Index
Page numbers in italic indicate figures.
A
A magazine, 119
abstraction
definition, 177
historical references, 178, 181
Academy for Graphic Arts and Book Production in Leipzig, 141
Academy of Art University, 54
Accept & Proceed, 61
Acquire New York, 164
Ada, or Ardor (Nabokov), 170
AdamsMorioka Inc., 68, 194, 198, 253
Aguinaldo, Neil, 25
Ahmad, Sehyr, 210
Aicher, Otl, 209
Al Groobi, Sarah, 241
Alfalfa Studio LLC, 47, 182, 228
Alfred A. Knopf Publishers, 184
Allegemein Elektricitäts-Gesellschaft (AEG), 23
Allgemeine Gewerbeschule Basel School of Art and Crafts (Schule fur Gestaltung or AGS), 161, 199, 209
Allianz, 209
All My Sons (Miller), 89
Aluminum Alphabet Series, 51
American Institute of Architects San Diego, 176
American Institute of Graphic Arts (AIGA), 46, 202, 228, 237, 257
American University of Sharjah, 210, 241
American University jazz ensemble, 193
“Amore y Arte” (“Love and Art”), 172
Amphibian Stage Productions, 182
Ana Pro typeface, 256
And Partners, 132
Anderson, Gail, 168
Angels in America (Kushner), 35
Animal Farm (Orwell), 240
Anouilh, Jean, 39
APA Technologies, 208
Archer Farms, 94
Architecture Boston magazine, 243
Arctic Club Hotel, 122
Arp, Hans, 103
Art Center College of Design, 74, 222
Art Directors Club of Metropolitan Washington, 86
Art Institute of Chicago, 113
artists’ films and videos, poster for, 143
Arts in HealthCare program, 42
ASICS Tiger, 9
As You Like It (Shakespeare), 85
“Ashamed to be Asian?”, 205
Aspen Institute, 154
Aspenware, 94
Assuring the Jefferson Legacy: The Site and Facilities Plan for Monticello, 231
Asymmetric Typography (Typographische Gestaltung), 141
asymmetry
definition, 139
references in nature, 140, 142
atlas, use of balance in, 129
Austellung Helmhaus, 161
Austopchuk, Christopher, 205
Australian Graphic Design Association, 147, 263
Aventine, 85
Awake and Sing! (Odets), 238
B
Bacon, Paul, 83
balance, 121
definition, 120
and formal symmetry, 127
and location of elements, 125
as organizational and compositional principle, 129
Baltimore’s Theatre Project, 125
Bam, 181
Bantjes, Marian, 170
Barboe, Cassandra, 54
Barragan, Luis, 111
Basel School of Design (Allgemeine Gewerbeschule), 161, 199, 209
Bass, Saul, 219
Bauhaus, 23, 59, 133, 141, 189, 199, 209
bauhaus zeitschrift (Bauhaus magazine), 59
Beall, Lester, 113
Beckley, Bill, 109
Behrens, Peter, 23
Berg, Alan, 31
Bergen Street Studio, 163
Berlage, H. P., 151
The Berlin Stories (Isherwood), 106
Bernhard, Lucien, 247
The Best Creative Nonfiction, Volume 1 (Gutkind, ed.), 79
Bierut, Michael, 170
Biruta, 150
Black, Roger, 257
Blok Design, 92, 94, 108, 188, 246
BLT Architects, 165
Boggeri, Antonio, 169
Boney’s Bayside Market, 132
Booher, Jason, 170
Boy and Girl on a Fence, Rural Electrification Administration Series Two, 113
BPI, 150
Brawer & Hauptman Architects, 265
Bregenz, Austria, contemporary art museum, 201
Breuer, Marcel, 59
Bringhurst, Robert, 255
Brno Echo: Ornament and Crime from Adolf Loos to Now, 32
Brody, Neville, 18
Brooklyn Botanic Garden, 228, 251
Brooklyn College, 219
Brown, Juana Francisca’s Kitchen, 251
Brownjohn, Robert, 237
Bruno Monguzzi Studio, 169
Bucheron (Woodcutter), 93
Burton, Tim, 204
C
California Academy of Sciences, 98
Camera Work magazine, 50
Carbone Smolan Agency, 79, 82, 172, 205, 248
Casa da Musica, 55
Casa Lever, 202
Casey, Jacqueline, 123
Cass Art Stores, 70
Cassandre, A. M. (Adolphe Jean-Marie Mouron), 93
Castellano, Jonathan Sikov, 102
Cathedral Church of Saint John the Divine, 128
C+G Partners LLC, 30, 102, 140, 160, 178, 218
Chan, Tammi, 205
Chanterelle, 225
Charles Ross: Light Placed, 123
Charles Shaw wines, 87
Chesterton, G. K., 217
chiaroscuro, 202
Cincinnati Civic Center, 78
Civil Elegies (Lee), 238
Clark, John, 73
Cleveland International Film Festival, 44
closure
compositional forms, 162
definition, 158
forms of perception, 163
historical references, 160
CNN Grill, 50
color
and balance, 125
categories, 73
classification systems, 70
definition, 66
properties, 70
relationships, 74
subtractive, 78
Colour Cosmetica, 198
The Comedy of Errors (Shakespeare), 85
Common Sense and Nuclear Warfare (Russell), 237
Coney Island of the Mind (Ferlinghetti), 68
contrast
characteristics and functions, 201
comparative relationships, 200
definition, 196
Cooper-Hewitt National Design Week, 52
Cooper Union, 83
Coral Technologies, 164
Corboy, Aleta, 250
El Coronet no tiene quien le Escriba (No One Writes to the Colonel and Other Stories) (Marquez), 19
The Courage to Create (May), 137
Cranbrook Academy of Art, 195
Creation of Adam (Michaelangelo), 160
cropping, 222
D
Darden Studio, 43
Darfur, 223
Darien Library, 102
Darmstadt Artists’ Colony, 23
Davies, Robertson, 239
The Day of the Locust (West), 88
Daycorp Property Development, 112
de Stijl movement, 151, 173, 199
Deberny & Peignot, 229
Design UK, 32
Designing the News, 71
Despair (Nabokov), 170
deWilde, Barbara, 170
Dickens, Charles, 197
Diller Scofidio + Renfro, 104
direction, balance and, 125
Divina Proportione (Pacioli), 230
Divine Hierarchies (McCloud), 136
Divine Proportion: Phi in Art, Nature, and Science (Hemenway), 231
The Dogs of Lincoln Park (Welsh), 180
“Double Edge,” 265
Doyle, Stephen, 170
Dubai Waterfront Canal District, 128
Dürer, Albrecht, 230
Dwiggins, William Addison, 131, 168
E
École des Arts Décoratifs (Geneva), 93, 169
Edel Rodriguez Studio, 85
Edenspiekermann, 249
Eggers, Dave, 170
emerystudio, 35
Emil Ruder: Typography, 199
Emma (Austen), 252
Everything Italian, 87
Evolutiva, 92
Exile and the Kingdom (Camus), 215
Experimenta typographica, 189
expression
definition, 166
The Eye (Nabokov), 170
F
Fahim, Erini, 210
Fahrenheit 451 (Bradbury), 240
The Fall (Camus), 215
A Farewell to Arms (Hemingway), 135
Feaver, William, 245
Felton, Nicholas, 98
Felton Communication, 203, 211
figure-ground
characteristics, 213
elements, 210
and letterform compositions, 210, 211, 213
types of, 211
Fili, Louise, 257
“Film Project,” 108
Finian’s Rainbow, 60
First Amendment tablet (Newseum), 143
Fisher, Jack Henrie, 195
Flaubert, Gustave, 49
For Whom the Bell Tolls (Hemingway), 135
form
definition, 48
spatial depth, 54
tone and shading, 54
types of, 52
visual relationship between typographical and architectural form, 54, 62
vs. shape, 47
Fort Worth Opera Festival, 213
Fortner, Wolfgang, 31
Fox River Paper, 87
frame
characteristics and functions, 218, 220
definition, 216
forms and functions, 220, 222, 225
Fraser Muggeridge Studio, 99, 143
Frizz, 96
Froelich, Janet, 173
Frutiger, Adrian, 229
Fulford, Jason, 170
Fuller, Richard Buckminster, 1419
Funky Lofts, 45
Fuszion, 86
Future Flight, 147
G
Gall, John, 24, 88, 153, 170, 215
Gertsner, Karl, 123
“Get It On,” 211
Gibney Dance Spring Benefit, 9
Girard, Alexander (Sandro), 69, 249
Girard Management, 214
Glengarry Glen Ross (Mamet), 238
The Goat or Who Is Sylvia? (Albee), 261
Goethe, Johann Wolfgang von, 15, 70
Goldberg, Carin, 170
golden ratio, 231
golden rectangle, 232
golden section rectangle, construction of, 233
The Good Men Project: Real Stories from the Front Lines of Modern Manhood (Houghton, et al., eds.), 145
“Good Work,” 175
Goodbye, Columbus and 5 Short Stories (Roth), 83
Goodman, Timothy, 135
Gottschalk, Fritz, 205
Gould, Annabelle, 25, 34, 102, 250
Gralnick, Laura, 107, 116, 155, 160
Gran Premio dell’Autodromo di Monza (Monza Grand Prix), 103
Graphic Design in China, 162, 266
Graphic typefaces, 262
Green World (Cunningham), 119
grid
anatomy of, 276
applications, 276
definition, 268
evolution of, 272
functions, 273
historical references, 270, 272
statistics, organization and structuring of, 277
Grid Systems in Graphic Design (Müller-Brockmann), 273
Gropius, Walter, 23
Grosz, George, 83
The Guardsman (Molnar), 238
Guggenheim Museum, 18, 153, 257
“A Guide to Yale College,” 275
Gutenberg Prize, 229
Guthrie Theater, 126
H
Harak, Rudolph de, 237
Harvard University, 237
Heath Ceramics, 221
Hedda Gabler (Ibsen), 175
Hemenway, Priya, 231
Henrion, F. H. K., 123
Herald newspaper, 271
Hermann Scherrer style, 247
Hippocampe (Brullemans), 175
Hoefler, Jonathan, 257
Hoefler text typeface, 257
Hohlwein, Ludwig, 247
Horace, 235
The House at Sugar Beach: In Search of a Lost African Childhood (Cooper), 36
Huasen Architecture Company, 27
Hurricane Katrina, 275
The Husband’s Prayer (Schlemmer), 169
Hutchins Center for African & African American Research, 246
I
If You Liked School, You’ll Love Work (Welsh), 180
Igarashi, Takenobu, 51
Il conte, 253
Ilic, Mirko, 137
Illinois Institute of Technology (IIT), 237
illustration vs. photography, 242
image
classifications, 239
definition, 234
functions, 241
graphic forms, 239
new relationships of photographic form, development of, 241
The Importance of Being Earnest (Wilde), 89
Impulse, 46
Infinite Scale Design, 45
International Typographic Style, 31, 161, 199, 209, 273
Introduction to Linguistics (Koch), 258
Introduction to Philosophy (Heidegger), 58
Invitation to a Beheading (Nabokov), 170
Itten, Johannes, 209
J
J. Christopher Capital, 140
Japanese Cinema Festival ‘09, 222
Jeanneret-Gris, Charles-Édouard (Le Corbusier), 23, 103, 274
Jewish Museum, 248
JFK International Air Terminal, 14
Jin, Sang Lee, 24
Joehnk, Amber, 34
Jog Limited, 192
John P. McNulty Prize, 154
Jugendstil (New Art), 23
K
Kandinsky, Wassily, 29, 41, 59, 69, 209
Kanuhura, 86
Kaye, Michael Ian, 58, 87, 225
Kepes, Gyorgy, 219
Kidd, Chip, 170
Kim, Hauen, 16
King, Queen, Knave (Nabokov), 170
Kingdom of Fife (Welsh), 180
Klee, Paul, 59, 103, 141, 179, 209
Kobayashi, Mikihiro, 35
Konstruktivisten, 141
Kuhlman, Roy, 237
Kunstgewerbemuseum, 209
Kunstgewerbeschule, Zurich (School of Applied Arts), 103, 161, 209, 229
Kusama, Yayoi, 24
Kusui, Takashi, 33, 85, 200, 211
Kyorin, 178
L
La Radio dans le Noir, 165
Lab31, 65
Laga Company, 151
L’Amore per i Libri (De Bury), 242
Landor, 63, 95, 126, 147, 222, 263, 273
The Language of Things (Sudjic), 117
LargaVista Companies, 114
Latina magazine, 75
Laughter in the Dark (Nabokov), 170
Le Bras canadien et autre vanités (Lehoux), 89
Le Cabaret de Carmen, 125
Le Corbusier (Jeanneret-Gris, Charles-Édouard), 23, 103, 274
Leo Ingwer Jewelers, 132
Leonardo da Vinci, 60
Les Adventures de Lagardère, 194
Les Noces, 169
letterforms, anatomy of, 259
light
definition, 56
properties and characteristics, 60, 62
representation of data about light and dark, 60
light festival in Porec, Croatia, 65
line
characteristics, 29
definition, 28
in environment, 34
graphic forms, 34
quality, 36
linear/one-point perspective, 53, 117
Lionni, Leo, 83
Lip, 251
Liquid Capital, 192
Lissitzky, El (Eliezer, Elizar, or Lazar), 41, 141
Living Openly and Notoriously (Hess), 125
location of elements, 125
Lord of the Flies (Golding), 240
Los Angeles magazine, 135
Louise Fili Ltd., 33, 42, 134, 137, 253, 257
Lubalin, Herb, 262
Lustig, Alvin, 83, 179, 237, 249
Lynch, Jason, 183
M
Mac Industries, 45
Macbeth (Shakespeare), 182
Magritte, René, 207
Maison Theatre, 144
Mak, Jeanelle, 208
Maldonado, Tomas, 209
Malevich, Kasimir, 41
Man on Wire, 128
The Man with the Golden Arm, 219
Mann, Thomas, 136
Man’s Search for Himself (May), 137
Mao (Short), 221
Marceau, Marcel, 200
Marquette, Jamus, 180
Massachusetts Institute of Technology (MIT), 123
The Matchbox Studio, 213
Matisse, Henri, 121
Max Protetch Gallery, 160
Mayakovsky, Vladimir, 41
McCoy, Katherine, 11
McGill School of Architecture, 54, 92
Meet Girls, 183
Mende Design, 50, 163, 178, 225
Mendelsund, Peter, 170
Mercer Creative Group, 117, 232, 262
Meschonnic, Henri, 185
Metropolis magazine, 52
Meyer, Adolf, 23
Michaelangelo, 160
Microsoft Corporation, 73
Microsoft Store, 195
Middlebury College, 74
Mies van der Rohe, Ludwig, 23
Mijovi, 175
Miller & Green, 63
Miriello Grafico, 72, 87, 132, 236
Miró, Joan, 179
Miss Arizona (Welsh), 180
Miss Lonelyhearts (West), 88
Modern typefaces, 262
Mohamed, Omar, 210
Mohawk Papers, 68
Montreal theater companies posters, 152
Monza Grand Prix (Gran Premio dell’Autodromo di Monza), 103
Morrisey, William, 183
Mother Design, 106, 117, 137, 190
Mountain Woods, 212
Mourning Becomes Electra (O’Neill), 146
Mouron, Adolphe Jean-Marie (A. M. Cassandre), 93
movement
definition, 100
effects of, 108
elements and techniques, 104
in environment and everyday objects, 102
function, 102
Mrs. Meyer’s Clean Day, 260
Mucca Design, 43, 202, 221, 225, 243
Much Ado About Nothing (Shakespeare), 85
Müller-Brockmann, Josef, 31, 123, 169, 269, 273, 274
Museo Cantonale d’Arte, 169
Museum of Arts and Design (MAD), 40
Museum of Modern Art, 51, 93, 113, 204, 257
Museum of the African Diaspora (MoAD), 25
N
National Theatre School of Canada, 88, 220
Neruda, Pablo, 64
Die Neue Typographie (The New Typography) (Tschichold), 133, 141, 151, 199, 272
New Art (Jugendstil), 23
New Directions Books, 179
The New Group Theater, 146
New Museum of Contemporary Art, 267
The New Typography (Die Neue Typographie) (Tschichold), 133, 141, 151, 199, 272
New Words Festival, 89
New York Times Book Review, 37
New York Times Style Magazine, 173
News Corporation, 95
Newseum, 143
‘Night, Mother (Norman), 84
Nightwood (Barnes), 179
1984 Los Angeles Summer Olympics, 69
Nizuc, 248
Nobel, Akzo, 119
No One Writes to the Colonel and Other Stories (El Coronel no tiene quien le Escriba)
(Marquez), 19
Normandie, 93
Novarese, Aldo, 16
O
O’Brien, Morgan, 18
The Office of Paul Sahre, 114, 134, 261
The Old Man and The Sea (Hemingway), 134
Old Police Headquarters building, 47, 146
Old Style typefaces, 261
Olin, 22
One Degree program, 95
160over90, 82
“The 1%”, 224
One Week of the Guardian, 71
On the Pulse of Morning (Angelou), 13
Open Source, 184
O’Shaughnessy Asset Management, 160
The Outsiders (Hinton), 127
Overture, 140
P
Pale Fire (Nabokov), 170
Paone Design Associates Ltd., 265
Paris Diderot Université, 22
Parsons School of Design, 83
pattern
basic structures and forms, 249, 251, 253
definition, 244
historical influences, 248
relationship to color and composition, 250
“Peace One Day,” 208
Penguin Books, 239
Pentagram, 22, 31, 40, 70, 86, 96, 104, 119, 128, 274
Pfau Long Architecture, 156
Philographica, 74
photography vs. illustration, 242
Pinabel, Laurent, 88, 153, 175, 194, 220
Piscatello Design Center, 46
The Plague (Camus), 215
Plakastil mode, 247
planar/two-point perspective, 53, 118
PMP Limited Melbourne, 35
Pnin (Nabokov), 170
point
characteristics, 24
definition, 20
in environment and everyday objects, 25
and offset printing, 25
“Pop Justice,” 50
Posavec, Stefanie, 124
Potts, Sam, 170
Poulin, Richard, 13, 14, 16, 18, 19, 35, 107, 116, 11, 160
Poulin + Morris Inc., 9, 13, 17, 42, 73, 128, 143, 145, 150, 154, 157, 163, 164, 165, 175, 214, 228, 231, 251
Pratt Institute, 83
The Prisoner of Guantánamo (Fesperman), 153
Prix Émile Hermès, 34
Promenades, 236
proportion
basic relationships, 231
definition, 226
golden ratio, 231
golden rectangle, 232
golden section rectangle, construction of, 233
historical references, 228, 230
“Prospect New Orleans,” 221
Pump House Gallery, 99
Pure + Applied, 221
R
Rancier, Isabelle, 252
Random House, 170
The Real Life of Sebastian Knight (Nabokov), 171
The Real Show, 86
The Rebel (Camus), 215
reflective symmetry, 154
Resistance, Rebellion, and Death (Camus), 215
rhythm, effects of, 108
Rhythm Textures, 124
Rime (Buonarroti), 242
Ring Around the Moon (Anouilh), 84
Ripped: How the Wired Generation Revolutionized Music (Kot), 114
Rockwell, Jarvis, 62
Rodchenko, Alexandr, 41
Rodrigo Corral Design, 68, 75, 79, 88
Rodriquez, Daniel, 19
Rogers Eckersley Design, 35, 62, 136, 146
rotative symmetry, 137
Rothko, Mark, 179
Roundabout Theatre Company, 126
The Ruined Map (Abe), 88
Ruskin, John, 167
Russian Constructivism, 41
S
Sachplakat mode, 247
Sacks, Oliver, 12
Saegusa, Takako, 58
Safe Horizon, 35
Sagmeister & Walsh, 30, 55, 168, 201
Saint-Exupéry, Antoine de, 177
Sandberg, Willem, 189
Sandwich Creative, 238
Sans Serif typefaces, 262
scale
atlas, use of in, 97
and context, 95
definition, 90
and optical effects, 96
representation of data about personal activity, 98
use of, 94
Schmidt, Joost, 59
Scholastic, 47
School of Applied Arts (Kunstgewerbeschule), Zurich, 103, 161, 209, 229
School of Arts and Crafts (Amsterdam), 151
School of Visual Arts, 13, 14, 16, 18, 19, 24, 32, 35, 54, 58, 62, 73, 85, 87, 96, 107, 116, 129, 136, 137, 155, 157, 160, 168, 180, 183, 200, 205, 211, 225, 242, 252, 261
Schule fur Gestaltung or AGS (Allgemeine Gewerbeschule Basel School of Art and Crafts), 161, 199, 209
Scrap House, 163
Scripps Research Institute, 236
Seagull, 105
Seeds of the Cities, 27
Seitz, Peter, 209
semiotics, 209
Sense & Sensibility (Austen), 252
Shakespeare, William, 81, 85, 133, 182
shape
and balance, 125
categories of, 45
definition, 38
vs. form, 47
The Shape of Globalization: World Auto Industry, 26
The Shape of News, 272
Shaw, George Bernard, 87, 159, 161
Shopsin, Tamara, 170
Signature Theatre Company, 30
Slab Serif typefaces, 262
Slavko, 200
Smithsonian Institution, 52, 257
Soapbox Design Communications, 239
Society of Young Artists, 41
The Sold Appetite, 41
Sondheim on Sondheim, 118
Soto, 222
space
characteristics and techniques, 114
definition, 110
describing, 112
perspective, 116
representation of data about people in cities, 115
types of, 114
use of white space, 117
Speak, Memory (Nabokov), 170
Sprint, 72
Spur Design, 125
Staatliche Hochschule fur Bildende Kunste, 209
State Academy of Art, Amsterdam, 189
State Free Art Workshops (formerly Stoganov School of Applied Art), 41
Stealth, 212
Stedelijk Museum, 189
Stenberg, Vladimir and Georgii (Stenberg Brothers), 41
Stephen Petronio Company, 155
Stepnova, Varvara, 41
Still, Clifford, 179
Stoganov School of Applied Art (later State Free Art Workshops), 41
Stories from the Field, 145
Stories (Nabokov), 170
The Stranger (Camus), 215
Studio Joost Grootens, 97, 129, 142
Studio Museum in Harlem, 212
subtractive color, 78
The Sun Also Rises (Hemingway), 135
Sun UV, 208
Support and Resist (Rappaport), 156
Suprematist painting, 41
Surace, John, 136
Sussman, Deborah, 69
Sussman/Prejza & Company, 25, 69, 78
Swiss International Typographic Style, 31
symmetry
and balance, 127
T
Tam, Jason, 175
Target, 47
TCHO, 249
tension
characteristics and effects, 153, 156
definition, 148
Terence Higgins Trust, 203, 211
Terrazzo Prosecco, 42
texture
and balance, 125
characteristics, 82
definition, 80
effects of, 88
types of, 85
and use of diverse compositional elements, 82
Theater Construction in Antiquity and Modernity, 161
Theaterbau von der Antike bis zur Moderne, 161
Théâtre Français, 174
Think Studio, 156
This Book is Not Pink, 225
This is NPR, 16
Thomas & Star, 46
Thoreau, Henry David, 8
Three Quandries (Mann), 136
The Three Sisters (Chekhov), 105
Tiffany & Company, 18, 134, 257
Tirondola, Meaghan, 62
To Have and Have Not (Hemingway), 134
To Kill A Mockingbird (Lee), 240
Tobin, Isaac, 122
Toledo Museum of Art, 218
tone
characteristics, 188, 190, 191
definition, 186
types and effects, 193
Top Graphic Design (Henrion), 123
Toxico, 108
The Tragedy of King Lear (Shakespseare), 133
Transitional typefaces, 261
translative symmetry, 137
Transparent Things (Nabokov), 170
Tratturi Primitivo, 137
Travesties (Stoppard), 238
Triboro Design Solutions, 19, 27, 72, 164, 184
“A Tribute to Kind of Blue,” 193
Truth Machine (Lynch, et al.), 122
Tschichold, Jan, 133, 139, 141, 169, 189, 199, 272
Twelfth Night (Shakespeare), 84
Twist Creative Inc., 44
Txikito Cocina Vasca, 32
Typographische Gestaltung (Asymmetric Typography), 141
typography
color, 266
definition, 254
historical references, 256, 258
letterforms, anatomy of, 258, 259, 260
optical issues, 264
typeface, classifications of, 260
U
UCLA School of Architecture, 265
Ulm School of Design (Hochschule fur Gestaltung-HfG Ulm), 209
Une Fête pour Boris (Bernhard), 175
Unimark International, 271
United Nations Documentary Film Festival, 32
United Workshops for Arts and Crafts, 247
Univers Family of Typefaces, 229
University of Chicago, 113
University of Kentucky, 42
University of Washington, 25, 34, 102, 250
Urban Influence Design Studio, 45, 47, 122, 146
Uribe, Adriana, 261
used book festival, 172
V
van Doesburg, Theo, 169
The Verificationist (Antrim), 24
Vignelli, Lella, 271
Vignelli, Massimo, 271
Vignelli Associates, 271
Visual Arts Journal, 242
Visual Arts Press, 242
Visuel Design studio, 169
Vitruvian Man (Leonardo da Vinci), 230
Vivarelli, Carlo, 169
Volume Inc., 65, 71, 98, 221, 223, 270, 274
Volume magazine, 192
Vote, 228
Vrgoc, Kruno, 232
W
W. L. Gore, 82
Waiting for Godot (Beckett), 126
Walrus, 262
Weill, Alain, 247
Werman, Hendrik, 189
Whitman, Walt, 187
Who’s Afraid of Virginia Woolf? (Albee), 238
Widmer, Jean, 169
Wolf, Rudolph, 262
Woodward, Fred, 257
World Trade Center Tribute Center, 214
World’s Proven Oil Reserves, 96
Woyzeck (Büchner), 175
Written Language and Power (Gnerre), 258
WUN, 94
Y
Yale University School of Art and Architecture, 237
Yenthus, Helen, 170
You Will Mingle, 183
Z
Zask, Catherine, 22, 34, 105, 165, 182, 185
Zeischegg, Walter, 209
Zeppetelli, Anita, 136
Zero Decibels: The Quest for Absolute Silence (Foy), 190
Zurich Tonhalle, 31