gold cloth uniform ludicrous on his lanky frame.

"Consarn kid!" he wheezed. "Gimme my hat!"

Mom was following him, her stout body regal in scarlet robes. "Sally! You give Sir Coogan his helmet! You hear?"

"Mrs. Dawes!" Sol said.

"Why, Mr. Becker! How nice to see you again! Pa! Pa! Look who's here!"

Willie Dawes appeared. No! Sol thought. This was King Dawes; nothing else could explain the magnificence of his attire.

"Yes," Dawes said craftily. "So I see. Welcome to Armagon, Mr. Becker."

"Armagon?" Sol gaped. "Then this is the place you've been dreaming about?"

"Yep," the King said. "And now you're in it, too."

"Then I'm only dreaming!"

Charlie, the fat man, clumsy as ever in his robes of State, said: "So that's the snooper, eh?"

"Yep," Dawes chuckled. "Think you better round up the Knights."

Sol said: "The Knights?"

"Exelution! Exelution!" Sally shrieked.

"Now wait a minute--"

Charlie shouted.

Running feet, clanking of armor. Sol backed up against a pillar. "Now look here. You've gone far enough--"

"Not quite," said the King.

The Knights stepped forward.

"Wait!" Sol screamed.

Familiar faces, under shining helmets, moved towards him; the tips of sharp-pointed spears gleaming wickedly. And Sol Becker wondered--would he ever awake?

 

 

---

Contents

HEART

By HENRY SLESAR

 

Monk had three questions he lived by: Where can I find it? How much will it cost? When can you deliver? But now they said that what he needed wasn't for sale. "Want to bet?" He snorted.

 

Systole ... diastole ... the Cardiophone listened, hummed, and recorded; tracing a path of perilous peaks and precipices on the white paper.

"Relax!" Dr. Rostov pleaded. "Please relax, Mr. Monk!"

The eyes of Fletcher Monk replied. Rostov knew their language well enough to read the glaring messages they transmitted. Indignation ... "Don't use that commanding tone with me, Doctor!" Protest ... "I am relaxed; completely relaxed!" Warning.... "Get me out of this electric chair, Rostov!"

The physician sighed and clicked the apparatus off. Swiftly, but with knowing fingers, he disengaged his patient from the wire and rubber encumbrances of the reclining seat. Fletcher Monk sat up and rubbed his forearms, watching every movement the doctor made as he prepared to study the results of his examination.

"You're fussing, Rostov," he said coldly. "My shirt."

"In a moment."

"Now," said Monk impatiently.

The physician shook his head sadly. He handed Monk his shirt and waited until the big man had buttoned it half way down. Then he returned to the Cardiophone for a more critical study. A fine analysis was hardly necessary; the alarming story had been told with the first measurements of the heart machine.

"Cut it out," said Monk brusquely. "You've got that death's-head look again, Rostov. If you want to say something, say it."

"You were tight as a drum," said the doctor. "That's going to influence my findings, you know. If you hadn't refused the narcotic--"

Fletcher Monk barked: "I won't be drugged!"

"It would have relaxed you--"

"I was as relaxed as I ever am," the other man said candidly, and Rostov recognized the truth of his analysis. Monk lived in a world of taut muscles and nerves stretched out just below the breaking point. Tenseness was his trademark; there was no more elasticity in Monk's body than there was in the hard cash he accumulated so readily.

"Well?" the patient jeered. "What's the verdict, you damned sawbones? Going to throw away my cigars? Going to send me on a long sea voyage?"

Rostov frowned.

"Don't look so smug!" Monk exploded. "I know you think there's something wrong with me. You can't wait to bury me!"

"You're sick, Mr. Monk," said the doctor. "You're very sick."

Monk glowered. "You're wrong," he said icily. "You've made a lousy diagnosis."

"What was that feeling you described?" asked Rostov. "Remember what you told me? Like a big, black bird, flapping its wings in your chest. Didn't that mean something to you, Mr. Monk?"

* * * * *

The industrialist paled. "All right. Get to the point," he said quietly. "What did that gadget tell you?"

"Bad news," said the doctor. "Your heart's been strained almost to bursting. It's working on will power, Mr. Monk; hardly anything else."

"Get to the point!" Monk shouted.

"That is the point," Rostov said stiffly. "You have a serious heart condition. A dangerous condition. You've ignored eight years of my advice, and now your heart is showing the effects."

"What can it do to me?"

"Kill you," said the doctor bluntly. "Frankly, I can't even promise that the usual precautions will do any good. But we have no other choice than to take them. The human body is a miraculous affair, and even the most desperate damages sometimes can't prevent it from going on living. But I won't mince words with you, Mr. Monk. You're a direct sort of person, so I'm telling you directly. Your chances are slim."

Monk sat down and put his black tie on distractedly. He sat deep in thought for a while, and then said:

"How much would it cost to fix it?"

"What?"

"Money!" the big man cried. "How much money would it take to get me repaired?"

"But it's not a matter of money--"

"Don't give me that!" Monk put his jacket on with a violent motion. "I've learned better than that in my fifty years, Dr. Rostov. Money fixes everything. Everything! I could curdle your milk by telling you some of the things I've fixed with money!"

The physician shrugged. "Money doesn't buy health."

"Doesn't it?" The patient gave an abrupt laugh. "Money buys people, Dr. Rostov. It buys loyalty and disloyalty. It buys friends and sells enemies. All these are commodities, Doctor. I found that out--the hard way."

"Mr. Monk, you don't know what I'm telling you. Your heart action is unreliable, and no amount of dollars can bring it back to normal--"

The industrialist stood up. "You think the heart is incorruptible, eh?" He snorted. "Well, I think different. Someplace on earth there's a man or a method that can fix me up. It'll take money to find the answer, that's for sure. But I'll find it!"

Rostov put out his hand helplessly. "You're being unreasonable, Mr. Monk. There is nothing on earth--"

"All right!" Fletcher Monk shouted. "So maybe there's nothing on Earth!" His body trembled with his emotion. "Then I'll go to the stars, if I have to!"

* * * * *

Rostov started. "If you mean this gravity business--"

"What's that?" Monk froze. "What's that you said?"

"This gravity thing," the doctor said. "This silly story about the Mars Colony they've been spreading--"

"What silly story?" asked Monk, narrowing his eyes. "I haven't heard it. What do you mean?"

Rostov regretted his words. But he knew it was too late to stop the industrialist from extracting the details from him. He made a despairing gesture and went over to his desk. From the top drawer, he withdrew a folded sheet torn from the pages of a daily newspaper that specialized in lurid articles and wild imaginings.

* * * * *

Monk snatched it from the doctor's hand. "Let me see that!" he said. He turned the paper over in his hand until he found the red-pencilled article the doctor had referred to.

"MARS BOON TO HEART CASES, SAYS SPACE DOCTOR." Monk read the headline aloud, and then looked at Rostov.

"It's a misquotation," the physician said. "Dr. Feasley never made such a bald statement. They've taken something out of context to make a sensational story--"

"Let me see for myself," snapped Monk.

He began to read. "... 'Space Medicine Association ... Dr. Samuel Feasley, renowned' ... here it is!... 'the effects of Earth's gravitational pull on the body versus the relatively light gravitation encountered by the members of the Martian Colony ... two-fifths the pull of Earth ... interesting speculation on the heart action...!'" He crushed the paper in his hands. "By God!" he cried. "Here's my answer, you gloomy old fool!"

"No, no!" said Rostov hurriedly. "You don't know what you're saying--"

Fletcher Monk laughed loudly. "I always know what I'm saying, Doctor Rostov. Here it is in black and white! Why should I die on Earth--when I can live on Mars?"

"But it's impossible! There are so many problems--"

"Money solves problems!"

"Not this one!" said the doctor heatedly. "Not the problem of acceleration! You'll never reach Mars alive!"

Monk paused. "What do you mean?" he blinked.

"The acceleration will kill you!" Rostov said in a shaking voice. "Three G's are enough to burst that sick heart of yours. And the acceleration reaches a gravity of nine at one point. You'd never make it!"

"I'll never make it here," said Monk, biting out the words. "You told me that yourself."

"At least there's a chance," the doctor argued. "A slim one, surely. But you're talking about almost certain death!"

"How do you know?" said Monk contemptuously. "You've never had anything to do with space medicine. You're what they call a groundworm, Doc. Just like me."

"You'll never even get aboard a spaceship. There's a rigid physical examination required. You couldn't pass it in a million years! It's suicide to think of it."

* * * * *

Monk paced the floor. "But if I did pass it--"

"Impossible!"

"But if I did," Monk insisted. "Would my chances for living be better on Mars?"

"I suppose so. Your heart wouldn't have to work nearly so hard. You'd weigh less than ninety pounds...."

"Then it's worth a try, isn't it?" He grasped the physician by the shoulders and shook him. "Isn't it?" he shouted.

"Mr. Monk, I can't let you even consider it!"

"You can't?" Monk looked at him threateningly. "Are you dictating my affairs now, Doctor? Are you forgetting who I am?"

"The Mars Colony is a working organization," the doctor said, desperately. "The life there is hard, rugged--"

"Hard?" Monk roared. "Hardness and Monk are synonymous words, Doctor Rostov. Don't you read the papers? Don't you know what they call me? The Iron Millionaire!" He laughed. "And there's something else you're not aware of. I own a lot of this country. But I also own a good piece of the Mars Colony. Just let 'em try and stop me!"

Rostov threw his hands in the air. "You're completely off balance, Mr. Monk. What you're thinking about is impossible in a dozen different ways. But I'm not going to worry about it. You'll never get near a space vessel--"

"That remains to be seen," said Monk.

"The best thing for you," the doctor continued, "is to start slowing down--right now, today. And the first project we have to work on is the loss of some thirty or forty pounds. You're much too heavy for that heart of yours."

Monk didn't appear to be listening. Thoughtfully, he reached inside his coat and brought out a long black cigar. He bit off the end and spat it out onto the polished floor of the examining room.

"You'll have to lose those, too," the doctor cautioned. "Cigars are out."

Fletcher Monk jammed the cigar between his teeth. He looked at the doctor and smiled grimly.

"O.K., Doc," he said. "I'm going to follow your advice. And the first thing I'm going to arrange is the loss of some weight." He lit the cigar and puffed heavily. "About a hundred and thirty pounds," he said.

Monk put his hat on his head and walked out. He felt better already.

* * * * *

Monk found his informant in the person of a Spacelane employee named Horner. Garcia, the converted hood that now "assisted" Monk in his personal affairs, brought the Spacelane man into the industrialist's office and gestured him into a chair.

"All right," said Monk. "Garcia's told you what I want. Now let's go." He picked up a paper from his desk, and began to read off the list of typewritten names.

"Houston," he said.

"No good," said Horner. "He's the dispatch officer. Crusty old guy. Spent eleven years in space, and he's plenty mean."

"I don't care about his disposition," said Monk testily. "Can he be bought?"

Horner shook his head. "I doubt it."

"All right, then." Monk rattled the paper. "How about Roth?"

"Uh-uh. He's the Chief Medical Officer. Very Army. He helped draft the original physical standards for space flight."

"Davis!" said Monk.

"Well ..." Horner looked pensive. "He doesn't mind a fast buck now and then. But he's only a Supplies Officer. He couldn't do anything about smuggling you aboard."

"Christy."

"Don't know much about Christy. He's a pilot, and pretty close-mouthed. Spends most of his time between trips in the bosom of his family, so to speak. Which is maybe understandable, because he's got a wife that is absolutely--"

"Skip that junk," said Garcia toughly. "The boss wants facts."

"Keep out of this, you," said Monk. He smiled humorlessly at Horner. "What about Christy's wife?"

"Well, she's--I mean, she's a looker, understand? A real beauty. Only from what I heard around the base, she's a groundworm's delight, if you know what I mean--"

"I don't know what you mean," said Monk patiently.

"Well, with her husband away six months out of every year, and a swell-lookin' doll like that ... Figure it out for yourself."

Monk grunted. "I'll keep it in mind," he said. "Now how about this fellow Forsch?"

"Maybe there's something there," said Horner. "He's a doctor, too. Handles most of the routine physicals. But I heard a rumor about some pretty unethical practices he was mixed up in before he took this job. There may be nothing to it, but if you could look into it--"

"I will," said Monk abruptly. He handed the paper over to the Spacelane employee. "Anybody else here you want to tell me about?"

Horner looked over the list.

"That's about it, I guess," he said. "Nobody here can do you any good. But you look into this guy Forsch. He may be your boy."

Monk smiled tightly.

"Pay him," he said to Garcia.

* * * * *

When the detectives handed Fletcher Monk the completed report on the activities of Diana Christy, he read it through thoroughly, savoring each juicy word between puffs of his cigar. The report was excellently constructed. It was painstaking in its detail. It named names, places, times, events, and even recorded certain revealing conversations. It gave the background of each of Mrs. Christy's lovers, even down to their income and place of birth.

It was a marvelous document, in Monk's estimation, and not the first of its kind he had had prepared. A powerful piece of persuasion.

With great satisfaction, he replaced the volume in an envelope and buzzed for Garcia. His instructions to the assistant were crisp and definite. The assignment was the kind that Garcia both understood and relished. He took the report from Monk's hands and went on his way to call on the lady in question.

Bill Christy, recently returned from a Mars flight, was both amazed and disturbed by the strange request his beautiful young wife made of him. It was awful--illegal--even criminal! To arrange for the certification of a man with a weak heart; to virtually counterfeit the medical records of the Spacelane Company!

But he was her uncle, Diana Christy pleaded. The only relative she had in the world; the only one she loved outside of Christy himself. He must help her; he must give her poor sick uncle a chance to make a new life for himself in the Mars Colony.

He wouldn't do it; he couldn't! But she cried, with great wet tears streaming down the smooth planes of her face. Didn't he love her? Wasn't this one little favor worth doing for the sake of her happiness? No one would be hurt by it. The motives were altruistic, after all.

But the risk--

There wasn't any risk, she assured him. Her uncle was wealthy; very wealthy. He could supply all the money Bill would need. If what people said about Dr. Forsch was true, he might be approached. That would make it simple, wouldn't it? It was such a small thing he could do--but how she would appreciate it! How she would love him for it!

And of course, finally, with her cool arms about his neck and her soft cheek pressed against his, he replied:

"I'll do it."

* * * * *

Monk handed his luggage to the official at the Spacelane Flight Desk. But he kept the brown leather bag in his hand, and no amount of argument could separate him from it. It was easy to understand his devotion to this particular piece of personal property; it contained some four million dollars in cash.

"I may not be the youngest man on Mars," he smiled to himself as he walked onto the loading platform. "But I'll be the richest!"

Aboard the ship, the pilot Bill Christy gave him a worried glance and assisted him into the contour chair. Christy showed concern.

"You feel okay, Mr. Wheeler?" he asked. Monk smiled back, but not in answer to the question. He enjoyed the pseudonym, because it was the name of an old competitor, long-since buried beneath Monk's superior talents in the business of making money.

"Try and relax as much as you can," said Christy. "We'll give you a mild sedative before blast-off. Remember, there are going to be distinct variations in the G forces as we accelerate, so try to remember the breathing instructions."

"I will," said Monk. "Once more, though--"

"There'll be a steady buildup of acceleration for about ninety seconds. We'll go rapidly from zero gravity to nine. Breathe deeply and regularly on the way up. Then, when you feel a normal amount of pressure, hold your breath. Don't let it out until you feel the G forces increase again."

"I understand," Monk nodded.

"We'll get up to a peak of 8 G's, and hold that for about two minutes. Do the same thing--hold your breath when we start accelerating once more. It'll be easy after that."

* * * * *

The pilot made a final check of Monk's G suit and straps. Then he clapped the industrialist on the shoulder and strode off.

Twenty minutes later, when they were ready for blast-off, a warning bell sounded throughout the ship.

With a deafening roar of its rocket motors, the great vessel lifted itself laboriously from the ground, squatting on flame, filling Fletcher Monk's mind with the first real sense of fear since he learned the grim facts of his ailment in Rostov's office.

Then the acceleration began, and in less than a minute, Monk knew a taste of Hell.

His vision blurred as the crushing force of naked speed pasted him against the contour seat. Consciousness began to leave him, but not soon enough. For there, in the tortured imaginings of his pain-constricted brain, came the ugly black bird again, shrieking horribly and perching itself on his chest. Its huge claws raked his ribs, and its dripping beak fastened itself on his throat. Now he recognized the species for what it was: a vulture, a bird of prey, unwilling to be robbed of its Earth victim; trying to pinion him to the planet with the strength of its anger. Its great wings flapped, flapped, flapped, beating against his body, flooding it with unrelieved anguish--

Then Monk gasped.

Gone! The bird was gone! A moment's peace, a moment's peace, a moment's freedom from torment--

No! The vulture returned, bent on its evil purpose. It wouldn't be denied; it raked its razor-sharp claws across Monk's shoulder; dug its beak into his chest; flapping, flapping--

Fletcher Monk screamed.

* * * * *

He opened his eyes, admitted a rush of clean air gratefully into his lungs.

"It's a miracle," said Bill Christy. "Nothing more. You were in a bad way, Mr. Wheeler, but you'll be okay now."

"Thank you, thank you!" panted Fletcher Monk.

"We're well on our way now. We'll reach the Big Bird in a matter of minutes--"

"The Big Bird?" said Monk in horror.

Christy smiled. "That's what we call the Space Station. We'll pick up some supplies and fuel there, and then we'll take off again. But you won't have to be concerned about the acceleration on the second blast-off. You can take that easily."

"Are you sure?" said Monk anxiously.

"Positive. There won't be any gravitational pull to overcome this time. You'll be fine."

"I appreciate this, Christy. I won't forget your help."

"That's okay, Mr. Wheeler. It makes my wife happy."

"Yes." Monk felt well enough now to give the pilot a sardonic smile. "She's a wonderful girl, Diana. A wonderful girl."

"You're telling me?" said Bill Christy.

* * * * *

The space suit that Fletcher Monk had been assigned before the descent on Mars was a little tight-fitting for his comfort. He wondered what life would be like in this eternal bulky costume. But he was comforted by the picture of the Mars Colony he had received back on Earth; a labyrinth of airtight interiors, burrowing their way over and into the planet, served by gigantic oxygen tanks. The network of buildings had been expanding every year, until now it covered some hundred miles of the planet's surface. He'd spend most of his time safely indoors, he promised himself, where he wouldn't need the cumbersome trappings of space clothing. His life had been an indoor affair anyway, back on Earth.

The passengers were led into the Quarantine Section, where they would spend their first three days on Mars.

It was a relief to Monk to shed the heavy space-suit in the air-filled room. And it was a revelation, for with helmet and boots removed, he found himself almost floating with each step he took, moving feather-light over the ground. He was surprised, and a little unnerved at first, but then he remembered that this feeble gravitation was the preserver of his health--and he laughed aloud.

"Something funny?" said the man at the front desk. He was a young man, about thirty, but there was an ageless competence in his features.

Monk smiled. "Just feeling good, that's all." He patted the brown leather bag in his hand.

"Name?"

"Well, it will be listed as Wheeler...."

The official scanned the list. "Here it is. Ben Wheeler." He looked up at Monk curiously. "How old are you, Mr. Wheeler?"

"Fifty," said Monk.

"Pretty old for the Colony, aren't you, Mr. Wheeler?"

Monk smirked. "The first thing we have to do is get rid of that Wheeler business, young man. My name is Monk. Fletcher Monk."

The official looked puzzled. "I don't get it. Why the phoney name?"

"I used an alias for reasons of my own. Now I'm telling you my real name. Monk."

The man shrugged and wrote something on the manifest.

"I don't expect you to cheer," said Monk sarcastically. "But you could show some reaction."

"What does that mean?"

Monk flushed. "Don't tell me you've never heard of me. I'm Fletcher Monk. I own half of this place."

"So?"

"What do you mean 'so?' My firm controls thirty percent of the mineral rights of the Colony. We ship you practically all of your Earth supplies. We can buy or sell this place at the drop of a quotation!"

"Listen, bud." The young man seemed annoyed. "If you're trying to impress me, forget it. And if you're threatening my job, you can take it!"

"Insolence!" Monk raged. "Who's your commanding officer? I want to see him right away!"

"My pleasure," the official grinned. "Hey, Gregorio!" he called to the man at the desk behind him. "Call Captain Moore. Gentleman here wants a word with him."

* * * * *

Monk took a seat while the other passengers went through the initial formalities. He sat there, fuming, until a tall man with an untrimmed beard entered the room. He took off his helmet and spoke briefly to the young man at the front desk, then looked over at Monk and came to his side.

"Mr. Monk?" he said. "I'm Captain Moore."

"Nice to meet you, Captain. I've just had a little conversation with your official greeter." He smiled, man-to-man. "Not a very friendly chap."

"We forget a lot about manners up here," said the captain, not smiling back. "We're kept pretty busy."

* * * * *

"I realize that, of course," said the industrialist. "But I would expect a little common courtesy--"

"You'll earn the right to courtesy out here, Mr. Monk," the captain snapped. "The Mars Colony lives on labor, and that's our first consideration. Courtesy comes about last on our list. We're in a battle here, twenty-four hours and thirty-seven minutes a day. We've got to fight to keep alive, and we've got to wrestle with a whole new planet if we want to unearth its secrets. Courtesy is a distinct privilege on Mars, Mr. Monk."

Monk bristled. "I don't quite get your meaning, Captain," he said indignantly. "But don't expect to pull rank or a holy attitude on me. In case you didn't realize it, I'm in a position to exert a great deal of influence over your little colony--and don't think I won't use it!"

The captain shrugged. "Use it," he said. "Go on. See if your influence really holds up here. Remember, Mr. Monk--you came to us of your own volition, and you can always turn around and go back."

"Impossible," said Monk, blanching. "I'm going to live here--for good."

"Then you'll have to adjust to our way," said the captain grimly. "You'll have to learn our way of doing things and cooperate a hundred percent. And the first thing you'll have to do is take a work assignment--"

"Work?" Monk gasped. "Why should I? You can't force me to work for you--"

"Remember Captain John Smith, Mr. Monk? He said the same thing to his colonists that I'm going to say to you now. If you don't work--you don't eat."

"But what could I do? I'm no scientist. I'm no--"

"There's plenty to do," the captain interrupted. "And most of it is dirty, physical labor. We have a thousand minerologists, chemists, geologists, botanists, physicists, meteorologists, and a lot more technical people at work on this planet. They can use all the help they can get. Don't worry about that!"

"But I'm Fletcher Monk!" the industrialist said. "I won't go grubbing around this filthy place! You can't enslave me like some chain-gang prisoner--"

"You'll do what you have to do," said the captain, "and you'll probably even like it. There's a wonderland outside this door," he said enthusiastically. "A crazy, wild, improbable wonderland, where we never see a rain-fall, where the plants grow scarlet, and clouds chase you down the street! We're uncovering marvelous things here. We have to fight and sometimes die to do it, but frankly, we enjoy the work."

He gave Monk his first smile. "Nobody's a prisoner on Mars, Mr. Monk. We're all volunteers."

He started to leave, but Monk stopped him.

"Wait," he said, licking his lips. "I have one more thing to say." He lowered his voice. "I can make a deal with you, Captain. A deal like you never had in your whole life." He patted the brown leather bag. "Name your price," he said. "And don't be shy about the figure."

"What do you mean?"

"You know what I'm talking about, Mr. Moore. Money. Real, hard, Earth dollars. Just name the amount it would take to buy a few small creature comforts around this place--and the right to live my own life."

"You can't buy your way out of working, mister--"

* * * * *

"Don't give me that! You'll sing a different tune when I tell you how much is in this bag. All you have to do is quote a figure--and it's yours!"

"Sorry, Mr. Monk," said the captain tersely.

"What do you mean by sorry?"

"I'm on a lifetime assignment here, and so are practically all the members of the Colony. It's a job that can barely be completed in a lifetime. And the economy we operate under doesn't call for money. Your dollars are so much excess baggage on Mars."

"What are you talking about?" Monk rasped. "I'm offering you a fortune. Money is money, you fool!"

"You can paper the walls of your quarters with it," said the officer sharply. "See if it helps keep out the Martian cold. That's about all the usefulness it has up here."

Wildly, Fletcher Monk unlocked the bag and dipped inside. His hand came out with a fistfull of green bills. "Look!" he cried. "I'm not joking about this! Look at it! Doesn't the sight of it mean anything to you?"

"It brings back some memories," said the captain smiling. "That's about all. Now you better go back to the desk and get your quarantine instructions."

He saluted the industrialist casually, and turned away.

"Okay, Mr. Moneybags," said the young official as the captain left. "Let's get acquainted."

* * * * *

A year later, Captain Harlan Moore presided at the dedication of the first fully-equipped hospital erected on the planet Mars. It was an impressive affair, despite the fact that it took place in a small, crowded chamber, and that the attending assemblage were still begrimed by their day's work.

When the ceremonies were completed, Captain Moore made an inspection of the new medical center, and one of his first stops was the bed-side of Fletcher Monk.

"We knew he wasn't a well man," said the young physician who stood by the bed, taking Monk's pulse. He watched as the captain picked up the chart hooked to the edge of the bed.

"Yes," said Moore. "He was a very sick man when he first came to the Colony. In more ways than one," he added.

The doctor looked perplexed. "But this illness still surprises me," he said. "I've examined him almost monthly for the past year, and frankly, I would have bet on his survival. He began to improve rapidly--physically, anyway. It might have been the lesser gravity, or the healthier life." He looked at the captain curiously. "Yet he wasn't assigned to any over-strenuous duties?"

"You know he wasn't," said the captain. "We don't want anybody to undertake work they can't handle. His labor was hardly physical. He worked in the geological and botanical groups, but not in the field. He did classifying and clerical work."

"Then that wouldn't account for the trouble--"

"Perhaps it does, in a way," The captain bent over the puffy, chalk-white face of the industrialist, listening to his shallow breathing. "He was never happy doing it. He had different ideas about himself than we did. He never understood what we were doing or why."

"It's the greatest mystery of them all," said the physician, shaking his head.

"What is?"

"The human body. It's incredible how much we've learned about the physical world, and even the physical features of our own construction. But there's still a mystery we haven't penetrated--"

The captain smiled. "That doesn't sound like you."

"I know," the young physician answered. "But when I see a case like this--a man breathing his life away for a reason I really can't understand--" The doctor rubbed the back of his head. "I know it's crazy, and old-fashioned, and doesn't make the least bit of sense in these scientific times, Captain. But if anyone were to ask me--off the record, and completely unofficially--I could only give them one honest diagnosis of this case. I think this man is dying of a broken heart."

THE END

 

 

---

Contents

HISTORY REPEATS

BY GEORGE O. SMITH

 

There are--and very probably will always be--some Terrestrials who can't, and for that matter don't want, to call their souls their own....

 

Xanabar lays across the Spiral Arm, a sprawling sphere of influence vast, mighty, solid at the core. Only the far-flung boundary shows the slight ebb and flow of contingent cultures that may win a system or two today and lose them back tomorrow or a hundred years from now. Xanabar is the trading post of the galaxy, for only Xanabar is strong enough to stand over the trading table when belligerents meet and offer to take them both at once if they do not sheathe their swords. For this service Xanabar assesses her percentage, therefore Xanabar is rich. Her riches buy her mercenaries to enforce her doctrines. Therefore Xanabar is rotten at the under-core, for mercenaries have no god but gold.

* * * * *

The clatter of a hundred tongues mingled with the clink of glasses and floated through strata of smoke from the burning weeds of a hundred planets. From one of the tables, voices rise in mild disagreement. There is a jeering laugh from one side and a roar of anger from the other. Two men rise and face one another ready to follow their insults with violence. Before the eruption can start, a mercenary steps forward on lithe feet and lightly catches the back-swung arm, a quick hand removes the poised glass before it can be thrown into the adversary's face.

"Sit!" says the mercenary in a cold voice, and they sit still glaring at one another.

"Now," says the mercenary, "settle your differences by talk. Or depart in opposite directions. This is Xanabar!"

"He lies! He brags!"

"I do not lie. They are barbarians. I do not brag. I can bring you one."

"You--"

"A wager," said the mercenary. "A wager. Xanabar can take no tax in blood." He faces one. "You claim you can do that which he says you can not." Then not waiting for a reply he faces the other, "And if he does, how much are you willing to pay?"

"How much is his life worth?"

"How much are you willing to pay?" demands the mercenary coldly.

"Five hundredweight in crystal-cut."

"An honorable sum. Do you agree?"

"Not enough--"

"For a task as easy as you claim it to be," said the mercenary, "Five hundredweight of crystal-cut seems honorable."

"But it means--"

"We in Xanabar are not interested in the details. Only in the tax. An honest wager-contract, outlanders. Otherwise I rule that your eruption here disturbed the peace."

The two outlanders look at one another; schoolboys caught fighting in the alley by a monitor who demands a bite of their apple in lieu of a visit to the principal. As if loath to touch one another they reach forward hesitantly and handshake in a quick light grip.

"Good!" glows the mercenary. He waves a hand and his fellows converge with contract-platen and etching stylus. "Now, gentlemen, please state the terms for Xanabar."

* * * * *

Peter Hawley strolled down a side street with a dog at his heel. It was a dog of many breeds, but not a mixture of careless parentage. Peter paused at a cross-street and looked uncertainly to left and right. "What do you make, Buregarde?"

"The noble dog says right," replied Buregarde.

"Right," said Peter turning up the street. "And stop this 'Noble dog' routine."

"Man is dog's best friend," said Buregarde. "If you'd called me something sensible, I wouldn't have looked it up. There is a statue to me in the Okeefenokee back on Earth. I am the noble dog. Pogo says so."

"I--"

"Easy Peter!" said the dog in a near-whisper.

"All right. Do we play down the chatter?"

Buregarde sat, lifted his nose and sniffed. His natural voice gave a faint whine of discontent. "I'm supposed to have a nose," he complained. "This is like trying to smell out a lone mouse in a zoological garden in midsummer."

"Why the warning?" asked Peter.

"All races smell the same when they are poised for violence," said the dog. "Trouble is that man-smell isn't pointed the way it's going, only where it's coming from."

Peter grunted. "Catch any woman-smell?"

"Just the usual whiff. Stale scent. She was here; she passed this way. But which way?"

"We can guess they made it away from the spaceport."

"Unless," said the dog taking another sniff of the air, "they're taking her back to some other spacecraft." Buregarde looked up at Peter. "Do you catch anything?"

"Just the usual mingled fright and danger, frantic despair."

"Directional?"

Peter shook his head. "No," he said. "The source is too close."

"Let's stroll up this street to the end and come back on the other side," said the dog. "Quietly."

In a saunter they went, alert and poised. A man and his dog from all appearances. But in Xanabar, the principal city of Xanabar the Empire they were huntsman and companion.

Like all cities of more than ten million souls, Xanabar had its glistening and lofty area and its slums--and what would have been a waterfront region in a seafaring city. The conditions were the same as they'd been everywhere for a few decades of thousands of years. Only the technology changes. Man's cave is stainless steel and synthetic plastic; the cave's man is swinging a better axe, and his hide is protected from the weather by stuff far more durable than his awn skin. But he's the same man with the same hackles; they just rise for a few more thousand reasons than the hackles of his ancestors.

"Got it!" said Buregarde coming to a brief point at a closed door.

"Let's go in!"

* * * * *

Buregarde's reply was half-snarl and half, "Look out!"

Peter whirled to catch a glimpse of a man upon him with pencil-ray coming to point. He faded down and toward the other, almost in a fall out of the path of the pencil-ray that flicked on and began a sweep upward and in. Peter caught his balance at the same time he clutched the wrist in his right hand. Then he went on down around and over, rising on his knees to flip the other man heels high in an arc that ended with a full-length, spine-thudding body smash on the pavement. Buregarde leaped in and slashed at the hand clutching the pencil-ray, snapped his head back and forth thrice and sent the weapon flying. Then with a savage growl he set a soft mouth against the other's throat and let the man feel the pressure of his fangs.

"Easy," said Peter.

Buregarde backed away a few inches. "Easy nothing," he snapped. "This man is the noble dog's worst enemy. He wanted your blood."

"Take it easy. I want his information."

The man looked up. "Barbarian Terrestrial!" he snarled.

Peter sneered. "And this is the capital city of the glorious civilization called Xanabar? Marble palaces with nobles of the blood, and stinking alleys with human rats. Where is she?"

The stranger spat.

"Buregarde, want some red meat?"

"He'd make me upchuck. Only rodents eat their own kind."

"Just a bite?"

"Do I have to swallow?"

"No. Just slash--"

"Wait, barbarian--"

"Barbarian Terrestrial, am I? You were maybe going to invite me for tea and cakes with that pencil-ray?"

"I--"

"Talk!" snapped Peter. "Where is she?"

"Who?"

"Buregarde--?"

"Yes, boss. The throat or the other hand?"

"All right--for the good it'll do you. She's in there. Go on in--and we'll have two of you!"

Buregarde growled, "Three of us. And we might be hard to handle."

Peter stood up and hauled the stranger to his feet. His right hand dripped blood from the dog's teeth. Peter looked for, and found the pencil-ray smashed against the stone front of the building. He cuffed the stranger across the face, turned him around, and pointed him toward the far corner.

"I count three," he said. "If you're not out of sight by three--"

"It'll be a pleasure, Peter," said Buregarde.

* * * * *

The stranger loped away on a crazy run. As he turned the corner he ran face on to one of the uniformed mercenaries of Xanabar. The mercenary collared the stranger and took a quick inventory of the slashed right hand, the ripped clothing, and adding those to the frightened gallop he came back with the stranger's left arm held in a backlock.

Haughtily he demanded, "What goes on in Xanabar?"

Peter eyed the mercenary sourly. "Kidnaping and attempted murder."

"Who says such lawlessness runs rife in Xanabar?"

"I say so. Peter Hawley of the Extraterrestrial Service. I say so."

"You are mistaken, barbarian."

"I say so," said Buregarde.

"You're an animal."

"I am--and so are you."

"I'll not be insulted by an animal! I am--"

"Take it easy, Buregarde."

"Take it easy nothing. This mercenary foot-soldier forgets one thing--or maybe he doesn't know about it."

"Don't call His Excellency's Peacekeepers 'mercenaries'!" snapped the mercenary.

"Peacekeeper," chuckled the dog. "Well listen and become wise. Dog and man, man and dog, have been together for about a half-million years. Once dog helped man in war and peace, and man gave dog food and shelter. Dog helped man rise above the level of the savage, and man has helped dog rise to the level of intelligence. But dog has one advantage. None of us has been intelligent long enough to really believe that dog has a soul, and those of us who do believe that also know that dog's soul is devoted to man. Do you know about dog, Xanabian--Peacekeeper?"

"No--"

"Then don't force me to show you what kind of adversary intelligent dog can be. Mere man is a pushover!"

"Bah!"

Buregarde loped in a mad circle around the mercenary. His Excellency's Peacekeeper turned to stay facing the dog but found himself turning his back on Peter. He stepped back and to one side and reached for his heavy-duty pencil--the dog gave a low growl of warning and crouched for a leap.

"He means it--Peacekeeper," said Peter Hawley quietly. "Draw that pencil and he'll have your hand in ribbons before you can level it."

The mercenary drew in his breath.

"Whistle for help and he'll have your throat."

"I shall not permit this high handed--"

"Then stop sounding off and listen to us!" snapped Peter. "I charge the Empire of Xanabar with the crime of being indifferent to the welfare of the stranger within her gate. I charge kidnaping and attempted murder, and I charge the latter against the specimen you hold in your hand."

"An outlander!"

"Does he bring his own law to Xanabar? If he does, then so do I!"

"I arrest you all for breaking the Peace of Xanabar."

"Me, too?" asked Buregarde.

The mercenary ignored the dog's eager sally. "You are armed, Terrestrial."

"So was he."

"So am I!" snarled Buregarde showing a fine set of white fangs in the most effective gesture.

"This must cease!" thundered the mercenary. "You cannot threaten His Excellency's Peacekeepers!"

Buregarde growled, "Slip the mercenary a crystal-cut, boss. We've got a girl to find!"

"A girl? A Terrestrial girl?" asked the mercenary with his eyes opening.

"The daughter of our envoy to Lonaphite. Miss Vanessa Lewis. Last reported in her stateroom aboard the Terrestrial Spacecraft Polaris during landing pattern at Xanabar Citadel Spaceport."

The mercenary said, "The work of outlanders--riffraff such as this!"

"Well," snapped Peter Hawley, "do His Excellency's Peacemakers condone such goings-on?"

"We keep the Peace of Xanabar. Your charge is your word, Terrestrial."

"Terrestrial Barbarian, isn't it?"

"I arrest you--"

"Oh, stop it. For fiveweight of crystal-cut can you be bribed to haul that specimen off to jail and let me go about making my own Peace with Xanabar?"

"You accuse me of accepting bribes?"

"You re a mercenary, aren't you? Sevenweight of crystal-cut."

"Ten."

"Seven," said Peter.

"Ten," said the mercenary, "and you have one more caper coming."

"Ten," agreed Peter Hawley, "and you look the other way when I take the lid off."

* * * * *

"Still got it," said Buregarde, sniffing at the closed door but keeping one eye on the disappearing mercenary and his prisoner.

"I've got it, too. Still fright and concern: fear of harm, concern over what happens next."

"Strong?"

"Definitely," said Peter closing his eyes and holding his breath.

"Nothing measurable?" asked the dog after a full minute.

"No. Too bad I was never introduced to her. I have no idea of her strength of mind--wait!" Another minute went by in personal silence; Peter Hawley's concentration far too deep to be disturbed by the sounds of the city's spaceport slum by night. The dog backed away from the door and took an alert position to guard Peter while the man was immersed in his own mind. Finally Peter alerted and shook his head sadly. "I thought for a moment that she'd caught me. A fleeting thought of rescue or escape, concept of freedom, flight, safety. But wish-thinking. Not communication. Let's go in."

"Barge, or slink?" asked the dog.

"Slink."

"Have it your way," said Buregarde.

Outside, the place looked closed. The door was solid, a plastic in imitation of bronze through which neither light nor sound passed. The windows were dark. But once the door was cracked, the wave of sound came pouring out along the slit of light and filled the street with echo and re-echo.

"Slink, now," said the dog.

"So everybody makes mistakes."

Inside, a woman leaned over a low counter. "Check your weap ... say! You can't bring that animal in here!"

Buregarde said, "He isn't bringing me. I'm here because I like it."

The woman's eyes bugged. "What ... kind--?"

"I am man's best friend--the noble dog of Barbarian Terra."

"Yes ... but--"

"Oh," said Peter airily, "we're looking for a friend."

"Friend? Who is he?"

"It's a she and her name is Vanessa Lewis."

"She ain't here."

"The dame's a liar-ess, Peter. I scent her strong."

"We'll just take a look around," said Peter to the check girl.

"You'll have to check your weapons."

"I'd rather go in naked. Sorry. Not today. Weapons happen to be my business today. Come on, Buregarde."

* * * * *

Man and dog started along the hallway warily. Buregarde said, "Any touch?"

"Got a faint impression of alarm, danger, call out the guards."

"I scent violence," said the dog. "And--"

The door at the end of the hallway opened and a big man stepped out. "What's going on here?" he demanded flatly.

The check girl said, "He wouldn't check ..."

The big man reached for his hip pocket.

Peter said, "Take him high!" and they plunged.

Peter dove for the man's knees, Buregarde went in a three-stride lope like an accordion folding and unfolding and then arched in a long leap with his snarling fangs aimed at the man's throat. Man and dog hit him low and high before he could open his mouth, before he could free the snub pencil-ray. There was a short scrabble that ended when Buregarde lifted the man's head and whammed it down hard against the floor.

Weakly, the check girl finished her statement, "...His weapons!" and keeled over in a dead faint.

Buregarde shook himself violently and worked his jaws, licking blood from his chops. Peter looked in through the open wall-door opposite the check counter; the racket had not been noticed by the roomful of spacemen and riffraff. The babble of a hundred tongues still went on amid the clink of glasses and the disturbing strains of Xanabian music. Smoke from a hundred semi-noxious weeds lay in strata across the room, and at a table in the far corner two men faced one another, their expressions a mixed pair. One held heavily begrudged admiration as he paid off five hundredweight of crystal-cut in the legal tender of Xanabar to the other, whose expression was greedy self-confidence. One of His Excellency's Peacekeepers presided over the exchange. Coldly he extracted a fiftyweight from the pile and folded it into the signed and completed wager-contract. For his own coffer he extracted a fiveweight and slipped it into his boot top.

Peter Hawley and Buregarde passed on, went through the far door dragging their late adversary ignominiously by the heels. Amid the lessened publicity of the distant hall, Peter checked the man and shrugged. "He may live," he said coldly, "if he doesn't bleed to death."

"You really ought to take 'em on the high side," said Buregarde, plaintively. "All I've got is my teeth to grab with. They don't bleed so bad from the ankle."

"They don't stay stopped that way either," said Peter harshly.

"You'd not be getting any praise from the Chief for that sort of brutality."

"If Xanabar weren't rotten to the core, we wouldn't be plowing through it in the first place. Now, let's get going."

"Shouldn't you call for the rest of the crew?"

"Not until I'm certain the girl's here. I'd hate to cut the city-wide search for cold evidence."

"She's here. I scent her."

"Maybe it's past tense, Buregarde. Or maybe it's another woman."

"Could be. But one thing: It is definitely Terrestrial woman." The dog sniffed again. "You get anything?"

"No more than before. It's close and they're the same set of impressions Yet, any woman would be frantic with fear and concern."

"I ... shhh!" Buregarde's sharp ears lifted instinctively at a distant sound not heard by the man. With a toss of his head, the dog folded one ear back, uncovering the inner shell. Like a sonic direction finder, Buregarde turned his head and listened.

"Man," he said finally with a low growling voice. "Peter, there'll be hell to pay around here directly. He's stumbled over our recent conquest."

"Let's get cutting!"

* * * * *

Peter started trying doors and peering in; the dog raced on ahead of the man, sniffing deep at the bottom of each. It was the dog that found the room. He called, "Here!" and Peter raced forward just as the fellow on the stairs yelled something in his native tongue.

Peter hit the door with the heel of his foot and slammed it open by splintering the doorframe. The dog crouched low and poised; Peter slipped in and around feeling for a light-switch. From inside there was a voiceless whimper of fright and from outside and below there came the pounding of several sets of heavy feet. Peter found the switch and flooded the room with light. The girl--whether she was Miss Vanessa Lewis or someone else, and kidnap-wise it was still a Terrestrial girl--lay trussed on the bed, a patch of surgical tape over her mouth.

"Sorry," said Peter in a voice that he hoped was soothing. He reached, freed a corner of the tape and ripped it off in a single swipe. The girl howled. Peter slapped her lightly. "Stop it!" he commanded sharply. "Vanessa Lewis?"

"Yes, but--"

"Call out the marines, Peter," snarled the dog.

"No! Bo! Back!"

Reluctantly the dog backed into the room. He crouched low, poised to spring, with his nose just beyond the doorframe.

"Four of 'em," he whimpered pleadingly. "I can get two--"

"Well, I can't get the other two unless I'm lucky," snapped Peter. "Don't be so eager to die for nothing, Buregarde."

"All this calculation," grumbled the dog sourly. "I don't call it a loss if I get two for one."

"I call it a loss if I don't get four for nothing--or the whole damned Empire of Xanabar for nothing, for that matter. We've a job to do and it ain't dying--until Miss Lewis is out of this glorious citadel."

The girl looked from one to the other. They did not need any identification; they were their own bona fides. Only man--Terrestrial Man--had intelligent dogs to work beside him. Period, question closed. Buregarde snarled at the door warningly while Peter stripped surgical tape from wrists and ankles.

Outside, someone called, "Come out or we blast!"

Buregarde snarled, "Come in and we'll cut you to bits!"

The quick flash of a pencil-ray flicked in a lance above the dog's nose: Buregarde snapped back as the lancet of light cut downward, then snapped forward for a quick look outside as the little pencil of danger flickered dark.

"Careful, Bo!"

"You call the boys," snapped the dog. "I'll--"

* * * * *

Something came twisting forward to hit the doorframe, it dropped just inside the doorjamb. Buregarde leaped, snapped at the thing and caught it in midair, snapped his head in a vicious shake and sent it whirling back outside again before it could be identified. The dog sunfished and landed on all four. Then the thing went off with a dull pouf! outside. There was a gentle flash of quick light that was smothered by a billow of smoke. Buregarde leaped into the cloud and disappeared. There was a hoarse shriek and the mad scrabble of dog-claws on the hard floor, the sound of a heavy thud, and the angry snarl of a dog with its teeth fastened into something soft. Then there was the fast patter of dog-feet and Buregarde came around the door on a dead run, sliding side-wise to carom off the opened door into safety just as a pencil-ray flicked to follow him.

"Got him," said the dog in a satisfied tone. "That's one!"

He took his post by the doorframe again, the tip of his nose just outside. There was a consultation out there in the hallway, at which Buregarde called, "Make a wild rush for us!"

Miss Lewis said, "What are we going to do?"

"Fight it out," said Peter. "They can't win so long as we're alive now. I've got my crew on its way in a dead run, and if we make enough noise, some of His Excellency's Peacemakers will step in and demand their cut of the finances." He grinned. "How much are you worth, Miss Lewis?"

She shuddered. "I don't know how much father would pay--"

"Hit 'em low, Peter!" came Buregarde's snarl.

Three of them came in a-slant, bounced shoulders against the opened door, caught their bearings and hell was out for noon. Buregarde caught the first with a slash at the throat; they went down in a mad whirl of dog and thug, paws, tail, arms, legs and a spurt of blood. The second flicked his pencil-ray at Peter, its capsule charge faded to a mere sting before it cut into him. The third aimed a kick at the struggling dog. Vanessa Lewis snatched a box from the bureau and hurled it at the second. Peter thumbed his pencil-ray and winged the third man in the biceps. Buregarde leaped for the second man's gun hand and closed on it as the hurled box opened and scatter-shotted his face with bric-a-brac. The man with the bloody throat flailed out and caught Peter by the ankle. Peter stomped his face with his other heel. Miss Lewis picked up the table lamp and with a single motion turned off the light and finished felling the one with the ray-burned shoulder.

Buregarde dropped from the second man's wrist and crouched to spring. The man cowered back, his good arm covering his throat and his other arm hanging limp. He mouthed fright-noises in some tongue native to some star a thousand light-years across the galaxy.

Coldly, Peter stepped forward and belted him in the plexus.

"Now," he said calmly, "we shall vacate the premises!"

They went side by side, facing slightly outward, Buregarde between them and slightly ahead. "We're coming out!" called the dog. "Three Barbarians from Terra!"

* * * * *

Down on the dark street, they met their mercenary again. He eyed them sourly. "I see you were, in a sense, successful."

Peter Hawley faced the mercenary. "We were successful and would you like to make something of it?"

"I'm going to have to arrest you, you know."

"You'll lose an arm trying!" snapped the dog.

"There's murder been committed tonight," said His Excellency's Peacemaker. "The Peace of Xanabar has been disturbed."

"Why you chiseling crook, there's been kidnaping tonight, and--"

"I'm afraid that I shall have to ask that the young lady produce her passport," said the mercenary. "Otherwise she's in Xanabar Citadel illegally."

Buregarde said, "Hit him low, Peter. Here come the boys."

"No!"

"Just once--for fun?"

"No. I want our money-grubbing Peacekeeper to carry a message to His Excellency. I want His Excellency to read some Terrestrial History. Once upon a time there was a place called the Byzantine Empire that laid across the trade routes. The upper crust of people used to serve the Presence of God in a golden throne whilst their underlings dealt in human slaves and procured comely concubines for the emperor; their policemen took bribes and human life was cheap. And when Byzantium fell, all the world was forced to seek a new trade route. So tell His Excellency that he'd better clean up his own foul mess, or some barbarians will clean it up for him."

"And that," said Buregarde, "goes for your dad-ratted cat!"

 

 

---

Contents

PYGMALION'S SPECTACLES

By Stanley G. Weinbaum

 

 

"But what is reality?" asked the gnomelike man. He gestured at the tall banks of buildings that loomed around Central Park, with their countless windows glowing like the cave fires of a city of Cro-Magnon people. "All is dream, all is illusion; I am your vision as you are mine."

Dan Burke, struggling for clarity of thought through the fumes of liquor, stared without comprehension at the tiny figure of his companion. He began to regret the impulse that had driven him to leave the party to seek fresh air in the park, and to fall by chance into the company of this diminutive old madman. But he had needed escape; this was one party too many, and not even the presence of Claire with her trim ankles could hold him there. He felt an angry desire to go home--not to his hotel, but home to Chicago and to the comparative peace of the Board of Trade. But he was leaving tomorrow anyway.

"You drink," said the elfin, bearded face, "to make real a dream. Is it not so? Either to dream that what you seek is yours, or else to dream that what you hate is conquered. You drink to escape reality, and the irony is that even reality is a dream."

"Cracked!" thought Dan again.

"Or so," concluded the other, "says the philosopher Berkeley."

"Berkeley?" echoed Dan. His head was clearing; memories of a Sophomore course in Elementary Philosophy drifted back. "Bishop Berkeley, eh?"

"You know him, then? The philosopher of Idealism--no?--the one who argues that we do not see, feel, hear, taste the object, but that we have only the sensation of seeing, feeling, hearing, tasting."

"I--sort of recall it."

"Hah! But sensations are mental phenomena. They exist in our minds. How, then, do we know that the objects themselves do not exist only in our minds?" He waved again at the light-flecked buildings. "You do not see that wall of masonry; you perceive only a sensation, a feeling of sight. The rest you interpret."

"You see the same thing," retorted Dan.

"How do you know I do? Even if you knew that what I call red would not be green could you see through my eyes--even if you knew that, how do you know that I too am not a dream of yours?"

Dan laughed. "Of course nobody knows anything. You just get what information you can through the windows of your five senses, and then make your guesses. When they're wrong, you pay the penalty." His mind was clear now save for a mild headache. "Listen," he said suddenly. "You can argue a reality away to an illusion; that's easy. But if your friend Berkeley is right, why can't you take a dream and make it real? If it works one way, it must work the other."

The beard waggled; elf-bright eyes glittered queerly at him. "All artists do that," said the old man softly. Dan felt that something more quivered on the verge of utterance.

"That's an evasion," he grunted. "Anybody can tell the difference between a picture and the real thing, or between a movie and life."

"But," whispered the other, "the realer the better, no? And if one could make a--a movie--very real indeed, what would you say then?"

"Nobody can, though."

The eyes glittered strangely again. "I can!" he whispered. "I did!"

"Did what?"

"Made real a dream." The voice turned angry. "Fools! I bring it here to sell to Westman, the camera people, and what do they say? 'It isn't clear. Only one person can use it at a time. It's too expensive.' Fools! Fools!"

"Huh?"

"Listen! I'm Albert Ludwig--Professor Ludwig." As Dan was silent, he continued, "It means nothing to you, eh? But listen--a movie that gives one sight and sound. Suppose now I add taste, smell, even touch, if your interest is taken by the story. Suppose I make it so that you are in the story, you speak to the shadows, and the shadows reply, and instead of being on a screen, the story is all about you, and you are in it. Would that be to make real a dream?"

"How the devil could you do that?"

"How? How? But simply! First my liquid positive, then my magic spectacles. I photograph the story in a liquid with light-sensitive chromates. I build up a complex solution--do you see? I add taste chemically and sound electrically. And when the story is recorded, then I put the solution in my spectacle--my movie projector. I electrolyze the solution, break it down; the older chromates go first, and out comes the story, sight, sound, smell, taste--all!"

"Touch?"

"If your interest is taken, your mind supplies that." Eagerness crept into his voice. "You will look at it, Mr.----?"

"Burke," said Dan. "A swindle!" he thought. Then a spark of recklessness glowed out of the vanishing fumes of alcohol. "Why not?" he grunted.

He rose; Ludwig, standing, came scarcely to his shoulder. A queer gnomelike old man, Dan thought as he followed him across the park and into one of the scores of apartment hotels in the vicinity.

In his room Ludwig fumbled in a bag, producing a device vaguely reminiscent of a gas mask. There were goggles and a rubber mouthpiece; Dan examined it curiously, while the little bearded professor brandished a bottle of watery liquid.

"Here it is!" he gloated. "My liquid positive, the story. Hard photography--infernally hard, therefore the simplest story. A Utopia--just two characters and you, the audience. Now, put the spectacles on. Put them on and tell me what fools the Westman people are!" He decanted some of the liquid into the mask, and trailed a twisted wire to a device on the table. "A rectifier," he explained. "For the electrolysis."

"Must you use all the liquid?" asked Dan. "If you use part, do you see only part of the story? And which part?"

"Every drop has all of it, but you must fill the eye-pieces." Then as Dan slipped the device gingerly on, "So! Now what do you see?"

"Not a damn' thing. Just the windows and the lights across the street."

"Of course. But now I start the electrolysis. Now!"

* * * * *

There was a moment of chaos. The liquid before Dan's eyes clouded suddenly white, and formless sounds buzzed. He moved to tear the device from his head, but emerging forms in the mistiness caught his interest. Giant things were writhing there.

The scene steadied; the whiteness was dissipating like mist in summer. Unbelieving, still gripping the arms of that unseen chair, he was staring at a forest. But what a forest! Incredible, unearthly, beautiful! Smooth boles ascended inconceivably toward a brightening sky, trees bizarre as the forests of the Carboniferous age. Infinitely overhead swayed misty fronds, and the verdure showed brown and green in the heights. And there were birds--at least, curiously lovely pipings and twitterings were all about him though he saw no creatures--thin elfin whistlings like fairy bugles sounded softly.

He sat frozen, entranced. A louder fragment of melody drifted down to him, mounting in exquisite, ecstatic bursts, now clear as sounding metal, now soft as remembered music. For a moment he forgot the chair whose arms he gripped, the miserable hotel room invisibly about him, old Ludwig, his aching head. He imagined himself alone in the midst of that lovely glade. "Eden!" he muttered, and the swelling music of unseen voices answered.

Some measure of reason returned. "Illusion!" he told himself. Clever optical devices, not reality. He groped for the chair's arm, found it, and clung to it; he scraped his feet and found again an inconsistency. To his eyes the ground was mossy verdure; to his touch it was merely a thin hotel carpet.

The elfin buglings sounded gently. A faint, deliciously sweet perfume breathed against him; he glanced up to watch the opening of a great crimson blossom on the nearest tree, and a tiny reddish sun edged into the circle of sky above him. The fairy orchestra swelled louder in its light, and the notes sent a thrill of wistfulness through him. Illusion? If it were, it made reality almost unbearable; he wanted to believe that somewhere--somewhere this side of dreams, there actually existed this region of loveliness. An outpost of Paradise? Perhaps.

And then--far through the softening mists, he caught a movement that was not the swaying of verdure, a shimmer of silver more solid than mist. Something approached. He watched the figure as it moved, now visible, now hidden by trees; very soon he perceived that it was human, but it was almost upon him before he realized that it was a girl.

She wore a robe of silvery, half-translucent stuff, luminous as starbeams; a thin band of silver bound glowing black hair about her forehead, and other garment or ornament she had none. Her tiny white feet were bare to the mossy forest floor as she stood no more than a pace from him, staring dark-eyed. The thin music sounded again; she smiled.

Dan summoned stumbling thoughts. Was this being also--illusion? Had she no more reality than the loveliness of the forest? He opened his lips to speak, but a strained excited voice sounded in his ears. "Who are you?" Had he spoken? The voice had come as if from another, like the sound of one's words in fever.

The girl smiled again. "English!" she said in queer soft tones. "I can speak a little English." She spoke slowly, carefully. "I learned it from"--she hesitated--"my mother's father, whom they call the Grey Weaver."

Again came the voice in Dan's ears. "Who are you?"

"I am called Galatea," she said. "I came to find you."

"To find me?" echoed the voice that was Dan's.

"Leucon, who is called the Grey Weaver, told me," she explained smiling. "He said you will stay with us until the second noon from this." She cast a quick slanting glance at the pale sun now full above the clearing, then stepped closer. "What are you called?"

"Dan," he muttered. His voice sounded oddly different.

"What a strange name!" said the girl. She stretched out her bare arm. "Come," she smiled.

Dan touched her extended hand, feeling without any surprise the living warmth of her fingers. He had forgotten the paradoxes of illusion; this was no longer illusion to him, but reality itself. It seemed to him that he followed her, walking over the shadowed turf that gave with springy crunch beneath his tread, though Galatea left hardly an imprint. He glanced down, noting that he himself wore a silver garment, and that his feet were bare; with the glance he felt a feathery breeze on his body and a sense of mossy earth on his feet.

"Galatea," said his voice. "Galatea, what place is this? What language do you speak?"

She glanced back laughing. "Why, this is Paracosma, of course, and this is our language."

"Paracosma," muttered Dan. "Para--cosma!" A fragment of Greek that had survived somehow from a Sophomore course a decade in the past came strangely back to him. Paracosma! Land-beyond-the-world!

Galatea cast a smiling glance at him. "Does the real world seem strange," she queried, "after that shadow land of yours?"

"Shadow land?" echoed Dan, bewildered. "This is shadow, not my world."

The girl's smile turned quizzical. "Poof!" she retorted with an impudently lovely pout. "And I suppose, then, that I am the phantom instead of you!" She laughed. "Do I seem ghostlike?"

Dan made no reply; he was puzzling over unanswerable questions as he trod behind the lithe figure of his guide. The aisle between the unearthly trees widened, and the giants were fewer. It seemed a mile, perhaps, before a sound of tinkling water obscured that other strange music; they emerged on the bank of a little river, swift and crystalline, that rippled and gurgled its way from glowing pool to flashing rapids, sparkling under the pale sun. Galatea bent over the brink and cupped her hands, raising a few mouthfuls of water to her lips; Dan followed her example, finding the liquid stinging cold.

"How do we cross?" he asked.

"You can wade up there,"--the dryad who led him gestured to a sun-lit shallows above a tiny falls--"but I always cross here." She poised herself for a moment on the green bank, then dove like a silver arrow into the pool. Dan followed; the water stung his body like champagne, but a stroke or two carried him across to where Galatea had already emerged with a glistening of creamy bare limbs. Her garment clung tight as a metal sheath to her wet body; he felt a breath-taking thrill at the sight of her. And then, miraculously, the silver cloth was dry, the droplets rolled off as if from oiled silk, and they moved briskly on.

The incredible forest had ended with the river; they walked over a meadow studded with little, many-hued, star-shaped flowers, whose fronds underfoot were soft as a lawn. Yet still the sweet pipings followed them, now loud, now whisper-soft, in a tenuous web of melody.

"Galatea!" said Dan suddenly. "Where is the music coming from?"

She looked back amazed. "You silly one!" she laughed. "From the flowers, of course. See!" she plucked a purple star and held it to his ear; true enough, a faint and plaintive melody hummed out of the blossom. She tossed it in his startled face and skipped on.

A little copse appeared ahead, not of the gigantic forest trees, but of lesser growths, bearing flowers and fruits of iridescent colors, and a tiny brook bubbled through. And there stood the objective of their journey--a building of white, marble-like stone, single-storied and vine covered, with broad glassless windows. They trod upon a path of bright pebbles to the arched entrance, and here, on an intricate stone bench, sat a grey-bearded patriarchal individual. Galatea addressed him in a liquid language that reminded Dan of the flower-pipings; then she turned. "This is Leucon," she said, as the ancient rose from his seat and spoke in English.

"We are happy, Galatea and I, to welcome you, since visitors are a rare pleasure here, and those from your shadowy country most rare."

Dan uttered puzzled words of thanks, and the old man nodded, reseating himself on the carven bench; Galatea skipped through the arched entrance, and Dan, after an irresolute moment, dropped to the remaining bench. Once more his thoughts were whirling in perplexed turbulence. Was all this indeed but illusion? Was he sitting, in actuality, in a prosaic hotel room, peering through magic spectacles that pictured this world about him, or was he, transported by some miracle, really sitting here in this land of loveliness? He touched the bench; stone, hard and unyielding, met his fingers.

"Leucon," said his voice, "how did you know I was coming?"

"I was told," said the other.

"By whom?"

"By no one."

"Why--someone must have told you!"

The Grey Weaver shook his solemn head. "I was just told."

Dan ceased his questioning, content for the moment to drink in the beauty about him and then Galatea returned bearing a crystal bowl of the strange fruits. They were piled in colorful disorder, red, purple, orange and yellow, pear-shaped, egg-shaped, and clustered spheroids--fantastic, unearthly. He selected a pale, transparent ovoid, bit into it, and was deluged by a flood of sweet liquid, to the amusement of the girl. She laughed and chose a similar morsel; biting a tiny puncture in the end, she squeezed the contents into her mouth. Dan took a different sort, purple and tart as Rhenish wine, and then another, filled with edible, almond-like seeds. Galatea laughed delightedly at his surprises, and even Leucon smiled a grey smile. Finally Dan tossed the last husk into the brook beside them, where it danced briskly toward the river.

"Galatea," he said, "do you ever go to a city? What cities are in Paracosma?"

"Cities? What are cities?"

"Places where many people live close together."

"Oh," said the girl frowning. "No. There are no cities here."

"Then where are the people of Paracosma? You must have neighbors."

The girl looked puzzled. "A man and a woman live off there," she said, gesturing toward a distant blue range of hills dim on the horizon. "Far away over there. I went there once, but Leucon and I prefer the valley."

"But Galatea!" protested Dan. "Are you and Leucon alone in this valley? Where--what happened to your parents--your father and mother?"

"They went away. That way--toward the sunrise. They'll return some day."

"And if they don't?"

"Why, foolish one! What could hinder them?"

"Wild beasts," said Dan. "Poisonous insects, disease, flood, storm, lawless people, death!"

"I never heard those words," said Galatea. "There are no such things here." She sniffed contemptuously. "Lawless people!"

"Not--death?"

"What is death?"

"It's--" Dan paused helplessly. "It's like falling asleep and never waking. It's what happens to everyone at the end of life."

"I never heard of such a thing as the end of life!" said the girl decidedly. "There isn't such a thing."

"What happens, then," queried Dan desperately, "when one grows old?"

"Nothing, silly! No one grows old unless he wants to, like Leucon. A person grows to the age he likes best and then stops. It's a law!"

Dan gathered his chaotic thoughts. He stared into Galatea's dark, lovely eyes. "Have you stopped yet?"

The dark eyes dropped; he was amazed to see a deep, embarrassed flush spread over her cheeks. She looked at Leucon nodding reflectively on his bench, then back to Dan, meeting his gaze.

"Not yet," he said.

"And when will you, Galatea?"

"When I have had the one child permitted me. You see"--she stared down at her dainty toes--"one cannot--bear children--afterwards."

"Permitted? Permitted by whom?"

"By a law."

"Laws! Is everything here governed by laws? What of chance and accidents?"

"What are those--chance and accidents?"

"Things unexpected--things unforeseen."

"Nothing is unforeseen," said Galatea, still soberly. She repeated slowly, "Nothing is unforeseen." He fancied her voice was wistful.

Leucon looked up. "Enough of this," he said abruptly. He turned to Dan, "I know these words of yours--chance, disease, death. They are not for Paracosma. Keep them in your unreal country."

"Where did you hear them, then?"

"From Galatea's mother," said the Grey Weaver, "who had them from your predecessor--a phantom who visited here before Galatea was born."

Dan had a vision of Ludwig's face. "What was he like?"

"Much like you."

"But his name?"

The old man's mouth was suddenly grim. "We do not speak of him," he said and rose, entering the dwelling in cold silence.

"He goes to weave," said Galatea after a moment. Her lovely, piquant face was still troubled.

"What does he weave?"

"This," She fingered the silver cloth of her gown. "He weaves it out of metal bars on a very clever machine. I do not know the method."

"Who made the machine?"

"It was here."

"But--Galatea! Who built the house? Who planted these fruit trees?"

"They were here. The house and trees were always here." She lifted her eyes. "I told you everything had been foreseen, from the beginning until eternity--everything. The house and trees and machine were ready for Leucon and my parents and me. There is a place for my child, who will be a girl, and a place for her child--and so on forever."

Dan thought a moment. "Were you born here?"

"I don't know." He noted in sudden concern that her eyes were glistening with tears.

"Galatea, dear! Why are you unhappy? What's wrong?"

"Why, nothing!" She shook her black curls, smiled suddenly at him. "What could be wrong? How can one be unhappy in Paracosma?" She sprang erect and seized his hand. "Come! Let's gather fruit for tomorrow."

She darted off in a whirl of flashing silver, and Dan followed her around the wing of the edifice. Graceful as a dancer she leaped for a branch above her head, caught it laughingly, and tossed a great golden globe to him. She loaded his arms with the bright prizes and sent him back to the bench, and when he returned, she piled it so full of fruit that a deluge of colorful spheres dropped around him. She laughed again, and sent them spinning into the brook with thrusts of her rosy toes, while Dan watched her with an aching wistfulness. Then suddenly she was facing him; for a long, tense instant they stood motionless, eyes upon eyes, and then she turned away and walked slowly around to the arched portal. He followed her with his burden of fruit; his mind was once more in a turmoil of doubt and perplexity.

The little sun was losing itself behind the trees of that colossal forest to the west, and a coolness stirred among long shadows. The brook was purple-hued in the dusk, but its cheery notes mingled still with the flower music. Then the sun was hidden; the shadow fingers darkened the meadow; of a sudden the flowers were still, and the brook gurgled alone in a world of silence. In silence too, Dan entered the doorway.

The chamber within was a spacious one, floored with large black and white squares; exquisite benches of carved marble were here and there. Old Leucon, in a far corner, bent over an intricate, glistening mechanism, and as Dan entered he drew a shining length of silver cloth from it, folded it, and placed it carefully aside. There was a curious, unearthly fact that Dan noted; despite windows open to the evening, no night insects circled the globes that glowed at intervals from niches in the walls.

Galatea stood in a doorway to his left, leaning half-wearily against the frame; he placed the bowl of fruit on a bench at the entrance and moved to her side.

"This is yours," she said, indicating the room beyond. He looked in upon a pleasant, smaller chamber; a window framed a starry square, and a thin, swift, nearly silent stream of water gushed from the mouth of a carved human head on the left wall, curving into a six-foot basin sunk in the floor. Another of the graceful benches covered with the silver cloth completed the furnishings; a single glowing sphere, pendant by a chain from the ceiling, illuminated the room. Dan turned to the girl, whose eyes were still unwontedly serious.

"This is ideal," he said, "but, Galatea, how am I to turn out the light?"

"Turn it out?" she said. "You must cap it--so!" A faint smile showed again on her lips as she dropped a metal covering over the shining sphere. They stood tense in the darkness; Dan sensed her nearness achingly, and then the light was on once more. She moved toward the door, and there paused, taking his hand.

"Dear shadow," she said softly, "I hope your dreams are music." She was gone.

Dan stood irresolute in his chamber; he glanced into the large room where Leucon still bent over his work, and the Grey Weaver raised a hand in a solemn salutation, but said nothing. He felt no urge for the old man's silent company and turned back into his room to prepare for slumber.

* * * * *

Almost instantly, it seemed, the dawn was upon him and bright elfin pipings were all about him, while the odd ruddy sun sent a broad slanting plane of light across the room. He rose as fully aware of his surroundings as if he had not slept at all; the pool tempted him and he bathed in stinging water. Thereafter he emerged into the central chamber, noting curiously that the globes still glowed in dim rivalry to the daylight. He touched one casually; it was cool as metal to his fingers, and lifted freely from its standard. For a moment he held the cold flaming thing in his hands, then replaced it and wandered into the dawn.

Galatea was dancing up the path, eating a strange fruit as rosy as her lips. She was merry again, once more the happy nymph who had greeted him, and she gave him a bright smile as he chose a sweet green ovoid for his breakfast.

"Come on!" she called. "To the river!"

She skipped away toward the unbelievable forest; Dan followed, marveling that her lithe speed was so easy a match for his stronger muscles. Then they were laughing in the pool, splashing about until Galatea drew herself to the bank, glowing and panting. He followed her as she lay relaxed; strangely, he was neither tired nor breathless, with no sense of exertion. A question recurred to him, as yet unasked.

"Galatea," said his voice, "Whom will you take as mate?"

Her eyes went serious. "I don't know," she said. "At the proper time he will come. That is a law."

"And will you be happy?"

"Of course." She seemed troubled. "Isn't everyone happy?"

"Not where I live, Galatea."

"Then that must be a strange place--that ghostly world of yours. A rather terrible place."

"It is, often enough," Dan agreed. "I wish--" He paused. What did he wish? Was he not talking to an illusion, a dream, an apparition? He looked at the girl, at her glistening black hair, her eyes, her soft white skin, and then, for a tragic moment, he tried to feel the arms of that drab hotel chair beneath his hands--and failed. He smiled; he reached out his fingers to touch her bare arm, and for an instant she looked back at him with startled, sober eyes, and sprang to her feet.

"Come on! I want to show you my country." She set off down the stream, and Dan rose reluctantly to follow.

What a day that was! They traced the little river from still pool to singing rapids, and ever about them were the strange twitterings and pipings that were the voices of the flowers. Every turn brought a new vista of beauty; every moment brought a new sense of delight. They talked or were silent; when they were thirsty, the cool river was at hand; when they were hungry, fruit offered itself. When they were tired, there was always a deep pool and a mossy bank; and when they were rested, a new beauty beckoned. The incredible trees towered in numberless forms of fantasy, but on their own side of the river was still the flower-starred meadow. Galatea twisted him a bright-blossomed garland for his head, and thereafter he moved always with a sweet singing about him. But little by little the red sun slanted toward the forest, and the hours dripped away. It was Dan who pointed it out, and reluctantly they turned homeward.

As they returned, Galatea sang a strange song, plaintive and sweet as the medley of river and flower music. And again her eyes were sad.

"What song is that?" he asked.

"It is a song sung by another Galatea," she answered, "who is my mother." She laid her hand on his arm. "I will make it into English for you." She sang:

"The River lies in flower and fern, In flower and fern it breathes a song. It breathes a song of your return, Of your return in years too long. In years too long its murmurs bring Its murmurs bring their vain replies, Their vain replies the flowers sing, The flowers sing, 'The River lies!'"

Her voice quavered on the final notes; there was silence save for the tinkle of water and the flower bugles. Dan said, "Galatea--" and paused. The girl was again somber-eyed, tearful. He said huskily, "That's a sad song, Galatea. Why was your mother sad? You said everyone was happy in Paracosma."

"She broke a law," replied the girl tonelessly. "It is the inevitable way to sorrow." She faced him. "She fell in love with a phantom!" Galatea said. "One of your shadowy race, who came and stayed and then had to go back. So when her appointed lover came, it was too late; do you understand? But she yielded finally to the law, and is forever unhappy, and goes wandering from place to place about the world." She paused. "I shall never break a law," she said defiantly.

Dan took her hand. "I would not have you unhappy, Galatea. I want you always happy."

She shook her head. "I am happy," she said, and smiled a tender, wistful smile.

They were silent a long time as they trudged the way homeward. The shadows of the forest giants reached out across the river as the sun slipped behind them. For a distance they walked hand in hand, but as they reached the path of pebbly brightness near the house, Galatea drew away and sped swiftly before him. Dan followed as quickly as he might; when he arrived, Leucon sat on his bench by the portal, and Galatea had paused on the threshold. She watched his approach with eyes in which he again fancied the glint of tears.

"I am very tired," she said, and slipped within.

Dan moved to follow, but the old man raised a staying hand.

"Friend from the shadows," he said, "will you hear me a moment?"

Dan paused, acquiesced, and dropped to the opposite bench. He felt a sense of foreboding; nothing pleasant awaited him.

"There is something to be said," Leucon continued, "and I say it without desire to pain you, if phantoms feel pain. It is this: Galatea loves you, though I think she has not yet realized it."

"I love her too," said Dan.

The Grey Weaver stared at him. "I do not understand. Substance, indeed, may love shadow, but how can shadow love substance?"

"I love her," insisted Dan.

"Then woe to both of you! For this is impossible in Paracosma; it is a confliction with the laws. Galatea's mate is appointed, perhaps even now approaching."

"Laws! Laws!" muttered Dan. "Whose laws are they? Not Galatea's nor mine!"

"But they are," said the Grey Weaver. "It is not for you nor for me to criticize them--though I yet wonder what power could annul them to permit your presence here!"

"I had no voice in your laws."

The old man peered at him in the dusk. "Has anyone, anywhere, a voice in the laws?" he queried.

"In my country we have," retorted Dan.

"Madness!" growled Leucon. "Man-made laws! Of what use are man-made laws with only man-made penalties, or none at all? If you shadows make a law that the wind shall blow only from the east, does the west wind obey it?"

"We do pass such laws," acknowledged Dan bitterly. "They may be stupid, but they're no more unjust than yours."

"Ours," said the Grey Weaver, "are the unalterable laws of the world, the laws of Nature. Violation is always unhappiness. I have seen it; I have known it in another, in Galatea's mother, though Galatea is stronger than she." He paused. "Now," he continued, "I ask only for mercy; your stay is short, and I ask that you do no more harm than is already done. Be merciful; give her no more to regret."

He rose and moved through the archway; when Dan followed a moment later, he was already removing a square of silver from his device in the corner. Dan turned silent and unhappy to his own chamber, where the jet of water tinkled faintly as a distant bell.

Again he rose at the glow of dawn, and again Galatea was before him, meeting him at the door with her bowl of fruit. She deposited her burden, giving him a wan little smile of greeting, and stood facing him as if waiting.

"Come with me, Galatea," he said.

"Where?"

"To the river bank. To talk."

They trudged in silence to the brink of Galatea's pool. Dan noted a subtle difference in the world about him; outlines were vague, the thin flower pipings less audible, and the very landscape was queerly unstable, shifting like smoke when he wasn't looking at it directly. And strangely, though he had brought the girl here to talk to her, he had now nothing to say, but sat in aching silence with his eyes on the loveliness of her face.

Galatea pointed at the red ascending sun. "So short a time," she said, "before you go back to your phantom world. I shall be sorry, very sorry." She touched his cheek with her fingers. "Dear shadow!"

"Suppose," said Dan huskily, "that I won't go. What if I won't leave here?" His voice grew fiercer. "I'll not go! I'm going to stay!"

The calm mournfulness of the girl's face checked him; he felt the irony of struggling against the inevitable progress of a dream. She spoke. "Had I the making of the laws, you should stay. But you can't, dear one. You can't!"

Forgotten now were the words of the Grey Weaver. "I love you, Galatea," he said.

"And I you," she whispered. "See, dearest shadow, how I break the same law my mother broke, and am glad to face the sorrow it will bring." She placed her hand tenderly over his. "Leucon is very wise and I am bound to obey him, but this is beyond his wisdom because he let himself grow old." She paused. "He let himself grow old," she repeated slowly. A strange light gleamed in her dark eyes as she turned suddenly to Dan.

"Dear one!" she said tensely. "That thing that happens to the old--that death of yours! What follows it?"

"What follows death?" he echoed. "Who knows?"

"But--" Her voice was quivering. "But one can't simply--vanish! There must be an awakening."

"Who knows?" said Dan again. "There are those who believe we wake to a happier world, but--" He shook his head hopelessly.

"It must be true! Oh, it must be!" Galatea cried. "There must be more for you than the mad world you speak of!" She leaned very close. "Suppose, dear," she said, "that when my appointed lover arrives, I send him away. Suppose I bear no child, but let myself grow old, older than Leucon, old until death. Would I join you in your happier world?"

"Galatea!" he cried distractedly. "Oh, my dearest--what a terrible thought!"

"More terrible than you know," she whispered, still very close to him. "It is more than violation of a law; it is rebellion! Everything is planned, everything was foreseen, except this; and if I bear no child, her place will be left unfilled, and the places of her children, and of their children, and so on until some day the whole great plan of Paracosma fails of whatever its destiny was to be." Her whisper grew very faint and fearful. "It is destruction, but I love you more than I fear--death!"

Dan's arms were about her. "No, Galatea! No! Promise me!"

She murmured, "I can promise and then break my promise." She drew his head down; their lips touched, and he felt a fragrance and a taste like honey in her kiss. "At least," she breathed. "I can give you a name by which to love you. Philometros! Measure of my love!"

"A name?" muttered Dan. A fantastic idea shot through his mind--a way of proving to himself that all this was reality, and not just a page that any one could read who wore old Ludwig's magic spectacles. If Galatea would speak his name! Perhaps, he thought daringly, perhaps then he could stay! He thrust her away.

"Galatea!" he cried. "Do you remember my name?"

She nodded silently, her unhappy eyes on his.

"Then say it! Say it, dear!"

She stared at him dumbly, miserably, but made no sound.

"Say it, Galatea!" he pleaded desperately. "My name, dear--just my name!" Her mouth moved; she grew pale with effort and Dan could have sworn that his name trembled on her quivering lips, though no sound came.

At last she spoke. "I can't, dearest one! Oh, I can't! A law forbids it!" She stood suddenly erect, pallid as an ivory carving. "Leucon calls!" she said, and darted away. Dan followed along the pebbled path, but her speed was beyond his powers; at the portal he found only the Grey Weaver standing cold and stern. He raised his hand as Dan appeared.

"Your time is short," he said. "Go, thinking of the havoc you have done."

"Where's Galatea?" gasped Dan.

"I have sent her away." The old man blocked the entrance; for a moment Dan would have struck him aside, but something withheld him. He stared wildly about the meadow--there! A flash of silver beyond the river, at the edge of the forest. He turned and raced toward it, while motionless and cold the Grey Weaver watched him go.

"Galatea!" he called. "Galatea!"

He was over the river now, on the forest bank, running through columned vistas that whirled about him like mist. The world had gone cloudy; fine flakes danced like snow before his eyes; Paracosma was dissolving around him. Through the chaos he fancied a glimpse of the girl, but closer approach left him still voicing his hopeless cry of "Galatea!"

After an endless time, he paused; something familiar about the spot struck him, and just as the red sun edged above him, he recognized the place--the very point at which he had entered Paracosma! A sense of futility overwhelmed him as for a moment he gazed at an unbelievable apparition--a dark window hung in midair before him through which glowed rows of electric lights. Ludwig's window!

It vanished. But the trees writhed and the sky darkened, and he swayed dizzily in turmoil. He realized suddenly that he was no longer standing, but sitting in the midst of the crazy glade, and his hands clutched something smooth and hard--the arms of that miserable hotel chair. Then at last he saw her, close before him--Galatea, with sorrow-stricken features, her tear-filled eyes on his. He made a terrific effort to rise, stood erect, and fell sprawling in a blaze of coruscating lights.

He struggled to his knees; walls--Ludwig's room--encompassed him; he must have slipped from the chair. The magic spectacles lay before him, one lens splintered and spilling a fluid no longer water-clear, but white as milk.

"God!" he muttered. He felt shaken, sick, exhausted, with a bitter sense of bereavement, and his head ached fiercely. The room was drab, disgusting; he wanted to get out of it. He glanced automatically at his watch: four o'clock--he must have sat here nearly five hours. For the first time he noticed Ludwig's absence; he was glad of it and walked dully out of the door to an automatic elevator. There was no response to his ring; someone was using the thing. He walked three flights to the street and back to his own room.

In love with a vision! Worse--in love with a girl who had never lived, in a fantastic Utopia that was literally nowhere! He threw himself on his bed with a groan that was half a sob.

He saw finally the implication of the name Galatea. Galatea--Pygmalion's statue, given life by Venus in the ancient Grecian myth. But his Galatea, warm and lovely and vital, must remain forever without the gift of life, since he was neither Pygmalion nor God.

* * * * *

He woke late in the morning, staring uncomprehendingly about for the fountain and pool of Paracosma. Slow comprehension dawned; how much--how much--of last night's experience had been real? How much was the product of alcohol? Or had old Ludwig been right, and was there no difference between reality and dream?

He changed his rumpled attire and wandered despondently to the street. He found Ludwig's hotel at last; inquiry revealed that the diminutive professor had checked out, leaving no forwarding address.

What of it? Even Ludwig couldn't give what he sought, a living Galatea. Dan was glad that he had disappeared; he hated the little professor. Professor? Hypnotists called themselves "professors." He dragged through a weary day and then a sleepless night back to Chicago.

It was mid-winter when he saw a suggestively tiny figure ahead of him in the Loop. Ludwig! Yet what use to hail him? His cry was automatic. "Professor Ludwig!"

The elfin figure turned, recognized him, smiled. They stepped into the shelter of a building.

"I'm sorry about your machine, Professor. I'd be glad to pay for the damage."

"Ach, that was nothing--a cracked glass. But you--have you been ill? You look much the worse."

"It's nothing," said Dan. "Your show was marvelous, Professor--marvelous! I'd have told you so, but you were gone when it ended."

Ludwig shrugged. "I went to the lobby for a cigar. Five hours with a wax dummy, you know!"

"It was marvelous!" repeated Dan.

"So real?" smiled the other. "Only because you co-operated, then. It takes self-hypnosis."

"It was real, all right," agreed Dan glumly. "I don't understand it--that strange beautiful country."

"The trees were club-mosses enlarged by a lens," said Ludwig. "All was trick photography, but stereoscopic, as I told you--three dimensional. The fruits were rubber; the house is a summer building on our campus--Northern University. And the voice was mine; you didn't speak at all, except your name at the first, and I left a blank for that. I played your part, you see; I went around with the photographic apparatus strapped on my head, to keep the viewpoint always that of the observer. See?" He grinned wryly. "Luckily I'm rather short, or you'd have seemed a giant."

"Wait a minute!" said Dan, his mind whirling. "You say you played my part. Then Galatea--is she real too?"

"Tea's real enough," said the Professor. "My niece, a senior at Northern, and likes dramatics. She helped me out with the thing. Why? Want to meet her?"

Dan answered vaguely, happily. An ache had vanished; a pain was eased. Paracosma was attainable at last!