(Sunday, October 16; 3:30
a.m.)
When we reached the upper landing
Heath was already far down the hall, lumbering toward the open door
of a room at the north end. We followed rapidly, but the Sergeant's
broad back obstructed our view, and it was not until we had
actually entered the room that we saw the cause of the sudden and
startling summons that had come to us. This room, like the hallway,
was brilliantly lighted: it was obviously Mrs. Anthony Llewellyn's
bedroom. Though larger than Virginia Llewellyn's room, it contained
far less furniture,—there was a rigorous, almost bleak, severity
about it, which reflected the character and personality of its
occupant.
Mrs. Llewellyn stood leaning against
the wall just inside the door, her lace handkerchief pressed tight
against her drawn face, her eyes staring down at the floor in
frightened horror. She was moaning and trembling, and did not lift
her eyes when we came in. What she was looking at seemed to hold
her fascinated and speechless.
There, within a few feet of her, limp
and crumpled on the deep blue carpet, lay the still form of Amelia
Llewellyn.
At first Mrs. Llewellyn merely
pointed. Then with a great effort she said in an awed, husky
voice:
"She was just going to her room, and
she suddenly staggered, put her hands to her head, and collapsed
there." Again she pointed stiffly to her daughter, almost as if she
imagined we could not see the prostrate figure.
Vance was already on his knees beside
the girl. He felt her pulse, listened to her breathing, looked at
her eyes. Then he beckoned to Heath and motioned to the bed
opposite. They lifted the girl and placed her across the bed,
letting her head hang down over the side.
"Smelling salts," ordered Vance. "And,
Sergeant, call the butler."
Mrs. Llewellyn jerked herself into
activity, went to her dressing-table and produced a green bottle
like the one that Kinkaid had given Vance at the Casino earlier
that night.
"Hold it under her nose—not too close
to burn," he instructed the woman, and turned toward the
door.
The butler appeared. His weariness
seemed to have vanished; he was now nervously alert.
"Get Doctor Kane on the phone," Vance
said peremptorily.
The man went swiftly to a small
telephone desk and began dialing a number.
Kinkaid remained in the doorway
looking on with a hard face, rigidly immobile. Only his eyes moved
as he took in each aspect of the situation. He looked toward the
bed, but his gaze was not on the quiet form of his niece: it was
coldly focused on his sister.
"What's the answer, Mr. Vance?" he
asked stiffly.
"Poison," Vance mumbled, lighting a
cigarette. "Yes—quite. Same like Lynn Llewellyn. An ugly business."
He glanced up slowly. "Does it surprise you?"
Kinkaid's eyes drooped
menacingly.
"What the hell do you mean by that
question?"
But Doctor Kane was on the wire, and
Vance spoke to him:
"Amelia Llewellyn's seriously ill.
Come over immediately. And bring your hypo—caffein and digitalis
and adrenalin. Understand? . . . Right-o." He replaced the receiver
and turned back to the room. "Kane's still up, fortunately—he'll be
here in a few minutes." Then he adjusted his monocle and studied
Kinkaid. "What's your answer to my question?"
Kinkaid began to bluster, apparently
thought better of it, and thrust out his jaw.
"Yes!" he snapped, meeting Vance's
gaze squarely. "I'm as much surprised as you are."
"You'd be amazed to know how far I am
from being surprised," Vance murmured, and moved toward the two
women. He took the smelling salts from Mrs. Llewellyn, and again
felt the girl's pulse. Then he sat down on the edge of the bed and
waved Mrs. Llewellyn aside.
"What's the whole story?" he asked
her, not unkindly. "Let's have it before the doctor gets
here."
The woman had stumbled to a chair,
seated herself erectly, and drawn her robe about her. When she
spoke it was in a calm self-possessed tone.
"Amelia came to my room here and told
me you wanted to see me. She sat down in this chair I'm sitting in
now. She told me she'd wait for me here—that she wanted to talk to
me. . . ."
"Is that all?" asked Vance. "You
didn't come down immediately, don't y' know. I did a bit of typing
in the interim."
Mrs. Llewellyn compressed her lips.
She added coldly:
"If it's essential for you to know: I
put some powder on my face and straightened my hair at the
dressing-table there. I delayed—to pull myself together. . . . I
knew it would be an ordeal."
"And durin' this spiritual
preparation, just what was your daughter doing or saying?"
"She didn't say anything. She lighted
a cigarette and smoked. . . ."
"Nothing else? No other indication of
activity?"
"She may have crossed her knees or
folded her hands—I wasn't noticing." The woman spoke with withering
sarcasm; then added: "Oh, yes. She leaned over to the night-table
and poured herself a glass of water from the jug."
Vance inclined his head.
"Natural impulse. Nervous, upset. Too
many cigarettes. Dry throat. Yes. Quite in order. . . ." He rose
and inspected the vacuum-jug on the night-table between the bed and
the chair in which Mrs. Llewellyn was sitting.
"Empty," he remarked. "Very thirsty.
Yes. Or perhaps. . . ." He returned to his seat on the edge of the
bed and appeared to meditate. "Empty," he repeated, and nodded
thoughtfully. "Dashed funny. All water bottles empty tonight. At
the Casino. In Mrs. Lynn Llewellyn's room. And now here. Great
paucity of water. . . ." He looked up quickly. "Where, Mrs.
Llewellyn, is the entrance to your daughter's room?"
"The door at the end of the little
corridor that leads off the hall at the head of the stairs." She
was inspecting Vance with a curious concern in which was mingled a
patent antagonism.
Vance addressed himself to
Heath.
"Sergeant, take a peep at the
water-service in Miss Llewellyn's room."
Heath went out with alacrity. A few
minutes later he returned.
"It's empty," he reported in stolid
bewilderment.
Vance rose and, walking to an ash-tray
on the telephone desk, put out his cigarette. He lingered dreamily
over the process.
"Yes, yes. Of course. It would be. As
I was sayin'. A drought hereabouts. Water, water nowhere; but many
drops to drink—what? Reversin' the Ancient Mariner. . . ." He
lifted his head and faced Mrs. Llewellyn again. "Who fills the
jugs?"
"The maid—naturally."
"When?"
"After dinner—when she turns down the
beds."
"Ever failed you before?"
"Never. Annie's thoroughly competent
and dependable."
"Well, well. We'll speak to Annie in
the morning. Matter of routine. In the meantime, Mrs. Llewellyn,
please continue. Your daughter lit a cigarette, poured herself a
glass of water, and you graciously answered our summons. Then, when
you came back?"
"Amelia was still sitting in this
chair." The woman had not moved her eyes from Vance. "She was still
smoking. But she complained of a severe headache over her eyes, and
her face was greatly flushed. She said her whole head throbbed and
that there was a ringing in her ears. She also said she felt dizzy
and weak. I attached no importance to it: I put it all down to
nervous excitement, and told her she'd better go to bed. She said
she thought she would—that she felt miserable—and then she spoke a
little incoherently about Virginia, and got up. She pressed her
hands to her temples and started toward the door. She was almost
there when she swayed from side to side, and fell to the floor. I
went to her, shook her, and spoke to her. Then I think I
screamed,—horrible things seemed to be happening tonight and I was
unstrung for a moment. This gentleman"—she indicated Heath—"came in
and immediately called the rest of you. That's all I can tell
you."
"That's quite enough," murmured Vance.
"Many thanks. You've explained a good deal. Perfect description of
your son's collapse, too. Quite. Parallel. Only he went out on the
west side of the city—your daughter on the east side. He was harder
hit. Shallower breathing, faster pulse. But same symptoms. He's
pulled through nicely. Your daughter will come out of it even
better, once she has some medical treatment. . . ."
He slowly drew out his cigarette-case
and carefully selected a Régie. When it
was lighted he sent a perfect blue ring toward the ceiling.
"I wonder who'll be disappointed by
the recovery. I wonder. . . . Interestin' situation. Interestin'
but tragic. Tragic no end." He lapsed into gloomy thought.
Kinkaid had moved into the room, and
now sat gingerly on the edge of the heavy fumed-oak
centre-table.
"You're sure it's poison?" he asked,
his fish-like eyes fixed on Vance.
"Poison? Yes, yes. Excitation
symptoms, of course. But that won't do. Collapse, or faint, from
natural causes, responds to an inverted head and smellin' salts.
This is different. Same here as with your nephew. One difference,
though. Lynn got the bigger dose."
Kinkaid's face was like a mask, and
when he spoke again his lips scarcely moved.
"And like a damned fool I gave him a
drink from my carafe."
Vance nodded.
"Yes. I noticed that. Grave blunder on
your part—speakin' ex post
facto."
The butler appeared at the door
again.
"Pardon me, sir." He spoke directly to
Vance. "I trust you will not think me presumptuous. I heard your
inquiry regarding the water jugs, and I took it upon myself to
waken Annie and ask her regarding them. She assured me, sir, she
filled them all tonight, as usual, when she did the rooms shortly
after dinner."
Vance looked at the gaunt, pallid man
with open admiration.
"Excellent, Smith!" he exclaimed.
"We're most grateful."
"Thank you, sir."
The sound of a bell came to us. The
butler hastened away, and a few moments later Doctor Kane, still in
dinner clothes and carrying a small medicine case, was ushered in.
His color was even paler than when I had last seen him, and there
were shadows under his eyes. He went directly to the bed where
Amelia Llewellyn lay unconscious. There was a look of distress on
his face that struck me as a personal rather than a professional
one.
"Symptoms of collapse," Vance told
him, standing at his side. "Thin, fast pulse, shallow breathing,
pallor, et cetera. Drastic stimulants
indicated. Caffein first—three grains,—then digitalis. Maybe the
adrenalin won't be needed. . . . Don't ask questions, doctor. Work
fast. My responsibility. Been through it once tonight
already."
Kane followed Vance's instructions. I
felt a bit sorry for him, though at the time I could not have
explained my attitude. He impressed me as a pathetic character, a
weakling dominated by Vance's stronger personality.
While Kane was in the bathroom
preparing the hypodermic, Vance prepared Amelia Llewellyn's arm for
the injection. When the caffein had been administered, Vance turned
to us.
"We'd better wait downstairs."
"Are you including me?" Mrs. Llewellyn
asked haughtily.
"It might be best," said Vance.
The woman acquiesced ungraciously,
preceding us to the door.
A little while later Doctor Kane
joined us in the drawing-room.
"She's reacted," he told Vance in a
voice that was somewhat tremulous with emotion. "Her pulse is
better and her color is more normal. She's moving a little and
trying to talk."
Vance rose.
"Excellent. . . . You put her to bed,
Mrs. Llewellyn. . . . And you, doctor, please hover round a while
and watch things." He moved toward the door. "We'll be back in the
morning."
As we were going out, the wagon
arrived to take away the body of Virginia Llewellyn. The drizzle
had ceased, but the night was still damp and cold.
"Distressin' case," Vance commented to
Markham, as he started the motor of his car and headed downtown.
"Devilish work goin' on. Three persons poisoned—one of 'em quite
dead; the two others under medical care. Who'll be next? Why are we
here, Markham? Why is anything? And all eternity to dawdle about
in. Depressin' thought. However. . . ." He sighed. "There's a great
darkness. I can't find my way. Too many obstacles thrown in our
path, clutterin' up the road. Lies and realities all shuffled
together—and only one way open to us—the way of make-believe,
leadin' to the worst crime of all. . . ."
"I don't get your meaning." Markham
was gloomy and perturbed. "Naturally I feel some sinister
influence—"
"Oh, it's far worse than that," Vance
interjected. "What I was tryin' to say is that this case is a crime
within a crime: we are supposed to
commit the final horror. The ultimate chord in this macabre
symphony is to be our conviction of an innocent person. The entire
technique is based on a colossal deception. We are supposed to
follow the specious and apparent truth—and it will not be the truth
at all, but the worst and most diabolical lie of the whole subtle
business."
"You're taking it too seriously."
Markham endeavored to be matter-of-fact. "After all, both Lynn
Llewellyn and his sister are recovering."
"Yes, yes." Vance nodded glumly, not
taking his eyes from the shining macadam of the roadway. "There's
been a miscalculation. Which merely makes it all so much more
difficult to figure out."
"It happens, however—" began Markham;
but Vance interrupted impatiently.
"My dear fellow! That's the damnable
part of it. 'It happens.' Everything 'happens'. There's no design.
Chaos everywhere. It happens that Kane prescribed rhinitis tablets
containing the drug that gives the exact symptoms of Virginia
Llewellyn's hideous death. It happens that Amelia Llewellyn was in
the clothes closet at just the right moment to hear Virginia cry
out and to witness her passing. It happens that Lynn Llewellyn and
his wife were poisoned at practically the same moment, though they
were on different sides of the city. It happens that Amelia drank
the water in her mother's jug. It happens that every one was in the
house tonight at dinner-time and thus had access to all the
bathrooms and water-services. It happens that no water was in any
of the carafes when we got to them. It happens that Kinkaid gave
Lynn a drink from his carafe ten minutes before the chap collapsed.
It happens that I received a letter and was on hand to witness
Lynn's passing out. It happens that Doctor Kane was invited to
dinner at the last moment. It happens that we were in the house
when Amelia was poisoned. It happens that Kinkaid arrived at the
house at just that moment. It happens the letter I received was
postmarked Closter, New Jersey. It happens—"
"Just a moment, Vance. What's the
point of that last remark about Closter?"
"Merely that Kinkaid has a hunting
lodge on the outskirts of Closter and spends much of his time
there, though I believe he closes it for the season before this
time of year—generally in September."
"Good Heavens, Vance!" Markham sat up
straight and leaned forward. "You're not intimating—"
"My dear fellow—oh, my dear fellow!"
Vance spoke reprovingly. "I'm not intimating anything: just
driftin' along vaguely in what the psychoanalysts call free
association. . . . The only point I'm endeavorin' to make is that
life is real and life is earnest, and that there's nothing real and
nothing earnest about this case. It's tragic—fiendishly tragic—but
it's a drama of puppets; and they're all being manipulated in a
carefully prepared stage set—for the sole purpose of
deception."
"It's the devil's own work," mumbled
Markham hopelessly.
"Oh, quite. A clear case of Luciferian
guilt. A soothin' idea. But quite futile."
"At least," submitted Markham, "you
can eliminate Lynn Llewellyn's wife from the plot. Her
suicide—"
"Oh, my word!" Vance shook his head.
"Her death is the subtlest, most incalculable part of the plot.
Really, y' know, Markham, it wasn't suicide. No woman, in the
circumstances, commits self-destruction that way. She was an
actress and vain,—Amelia explained that to us in no uncertain
terms. Would she have made herself unlovely, with a generous
application of skin food and a hair-net, for her last great
dramatic scene on earth? Oh, no, Markham. No. She had gone to bed
in the most approved conventional and slovenly domestic fashion,
with all indications of having looked forward to the
morrow—unpleasant as it might have turned out to be. . . . And why
should she have called out in distress when the poison began to
work?"
"But the note she left," Markham
protested. "That was certainly indicatory enough."
"That note would have been more
convincing," Vance answered, "if it had been more in evidence. But
it was hidden, so to speak—folded and placed under the telephone.
We, d' ye see, were supposed to find
it. But she was to die without knowing
of its existence."
Markham was silent, and Vance
continued after a pause.
"But we were not to believe it. That's
the incredible part of it. We were to suspect it—to look for the
person who might have prepared it and put it there for us."
"Good God, Vance!" Markham's voice was
scarcely audible above the hum of the car. "What an astounding
idea!"
"Don't you see, Markham?" (Vance had
drawn up sharply in front of Markham's house.) "That note and the
letter I received were typed in precisely the same inexpert
way—obviously both of them were done by the same person: even the
punctuation and the margination are the same. Do you think for one
moment a distracted woman on the point of suicide would have sent
me the letter I received? . . . And that reminds me. . . ."
He reached into his pocket and, taking
out the letter, the suicide note, and the sheet of paper on which
he had typed a few lines in the Llewellyn home, handed them to
Markham.
"I say, will you have these checked
for me? Get one of your bright young men to use his magnifying
glass and scientific tests. I'd adore an official verification that
all were done on the same machine."
Markham took the papers.
"That's easy," he said, and looked at
Vance with questioning uncertainty. Then he got out of the car and
stood for a moment on the curb. "Have you anything in mind for
tomorrow?"
"Oh, yes." Vance sighed. "Life has a
way of going on here and there. Everything returneth. One
generation passeth away, but the sun also ariseth. It's all vanity
and vexation of spirit."
"Pray abjure Ecclesiastes for the
moment," Markham pleaded. "What about tomorrow?"
"I'll call for you at ten, and take
you to the Llewellyn house. You should be there. Bounden duty and
all that. Servant-of-the-people motif. Sad. . . ." He spoke
lightly, but there was a look on his face that belied his tone.
Markham, too, must have seen it and recognized its significance. "I
could bear to have communion with Lynn and Amelia when they will
have recovered. A bit of research, don't y' know. They're both
survivors, as it were. Heroically rescued by your amicus curiæ. Meanin' myself."
"Very well," acquiesced Markham with
marked discouragement. "Ten o'clock, then. But I don't see just
where questioning Lynn and Amelia Llewellyn will get you."
"I don't ask to see the distant
scene—"
"Yes, yes," grunted Markham. "One step
enough for you. I know, I know. Your Christian piety augurs ill for
somebody. . . . Good night. Go home. I detest you."
"And a jolly old tut-tut to
you."
The car sped dangerously down the
slippery street toward Sixth Avenue.