(Sunday, April 15;
afternoon.)
We had been home but a very short time
when Sergeant Heath telephoned as he had promised. Vance went into
the anteroom to answer the call and closed the door after him. A
few minutes later he rejoined us and, ringing for Currie, ordered
his hat and stick.
"I'm running away for a while, old
dear," he said to Markham. "In fact, I'm joining the doughty
Sergeant at the Homicide Bureau. But I sha'n't be very long. In the
meantime, I've ordered lunch for us here."
"Damn the lunch!" grumbled Markham.
"What are you meeting Heath for?"
"I'm in need of a new waistcoat,"
Vance told him lightly.
"That explanation's a great help,"
Markham snorted.
"Sorry. It's the only one I can offer
at present," Vance returned.
Markham stared at him, disgruntled,
for several minutes.
"Why all this mystery?" he
demanded.
"Really, y' know, Markham, it's
necess'ry." Vance spoke seriously. "I'm hoping to work out this
beastly affair tonight."
"For Heaven's sake, Vance, what are
you planning?" Markham stood up in futile desperation.
Vance took a pony of brandy and
lighted a Régie. Then he looked at
Markham affectionately.
"I'm plannin' to entice the murderer
into making one more bet—a losing bet...Cheerio." And he was
gone.
Markham fumed and fretted during
Vance's absence. He showed no inclination to talk, and I left him
to himself. He tried to interest himself in Vance's library, but
evidently found nothing to hold his attention. Finally he lit a
cigar and settled himself in an easy chair before the window, while
I busied myself with some notes I was preparing for Vance.
It was a little after half-past two
when Vance returned to the apartment.
"Everything is in order," he announced
as he came in. "There are no horses running today, of course, but
nevertheless I'm looking forward to a big wager being laid this
evening. If the bet isn't placed, we're in for it, Markham. Every
one will be present, however. The Sergeant, with Garden's help, has
got in touch with all those who were present yesterday, and they
will foregather again in the Gardens' drawing-room at six o'clock.
I myself have left a message for Doctor Siefert, and I hope he gets
it in time to join us. I think he should be there..." He glanced at
his watch and, ringing for Currie, ordered a bottle of 1919
Montrachet chilled for our lunch.
"If we don't tarry too long at table,"
he said, "we'll be able to hear the second half of the Philharmonic
programme. Melinoff is doing Grieg's piano concerto, and I think it
might do us all a bit of spiritual good. A beautiful climax,
Markham—one of the most stirring in all music—simple, melodious,
magistral. Curious thing about Grieg: it's taken the world a long
time to realize the magnitude of the man's genius. One of the truly
great composers..."
But Markham did not go with us to the
concert. He pleaded an urgent political appointment at the
Stuyvesant Club, but promised to meet us at the Garden apartment at
six o'clock. As if by tacit agreement, no word regarding the case
was spoken during lunch. When we had finished Markham excused
himself and departed for the club, while Vance and I drove to
Carnegie Hall. Melinoff gave a competent, if not an inspired,
performance, and Vance seemed in a more relaxed frame of mind as we
started for home.
Sergeant Heath was waiting for us when
we reached the apartment.
"Everything's set, sir," he said to
Vance; "I got it here."
Vance smiled a little sadly.
"Excellent, Sergeant. Come into the other room with me while I get
out of these Sunday togs."
Heath picked up a small package
wrapped in brown paper, which he had evidently brought with him,
and followed Vance into the bedroom. Ten minutes later they both
came back into the library. Vance was now wearing a heavy dark
tweed sack suit; and on Heath's face was a look of smug
satisfaction.
"So long, Mr. Vance," he said, shaking
hands. "Good luck to you." And he lumbered out.
We arrived at the Garden apartment a
few minutes before six o'clock. Detectives Hennessey and Burke were
in the front hall. As soon as we were inside Burke came up and,
putting his hand to his mouth, said to Vance sotto voce:
"Sergeant Heath told me to tell you
everything's all right. He and Snitkin are on the job."
Vance nodded and started up the
stairs.
"Wait down here for me, Van," he said
over his shoulder. "I'll be back immediately."
I wandered into the den, the door of
which was ajar, and walked aimlessly about the room, looking at the
various pictures and etchings. One behind the door attracted my
attention—I think it was a Blampied— and I lingered before it for
several moments. Just then Vance entered the room. As he came in he
threw the door open wider, half pocketing me in the corner behind
it, where I was not immediately noticeable. I was about to speak to
him, when Zalia Graem came in.
"Philo Vance." She called his name in
a low, tremulous voice.
He turned and looked at the girl with
a quizzical frown.
"I've been waiting in the
dining-room," she said. "I wanted to see you before you spoke to
the others."
I realized immediately, from the tone
of her voice, that my presence had not been noticed, and my first
impulse was to step out from the corner. But, in the circumstances,
I felt there could be nothing in her remarks which would be beyond
the province of my privilege of hearing, and I decided not to
interrupt them.
Vance continued to look squarely at
the girl, but did not speak. She came very close to him now.
"Tell me why you have made me suffer
so much," she said.
"I know I have hurt you," Vance
returned. "But the circumstances made it imperative. Please believe
that I understand more of this case than you imagine I do."
"I am not sure that I understand." The
girl spoke hesitantly. "But I want you to know that I trust you."
She looked up at him, and I could see that her eyes were
glistening. Slowly she bowed her head. "I have never been
interested in any man," she went on—and there was a quaver in her
voice. "The men I have known have all made me unhappy and seemed
always to lead me away from the things I longed for..." She caught
her breath. "You are the one man I have ever known whom I
could—care for."
So suddenly had this startling
confession come, that I did not have time to make my presence
known, and after Miss Graem finished speaking I remained where I
was, lest I cause her embarrassment.
Vance placed his hands on the girl's
shoulders and held her away from him.
"My dear," he said, with a curiously
suppressed quality in his voice, "I am the one man for whom you
should not care." There was no mistaking the finality of his
words.
Behind Vance the door to the adjoining
bedroom opened suddenly, and Miss Beeton halted abruptly on the
threshold. She was no longer wearing the nurse's uniform, but a
plain tailored tweed suit, severe in cut.
"I'm sorry," she apologized. "I
thought Floyd—Mr. Garden—was in here."
Vance looked at her sharply.
"You were obviously mistaken, Miss
Beeton."
Zalia Graem was staring at the nurse
with angry resentment.
"How much did you hear," she asked,
"before you decided to open the door?"
Miss Beeton's eyes narrowed and there
was a look of scorn in her steady gaze.
"You perhaps have something to hide,"
she answered coldly, as she walked across the room to the hall door
and went toward the drawing-room.
Zalia Graem's eyes followed her as if
fascinated, and then she turned back to Vance.
"That woman frightens me," she said.
"I don't trust her. There's something dark—and cruel—back of that
calm self-sufficiency of hers...And you've been so kind to her—but
you have made me suffer."
Vance smiled wistfully at the
girl.
"Would you mind waiting in the
drawing-room a little while?..."
She gave him a searching look and,
without speaking, turned and went from the den.
Vance stood for some time gazing at
the floor with a frown of indecision, as if loath to proceed with
whatever plans he had formulated. Then he turned to the
window.
I took this opportunity to come out
from my corner, and just as I did so Floyd Garden appeared at the
hall door.
"Oh, hello, Vance," he said. "I didn't
know you had returned until Zalia just told me you were in here.
Anything I can do for you?"
Vance swung around quickly.
"I was just going to send for you.
Every one here?"
Garden nodded gravely. "Yes, and
they're all frightened to death—all except Hammle. He takes the
whole thing as a lark. I wish somebody had shot him instead of
Woody."
"Will you send him in here," Vance
asked. "I want to talk to him. I'll see the others
presently."
Garden walked up the hall, and at that
moment I heard Burke speaking to Markham at the front door. Markham
immediately joined us in the den.
"Hope I haven't kept you waiting," he
greeted Vance.
"No. Oh, no." Vance leaned against the
desk. "Just in time. Every one's here except Siefert, and I'm about
to have Hammle in here for a chat. I think he'll be able to
corroborate a few points I have in mind. He hasn't told us anything
yet. And I may need your moral support."
Markham had barely seated himself when
Hammle strutted into the den with a jovial air. Vance nodded to him
brusquely and omitted all conventional preliminaries.
"Mr. Hammle," he said, "we're wholly
familiar with your philosophy of minding your own business and
keeping silent in order to avoid all involvements. A defensible
attitude—but not in the present circumstances. This is a criminal
case, and in the interest of justice to every one concerned, we
must have the whole truth. Yesterday afternoon you were the only
one in the drawing-room who had even a partial view down the
hallway. And we must know everything you saw, no matter how trivial
it may seem to you."
Hammle, assuming his poker expression,
remained silent; and Markham leaned forward glowering at him.
"Mr. Hammle"—he spoke with cold,
deadly calm—"if you don't wish to give us here what information you
can, you will be taken before the Grand Jury and put under
oath."
Hammle gave in. He spluttered and
waved his arms.
"I'm perfectly willing to tell you
everything I know. You don't have to threaten me. But to tell you
the truth," he added suavely, "I didn't realize how serious the
matter was." He sat down with pompous dignity and assumed an air
which was obviously meant to indicate that for the time being he
was the personification of law, order and truth.
"First of all, then," said Vance,
without relaxing his stern gaze, "when Miss Graem left the room,
ostensibly to answer a telephone call, did you notice exactly where
she went?"
"Not exactly," Hammle returned; "but
she turned to the left, toward the den. You understand, of course,
that it was impossible for me to see very far down the hall, even
from where I sat."
"Quite." Vance nodded. "And when she
came back to the drawing-room?"
"I saw her first opposite the den
door. She went to the hall closet where the hats and wraps are
kept, and then came back to stand in the archway until the race was
over. After that I didn't notice her either coming or going, as I
had turned to shut off the radio."
"And what about Floyd Garden?" asked
Vance. "You remember he followed Swift out of the room. Did you
notice which way they went, or what they did?"
"As I remember, Floyd put his arm
around Swift and led him into the dining-room. After a few moments
they came out. Swift seemed to be pushing Floyd away from him, and
then he disappeared down the hall toward the stairs. Floyd stood
outside the dining-room door for several minutes, looking after his
cousin, and then went down the hall after him; but he must have
changed his mind, for he came back into the drawing-room in short
order."
"And you saw no one else in the
hall?"
Hammle shook his head ponderously.
"No. No one else."
"Very good." Vance took a deep
inhalation on his cigarette. "And now let's go to the roof-garden,
figuratively speaking. You were in the garden, waiting for a train,
when the nurse was almost suffocated with bromin gas in the vault.
The door into the passageway was open, and if you had been looking
in that direction you could easily have seen who passed up and down
the corridor." Vance looked at the man significantly. "And I have a
feelin' you were looking through that door, Mr. Hammle. Your
reaction of astonishment when we came out on the roof was a bit
overdone. And you couldn't have seen much of the city from where
you had been standing, don't y' know."
Hammle cleared his throat and
grinned.
"You have me there, Vance," he
admitted with familiar good-humor. "Since I couldn't make my train,
I thought I'd satisfy my curiosity and stick around for a while to
see what happened. I went out on the roof and stood where I could
look through the door into the passageway—I wanted to see who was
going to get hell next, and what would come of it all."
"Thanks for your honesty." Vance's
face was coldly formal. "Please tell us now exactly what you saw
through that doorway while you were waiting, as you've confessed,
for something to happen."
Again Hammle cleared his throat.
"Well, Vance, to tell you the truth,
it wasn't very much. Just people coming and going. First I saw
Garden go up the passageway toward the study; and almost
immediately he went back downstairs. Then Zalia Graem passed the
door on her way to the study. Five or ten minutes later the
detective—Heath, I think his name is—went by the door, carrying a
coat over his arm. A little later—two or three minutes, I should
say— Zalia Graem and the nurse passed each other in the passageway,
Zalia going toward the stairs, and the nurse toward the study. A
couple of minutes after that Floyd Garden passed the door on his
way to the study again—"
"Just a minute," Vance interrupted.
"You didn't see the nurse return downstairs after she passed Miss
Graem in the passageway?"
Hammle shook his head emphatically.
"No. Absolutely not. The first person I saw after the two girls was
Floyd Garden going toward the study. And he came back past the door
in a minute or so..."
"You're quite sure your chronology is
accurate?"
"Absolutely."
Vance seemed satisfied and
nodded.
"That much checks accurately with the
facts as I know them," he said. "But are you sure no one else
passed the door, either coming or going, during that time?"
"I would swear to that."
Vance took another deep puff on his
cigarette.
"One more thing, Mr. Hammle: while you
were out there in the garden, did any one come out on the roof from
the terrace gate?"
"Absolutely not. I didn't see anybody
at all on the roof."
"And when Garden had returned
downstairs, what then?"
"I saw you come to the window and look
out into the garden. I was afraid I might be seen, and the minute
you turned away I went over to the far corner of the garden, by the
gate. The next thing I knew, you gentlemen were coming out on the
roof with the nurse."
Vance moved forward from the desk
against which he had been resting.
"Thank you, Mr. Hammle. You've told me
exactly what I wanted to know. It may interest you to learn that
the nurse informed us she was struck over the head in the
passageway, on leaving the study, and forced into the vault which
was full of bromin fumes."
Hammle's jaw dropped and his eyes
opened. He grasped the arms of his chair and got slowly to his
feet.
"Good Gad!" he exclaimed. "So that's
what it was! Who could have done it?"
"A pertinent question," returned Vance
casually. "Who could have done it, indeed? However, the details of
your secret observations from the garden have corroborated my
private suspicions, and it's possible I may be able to answer your
question before long. Please sit down again."
Hammle shot Vance an apprehensive look
and resumed his seat. Vance turned from the man and looked out of
the window at the darkening sky. Then he swung about to Markham. A
sudden change had come over his expression, and I knew, by his
look, that some deep conflict was going on within him.
"The time has come to proceed,
Markham," he said reluctantly. Then he went to the door and called
Garden.
The man came from the drawing-room
immediately. He seemed nervous, and eyed Vance with inquisitive
anxiety.
"Will you be so good as to tell every
one to come into the den," Vance requested.
With a barely perceptible nod Garden
turned back up the hall; and Vance crossed the room and seated
himself at the desk.