(Friday, July 13;
noon)
Vance frowned slightly and studied the
small black figure for a moment.
"It may mean nothing—surely nothing
supernatural—but the fact that this particular statue was chosen
for the murder makes me wonder if there may be something diabolical
and sinister and superstitious in this affair."
"Come, come, Vance!" Markham spoke
with forced matter-of-factness. "This is modern New York, not
legendary Egypt."
"Yes . . . oh, yes. But superstition
is still a ruling factor in so-called human nature. Moreover, there
are many more convenient weapons in this room—weapons fully as
lethal and more readily wielded. Why should a cumbersome, heavy
statue of Sakhmet have been chosen for the deed? . . . In any
event, it took a strong man to swing it with such force."
He looked toward Scarlett, whose eyes
had been fastened on the dead man with a stare of
fascination.
"Where was this statue kept?"
Scarlett blinked.
"Why—let me see. . . ." He was
obviously trying to collect his wits. "Ah, yes. On the top of that
cabinet." He pointed unsteadily to the row of wide shelves in front
of Kyle's body. "It was one of the new pieces we unpacked
yesterday. Hani placed it there. You see, we used that end cabinet
temporarily for the new items, until we could arrange and catalogue
'em properly."
There were ten sections in the row of
cabinets that extended across the rear of the museum, each one
being about two and a half feet wide and a little over seven feet
high. These cabinets—which in reality were but open shelves—were
filled with all manner of curios: scores of examples of pottery and
wooden vases, scent bottles, bows and arrows, adzes, swords,
daggers, sistra, bronze and copper hand-mirrors, ivory game boards,
perfume boxes, whip handles, palm-leaf sandals, wooden combs,
palettes, head rests, reed baskets, carved spoons, plasterers'
tools, sacrificial flint knives, funerary masks, statuettes,
necklaces, and the like.
Each cabinet had a separate curtain of
a material which looked like silk rep, suspended with brass rings
on a small metal rod. The curtains to all the cabinets were drawn
open, with the exception of the one on the end cabinet before which
the dead body of Kyle lay. The curtain of this cabinet was only
partly drawn.
Vance had turned around.
"And what about the Anûbis, Scarlett?"
he asked. "Was it a recent acquisition?"
"That came yesterday, too. It was
placed in that corner—to keep the shipment together."
Vance nodded, and walked to the partly
curtained cabinet. He stood for several moments peering into the
shelves.
"Very interestin'," he murmured,
almost as if to himself. "I see you have a most unusual post-Hyksos
bearded sphinx. . . . And that blue-glass vessel is very lovely . .
. though not so lovely as yon blue-paste lion's-head. . . . Ah! I
note many evidences of old Intef's bellicose nature—that battle-ax,
for instance. . . . And—my word!—there are some scimitars and
daggers which look positively Asiatic. And"—he peered closely into
the top shelf—"a most fascinatin' collection of ceremonial
maces."
"Things Doctor Bliss picked up on his
recent expedition," explained Scarlett. "Those flint and porphyry
maces came from the antechamber of Intef's tomb. . . ."
At this moment the great metal door of
the museum creaked on its hinges, and Sergeant Ernest Heath and
three detectives appeared at the head of the stairs. The Sergeant
immediately descended into the room, leaving his men on the little
landing.
He greeted Markham with the usual
ritualistic handshake.
"Howdy, sir," he rumbled. "I got here
as soon as I could. Brought three of the boys from the Bureau, and
sent word to Captain Dubois and Doc Doremus[7]
to follow us up."
"It looks as if we might be in for
another unpleasant scandal, Sergeant." Markham's tone was
pessimistic. "That's Benjamin H. Kyle."
Heath stared aggressively at the dead
man and grunted.
"A nasty job," he commented through
his teeth. "What in hell is that thing he was croaked with?"
Vance, who had been leaning over the
shelves of the cabinet, his back to us, now turned round with a
genial smile.
"That, Sergeant, is Sakhmet, an
ancient goddess of the primitive Egyptians. But she isn't in hell,
so to speak. This gentleman, however,"—he touched the tall statue
of Anûbis—"is from the nether regions."
"I mighta known you'd be here, Mr.
Vance." Heath grinned with genuine friendliness, and held out his
hand. "I've got you down on my suspect list. Every time there's a
fancy homicide, who do I find on the spot but Mr. Philo Vance! . .
. Glad to see you, Mr. Vance. I reckon you'll get your
psychological processes to working now and clean this mystery up
pronto."
"It'll take more than psychology to
solve this case, I'm afraid." Vance had grasped the Sergeant's hand
cordially. "A smatterin' of Egyptology might help, don't y'
know."
"I'll leave that nifty stuff to you,
Mr. Vance. What I want, first and foremost, is the finger-prints of
that—that—" He bent over the small statue of Sakhmet. "That's the
damnedest thing I ever saw. The guy who sculpted that was cuckoo.
It's got a lion's head with a big platter on the dome."
"The lion's head of Sakhmet is
undoubtedly totemistic, Sergeant," explained Vance, good-naturedly.
"And that 'platter' is a representation of the solar disk. The
snake peering from the forehead is a cobra—or uraeus—and was the
sign of royalty."
"Have it your own way, sir." The
Sergeant had become impatient. "What I want is the
finger-prints."
He swung about and walked toward the
front of the museum.
"Hey, Snitkin!" he called
belligerently to one of the men on the stair landing. "Relieve that
officer outside—send him back to his beat. And bring Dubois in here
as soon as he shows up." Then he returned to Markham. "Who'll give
me the low-down on this, sir?"
Markham introduced him to
Scarlett.
"This gentleman," he said, "found Mr.
Kyle. He can tell you all we know of the case thus far."
Scarlett and Heath talked together for
five minutes or so, the Sergeant maintaining throughout the
conversation an attitude of undisguised suspicion. It was a basic
principle with him that every one was guilty until his innocence
had been completely and irrefutably established.
Vance in the meantime had been bending
over Kyle's body with an intentness that puzzled me. Presently his
eyes narrowed slightly and he went down on one knee, thrusting his
head forward to within a foot of the floor. Then he took out his
monocle, polished it carefully, and adjusted it. Markham and I both
watched him in silence. After a few moments he straightened
up.
"I say, Scarlett; is there a
magnifyin' glass handy?"
Scarlett, who had just finished
talking to Sergeant Heath, went at once to the glass case
containing the scarabs and opened one of the drawers.
"What sort of museum would this be
without a magnifier?" he asked, with a feeble attempt at
jocularity, holding out a Coddington lens.
Vance took it and turned to
Heath.
"May I borrow your flash-light,
Sergeant?"
"Sure thing!" Heath handed him a
push-button flash.
Vance again knelt down, and with the
flash-light in one hand and the lens in the other, inspected a tiny
oblong object that lay about a foot from Kyle's body.

"Nisut Biti . . . Intef . . . Se Rê .
. . Nub-Kheper-Rê." His voice was low and resonant.
The Sergeant put his hands in his
pockets and sniffed.
"And what language might that be, Mr.
Vance?" he asked.
"It's the transliteration of a few
ancient Egyptian hieroglyphs. I'm reading from this scarab. . .
."
The Sergeant had become interested. He
stepped forward and leaned over the object that Vance was
inspecting.
"A scarab, huh?"
"Yes, Sergeant. Sometimes called a
scarabee, or scarabaeid, or scarabaeus—that is to say, beetle. . .
. This little oval bit of lapis-lazuli was a sacred symbol of the
old Egyptians. . . . This particular one, by the by, is most
fascinatin'. It is the state seal of Intef V—a Pharaoh of the
Seventeenth Dynasty. About 1650 B.C.—or over 3,500 year ago—he wore
it. It bears the title and throne name of Intef-o, or Intef. His
Horus name was Nefer-Kheperu, if I remember correctly. He was one
of the native Egyptian rulers at Thebes during the reign of the
Hyksos in the Delta.[8]
The tomb of this gentleman is the one that Doctor Bliss has been
excavating for several years. . . . And you of course note,
Sergeant, that the scarab is set in a modern scarf-pin. . .
."
Heath grunted with satisfaction. Here,
at least, was a piece of tangible evidence.
"A beetle, is it? And a scarf-pin! . .
. Well, Mr. Vance, I'd like to get my hands on the bird who wore
that blue thingumajig in his cravat."
"I can enlighten you on that point,
Sergeant." Vance rose to his feet and looked toward the little
metal door at the head of the circular stairway. "That scarf-pin is
the property of Doctor Bliss."