(Thursday, October 11; 1.15
p.m.)
There was a long silence. Finally
Grassi looked up.
"It's an outrage!" he exclaimed. "I
don't comprehend it in the least. . . . And the blood! Do you
think, sir, that this vase had anything to do with the death of Mr.
Coe?"
"Without doubt." Vance was watching
the Italian with a puzzled look. "But pray sit down again, Mr.
Grassi. There are one or two more questions I should like to ask
you."
The other resumed his seat
reluctantly.
"If you were with Miss Lake at the
Country Club late last night," Vance proceeded, "how did it happen
that you and she returned to the house at different hours? I
presume, of course, that you accompanied her back to the
city."
Grassi appeared embarrassed.
"It was Miss Lake's suggestion," he
said, "that we should not be heard entering the house at the same
time. So I waited in Central Park for a quarter of an hour after
she had gone in."
Vance nodded.
"I thought as much. It was the
proximity of your two returns that made me conclude that possibly
you had been together last night. And furthermore, business
appointments with curators of the Metropolitan Museum are not apt
to extend into the early hours of the morning. . . . But what
reason did Miss Lake give for the deception?"
"No particular reason. Miss Lake
merely said she thought it would be better if Mr. Brisbane Coe did
not hear us coming in together."
"She specifically mentioned Mr.
Brisbane Coe?"
"Yes."
"And she did not mention Mr. Archer
Coe?"
"Not that I remember."
"That is quite understandable," Vance
remarked. "Uncle Brisbane was her ally in her engagement to Mr.
Wrede; and she may have feared that he would not have approved of
her being out so late with another man. . . . The older generation,
Mr. Grassi, is inclined to be strait-laced about these little
matters. The modern girl is quite different."
The Italian was manifestly grateful
for Vance's attitude, and bowed his appreciation.
Vance strolled to the window.
"By the by, Mr. Grassi, your quarters
here are the suite of rooms at the front of the house on this
floor, are they not?"
"Why, yes," the man replied, lifting
his eyebrows. "They are directly over the drawing-room and
den."
"When you came in last night—or
rather, this morning—where did you hang your hat and coat?"
Again a cautious look came into the
Italian's eyes.
"I did not wear an outer coat. But I
carried my hat and stick to my own room."
"Why? There is a coat closet in the
lower hall."
Grassi moved uneasily, and I could
have sworn the pallor of his face increased.
"I did not care to make a noise
opening and shutting the closet door," he explained.
Vance made no comment, and there was a
short silence. Presently he turned from the window and walked back
to the desk.
"That will be all for the present," he
said pleasantly. "And thank you for your help. . . . Would you mind
waiting in your room? We shall probably want to question you again
before the afternoon is over. I shall see that Gamble serves you
luncheon."
The man rose and started to say
something. But, evidently thinking better of it, he merely bowed
and went down the passageway of the hall toward the front of the
house.
Markham was immediately on his
feet.
"What about that broken vase?" he
demanded, pointing at the parcel of porcelain fragments on the
desk. "Was that the thing with which Archer Coe was struck over the
head?"
"Oh, no." Vance picked up one of the
larger pieces and snapped it easily between his fingers. "This
delicate Ting yao china would crack
under the least pressure. If a man were struck with such a vase he
would hardly feel it. The vase would simply break into
pieces."
"But the blood. . . ."
"There was no blood on Archer's head."
Vance selected one of the fragments and held it up. "Moreover,
please note that the blood is not on the outer glaze, but on the inside of the vase. The same is true of
the little piece I found on the table downstairs."
Markham looked at Vance in
amazement.
"How, in the name of Heaven, do you
account for that?"
Vance shrugged.
"I'm not accounting for it at
present—not altogether. And yet, it's a most fascinatin' point. The
only noticeable blood in this affair is that which trickled from
Brisbane's wound and from the Scottie's head. But I can't possibly
connect this broken vase with Brisbane's death or with the
Scottie."
"And how do you connect it with
Archer's death?"
Vance became evasive.
"Wasn't it standing on the table
directly behind the seat that Archer was occupying when Gamble left
the house last night to indulge his taste for the art of the
cinema?"
"What of it?" queried Markham, with no
attempt to curb his exasperation.
Vance took out his cigarette-case and
sighed.
"What of it, indeed? . . . Give me a
little more time," he said. "I have a fairly definite idea about
this broken vase with the bloodstains on the inside; but it's too
fantastic—too incredible. I want to verify my suspicions. . . ."
His voice trailed off, and he lighted his cigarette
meditatively.
Markham regarded him a while and then
said:
"The whole affair strikes me as
fantastic and incredible."
Vance exhaled a blue ribbon of
smoke.
"Suppose we talk to Wrede," he
suggested. "We may know more when he has unburdened his heart to
us. He has ideas—otherwise he would not have had Gamble phone
direct to you."
Markham gave an order to Heath, but at
that moment Burke announced the arrival of the wagon from the
Department of Public Welfare. The Sergeant went into the hall and
was half-way down the stairs when Vance turned quickly from his
contemplation of a Ch'ien Lung gourd-shaped vase in mille-fleur pattern, and hastened after him.
"Just a moment, Sergeant!"
So impetuous was Vance's manner that
Markham and I followed him into the hall.
"I could bear," Vance called down to
Heath, "to snoop in the pockets of Brisbane's suit before it's
taken away. . . . Would you mind?"
"Certainly not, Mr. Vance." Heath, for
some reason, was in good humor. "Come along."
We all went to the library. The
Sergeant closed the door.
"I had the same idea," he said. "I've
been figuring right along that maybe that slick butler was lying to
us about the ticket to Chicago."
It took but a short time to empty the
pockets of Brisbane Coe's suit to the library table. But there was
nothing of interest among the contents, only the usual items to be
found in a man's pockets—a wallet, handkerchiefs, keys, a
fountain-pen, a watch, and the like. There were, however, the
ticket and berth reservations to Chicago, and also the parcel-room
check for the suit-case.
Heath was crestfallen, and expressed
himself in violent terms.
"The ticket's here all right," he
added; "so I guess he intended to go, after all."
Vance, too, was disappointed.
"Oh, yes, Sergeant, he intended to go.
But it was not the ticket that was worrying me. I was hoping to
find something else."
"What?" asked Markham.
Vance gave him a vague look.
"Really, don't y' know, I haven't the
slightest idea." He would say no more.
Heath summoned the two men waiting in
the hall with their basket, and the body of Brisbane Coe was taken
away to join that of his brother at the mortuary.
As the men went out to the car,
Snitkin came in with the dead man's suit-case.
"I had a hell of a time getting it,"
he complained apologetically. "Those crabs at the station wouldn't
turn it over, and I had to go to Headquarters and get an order from
the Inspector."
"There wasn't any hurry." The Sergeant
tried to smooth the detective's ruffled feelings.
Then, at Vance's suggestion, he opened
the suitcase and examined the contents. They consisted merely of
the items which would ordinarily be taken by a man making a short
trip.
"Here, you." Heath jerked his head at
Gamble. "Look in here and see if these are the things you
packed."
Gamble obeyed fearfully. After a
moment's inspection he nodded with obvious relief.
"Yes, sir. There's nothing there
except what I put in."
Vance nodded to Heath, and the
Sergeant ordered Gamble to put the bag away.
"And you, Snitkin," he added, "wait
upstairs."
Both men disappeared, and the Sergeant
went to the drawing-room doors and pulled them apart.
"Mr. Wrede," he called. "You're
wanted."
Wrede came into the library with a
haggard, questioning look in his eyes.
"Have you learned anything, Mr.
Markham?" His voice seemed to quaver slightly, and as he spoke, his
eyes roved over the room. "Where's Mr. Grassi?"
"Mr. Grassi's upstairs." Markham
motioned to a chair. "And I'm sorry to say that thus far we have
learned very little. . . . We are hoping that you may be able to
help us out of our quandary."
"Good Lord! I wish I could." Wrede was
like a man on the verge of collapse. "It's horrible!"
Vance had been watching him from under
half-closed eyelids.
"It's more horrible than you perhaps
realize," he said. "Brisbane Coe has also been murdered."
Wrede looked around him in a dazed way
and sank heavily into the nearest chair.
"Brisbane?" His voice seemed to come
from afar. "But why—why. . . ?"
"Why, indeed?" Vance spoke harshly:
there was none of the detached suavity in his manner that had been
so noticeable during his interrogation of Grassi. "Nevertheless,
he's dead. He, too, was stabbed in the back with a curiously shaped
instrument."
Wrede stared straight ahead. His lips
moved, but no sound came from them.
"Tell us what you know about this
double murder, Mr. Wrede," Vance went on with grim
relentlessness.
A shiver ran over Wrede's body.
"I know nothing about it," he replied
after a painful pause. "Gamble told me this morning that Brisbane
was in Chicago."
"He started for the station yesterday
afternoon, but returned here last night—to meet his death."
"Why—should he return?" stammered
Wrede.
"Have you
any ideas on the subject?"
"I?" The man's eyes opened wide. "Not
the slightest idea."
"What do you know of the conditions
here at the Coe house yesterday? I would like as full a description
as you can give; and I would also like a detailed account of your
own movements yesterday."
"Why my
movements?" Wrede's tone was weak and frightened.
"If you don't care to explain them . .
." began Vance pointedly, and stopped.
"I have no reason for secrecy," the
other answered quickly. "I was here talking to Archer Coe from ten
to twelve yesterday morning—"
"About ceramics—or Miss Lake?"
Wrede caught his breath.
"Both," he answered weakly. "The fact
is, Archer and I had a somewhat bitter session regarding my coming
marriage with Miss Lake. But it was nothing unusual. He was, as you
may know, violently opposed to the marriage. Brisbane took part in
the discussion, and called Archer some rather harsh names. . .
."
"And after twelve?"
"I lunched in my apartment. Then I
went to an auction at the American Art Galleries. But there was
nothing there that interested me particularly; and, besides, I had
a bad headache. So I came home around three, and lay down. I did
not leave my apartment again until this morning, when Gamble phoned
me."
"You live next door, do you
not?"
"The first house to the east, across
the double vacant lot. It's an old residence that has been
converted into an apartment house. I occupy the second
floor."
"Who owns the vacant lot?"
"It is part of the Coe estate. Archer
put it to lawn, and erected the iron fence on the street. He said
he wanted the light and space, and refused to sell."
Vance nodded indifferently.
"So I understood. . . . And you
remained in your apartment from three o'clock yesterday afternoon
until this morning?"
"That's right. I had a beastly
headache. . . ."
"Did you see Miss Lake
yesterday?"
"Yes, in the morning, when I was here.
The fact is, I made an appointment with her for last night—at the
Country Club. But when I got home yesterday afternoon, I called her
by phone and excused myself. I was in no condition for
dancing."
"Mr. Grassi substituted for you," said
Vance.
Wrede's eyes clouded, and he set his
jaws.
"So she told me this morning." (I
could not determine whether the man was telling the truth or merely
being gallant.)
"When Gamble phoned you this morning,"
Vance asked, "what was your mental reaction to the news?"
Wrede frowned, and it was a
considerable time before he answered.
"That would be difficult to analyze. .
. . I was not overfond of Archer," he admitted; "and I was not
personally distressed by the report of his death. But I was
extremely puzzled. It was not like Archer to take his own life;
and—frankly—I had very grave doubts. That is why I hastened over
here,—I wanted to see for myself. Even when I had looked through
the keyhole I could scarcely believe the evidence of my vision,
knowing Archer as well as I did. For that reason I advised Gamble
to get in immediate touch with Mr. Markham."
Vance's stony contemplation of Wrede
did not relax.
"You acted wisely," he observed, with
a tinge of sarcasm. "But if you did not believe that Archer Coe had
committed suicide, there must have been in your mind another
possibility—to wit: that of murder.—Who, Mr. Wrede, do you think
would have had sufficient motive to commit the crime?"
Wrede did not answer at once. He
appeared sorely troubled and ran his fingers several times through
his hair.
"That is a question I have been trying
to answer all morning," he replied without looking at Vance. "One
may speculate, of course, but it would not be fair to voice those
speculations without definite evidence of some kind. . . ."
"Mr. Grassi?"
Again a black cloud passed over
Wrede's face.
"I—I—really, Mr. Vance, I'm not well
acquainted with the man. He was after Coe's collection of Chinese
ceramics; but that would hardly constitute a motive for
murder."
"No-o." Vance smiled frigidly. "What
about Miss Lake?"
Wrede almost leaped from his
seat.
"That suggestion is outrageous!" he
cried, glowering at Vance. "How dare you—?"
"Spare me the drama," Vance cut in,
with a contemptuous smile. "I'm deuced difficult to impress. . . .
We're merely discussing possibilities, and we can do far better
without a display of histrionic talent, however noteworthy."
Wrede sat back, with a mumbled remark
which we could not make out.
"What do you think of Liang, the
cook?" Vance asked next.
The man glanced up with a swift,
shrewd look.
"Liang, eh? That's quite different.
There's something secretive and underhand about that Chinaman. I've
never wholly understood his being here. He's certainly not a cook
by profession; and from my apartment window I've often seen him
sitting on the rear porch writing for hours. My impression is he's
a spy of some kind. And he knows Chinese art. Several times I've
caught him in this very room inspecting the vases, and studying the
signatures on their bases, and running the tips of his yellow
fingers over their glazes with the air of a connoisseur. . . . And
I've never liked his manner round this house,—he's sly and
over-polite. I distrusted him from the first." Wrede nodded his
head sagely. "If you knew more of what was back of his presence
here, you might know more of Archer Coe's death. . . . At least,"
he hastened to add, "that is my impression."
Vance stifled a mild yawn.
"The oriental temperament is full of
mystic potentialities," he commented. "And my own impression is
that Liang knows something about what happened here last night.
But, as you suggest, a motive in that direction is still lacking."
He leaned against the mantel and let his gaze drift into space. "On
the other hand, you yourself had abundant motive for doing away
with Archer Coe."
Wrede, to my surprise, did not appear
to be offended by this remark.
"Archer was admittedly opposed to your
marriage with his niece," Vance went on. "He might even have
brought sufficient influence to bear to stop it altogether. And
until he died Miss Lake was limited to a small allowance. She would
have received her patrimony at Archer's decease. Thus, if you had
successfully put Archer out of the way, you would have at once
gained a fairly wealthy bride—with no obstacles. Is it not so, Mr.
Wrede?"
The man gave a harsh laugh.
"Yes, I suppose so. As you point out,
I had ample motive for murdering Archer. But, on the other hand, I
would have had no reason whatever for murdering Brisbane."
"Ah, yes—Brisbane. Quite—quite. That
second corpse complicates the whole matter."
"Where was Brisbane's body found, may
I ask?"
"In the coat closet at the end of the
lower hall. . . . You didn't, perchance, open the coat closet this
morning?"
"No!" Wrede shuddered. "But I came
very near it. Instead, I threw my hat on a chair in the
drawing-room."
Vance shook his head in satirical
sadness.
"My word! How consistently every one
seems to have avoided that closet since Brisbane's occupation of
it!"
"Perhaps," suggested Wrede
significantly, "Liang was not ignorant of its contents."
"Who knows?" sighed Vance. "And Liang
certainly would not tell us. Sad . . . sad. . . ."
Wrede lapsed into introspection.
Presently he spoke.
"What I can't understand is that
bolted door upstairs."
"Neither can we," said Vance, in a
matter-of-fact tone. "It's most confusin'. But don't let that point
disturb your slumbers tonight, Mr. Wrede. I'm thoroughly convinced
you didn't bolt it."
The man jerked his head up in a queer
way.
"Oh, thanks." His attempt at
pleasantry was unsuccessful. "Have you found the weapon?" he asked
lamely. "That might give you a clue."
"I'm sure it would," agreed
Vance.
Heath, who had been standing by the
front windows, stepped forward.
"That reminds me." He gave Vance a
disgruntled look: obviously he did not like the other's method of
interviewing Wrede. "The boys and I are going to give this house a
swell looking-over. . . . All right with you, Mr. Markham?"
Markham nodded.
"Go to it, Sergeant. The sooner the
better."
Heath went from the room, and Vance
resumed his interrogation.
"By the by, Mr. Wrede, are you
interested in Chinese ceramics?"
"Not particularly." The man was
obviously puzzled by the question. "I have a few pieces, but I'm no
expert. However, I couldn't help learning something about the
subject during my long association with Archer."
Vance walked to the circular teak-wood
table behind the davenport, and pointed at the Tao Kuang
vase.
"What's your opinion of this
Ting yao?"
Wrede rose and came forward.
"Ting
yao?" There was a perplexed look in his eyes. "That's not a
Ting yao, is it?"
"I don't believe it is." Vance
pretended to study it. "But I was under the impression Archer Coe
kept a Ting yao vase of the same shape
on this table."
Wrede stood, his hands behind him,
looking down at the vase. Suddenly he said:
"By Gad, he did, Mr. Vance! But this
isn't the vase."
"When did you last see the original
vase?"
"I couldn't say. I was in this room
yesterday morning—but I didn't notice. There were other things on
my mind." He looked at Vance questioningly. "Has this vase anything
to do with—with—?"
"It's difficult to say," Vance
replied. "It merely struck me as peculiar that Archer would have a
vase like this in his collection."
"It is
peculiar." Wrede turned his attention again to the table. "This
vase might have been substituted for the other."
"It was," said Vance
laconically.
"Aha!" Wrede, for some reason I could
not understand, seemed pleased; and I asked myself if he were
thinking of Grassi.
Vance apparently had not noticed his
exclamation. He glanced at his watch.
"That will be all, Mr. Wrede. You'd
better run along and get some lunch. But we may want you tomorrow.
Will you be at your apartment?"
"Yes, all day." He hesitated. "May I
see Miss Lake before I go?"
"By all means. And you might break the
news to her of Brisbane's death."
Wrede went out, and we could hear him
mounting the stairs.
Markham rose nervously.
"What do you make of the fellow?" he
asked.
Vance smoked a moment
thoughtfully.
"Peculiar character—far from
appealin'. I wouldn't choose him for a boon companion."
"You certainly didn't handle him with
gloves."
"He's too clever a talker to be
allowed any advantage. My only hope of learning what he might
possibly know was to upset his equanimity."
"It occurred to me," said Markham,
"that he might have opened the hall closet this morning, and,
because of what he saw, told Gamble to phone me."
"It's possible," Vance nodded. "The
same thought flitted through my mind. But if that were so, why
shouldn't he have told us the moment we arrived?"
"Anyway, it's safe to conclude he
doesn't care a great deal for Grassi. It struck me he was jealous
of the Italian."
"Oh, quite. And it was news to him
that Grassi and Miss Lake were together last night. Curious
situation, that." Vance frowned musingly. "But Wrede's real passion
of hatred is directed toward the cook. He has sized up Liang pretty
accurately. . . . It's strange that Archer, with his Sinological
knowledge, didn't suspect Liang's true status."
"Maybe he did," Markham suggested,
without interest.
Vance looked up quickly and took his
cigarette from his lips.
"My aunt! Maybe he did! . . ."
There came a pounding of heavy
footsteps on the hall stairs, and the next moment Heath was
standing in the door, beaming triumphantly. He held something in
his hand, and, crossing to the table, he threw the object down for
our inspection.
It was one of the most beautiful and
interesting Chinese daggers I have ever seen.[11]
The blade, which was square with concave sides, was of steel,
delicately and minutely incised and perhaps six inches long. It
tapered from a thickness of about half an inch at the guard to a
stiletto-like point, and was partly encrusted with dried blood. The
guard was oval-shaped, of polished gold, and engraved with the
original owner's seal. The cylindrical handle was wound with
vermilion silk, with the usual row of knots running down one side;
and it was surmounted by a tiny figure of Kuan Ti, the Chinese God
of War, carved in brown jade. That this dagger was the murder
weapon was obvious at one glance.
"Good work, Sergeant," said Vance.
"Where did you find it?"
"Under the cushion-seat of the easy
chair where we found the dead guy this morning."
"Oh, I say! Really? In Archer Coe's
bedroom?" Vance seemed astonished at Heath's announcement. "Most
amazin'. . . ."
He went swiftly to the dining-room
door and called Liang. When the Chinaman appeared Vance beckoned
him to the table and pointed at the dagger.
"Ever see that before, Mr.
Liang?"
The man regarded the weapon with a
look devoid of all expression.
"Yes, I have seen it many times," he
responded in a flat voice. "It was always kept in that cabinet near
the window, with other similar weapons of my country."
Vance dismissed him, and walked up and
down the room several times. Something disturbing was on his
mind.
Heath watched him a moment and then
looked back at the dagger.
"And not a chance to pick up a
finger-print," he complained with disgust. "A silk handle." He
chewed viciously on his burnt-out cigar.
"No—no finger-prints," murmured Vance
without lifting his eyes from the floor. "But that isn't the chief
difficulty, Sergeant. Brisbane Coe was stabbed hours after Archer
Coe was stabbed. And yet the dagger is found in Archer Coe's chair
upstairs. The whole thing is mad. . . ."
He continued pacing in a brown study.
Suddenly he drew up short.
"Sergeant! Bring me Brisbane Coe's
top-coat—the black-and-white tweed one—from the hall closet." His
voice held a tinge of excitement.
Heath left the room and returned
shortly with the garment.
Vance began turning the pockets inside
out. A gray silk handkerchief and a pair of gloves fell to the
table. Then from the left-hand outside pocket Vance drew forth two
pieces of fine, waxed linen string about four feet long. He was
about to throw these to one side, when he suddenly bent forward and
inspected them. One end of each piece of string was tied securely
to a large bent pin.
Heath was looking on with rapt
fascination.
"And what might that be, Mr. Vance?"
he asked.
Vance did not answer, but put his hand
again into the left-hand pocket of the top-coat. When he withdrew
it he was holding a long slender piece of steel.
"Ah!" he exclaimed with
satisfaction.
We all looked down at it wonderingly.
It was perhaps the last thing in the world we expected to
see.
The object which Vance had taken from
the pocket of Brisbane Coe's coat was a darning-needle!