(Tuesday, April 26; 11
a.m.)
Twenty minutes later Vance rejoined us
in the Dillard drawing-room.
"She's going to be all right," he
announced, sinking into a chair and lighting a cigarette. "She was
only unconscious, had fainted from shock and fright; and she was
half-suffocated." His face darkened. "There were bruises on her
little wrist. She probably struggled in that empty house when she
failed to find Humpty Dumpty; and then the beast forced her into
the closet and locked the door. No time to kill her, d' ye see.
Furthermore, killing wasn't in the book. 'Little Miss Muffet'
wasn't killed—merely frightened away. She'd have died, though, from
lack of air. And he was safe: no one
could hear her crying. . . ."
Markham's eyes rested on Vance
affectionately.
"I'm sorry I tried to hold you back,"
he said simply. (For all his conventionally legal instincts, there
was a fundamental bigness to his nature.) "You were right in
forcing the issue, Vance. . . . And you, too, Sergeant. We owe a
great deal to your determination and faith."
Heath was embarrassed.
"Oh, that's all right, sir. You see,
Mr. Vance had me all worked up about the kid. And I like kids,
sir."
Markham turned an inquisitive look on
Vance.
"You expected to find the child
alive?"
"Yes; but drugged or stunned perhaps.
I didn't think of her as dead, for that would have contravened the
Bishop's joke."
Heath had been pondering some
troublous point.
"What I can't get through my head," he
said, "is why this Bishop, who's been so damn careful about
everything else, should leave the door of the Drukker house
unlocked."
"We were expected to find the child,"
Vance told him. "Everything was made easy for us. Very considerate
of the Bishop, what? But we weren't supposed to find her till
to-morrow—after the papers had received the Little-Miss-Muffet
notes. They were to have been our clew. But we anticipated the
gentleman."
"But why weren't the notes sent
yesterday?"
"It was no doubt the Bishop's original
intention to post his poetry last night; but I imagine he decided
it was best for his purpose to let the child's disappearance
attract public attention first. Otherwise the relationship between
Madeleine Moffat and little Miss Muffet might have been
obscured."
"Yeh!" snarled Heath through his
teeth. "And by to-morrow the kid woulda been dead. No chance then
of her identifying him."
Markham looked at his watch and rose
with determination.
"There's no point in waiting for
Arnesson's return. The sooner we arrest him the better." He was
about to give Heath an order when Vance intervened.
"Don't force the issue, Markham. You
haven't any real evidence against the man. It's too delicate a
situation for aggression. We must go carefully or we'll
fail."
"I realize that the finding of the
typewriter and the note-book is not conclusive," concurred Markham.
"But the identification by the child—"
"Oh, my dear fellow! What weight would
a jury attach to a frightened five-year-old girl's identification
without powerful contribut'ry evidence? A clever lawyer could
nullify it in five minutes. And even assuming you could make the
identification hold, what would it boot you? It wouldn't connect
Arnesson in any way with the Bishop murders. You could only
prosecute him for attempted kidnapping,—the child's unharmed,
remember. And if you should, through a legal miracle, get a
doubtful conviction, Arnesson would receive at most a few years in
the bastille. That wouldn't end this horror. . . . No, no. You
mustn't be precipitate."
Reluctantly Markham resumed his seat.
He saw the force of Vance's argument.
"But we can't let this thing go on,"
he declared ferociously. "We must stop this maniac some way."
"Some way—yes." Vance began pacing the
room restlessly. "We may be able to wangle the truth out of him by
subterfuge: he doesn't know yet that we've found the child. . . .
It's possible Professor Dillard could assist us—" He halted and
stood looking down at the floor. "Yes! That's our one chance. We
must confront Arnesson with what we know when the professor is
present. The situation is sure to force an issue of some kind. The
professor now will do all in his power to help convict
Arnesson."
"You believe he knows more than he had
told us?"
"Undoubtedly. I've told you so from
the first. And when he hears of the Little-Miss-Muffet episode,
it's not unlikely he'll supply us with the evidence we need."
"It's a long chance." Markham was
pessimistic. "But it can do no harm to try. In any event, I shall
arrest Arnesson before I leave here, and hope for the best."
A few moments later the front door
opened and Professor Dillard appeared in the hall opposite the
archway. He scarcely acknowledged Markham's greeting—he was
scanning our faces as if trying to read the meaning of our
unexpected visit. Finally he put a question.
"You have, perhaps, thought over what
I said last night?"
"Not only have we thought it over,"
said Markham, "but Mr. Vance has found the thing that was
disturbing you. After we left here he showed me a copy of 'The
Pretenders.'"
"Ah!" The exclamation was like a sigh
of relief. "For days that play has been in my mind, poisoning every
thought. . . ." He looked up fearfully. "What does it mean?"
Vance answered the question.
"It means, sir, that you've led us to
the truth. We're waiting now for Mr. Arnesson.—And I think it would
be well if we had a talk with you in the meantime. You may be able
to help us."
The old man hesitated.
"I had hoped not to be made an
instrument in the boy's conviction." His voice held a tragic
paternal note. But presently his features hardened; a vindictive
light shone in his eyes; and his hand tightened over the knob of
his stick. "However, I can't consider my own feelings now. Come; I
will do what I can."
On reaching the library he paused by
the sideboard and poured himself a glass of port. When he had drunk
it he turned to Markham with a look of apology.
"Forgive me. I'm not quite myself." He
drew forward the little chess table and placed glasses on it for
all of us. "Please overlook my discourtesy." He filled the glasses
and sat down.
We drew up chairs. There was none of
us, I think, who did not feel the need of a glass of wine after the
harrowing events we had just passed through.
When we had settled ourselves the
professor lifted heavy eyes to Vance, who had taken a seat opposite
to him.
"Tell me everything," he said. "Don't
try to spare me."
Vance drew out his
cigarette-case.
"First, let me ask you a question.
Where was Mr. Arnesson between five and six yesterday
afternoon?"
"I—don't know." There was a reluctance
in the words. "He had tea here in the library; but he went out
about half past four, and I didn't see him again until dinner
time."
Vance regarded the other
sympathetically for a moment, then he said:
"We've found the typewriter on which
the Bishop notes were printed. It was in an old suit-case hidden in
the attic of this house."
The professor showed no sign of being
startled.
"You were able to identify it?"
"Beyond any doubt. Yesterday a little
girl named Madeleine Moffat disappeared from the playground in the
park. There was a sheet of paper in the machine, and on it had
already been typed: 'Little Miss Muffet sat on a tuffet.'"
Professor Dillard's head sank
forward.
"Another insane atrocity! If only I
hadn't waited till last night to warn you—!"
"No great harm has been done," Vance
hastened to inform him. "We found the child in time: she's out of
danger now."
"Ah!"
"She had been locked in the
hall-closet on the top floor of the Drukker house. We had thought
she was here somewhere—which is how we came to search your
attic."
There was a silence; then the
professor asked:
"What more have you to tell me?"
"Drukker's note-book containing his
recent quantum researches was stolen from his room the night of his
death. We found this note-book in the attic with the
typewriter."
"He stooped even to that?" It was not
a question, but an exclamation of incredulity. "Are you sure of
your conclusions? Perhaps if I had made no suggestion last
night—had not sowed the seed of suspicion. . . ."
"There can be no doubt," declared
Vance softly. "Mr. Markham intends to arrest Mr. Arnesson when he
returns from the university. But to be frank with you, sir: we have
practically no legal evidence, and it is a question in Mr.
Markham's mind whether or not the law can even hold him. The most
we can hope for is a conviction for attempted kidnapping through
the child's identification."
"Ah, yes . . . the child would know."
A bitterness crept into the old man's eyes. "Still, there should be
some means of obtaining justice for the other crimes."
Vance sat smoking pensively, his eyes
on the wall beyond. At last he spoke with quiet gravity.
"If Mr. Arnesson were convinced that
our case against him was a strong one, he might choose suicide as a
way out. That perhaps would be the most humane solution for every
one."
Markham was about to make an indignant
protest, but Vance anticipated him.
"Suicide is not an indefensible act
per se. The Bible, for instance,
contains many accounts of heroic suicide. What finer example of
courage than Rhazis', when he threw himself from the tower to
escape the yoke of Demetrius?[39]
There was gallantry, too, in the death of Saul's sword-bearer, and
in the self-hanging of Ahithophel. And surely the suicides of
Samson and Judas Iscariot had virtue. History is filled with
notable suicides—Brutus and Cato of Utica, Hannibal, Lucretia,
Cleopatra, Seneca. . . . Nero killed himself lest he fall into the
hands of Otho and the Pretorian guards. In Greece we have the
famous self-destruction of Demosthenes; and Empedocles threw
himself in the crater of Etna. Aristotle was the first great
thinker to advance the dictum that suicide is an anti-social act,
but, according to tradition, he himself took poison after the death
of Alexander. And in modern times let us not forget the sublime
gesture of Baron Nogi. . . ."
"All that is no justification of the
act," Markham retorted. "The law—"
"Ah, yes—the law. In Chinese law every
criminal condemned to death has the option of suicide. The Codex
adopted by the French National Assembly at the end of the
eighteenth century abolished all punishments for suicide; and in
the Sachsenspiegel—the principal
foundation of Teuton law—it is plainly stated that suicide is not a
punishable act. Moreover, among the Donatists, Circumcellions and
Patricians suicide was considered pleasing to the gods. And even in
More's Utopia there was a synod to pass on the right of the
individual to take his own life. . . . Law, Markham, is for the
protection of society. What of a suicide that makes possible that
protection? Are we to invoke a legal technicality, when, by so
doing, we actually lay society open to continued danger? Is there
no law higher than those on the statute books?"
Markham was sorely troubled. He rose
and walked the length of the room and back, his face dark with
anxiety. When he sat down again he looked at Vance a long while,
his fingers drumming with nervous indecision on the table.
"The innocent of course must be
considered," he said in a voice of discouragement. "As morally
wrong as suicide is, I can see your point that at times it may be
theoretically justified." (Knowing Markham as I did, I realized
what this concession had cost him; and I realized, too, for the
first time, how utterly hopeless he felt in the face of the scourge
of horror which it was his duty to wipe out.)
The old professor nodded
understandingly.
"Yes, there are some secrets so
hideous that it is well for the world not to know them. A higher
justice may often be achieved without the law taking its
toll."
As he spoke the door opened, and
Arnesson stepped into the room.
"Well, well. Another conference, eh?"
He gave us a quizzical leer, and threw himself into a chair beside
the professor. "I thought the case had been adjudicated, so to
speak. Didn't Pardee's suicide put finis to the affair?"
Vance looked straight into the man's
eyes.
"We've found little Miss Muffet, Mr.
Arnesson."
The other's eyebrows went up with
sardonic amusement.
"Sounds like a charade. What am I
supposed to answer: 'How's little Jack Horner's thumb?' Or, should
I inquire into the health of Jack Sprat?"
Vance did not relax his steady
gaze.
"We found her in the Drukker house,
locked in a closet," he amplified, in a low, even tone.
Arnesson became serious, and an
involuntary frown gathered on his forehead. But this slackening of
pose was only transient. Slowly his mouth twisted into a
smirk.
"You policemen are so efficient. Fancy
finding little Miss Muffet so soon. Remarkable." He wagged his head
in mock admiration. "However, sooner or later it was to be
expected.—And what, may I ask, is to be the next move?"
"We also found the typewriter,"
pursued Vance, ignoring the question. "And Drukker's stolen
notebook."
Arnesson was at once on his
guard.
"Did you really?" He gave Vance a
canny look. "Where were these tell-tale objects?"
"Up-stairs—in the attic."
"Aha! Housebreaking?"
"Something like that."
"Withal," Arnesson scoffed, "I can't
see that you have a cast-iron case against any one. A typewriter is
not like a suit of clothes that fits only one person. And who can
say how Drukker's note-book found its way into our attic? —You must
do better than that, Mr. Vance."
"There is, of course, the factor of
opportunity. The Bishop is a person who could have been on hand at
the time of each murder."
"That is the flimsiest of contributory
evidence," the man countered. "It would not help much toward a
conviction."
"We might be able to show why the
murderer chose the sobriquet of Bishop."
"Ah! That unquestionably would help."
A cloud settled on Arnesson's face, and his eyes became
reminiscent. "I'd thought of that, too."
"Oh, had you, now?" Vance watched him
closely. "And there's another piece of evidence I haven't
mentioned. Little Miss Muffet will be able to identify the man who
led her to the Drukker house and forced her into the closet."
"So! The patient has recovered?"
"Oh, quite. Doing nicely, in fact. We
found her, d' ye see, twenty-four hours before the Bishop intended
us to."
Arnesson was silent. He was staring
down at his hands which, though folded, were working nervously.
Finally he spoke.
"And if, in spite of everything, you
were wrong. . . ."
"I assure you, Mr. Arnesson," said
Vance quietly, "that I know who is
guilty."
"You positively frighten me!" The man
had got a grip on himself, and he retorted with biting irony. "If,
by any chance, I myself were the Bishop, I'd be inclined to admit
defeat. . . . Still, it's quite obvious that it was the Bishop who
took the chessman to Mrs. Drukker at midnight; and I didn't return
home with Belle until half past twelve that night."
"So you informed her. As I recall, you
looked at your watch and told her what time it was.—Come, now: what
time was it?"
"That's correct—half past
twelve."
Vance sighed and tapped the ash from
his cigarette.
"I say, Mr. Arnesson; how good a
chemist are you?"
"One of the best," the man grinned.
"Majored in it.—What then?"
"When I was searching the attic this
morning I discovered a little wall-closet in which some one had
been distilling hydrocyanic acid from potassium ferrocyanide. There
was a chemist's gas-mask on hand, and all the paraphernalia.
Bitter-almond odor still lurking in the vicinity."
"Quite a treasure-trove, our attic. A
sort of haunt of Loki, it would seem."
"It was just that," returned Vance
gravely, "—the den of an evil spirit."
"Or else the laboratory of a modern
Doctor Faustus. . . . But why the cyanide, do you think?"
"Precaution, I'd say. In case of
trouble the Bishop could step out of the picture painlessly.
Everything in readiness, don't y' know."
Arnesson nodded.
"Quite a correct attitude on his part.
Really decent of him, in fact. No use putting people to unnecessary
bother if you're cornered. Yes, very correct."
Professor Dillard had sat during this
sinister dialogue with one hand pressed to his eyes, as though in
pain. Now he turned sorrowfully to the man he had fathered for so
many years.
"Many great men, Sigurd, have
justified suicide—" he began; but Arnesson cut him short with a
cynical laugh.
"Faugh! Suicide needs no
justification. Nietzsche laid the bugaboo of voluntary death.
'Auf eine stolze Art sterben, wenn es nicht
mehr möglich ist, auf eine stolze Art zu leben. Der Tod unter den
veräcktlichsten Bedingungen, ein unfreier Tod, ein Tod zur
unrechten Zeit ist ein Feiglings-Tod. Wir haben es nicht in der Hand, zu verhindern, geboren zu
werden: aber wir können diesen Fehler—denn bisweilen ist es ein
Fehler—wieder gut machen. Wenn man sich abschafft, tut man die
achtungswürdigste Sache, die es giebt: man verdient beinahe damit,
zu leben.[40]—Memorized
that passage from 'Götzen-Dämmerung' in my youth. Never forgot it.
A sound doctrine."
"Nietzsche had many famous
predecessors who also upheld suicide," supplemented Vance. "Zeno
the Stoic left us a passionate dithyramb defending voluntary death.
And Tacitus, Epictetus, Marcus Aurelius, Cato, Kant, Fichte,
Diderot, Voltaire and Rousseau, all wrote apologias for suicide.
Schopenhauer protested bitterly against the fact that suicide was
regarded as a crime in England. . . . And yet, I wonder if the
subject can be formulated. Somehow I feel that it's too personal a
matter for academic discussion."
The professor agreed sadly.
"No one can know what goes on in the
human heart in that last dark hour."
During this discussion Markham had
been growing impatient and uneasy; and Heath, though at first rigid
and watchful, had begun to unbend. I could not see that Vance had
made the slightest progress; and I was driven to the conclusion
that he had failed signally in accomplishing his purpose of
ensnaring Arnesson. However, he did not appear in the least
perturbed. I even got the impression that he was satisfied with the
way things were going. But I did notice that, despite his outer
calm, he was intently alert. His feet were drawn back and poised;
and every muscle in his body was taut. I began to wonder what the
outcome of this terrible conference would be.
The end came swiftly. A short silence
followed the professor's remark. Then Arnesson spoke.
"You say you know who the Bishop is,
Mr. Vance. That being the case, why all this palaver?"
"There was no great haste." Vance was
almost casual. "And there was the hope of tying up a few loose
ends,—hung juries are so unsatisfact'ry, don't y' know. . . . Then
again, this port is excellent."
"The port? . . . Ah yes." Arnesson
glanced at our glasses, and turned an injured look on the
professor. "Since when have I been a teetotaler, sir?"
The other gave a start, hesitated, and
rose.
"I'm sorry, Sigurd. It didn't occur to
me . . . you never drink in the forenoon." He went to the sideboard
and, filling another glass, placed it, with an unsteady hand,
before Arnesson. Then he refilled the other glasses.
No sooner had he resumed his seat than
Vance uttered an exclamation of surprise. He had half risen and was
leaning forward, his hands resting on the edge of the table, his
eyes fixed with astonishment on the mantel at the end of the
room.
"My word! I never noticed that before.
. . . Extr'ordin'ry!"
So unexpected and startling had been
his action, and so tense was the atmosphere, that involuntarily we
swung about and looked in the direction of his fascinated
gaze.
"A Cellini plaque!" he exclaimed. "The
Nymph of Fontainebleau! Berenson told me it was destroyed in the
seventeenth century. I've seen its companion piece in the Louvre. .
. ."
A red flush of angry indignation
mounted to Markham's cheeks; and for myself I must say that,
familiar as I was with Vance's idiosyncrasies and intellectual
passion for rare antiques, I had never before known him to exhibit
such indefensible bad taste. It seemed unbelievable that he would
have let himself be distracted by an objet-d'art in such a tragic hour.
Professor Dillard frowned at him with
consternation.
"You've chosen a strange time, sir, to
indulge your enthusiasm for art," was his scathing comment.
Vance appeared abashed and chagrined.
He sank back in his seat, avoiding our eyes, and began turning the
stem of his glass between his fingers.
"You are quite right, sir," he
murmured. "I owe you an apology."
"The plaque, incidentally," the
professor added, by way of mitigating the severity of his rebuke,
"is merely a copy of the Louvre piece."
Vance, as if to hide his confusion,
raised his wine to his lips. It was a highly unpleasant moment:
every one's nerves were on edge; and, in automatic imitation of his
action, we lifted our glasses too.
Vance gave a swift glance across the
table and, rising, went to the front window, where he stood, his
back to the room. So unaccountable was his hasty departure that I
turned and watched him wonderingly. Almost at the same moment the
edge of the table was thrust violently against my side, and
simultaneously there came a crash of glassware.
I leapt to my feet and gazed down with
horror at the inert body sprawled forward in the chair opposite,
one arm and shoulder flung across the table. A short silence of
dismay and bewilderment followed. Each of us seemed momentarily
paralyzed. Markham stood like a graven image, his eyes fastened on
the table; and Heath, staring and speechless, clung rigidly to the
back of his chair.
"Good Gad!"
It was Arnesson's astonished
ejaculation that snapped the tension.
Markham went quickly round the table
and bent over Professor Dillard's body.
"Call a doctor, Arnesson," he
ordered.
Vance turned wearily from the window
and sank into a chair.
"Nothing can be done for him," he
said, with a deep sigh of fatigue. "He prepared for a swift and
painless death when he distilled his cyanide.—The Bishop case is
over."
Markham was glaring at him with dazed
incomprehension.
"Oh, I've half-suspected the truth
ever since Pardee's death," Vance went on, in answer to the other's
unspoken question. "But I wasn't sure of it until last night when
he went out of his way to hang the guilt on Mr. Arnesson."
"Eh? What's that?" Arnesson turned
from the telephone.
"Oh, yes," nodded Vance. "You were to
pay the penalty. You'd been chosen from the first as the victim. He
even suggested the possibility of your guilt to us."
Arnesson did not seem as surprised as
one would have expected.
"I knew the professor hated me," he
said. "He was intensely jealous of my interest in Belle. And he was
losing his intellectual grip—I've seen that for months. I've done
all the work on his new book, and he's resented every academic
honor paid me. I've had an idea he was back of all this deviltry;
but I wasn't sure. I didn't think, though, he'd try to send me to
the electric-chair."
Vance got up and, going to Arnesson,
held out his hand.
"There was no danger of that.—And I
want to apologize for the way I've treated you this past half hour.
Merely a matter of tactics. Y' see, we hadn't any real evidence,
and I was hopin' to force his hand."
Arnesson grinned sombrely.
"No apology necessary, old son. I knew
you didn't have your eye on me. When you began riding me I saw it
was only technique. Didn't know what you were after, but I followed
your cues the best I could. Hope I didn't bungle the job."
"No, no. You turned the trick."
"Did I?" Arnesson frowned with deep
perplexity. "But what I don't understand is why he should have
taken the cyanide when he thought it was I you suspected."
"That particular point we'll never
know," said Vance. "Maybe he feared the girl's identification. Or
he may have seen through my deception. Perhaps he suddenly revolted
at the idea of shouldering you with the onus. . . . As he himself
said, no one knows what goes on in the human heart during the last
dark hour."
Arnesson did not move. He was looking
straight into Vance's eyes with penetrating shrewdness.
"Oh, well," he said at length; "we'll
let it go at that. . . . Anyway, thanks!"