COMMENTS & QUESTIONS
In this section, we aim to provide the reader
with an array of perspectives on the text, as well as questions
that challenge those perspectives. The commentary has been
culled from sources as diverse as reviews contemporaneous
with the work, letters written by the author, literary criticism of
later generations, and appreciations written throughout the history
of the book. Following the commentary, a series of questions seeks
to filter Upton Sinclair’s The Jungle through a variety of points
of view and bring about a richer understanding of this enduring
work.
Comments
TIMES LITERARY SUPPLEMENT
This book is published as a novel, and it might
claim to be reviewed, therefore, under the head of fiction. But the
very first thing to be said about it is that, if it is a novel, a
work of imagination and invention, the conduct of an author who
invented and published in a form easily accessible to all readers,
young or old, male or female, such disgusting, inflammatory matter
as this would deserve the severest censure. Unhappily we have good
reason for believing it to be all fact, not fiction. The action of
the President, who sent commissioners to inquire into the truth or
falsehood of Mr. Sinclair’s statements, and the known ten-our of
the commissioners’ reply remove all doubt, and give the book very
great importance. By its truths or its untruths the story stands or
falls, and it is with nothing less than horror that we learn it to
be true. The things described by Mr. Sinclair happened yesterday,
are happening to-day, and will happen to-morrow and the next day,
until some Hercules comes to cleanse the filthy stable. If there is
not actually in Chicago a Jurgis Rudkus, a Lithuanian immigrant,
who has followed exactly the course set out by Mr. Sinclair, there
are, we are compelled to believe, a thousand such who have
followed, possibly in a different order, some parts of it, who have
seen the revolting things Jurgis saw, and suffered as he suffered.
The names alone are fictitious. The rest of the book is a faithful
report of abuses which fill the reader with nausea and indignation,
to leave him at the close solaced with nothing better than the
conviction that a change must come.
What are the matters on which Mr. Sinclair
reports? First, and most fully, the great Chicago Meat Trusts. “We
use everything of the hog but its squeal,” is the only jest ever
heard in the stock-yards, the places where hundreds of thousands of
animals are turned every day into meat; a bitter jest and a true
word. We prefer not to dwell on the sickening details supplied. Let
those who wish turn to Mr. Sinclair’s pages to learn of what
indescribable filth the food is made which is sold far and wide
over Europe and America; but we would warn any reader who may turn
to these pages in search of sensation alone that what he finds will
probably disagree with him. Only a serious purpose or an unusually
degraded taste can make the study of such things endurable. Of Mr.
Sinclair’s serious purpose there can be, we are convinced, no
question. For he does not stop short at the matter of “clean food.”
He has a wider cause to serve. The nausea that results from reading
his account of the processes of manufacture is only supplementary
to the indignation that comes of considering the lives of the men,
the women, and the children who are tortured in this Inferno.
Slavery is too kind a word for their state. It is not merely that,
to make a pittance they must work harder than human strength can
bear, must spend so many hours every day doing one thing over and
over again at the highest speed that they are too tired when work
is over to preserve the decencies of human beings. Every single
department of the work they have to do is always degrading and
either dangerous or bound to result in some horrible disease. There
are branches of the work which bring certain death in five years.
Once more we are compelled to refrain from dwelling on the facts
Mr. Sinclair has to tell. They are worse than anything we have read
of “phossy jaw.” And outside the factory there are thieving house
agents to rob the ignorant immigrant, saloons to entice him in and
poison him, and a system of police and politics which either grinds
him in a mill of callous injustice or robs him of his self-respect
by making him its tool. Mr. Sinclair drags his poor Lithuanian, a
brave and honest fellow at heart, through all the mire; shows his
wife forced to sacrifice her very honour in order to get work, and
dying after all of poverty and neglect; shows his only son killed
through municipal carelessness and corruption. Rudkus falls from
good work to bad, from bad to none; from self-respect to crime,
from health to disease; but after roaching the lowest depths he is
raised again and filled with a new hope and a new reason for
endeavour, the doctrine of Socialism. The book ends with a
manifesto of the aims and hopes of Socialism. But the close
cannot—it is not intended to—take away the taste of what went
before. Seldom, we believe, if ever, has so hideous a state of
things been exposed so fearlessly and so thoroughly. Buried in a
Blue-book, the revelation might have passed unnoticed; published in
this form, it will be recognized far and wide for what it is—a most
important sociological document; and the practical effect of it
should be great.
—June 1, 1906
THE BOOKMAN
Our twentieth century philosopher, Bernard Shaw,
tells us that “up to a certain point illusion—or, as it is commonly
called by Socialists, enthusiasm’ —is more or less precious and
indispensable; but beyond that point it gives us more trouble than
it is worth.” It is a sage remark, and nicely applicable to the
queer document of Socialist propaganda which Mr. Sinclair has
promulgated under the inappropriate title, The Jungle. The
author has enthusiasm; and up to a certain point—to be precise, up
to page 252—it is, as the philosopher avers, precious and
indispensable. It has enabled Mr. Sinclair to present, in the first
half of his book, a study of social conditions which, if
substantially true, should have been made long ago; but it has also
carried him off into the wildest rhapsodizing concerning an alleged
remedy for these conditions. The faults of The Jungle, like
those of most writings designed to tell us how evil is the world in
which we live, are multitudinous and plain; its great possible
virtue is solely dependent on the question of its truth.
Of so much of the book as has any serious
significance, the truth or falsity is at least ascertainable. It
purports to be a plain, straightforward statement of the lives of
workers in the Chicago packing houses, and of the methods by which
those enterprises flourish. It is not a pretty story. Those amateur
critics who have amused themselves and bored others by taking Mrs.
Wharton to task for uncovering plague spots in the body of “high
society” ought to find in Mr. Sinclair’s book an occupation for
many days and nights. It would be unfair to the book to cite only a
few of the least offensive details of the “exposé.” Their effect is
cumulative, and simple justice to Mr. Sinclair demands that you
read him at first hand—so long as you can stomach him. Here is our
first thorough-going American disciple, on one side at least, of
Zola: a novelist with little of the insight and imagination the
Frenchman possessed at his best, but with all his industry and no
little of his ingenuity in gaining an effect by piling detail on
detail, directing attention so persistently to parts that the whole
loses all perspective.
There is too much of it to be wholly true.
Undoubtedly the impression that persists is that the horrors of the
life are exaggerated, that the catalogue of crimes laid at the door
of the packers is carried beyond the limits of mere strict, prosaic
justice. But another impression remains with equal persistence:
that even with very liberal allowances made for the prejudiced
statements of a partisan observer, the conditions here described
are intolerable, a disgrace to everyone who contributes, directly
or indirectly, to their perpetuation.
This, of course, provided the indictment is
substantially true. In the end it must be accepted as such or
thoroughly, searchingly explained. For the present opinion must
rest mainly on internal evidence. And the evidence would be more
conclusive if the author had been less ambitious. So long as Mr.
Sinclair writes about the stock-yards it is difficult to escape the
conviction that he has informed himself of his subject; when he
betakes himself to other scenes, and attempts to let his characters
breathe the air of a more familiar life, it is impossible not to
recognize his ignorance. About the middle of the book the leading
character, a young Lithuanian, runs away from the hopeless struggle
for existence in the stock-yards. In turn he becomes “hobo,” thief,
political “heeler,” strikebreaker and street beggar. Whether or not
with intention on the part of the author, the emphasis shifts from
milieu to character; it is no longer the story of the
stock-yards, but the story of Jurgis Rudkus. Nor is it any longer
Zolaesque, in spite of a delusion to that effect apparently
existent in the mind of the author. A mere fondness for speaking of
rather disgusting matters, and particularly for discussing the most
sordid facts concerning prostitution in extremely plain terms,
scarcely entitles an author to a place beside the French exponent
of naturalism. No, Mr. Sinclair’s most obvious literary affinity
here is the gentleman who once wrote a book entitled “If Christ
Came to Chicago.”
Yet all of Mr. Sinclair’s plain speaking would be
justified and even welcomed if it signified anything. Unfortunately
it all comes to naught. We do not need to be told that thievery,
and prostitution, and political jobbery, and economic slavery exist
in Chicago. So long as these truths are before us only as
abstractions they are meaningless. Mr. Sinclair has pretended to
reduce them to concrete experience, but the pretence is too
shallow. His chief character is a mere puppet. He is too obviously
manipulated, his experiences are too palpably made to order, to
signify anything one way or the other. Jurgis Rudkus is neither
individual nor type. He is a mere jumble of impossible qualities
labelled a man, and put through certain jerky motions at the hands
of an author with a theory to prove. The whole performance shows
how much Mr. Sinclair has yet to learn. And the worst of it is that
his large ignorance of life throws doubt even on his competence as
an observer and recorder of conditions in a special field.
And after all this there is yet a third section
of the book—happily a brief one—which adds the crowning touch of
unreality. Probably the author would describe it as the third
period in the life of Jurgis Rudkus. The young man strays into a
Socialist mass meeting one night and hears one of their great
orators. He “gets Socialism” exactly as a backsliding brother in a
Methodist camp meeting “gets religion,” and the effect is equally
revolutionary as to character. At last the true purpose of the book
comes to light. Unlike Mr. Lawson of Boston, Mr. Sinclair gives his
“expose” and his remedy in a single volume. For forty or fifty
pages he discourses of Socialism as the social panacea, and quotes
statistics of the voting strength of political parties to show how
near the millennium is. It is impossible to withhold admiration of
Mr. Sinclair’s enthusiasm; and yet many socialists will regret his
mistaken advocacy of their cause. His reasoning is so false, his
disregard of human nature so naive, his statement of facts so
biassed, his conclusions so perverted, that the effect can be only
to disgust many honest, sensible folk with the very terms he uses
so glibly. It is a misfortune that a book which displays genuine
talent, and which is likely to be widely read, should contain so
much error to nullify the effect of its merits.
—April 1906
THE ATLANTIC MONTHLY
A book which spoilt the entire nation’s appetite
for its Sunday roast beef could hardly fail of an audience.
Consequently there is a natural inclination to rate The
Jungle as a sensational document devoid of other merit than
timeliness and a knowledge of Packingtown. Oddly enough, the
success of this book has stood in the light of its appreciation.
Taking it on its own merits as a story, no one who has followed Mr.
Sinclair for the past five or six years can fail to see the
progress he has made in thought and expression. The crudity of his
earlier books and the heaviness of Manassas are here
replaced by a finer imagination and a simpler method of expression.
If it were possible to cut out the slaughterhouse and merely give
the experience of the immigrant family struggling to find its level
in a cruel new country, it would at once be clear that Mr.
Sinclair’s work had reached a new plane of sincerity. At the very
first he strikes the note of his bewildered Lithuanians, and the
note never varies. He conveys the sense of his peasant family in
the great city, the suffering, the horror of it. Still, so much
might be done by any skilled journalist; but he gives the effect of
a mental condition with clear strokes—and this is his achievement.
In fact, the part of the book which depends upon imagination, upon
divining the state of mind of people whose mental processes he
could only guess at, as literature, is far superior to the exact
descriptions of scenes entirely obvious to the eye of any one who
chanced to be on the spot. Also it is no small achievement that, in
spite of piled-up horrors, the book should still be interesting,
and, up to a certain point, not monotonous.
Whether this improvement over earlier work be the
result of writing under high excitement, whether it be as a
campaign orator that Mr. Sinclair has gained such heat and motion,
rather than as a novelist, cannot be decided now, particularly as
the constructive, socialistic ending is exactly as weak and
ineffective as any ordinary prospectus of a land company.
“The Co-operative Commonwealth is a universal
automatic insurance company and savings bank for all its members.
Capital being the property of all, injury to it is shared by all
and made up by all. The bank is the universal government credit
account;”—and so on for many pages whose flatness suggests a
different hand from the brilliant opening chapter, with its
vigorous description of the Lithuanian marriage feast.
To judge The Jungle fairly, it should be
analyzed, first, as the work of an enthusiast absorbed in a special
issue; next, as a novel which, though its realistic side might be
the work of any able journalist, on the side of imagination shows
qualities which can only belong to the born story-teller. And
lastly, it must be confessed that in many places the effect is
gained by revelling in ugliness, by lacerating the nerves so that a
great tragic impression is obscured by foul-smelling detail.
—January 1907
Questions
1. The serialized installments of The
Jungle were widely distributed in the socialist journal
Appeal to Reason, but five book publishers rejected the
novel. A consultant to Macmillan wrote: “I advise without
hesitation and unreservedly against the publication of this book
which is gloom and horror unrelieved. One feels that what is at the
bottom of his fierceness is not nearly so much desire to help the
poor as hatred of the rich.” What might be the origins of the
resistance to publish the book? Was this a classic case of
suppression of a “dangerous” text, or rather a symptom of
publishers putting their heads in the sand?
2. Early critics of The Jungle continually
use the word “disgusting”—not just for conditions at the packing
plant, but also for the bars and prostitution of Jurgis Rudkus’s
decline. The “disgust” is moral as well as physical. Are the causes
of this disgust overdone in the novel? Or are we now less
squeamish, morally and physically, than Sinclair’s first
readers?
3. A wit once said that after a while a problem
play ceases to have one and becomes one. Is that true of a problem
novel? What does The Jungle have going for it besides the
exposé of conditions at the stockyards and the tycoons and
politicians who were involved?