Contents

MOON OF ZAMBEBWEI

By Robert E. Howard

 

Chapter 1. The Horror in the Pines

The silence of the pine woods lay like a brooding cloak about the soul of Bristol McGrath. The black shadows seemed fixed, immovable as the weight of superstition that overhung this forgotten back-country. Vague ancestral dreads stirred at the back of McGrath's mind; for he was born in the pine woods, and sixteen years of roaming about the world had not erased their shadows. The fearsome tales at which he had shuddered as a child whispered again in his consciousness; tales of black shapes stalking the midnight glades . . . .

Cursing these childish memories, McGrath quickened his pace. The dim trail wound tortuously between dense walls of giant trees. No wonder he had been unable to hire anyone in the distant river village to drive him to the Ballville estate. The road was impassable for a vehicle, choked with rotting stumps and new growth. Ahead of him it bent sharply.

McGrath halted short, frozen to immobility. The silence had been broken at last, in such a way as to bring a chill tingling to the backs of his hands. For the sound had been the unmistakable groan of a human being in agony. Only for an instant was McGrath motionless. Then he was gliding about the bend of the trail with the noiseless slouch of a hunting panther.

A blue snub-nosed revolver had appeared as if by magic in his right hand. His left involuntarily clenched in his pocket on the bit of paper that was responsible for his presence in that grim forest. That paper was a frantic and mysterious appeal for aid; it was signed by McGrath's worst enemy, and contained the name of a woman long dead.

McGrath rounded the bend in the trail, every nerve tense and alert, expecting anything--except what he actually saw. His startled eyes hung on the grisly object for an instant, and then swept the forest walls. Nothing stirred there. A dozen feet back from the trail visibility vanished in a ghoulish twilight, where anything might lurk unseen. McGrath dropped to his knee beside the figure that lay in the trail before him.

It was a man, spread-eagled, hands and feet bound to four pegs driven deeply in the hard-packed earth; a blackbearded, hook-nosed, swarthy man. "Ahmed!", muttered McGrath. "Ballville's Arab Servant! God!"

For it was not the binding cords that brought the glaze to the Arab's eyes. A weaker man than McGrath might have sickened at the mutilations which keen knives had wrought on the man's body. McGrath recognized the work of an expert in the art of torture. Yet a spark of life still throbbed in the tough frame of the Arab. McGrath's gray eyes grew bleaker as he noted the position of the victim's body, and his-mind flew back to another, grimmer jungle, and a halfflayed black man pegged out on a path as a warning to the white man who dared invade a forbidden land.

He cut the cords, shifted the dying man to a more comfortable position. It was all he could do. He saw the delirium ebb momentarily in the bloodshot eyes, saw recognition glimmer there. Clots of bloody foam splashed the matted beard. The lips writhed soundlessly, and McGrath glimpsed the bloody stump of a severed tongue.

The black-nailed fingers began scrabbling in the dust. They shook, clawing erratically, but with purpose. McGrath bent close, tense with interest, and saw crooked lines grow under the quivering fingers. With the last effort of an iron will, the Arab was tracing a message in the characters of his own language. McGrath recognized the name: "Richard Ballville"; it was followed by "danger," and the hand waved weakly up the trail; then--and McGrath stiffened convulsively--"Constance." One final effort of the dragging finger traced "John De Al--".

Suddenly the bloody frame was convulsed by one last sharp agony; the lean, sinewy hand knotted spasmodically and then fell limp. Ahmed ibn Suleyman was beyond vengeance or mercy.

McGrath rose, dusting his hands, aware of the tense stillness of the grim woods around him; aware of a faint rustling in their depths that was not caused by any breeze. He looked down at the mangled figure with involuntary pity, though he knew well the foulness of the Arab's heart, a black evil that had matched that of Ahmed's master, Richard Ballville. Well, it seemed that master and man had at last met their match in human fiendishness. But who, or what? For a hundred years the Ballvilles had ruled supreme over this back-country, first over their wide plantations and hundreds of slaves, and later over the submissive descendants of those slaves. Richard, the last of the Ballvilles, had exercised as much authority over the pinelands as any of his autocratic ancestors. Yet from this country where men had bowed to the Ballvilles for a century, had come that frenzied cry of fear, a telegram that McGrath clenched in his coat pocket.

Stillness succeeded the rustling, more sinister than any sound. McGrath knew he was watched; knew that the spot where Ahmed's body lay was the iovisible deadline that had been drawn for him. He believed that he would be allowed to turn and retrace his steps unmolested to the distant village. He knew that if he continued on his way, death would strike him suddenly and unseen. Turning, he strode back the way he had come.

He made the turn and kept straight on until he had passed another crook in the trail. Then he halted, listened. All was silent. Quickly he drew the paper from his pocket, smoothed out the wrinkles and read, again, in the cramped scrawl of the man he hated most on earth:

Bristol:

If you still love Constance Brand, for God's sake forget your hate and come to Ballville Manor as quickly as the devil can drive you.

RICHARD BALLVILLE.

That was all. It reached him by telegraph in that Far Western city where McGrath had resided since his return from Africa. He would have ignored it, but for the mention of Constance Brand. That name had sent a choking, agonizing pulse of amazement through his soul, had sent him racing toward the land of his birth by train and plane, as if, indeed, the devil were on his heels. It was the name of one he thought dead for three years; the name of the only woman Bristol McGrath had ever loved.

Replacing the telegram, he left the trail and headed westward, pushing his powerful frame between the thickset trees. His feet made little sound on the matted pine needles. His progress was all but noiseless. Not for nothing had he spent his boyhood in the country of the big pines.

Three hundred yards from the old road he came upon that which he sought-an ancient trail paralleling the road. Choked with young growth, it was little more than a trace through the thick pines. He knew that it ran to the back of the Ballville mansion; did not believe the secret watchers would be guarding it. For how could they know he remembered it?

He hurried south along it, his ears whetted for any sound. Sight alone could not be trusted in that forest. The mansion, he knew, was not far away, now. He was passing through what had once been fields, in the days of Richard's grandfather, running almost up to the spacious lawns that girdled the Manor. But for half a century they had been abandoned to the advance of the forest.

But now he glimpsed the Manor, a hint of solid bulk among the pine tops ahead of him. And almost simultaneously his heart shot into his throat as a scream of human anguish knifed the stillness. He could not tell whether it was a man or a woman who screamed, and his thought that it might be a woman winged his feet in his reckless dash toward the building that loomed starkly up just beyond the straggling fringe of trees.

The young pines had even invaded the once generous lawns. The whole place wore an aspect of decay. Behind the Manor, the barns, and outhouses which once housed slave families, were crumbling in ruin. The mansion itself seemed to totter above the litter, a creaky giant, ratgnawed and rotting, ready to collapse at any untoward event. With the stealthy tread of a tiger Bristol McGrath approached a window on the side of the house. From that window sounds were issuing that were an affront to the tree-filtered sunlight and a crawling horror to the brain.

Nerving himself for what he might see, he peered within.

Chapter 2. Black Torture

He was looking into a great dusty chamber which might have served as a ballroom in ante-bellum days; its lofty ceiling was hung with cobwebs, its rich oak panels showed dark and stained. But there was a fire in the great fireplace-a small fire, just large enough to heat to a white glow the slender steel rods thrust into it.

But it was only later that Bristol McGrath saw the fire and the things that glowed on the hearth. His eyes were gripped like a spell on the master of the Manor; and once again he looked on a dying man.

A heavy beam had been nailed to the paneled wall, and from it jutted a rude cross-piece. From this cross-piece Richard Ballville hung by cords about his wrists. His toes barely touched the floor, tantalizingly, inviting him to stretch his frame continually in an effort to relieve the agonizing strain on his arms. The cords had cut deeply into his wrists; blood trickled down his arms; his hands were black and swollen almost to bursting. He was naked except for his trousers, and McGrath saw that already the white-hot irons had been horribly employed. There was reason enough for the deathly pallor of the man, the cold beads of agony upon his skin. Only his fierce vitality had allowed him thus long to survive the ghastly burns on his limbs and body.

On his breast had been burned a curious symbol-a cold hand laid itself on McGrath's spine. For he recognized that symbol, and once again his memory raced away across the world and the years to a black, grim, hideous jungle where drums bellowed in fire-shot darkness and naked priests of an abhorred cult traced a frightful symbol in quivering human flesh.

Between the fireplace and the dying man squatted a thick-set black man, clad only in ragged, muddy trousers.

His back was toward the window, presenting an impressive pair of shoulders. His bullet-head was set squarely between those gigantic shoulders, like that of a frog, and he appeared to be avidly watching the face of the man on the cross-piece.

Richard Ballville's bloodshot eyes were like those of a tortured animal, but they were fully sane and conscious: they blazed with desperate vitality. He lifted his head painfully and his gaze swept the room. Outside the window McGrath instinctively shrank back. He did not know whether Ballville saw him or not. The man showed no sign to betray the presence of the watcher to the bestial black who scrutinized him. Then the brute turned his head toward the fire, reaching a long ape-like arm toward a glowing iron-and Ballville's eyes blazed with a fierce and urgent meaning the watcher could not mistake. McGrath did not need the agonized motion of the tortured head that accompanied the look. With a tigerish bound he was over the window-sill and in the room, even as the startled black shot erect, whirling with apish agility.

McGrath had not drawn his gun. He dared not risk a shot that might bring other foes upon him. There was a butcher-knife in the belt that held up the ragged, muddy trousers. It seemed to leap like a living thing into the hand of the black as he turned. But in McGrath's hand gleamed a curved Afghan dagger that had served him well in many a bygone battle.

Knowing the advantage of instant and relentless attack, he did not pause. His feet scarcely touched the floor inside before they were hurling him at the astounded black man.

An inarticulate cry burst from the thick red lips. The eyes rolled wildly, the butcher-knife went back and hissed forward with the swiftness of a striking cobra that would have disembowled a man whose thews were less steely than those of Bristol McGrath.

But the black was involuntarily stumbling backward as he struck, and that instinctive action slowed his stroke just enough for McGrath to avoid it with a lightning-like twist of his torso. The long blade hissed under his arm-pit, slicing cloth and skin-and simultaneously the Afghan dagger ripped through the black, bull throat.

There was no cry, but only a choking gurgle as the man fell, spouting blood. McGrath had sprung free as a wolf springs after delivering the death-stroke. Without emotion he surveyed his handiwork. The black man was already dead, his head half severed from his body. That slicing sidewise lunge that slew in silence, severing the throat to the spinal column, was a favorite stroke of the hairy hillmen that haunt the crags overhanging the Khyber Pass. Less than a dozen white men have ever mastered it. Bristol McGrath was one.

McGrath turned to Richard Ballville. Foam dripped on the seared, naked breast, and blood trickled from the lips. McGrath feared that Ballville had suffered the same mutilation that had rendered Ahmed speechless; but it was only suffering and shock that numbed Ballville's tongue. McGrath cut his cords and eased him down on a worn old divan near by. Ballville's lean, muscle-corded body quivered like taut steel strings under McGrath's hands. He gagged, finding his voice.

"I knew you'd come!" he gasped, writhing at the contact of the divan against his seared flesh. "I've hated you for years, but I knew-"

McGrath's voice was harsh as the rasp of steel. "What did you mean by your mention of Constance Brand? She is dead."

A ghastly smile twisted the thin lips.

"No, she's not dead! But she soon will be, if you don't hurry. Quick! Brandy! There on the table-that beast didn't drink it all."

McGrath held the bottle to his lips; Ballville drank avidly. McGrath wondered at the man's iron nerve. That he was in ghastly agony was obvious. He should be screaming in a delirium of pain. Yet he held to sanity and spoke lucidly, though his voice was a laboring croak.

"I haven't much time," he choked. "Don't interrupt. Save your curses till later. We both loved Constance Brand. She loved you. Three years ago she disappeared. Her garments were found on the bank of a river. Her body was never recovered. You went to Africa to drown your sorrow; I retired to the estate of my ancestors and became a recluse.

"What you didn't know-what the world didn't know--was that Constance Brand came with me! No, she didn't drown. That ruse was my idea. For three years Constance Brand has lived in this house!" He achieved a ghastly laugh. "Oh, don't look so stunned, Bristol. She didn't come of her own free will. She loved you too much. I kidnapped her, brought her here by force-Bristol!" His voice rose to a frantic shriek. "If you kill me you'll never learn where she is!"

The frenzied hands that had locked on his corded throat relaxed and sanity returned to the red eyes of Bristol McGrath.

"Go on," he whispered in a voice not even he recognized.

"I couldn't help it," gasped the dying man. "She was the only woman I ever loved-oh, don't sneer, Bristol. The others didn't count. I brought her here where I was king. She couldn't escape, couldn't get word to the outside world. No one lives in this section except nigger descendants of the slaves owned by my family. My word is-was-their only law.

"I swear I didn't harm her. I only kept her prisoner, trying to force her to marry me. I didn't want her any other way. I was mad, but I couldn't help it. I come of a race of autocrats who took what they wanted, recognized no law but their own desires. You know that. You understand it. You come of the same breed yourself.

"Constance hates me, if that's any consolation to you, damn you. She's strong, too. I thought I could break her spirit. But I couldn't, not without the whip, and I couldn't bear to use that." He grinned hideously at the wild growl that rose unbidden to McGrath's lips. The big man's eyes were coals of fire; his hard hands knotted into iron mallets.

A spasm racked Ballville, and blood started from his lips. His grin faded and he hurried on.

"All went well until the foul fiend inspired me to send for John De Albor. I met him in Vienna, years ago. He's from East Africa-a devil in human form! He saw Constance-lusted for her as only a man of his type can. When I finally realized that, I tried to kill him. Then I found that he was stronger than I; that he'd made himself master of the niggers-my niggers, to whom my word had always been law. He told them his devilish cult-'

"Voodoo," muttered McGrath involuntarily.

"No! Voodoo is infantile beside this black fiendishness. Look at the symbol on my breast, where De Albor burned it with a white-hot iron. You have been in Africa. You understand the brand of Zambebwei.

"De Albor turned my negroes against me. I tried to escape with Constance and Ahmed. My own blacks hemmed me in. I did smuggle a telegram through to the village by a man who remained faithful to me--they suspected him and tortured him until he admitted it. John De Albor brought me his head.

"Before the final break I hid Constance in a place where no one will ever find her, except you. De Albor tortured Ahmed until he told that I had sent for a friend of the girl's to aid us. Then De Albor sent his men up the road with what was left of Ahmed, as a warning to you if you came. It was this morning that they seized us; I hid Constance last night. Not even Ahmed knew where. De Albor tortured me to make me tell-" the dying man's hands clenched and a fierce passionate light blazed in his eyes. McGrath knew that not all the torments of all the hells could ever have wrung that secret from Ballville's iron lips.

"It was the least you could do," he said, his voice harsh with conflicting emotions. "I've lived in hell for three years because of you-and Constance has. You deserve to die. If you weren't dying already I'd kill you myself."

"Damn you, do you think I want your forgiveness?" gasped the dying man. "I'm glad you suffered. If Constance didn't need your help, I'd like to see you dying as I'm dying-and I'll be waiting for you in hell. But enough of this. De Albor left me awhile to go up the road and assure himself that Ahmed was dead. This beast got to swilling my brandy and decided to torture me some himself.

"Now listen-Constance is hidden in Lost Cave. No man on earth knows of its existence except you and menot even the negroes. Long ago I put an iron door in the entrance, and I killed the man who did the work; so the secret is safe. There's no key. You've got to open it by working certain knobs."

It was more and more difficult for the man to enunciate intelligibly. Sweat dripped from his face, and the cords of his arms quivered.

"Run your fingers over the edge of the door until you find three knobs that form a triangle. You can't see them; you'll have to feel. Press each one in counter-clockwise motion, three times, around and around. Then pull on the bar. The door will open. Take Constance and fight your way out. If you see they're going to get you, shoot her! Don't let her fall into the hands of that black beast-"

The voice rose to a shriek, foam spattered from the livid writhing lips, and Richard Ballville heaved himself almost upright, then toppled limply back. The iron will that had animated the broken body had snapped at last, as a taut wire snaps.

McGrath looked down at the still form, his brain a maelstrom of seething emotions, then wheeled, glaring, every nerve atingle, his pistol springing into his hand.

Chapter 3. The Black Priest

A man stood in the doorway that opened upon the great outer hall-a tall man in a strange alien garb. He wore a turban and a silk coat belted with a gay-hued girdle. Turkish slippers were on his feet. His skin was not much darker than McGrath's, his features distinctly oriental in spite of the heavy glasses he wore.

"Who the devil are you?" demanded McGrath, covering him.

"Ali ibn Suleyman, effendi," answered the other in faultless Arabic. "I came to this place of devils at the urging of my brother, Ahmed ibn Suleyman, whose soul may the Prophet ease. In New Orleans the letter came to me. I hastened here. And lo, stealing through the woods, I saw black men dragging my brother's corpse to the river. I came on, seeking his master."

McGrath mutely indicated the dead man. The Arab bowed his head in stately reverence.

"My brother loved him," he said. "I would have vengeance for my brother and my brother's master. Ef fendi, let me go with you."

"All right." McGrath was afire with impatience. He knew the fanatical clan-loyalty of the Arabs, knew that Ahmed's one decent trait had been a fierce devotion for the scoundrel he served. "Follow me."

With a last glance at the master of the Manor and the black body sprawling like a human sacrifice before him, McGrath left the chamber of torture. Just so, he reflected,' one of Ballville's warrior-king ancestors might have lain in some dim past age, with a slaughtered slave at his feet to serve his spirit in the land of ghosts.

With the Arab at his heels, McGrath emerged into the girdling pines that slumbered in the still heat of the noon. Faintly to his ears a distant pulse of sound was borne by a vagrant drift of breeze. It sounded like the throb of a faraway drum.

"Come on!" McGrath strode through the cluster of outhouses and plunged into the woods that rose behind them. Here, too, had once stretched the fields that builded the wealth of the aristocratic Ballvilles; but for many years they had been abandoned. Paths straggled aimlessly through the ragged growth, until presently the growing denseness of the trees told the invaders that they were in forest that had never known the woodsman's ax. McGrath looked for a path. Impressions received in childhood are always enduring. Memory remains, overlaid by later things, but unerring through the years. McGrath found the path he sought, a dim trace, twisting through the trees.

They were forced to walk single file; the branches scraped their clothing, their feet sank into the carpet of pine needles. The land trended gradually lower. Pines gave way to cypresses, choked with underbrush. Scummy pools of stagnant water glimmered under the trees. Bullfrogs croaked, mosquitoes sang with maddening insistence about them. Again the distant drum throbbed across the pinelands.

McGrath shook the sweat out of his eyes. That drum roused memories well fitted to these somber surroundings. His thoughts reverted to the hideous scar seared on Richard Ballville's naked breast. Ballville had supposed that he, McGrath, knew its meaning; but he did not. That it portended black horror and madness he knew, but its full significance he did not know. Only once before had he seen that symbol, in the horror-haunted country of Zambebwei, into which few white men had ever ventured, and from which only one white man had ever escaped alive. Bristol McGrath was that man, and he had only penetrated the fringe of that abysmal land of jungle and black swamp. He had not been able to plunge deep enough into that forbidden realm either to prove or to disprove the ghastly tales men whispered of an ancient cult surviving a prehistoric age, of the worship of a monstrosity whose mold violated an accepted law of nature. Little enough he had seen; but what he had seen had filled him with shuddering horror that sometimes returned now in crimson nightmares.

No word had passed between the men since they had left the Manor. McGrath plunged on through the vegetation that choked the path. A fat, blunt-tailed moccasion slithered from under his feet and vanished. Water could not be far away; a few more steps revealed it. They stood on the edge of a dank, slimy marsh from which rose a miasma of rotting vegetable matter. Cypresses shadowed it. The path ended at its edge. The swamp stretched away and away, lost to sight swiftly in twilight dimness.

"What now, effendi?" asked Ali. "Are we to swim this morass?"

"It's full of bottomless quagmires," answered McGrath. "It would be suicide for a man to plunge into it. Not even the piny woods niggers have ever tried to cross it. But there is a way to get to the hill that rises in the middle of it. You can just barely glimpse it, among the branches of the cypresses, see? Years ago, when Ballville and I were boys-and friends--we discovered an old, old Indian path, a secret, submerged road that led to that hill. There's a cave in the hill, and a woman is imprisoned in that cave. I'm going to it. Do you want to follow me, or to wait for me here? The path is a dangerous one."

"I will go, effendi," answered the Arab.

McGrath nodded in appreciation, and began to scan the trees about him. Presently he found what he was looking for a faint blaze on a huge cypress, an old mark, almost imperceptible. Confidently then, he stepped into the marsh beside the tree. He himself had made that mark, long ago. Scummy water rose over his shoe soles, but no higher. He stood on a flat rock, or rather on a heap of rocks, the topmost of which was just below the stagnant surface. Locating a certain gnarled cypress far out in the shadow of the marsh, he began walking directly toward it, spacing his strides carefully, each carrying him to a rockstep invisible below the murky water. Ali ibn Suleyman followed him, imitating his motions.

Through the swamp they went, following the marked trees that were their guide-posts. McGrath wondered anew at the motives that had impelled the ancient builders of the trail to bring these huge rocks from afar and sink them like piles into the slush. The work must have been stupendous, requiring no mean engineering skill. Why had the Indians built this broken road to Lost Island? Surely that isle and the cave in it had some religious significance to the red men; or perhaps it was their refuge against some stronger foe.

The going was slow; a misstep meant a plunge into marshy ooze, into unstable mire that might swallow a man alive. The island grew out of the trees ahead of them-a small knoll, girdled by a vegetation-choked beach. Through the foliage was visible the rocky wall that rose sheer from the beach to a height of fifty or sixty feet. It was almost like a granite block rising from a flat sandy rim. The pinnacle was almost bare of growth.

McGrath was pale, his breath coming in quick gasps. As they stepped upon the beach-like strip, Ali, with a glance of commiseration, drew a flask from his pocket.

"Drink a little brandy, effendi," he urged, touching the mouth to his own lips, oriental-fashion. "It will aid you."

McGrath knew that Ali thought his evident agitation was a result of exhaustion. But he was scarcely aware of his recent exertions. It was the emotions that raged within him-the thought of Constance Brand, whose beautiful form had haunted his troubled dreams for three dreary years. He gulped deeply of the liquor, scarcely tasting it, and handed back the flask.

"Come on!"

The pounding of his own heart was suffocating, drowning the distant drum, as he thrust through the choking vegetation at the foot of the cliff. On the gray rock above the green mask appeared a curious carven symbol, as he had seen it years ago, when its discovery led him and Richard Ballville to the hidden cavern. He tore aside the clinging vines and fronds, and his breath sucked in at the sight of a heavy iron door set in the narrow mouth that opened in the granite wall.

McGrath's fingers were trembling as they swept over the metal, and behind him he could hear Ali breathing heavily. Some of the white man's excitement had imparted itself to the Arab. McGrath's hands found the three knobs, forming the apices of a triangle-mere protuberances, not apparent to the sight. Controlling his jumping nerves, he pressed them as Ballville had instructed him, and felt each give slightly at the third pressure. Then, holding his breath, he grasped the bar that was welded in the middle of the door, and pulled. Smoothly, on oiled hinges, the massive portal swung open.

They looked into a wide tunnel that ended in another door, this a grille of steel bars. The tunnel was not dark; it was clean and roomy, and the ceiling had been pierced to allow light to enter, the holes covered with screens to keep out insects and reptiles. But through the grille he glimpsed something that sent him racing along the tunnel, his heart almost bursting through his ribs. Ali was close at his heels.

The grille-door was not locked. It swung outward under his fingers. He stood motionless, almost stunned with the impact of his emotions.

His eyes were dazzled by a gleam of gold; a sunbeam slanted down through the pierced rock roof and struck mellow fire from the glorious profusion of golden hair that flowed over the white arm that pillowed the beautiful head on the carved oak table.

"Constance!" It was a cry of hunger and yearning that burst from his livid lips.

Echoing the cry, the girl started up, staring wildly, her hands at her temples, her lambent hair rippling over her shoulders. To his dizzy gaze she seemed to float in an aureole of golden light.

"Bristol! Bristol McGrath!" she echoed his call with a haunting, incredulous cry. Then she was in his arms, her white arms clutching him in a frantic embrace, as if she feared he were but a phantom that might vanish from her.

For the moment the world ceased to exist for Bristol McGrath. He might have been blind, deaf and dumb to the universe at large. His dazed brain was cognizant only of the woman in his arms, his senses drunken' with the softness and fragrange of her, his soul stunned with the overwhelming realization of a dream he had thought dead and vanished for ever.

When he could think consecutively again, he shook himself like a man coming out of a trance, and stared stupidly around him. He was in a wide chamber, cut in the solid rock. Like the tunnel, it was illumined from above, and the air was fresh and clean. There were chairs, tables and a hammock, carpets on the rocky floor, cans of food and a water-cooler. Ballville had not failed to provide for his captive's comfort. McGrath glanced around at the Arab, and saw him beyond the grille. Considerately he had not intruded upon their reunion.

"Three years!" the girl was sobbing. "Three years I've waited. I knew you'd come! I knew it! But we must be careful, my darling. Richard will kill you if he finds youkill us both!"

"He's beyond killing anyone," answered McGrath. "But just the same, we've got to get out of here."

Her eyes flared with new terror.

"Yes! John De Albor! Ballville was afraid of him. That's why he locked me in here. He said he'd sent for you. I was afraid for you-"

"Ali!" McGrath called. "Come in here. We're getting out of here now, and we'd better take some water and food with us. We may have to hide in the swamps for-"

Abruptly Constance shrieked, tore herself from her lover's arms. And McGrath, frozen by the sudden, awful fear in her wide eyes, felt the dull jolting impact of a savage blow at the base of his skull. Consciousness did not leave him, but a strange paralysis gripped him. He dropped like an empty sack on the stone floor and lay there like a dead man, helplessly staring up at the scene which tinged his brain with madness-Constance struggling frenziedly in the grasp of the man he had known as Ali ibn Suleyman, now terribly transformed.

The man had thrown off his turban and glasses. And in the murky whites of his eyes, McGrath read the truth with its grisly implications-the man was not an Arab. He was a negroid mixed breed. Yet some of his blood must have been Arab, for there was a slightly Semitic cast to his countenance, and this cast, together with his oriental garb and his perfect acting of his part, had made him seem genuine. But now all this was discarded and the negroid strain was uppermost; even his voice, which had enunciated the sonorous Arabic, was now the throaty gutturals of the negro.

"You've killed him!" the girl sobbed hysterically, striving vainly to break away from the cruel fingers that prisoned her white wrists.

"He's not dead yet," laughed the octoroon. "The fool quaffed drugged brandy-a drug found only in the Zambebwei jungles. It lies inactive in the system until made effective by a sharp blow on a nerve center."

"Please do something for him!" she begged.

The fellow laughed brutally.

"Why should I? He has served his purpose. Let him lie there until the swamp insects have picked his bones. I should like to watch that-but we will be far away before nightfall." His eyes blazed with the bestial gratification of possession. The sight of this white beauty struggling in his grasp seemed to rouse all the jungle lust in the man. McGrath's wrath and agony found expression only in his bloodshot eyes. He could not move hand or foot.

"It was well I returned alone to the Manor," laughed the octoroon. "I stole up to the window while this fool talked with Richard Ballville. The thought came to me to let him lead me to the place where you were hidden. It had never occurred to me that there was a hiding-place in the swamp. I had the Arab's coat, slippers and turban; I had thought I might use them sometime. The glasses helped, too. It was not difficult to make an Arab out of myself. This man had never seen John De Albor. I was born in East Africa and grew up a slave in the house of an Arabbefore I ran away and wandered to the land of Zambebwei.

"But enough. We must go. The drum has been muttering all day. The blacks are restless. I promised them a sacrifice to Zemba. I was going to use the Arab, but by the time I had tortured out of him the information I desired, he was no longer fit for a sacrifice. Well, let them bang their silly drum. They'd like to have you for the Bride of Zemba, but they don't know I've found you. I have a motor-boat hidden on the river five miles from here-"

"You fool!" shrieked Constance, struggling passionately. "Do you think you can carry a white girl down the river, like a slave?"

"I have a drug which will make you like a dead woman," he said. "You will lie in the bottom of the boat, covered by sacks. When I board the steamer that shall bear us from these shores, you will go into my cabin in a large, well-ventilated trunk. You will know nothing of the discomforts of the voyage. You will awake in Africa--"

He was fumbling in his shirt, necessarily releasing her with one hand. With a frenzied scream and a desperate wrench, she tore loose and sped out through the tunnel. John De Albor plunged after her, bellowing. A red haze floated before McGrath's maddened eyes. The girl would plunge to her death in the swamps, unless she remembered the guide-marks--perhaps it was death she sought, in preference to the fate planned for her by the fiendish negro.

They had vanished from his sight, out of the tunnel; but suddenly Constance screamed again, with a new poignancy. To McGrath's ears came an excited jabbering of negro gutturals. De Albor's accents were lifted in angry protest. Constance was sobbing hysterically. The voices were moving away. McGrath got a vague glimpse of a group of figures through the masking vegetation as they moved across the line of the tunnel mouth. He saw Constance being dragged along by half a dozen giant blacks typical pineland dwellers, and after them came John De Albor, his hands eloquent in dissension. That glimpse only, through the fronds, and then the tunnel mouth gaped empty and the sound of splashing water faded away through 'the marsh.

Chapter 4. The Black God's Hunger

In the brooding silence of the cavern Bristol McGrath lay staring blankly upward, his soul a seething hell. Fool, fool, to be taken in so easily! Yet, how could he have known? He had never seen De Albor; he had supposed he was a fullblooded negro. Ballville had called him a black beast, but he must have been referring to his soul. De Albor, but for the betraying murk of his eyes, might pass anywhere for a white man.

The presence of those black men meant but one thing: they had followed him and De Albor, had seized Constance as she rushed from the cave. De Albor's evident fear bore a hideous implication; he had said the blacks wanted to sacrifice Constance-now she was in their hands.

"God!" The word burst from McGrath's lips, startling in the stillness, startling to the speaker. He was electrified; a few moments before he had been dumb. But now he discovered he could move his lips, his tongue. Life was stealing back through his dead limbs; they stung as if with returning circulation. Frantically he encouraged that sluggish flow. Laboriously he worked his extremities, his fingers, hands, wrists and finally, with a surge of wild triumph, his arms and legs. Perhaps De Albor's hellish drug had lost some of its power through age. Perhaps McGrath's unusual stamina threw off the effects as another man could not have done.

The tunnel door had not been closed, and McGrath knew why; they did not want to shut out the insects which would soon dispose of a helpless body; already the pests were streaming through the door, a noisome horde.

McGrath rose at last, staggering drunkenly, but with his vitality surging more strongly each second. When he tottered from the cave, no living thing met his glare. Hours had passed since the negroes had departed with their prey. He strained his ears for the drum. It was silent. The stillness rose like an invisible black mist around him. Stumblingly he splashed along the rock-trail that led to hard ground. Had the blacks taken their captive back to the death-haunted Manor, or deeper into the pinelands?

Their tracks were thick in the mud: half a dozen pairs of bare, splay feet, the slender prints of Constance's shoes, the marks of De Albor's Turkish slippers. He followed them with increasing difficulty as the ground grew higher and harder.

He would have missed the spot where they turned off the dim trail but for the fluttering of a bit of silk in the faint breeze. Constance had brushed against a tree-trunk there, and the rough bark had shredded off a fragment of her dress. The band had been headed east, toward the Manor. At the spot where the bit of cloth hung, they had turned sharply southward. The matted pine needles showed no tracks, but disarranged vines and branches bent aside marked their progress, until McGrath, following these signs, came out upon another trail leading southward.

Here and there were marshy spots, and these showed the prints of feet, bare and shod. McGrath hastened along the trail, pistol in hand, in full possession of his faculties at last. His face was grim and pale. De Albor had not had an opportunity to disarm him after striking that treacherous blow. Both the octoroon and the blacks of the pinelands believed him to be lying helpless back in Lost Cave. That, at least, was to his advantage.

He kept straining his ears in vain for the drum he had heard earlier in the day. The silence did not reassure him. In a voodoo sacrifice drums would be thundering, but he knew he was dealing with something even more ancient and abhorrent than voodoo.

Voodoo was comparatively a young religion, after all, born in the hills of Haiti. Behind the froth of voodooism rose the grim religions of Africa, like granite cliffs glimpsed through a mask of green fronds. Voodooism was a mewling infant beside the black, immemorial colossus that had reared its terrible shape in the older land through uncounted ages, Zambebwei! The very name sent a shudder through him, symbolic of horror and fear. It was more than the name of a country and the mysterious tribe that inhabited that country; it signified something fearfully old and evil, something that had survived its natural epoch-a religion of the Night, and a deity whose name was Death and Horror.

He had seen no negro cabins. He knew these were farther to the east and south, most of them, huddling along the banks of the river and the tributary creeks. It was the instinct of the black man to build his habitation by a river, as he had built by the Congo, the Nile and the Niger since Time's first gray dawn. Zambebwei! The word beat like a throb of a tom-tom through the brain of Bristol McGrath. The soul of the black man had not changed, through the slumberous centuries. Change might come in the clangor of city streets, in the raw rhythms of Harlem; but the swamps of the Mississippi do not differ enough from the swamps of the Congo to work any great transmutation in the spirit of a race that was old before the first white king wove the thatch of his wattled hut-palace.

Following that winding path through the twilight dimness of the big pines, McGrath did not find it in his soul to marvel that black slimy tentacles from the depths of Africa had stretched across the world to breed nightmares in an alien land. Certain natural conditions produce certain effects, breed certain pestilences of body or mind, regardless of their geographical situation. The river-haunted pinelands were as abysmal in their way as were the reeking African jungles.

The trend of the trail was away from the river. The land sloped very gradually upward, and all signs of marsh vanished.

The trail widened, showing signs of frequent use. McGrath became nervous. At any moment he might meet someone. He took to the thick woods alongside the trail, and forced his way onward, each movement sounding cannon-loud to his whetted ears. Sweating with nervous tension, he came presently upon a smaller path, which meandered in the general direction he wished to go. The pinelands were crisscrossed by such paths.

He followed it with greater ease and stealth, and presently, coming to a crook in it, saw it join the main trail. Near the point of junction stood a small log cabin, and between him and the cabin squatted a big black man. This man was hidden behind the bole of a huge pine beside the narrow path, and peering around it toward the cabin. Obviously he was spying on someone, and it was quickly apparent who this was, as John De Albor came to the door and stared despairingly down the wide trail. The black watcher stiffened and lifted his fingers to his mouth as if to sound a far-carrying whistle, but De Albor shrugged his shoulders helplessly and turned back into the cabin again. The negro relaxed, though he did not alter his vigilance.

What this portended, McGrath did not know, nor did he pause to speculate. At the sight of De Albor a red mist turned the sunlight to blood, in which the black body before him floated like an ebony goblin.

A panther stealing upon its kill would have made as much noise as McGrath made in his glide down the path toward the squatting black. He was aware of no personal animosity toward the man, who was but an obstacle in his path of vengeance. Intent on the cabin, the black man did not hear that stealthy approach. Oblivious to all else, he did not move or turn-until the pistol butt descended on his woolly skull with an impact that stretched him senseless among the pine needles.

McGrath crouched above his motionless victim, listening. There was no sound near by-but suddenly, far away, there rose a long-drawn shriek that shuddered and died away. The blood congealed in McGrath's veins. Once before he had heard that sound-in the low forest-covered hills that fringe the borders of forbidden Zambebwei; his black boys had turned the color of ashes and fallen on their faces. What it was he did not know; and the explanation offered by the shuddering natives had been too monstrous to be accepted by a rational mind. They called it the voice of the god of Zambebwei.

Stung to action, McGrath rushed down the path and hurled himself against the back door of the cabin. He did not know how many blacks were inside; he did not care. He was beserk with grief and fury.

The door crashed inward under the impact. He lit on his feet inside, crouching, gun leveled hip-high, lips asnarl.

But only one man faced him--John De Albor, who sprang to his feet with a startled cry. The gun dropped from McGrath's fingers. Neither lead nor steel could glut his hate now. It must be with naked hands, turning back the pages of civilization to the red dawn days of the primordial.

With a growl that was less like the cry of a man than the grunt of a charging lion, McGrath's fierce hands locked about the octoroon's throat. De Albor was borne backward by the hurtling impact, and the men crashed together over a camp cot, smashing it to ruins. And as they tumbled on the dirt floor, McGrath set himself to kill his enemy with his bare fingers.

The octoroon was a tall man, rangy and strong. But against the berserk white man he had no chance. He was hurled about like a sack of straw, battered and smashed savagely against the floor, and the iron fingers that were crushing his throat sank deeper and deeper until his tongue protruded from his gaping blue lips and his eyes were starting from his head. With death no more than a hand's breadth from the octoroon, some measure of sanity returned to McGrath.

He shook his head like a dazed bull; eased his terrible grip a trifle, and snarled: "Where is the girl? Quick, before I kill you!"

De Albor retched and fought for breath, ashen-faced. "The blacks!" he gasped. "They have taken her to be the Bride of Zemba! I could not prevent them. They demand a sacrifice. I offered them you, but they said you were paralyzed and would die anyway-they were cleverer than I thought. They followed me back to the Manor from the spot where we left, the Arab in the road-followed us from the Manor to the island.

"They are out of hand-mad with blood-lust. But even I, who know black men as none else knows them, I had forgotten that not even a priest of Zambebwei can control them when the fire of worship runs in their veins. I am their priest and master-yet when I sought to save the girl, they forced me into this cabin and set a man to watch me until the sacrifice is over. You must have killed him; he would never have let you enter here."

With a chill grimness, McGrath picked up his pistol.

"You came here as Richard Ballville's friend," he said unemotionally. "To get possession of Constance Brand, you made devil-worshippers out of the black people. You deserve death for that. When the European authorities that govern Africa catch a priest of Zambebwei, they hang him. You have admitted that you are a priest. Your life is forfeit on that score, too. But it is because of your hellish teachings that Constance Brand is to die, and it's for that reason that I'm going to blow out your brains."

John De Albor shriveled. "She is not dead yet," he gasped, great drops of perspiration dripping from his ashy face. "She will not die until the moon is high above the pines. It is full tonight, the Moon of Zambebwei. Don't kill me. Only I can save her. I know I failed before. But if I go to them, appear to them suddenly and without warning, they'll think it is because of supernatural powers that I was able to escape from the but without being seen by the watchman. That will renew my prestige.

"You can't save her. You might shoot a few blacks, but there would still be scores left to kill you-and her. But I have a plan-yes, I am a priest of Zambebwei. When I was a boy I ran away from my Arab master and wandered far until I came to the land of Zambebwei. There I grew to manhood and became a priest, dwelling there until the white blood in me drew me out in the world again to learn the ways of the white men. When I came to America I brought a Zemba with me-I can not tell you how.

"Let me save Constance Brand!" He was clawing at McGrath, shaking as if with an ague. "I love her, even as you love her. I will play fair with you both, I swear it! Let me save her! We can fight for her later, and I'll kill you if I can."

The frankness of that statement swayed McGrath more than anything else the octoroon could have said. It was a desperate gamble-but after all, Constance would be no worse off with John De Albor alive than she was already. She would be dead before midnight unless something was done swiftly.

"Where is the place of sacrifice?" asked McGrath.

"Three miles away, in an open glade," answered De Albor. "South on the trail that runs past my cabin. All the blacks are gathered there except my guard and some others who are watching the trail below the cabin. They are scattered out along it, the nearest out of sight of my cabin, but within sound of the loud, shrill whistle with which these people signal one another.

"This is my plan. You wait here in my cabin, or in the woods, as you choose. I'll avoid the watchers on the trail, and appear suddenly before the blacks at the House of Zemba. A sudden appearance will impress them deeply, as I said. I know I can not persuade them to abandon their plan, but I will make them postpone the sacrifice until just before dawn. And before that time I will manage to steal the girl and flee with her. I'll return to your hiding-place, and we'll fight our way out together."

McGrath laughed. "Do you think I'm an utter fool? You'd send your blacks to murder me, while you carried Constance away as you planned. I'm going with you. I'll hide at the edge of the clearing, to help you if you need help. And if you make a false move, I'll get you, if I don't get anybody else."

The octoroon's murky eyes glittered, but he nodded acquiescence.

"Help me bring your guard into the cabin," said McGrath. "He'll be coming to soon. We'll tie and gag him and leave him here."

The sun was setting and twilight was stealing over the pinelands as McGrath and his strange companion stole through the shadowy woods. They had circled to the west to avoid the watchers on the trail, and were now following on the many narrow footpaths which traced their way through the forest. Silence reigned ahead of them, and McGrath mentioned this.

"Zemba is a god of silence," muttered De Albor. "From sunset to sunrise on the night of the full moon, no drum is beaten. If a dog barks, it must be slain; if a baby cries, it must be killed. Silence locks the jaws of the people until Zemba roars. Only his voice is lifted on the night of the Moon of Zemba."

McGrath shuddered. The foul deity was an intangible spirit, of course, embodied only in legend; but De Albor spoke of it as a living thing.

A few stars were blinking out, and shadows crept through the thick woods, blurring the trunks of the trees that melted together in darkness. McGrath knew they could not be far from the House of Zemba. He sensed the close presence of a throng of people, though he heard nothing.

De Albor, ahead of him, halted suddenly, crouching. McGrath stopped, trying to pierce the surrounding mask of interlacing branches.

"What is it?" muttered the white man, reaching for his pistol.

De Albor shook his head, straightening. McGrath could not see the stone in his hand, caught up from the earth as he stooped.

"Do you hear something?" demanded McGrath.

De Albor motioned him to lean forward, as if to whisper in his ear. Caught off his guard, McGrath bent toward him-even so he divined the treacherous African's intention, but it was too late. The stone in De Albor's hand crashed sickeningly against the white man's temple. McGrath went down like a slaughtered ox, and De Albor sped away down the path to vanish like a ghost in the gloom.

Chapter 5. The Voice of Zemba

In the darkness of the woodland path McGrath stirred at last, and staggered groggily to his feet. That desperate blow might have crushed the skull of a man whose physique and vitality were not that of a bull. His head throbbed and there was dried blood on his temple; but his strongest sensation was burning scorn at himself for having again fallen victim to John De Albor. And yet, who would have suspected that move? He knew De Albor would kill him if he could, but he had not expected an attack before the rescue of Constance. The fellow was dangerous and unpredictable as a cobra. Had his pleas to be allowed to attempt Constance's rescue been but a ruse to escape death at the hands of McGrath?

McGrath stared dizzily at the stars that gleamed through the ebon branches, and sighed with relief to see that the moon had not yet risen. The pinewoods were black as only pinelands can be, with a darkness that was almost tangible, like a substance that could be cut with a knife.

McGrath had reason to be grateful for his rugged constitution. Twice that day had John De Albor outwitted him, and twice the white man's iron frame had survived the attack. His gun was in his scabbard, his knife in its sheath. De Albor had not paused to search, had not paused for a second stroke to make sure. Perhaps there had been a tinge of panic in the African's actions.

Well,--this did not change matters a great deal. He believed that De Albor would make an effort to save the girl. And McGrath intended to be on hand, whether to play a lone hand, or to aid the octoroon. This was no time to hold grudges, with the girl's life at stake. He groped down the path, spurred by a rising glow in the east.

He came upon the glade almost before he knew it. The moon hung in the low branches, blood-red, high enough to illumine it and the throng of black people who squatted in a vast semicircle about it, facing the moon. Their rolling eyes gleamed milkily in the shadows, their features were grotesque masks. None spoke. No head turned toward the bushes behind which he crouched.

He had vaguely expected blazing fires, a blood-stained altar, drums and the chant of maddened worshippers; that would be voodoo. But this was not voodoo, and there was a vast gulf between the two cults. There were no fires, no altars. But the breath hissed through his locked teeth. In a far land he had sought in vain for the rituals of Zambebwei; now he looked upon them within forty miles of the spot where he was born.

In the center of the glade the ground rose slightly to a flat level. On this stood a heavy iron-bound stake that was indeed but the sharpened trunk of a good-sized pine driven deep into the ground. And there was something living chained to that stake-something which caused McGrath to catch his breath in horrified unbelief.

He was looking upon a god of Zambebwei. Stories had told of such creatures, wild tales drifting down from the borders of the forbidden country, repeated by shivering natives about jungle fires, passed along until they reached the ears of skeptical white traders. McGrath had never really believed the stories, though he had gone searching for the being they described. For they spoke of a beast that was a blasphemy against nature-a beast that sought food strange to its natural species.

The thing chained to the stake was an ape, but such an ape as the world at large never dreamed of, even in nightmares. Its shaggy gray hair was shot with silver that shone in the rising moon; it looked gigantic as it squatted ghoulishly on its haunches. Upright, on its bent, gnarled legs, it would be as tall as a man, and much broader and thicker. But its prehensile fingers were armed with talons like those of a tiger-not the heavy blunt nails of the natural anthropoid, but the cruel simitar-curved claws of the great carnivora. Its face was like that of a gorilla, low browed, flaring-nostriled, chinless; but when it snarled, its wide flat nose wrinkled like that of a great cat, and the cavernous mouth disclosed saber-like fangs, the fangs of a beast of prey. This was Zemba, the creature sacred to the people of the land of Zambebwei-a monstrosity, a violation of an accepted law of nature-a carnivorous ape. Men had laughed at the story, hunters and zoologists and traders.

But now McGrath knew that such creatures dwelt in black Zambebwei and were worshipped, as primitive man is prone to worship an obscenity or perversion of nature. Or a survival of past eons: that was what the flesh-eating apes of Zambebwei were-survivors of a forgotten epoch, remnants of a vanished prehistoric age, when nature was experimenting with matter, and life took many monstrous forms.

The sight of the monstrosity filled McGrath with revulsion; it was abysmal, a reminder of that brutish and horrorshadowed past out of which mankind crawled so painfully, eons ago. This thing was an affront to sanity; it belonged in the dust of oblivion with the dinosaur, the mastodon, and the saber-toothed tiger.

It looked massive beyond the stature of modern beasts-shaped on the plan of another age, when all things were cast in a mightier mold. He wondered if the revolver at his hip would have any effect on it; wondered by what dark and subtle means John De Albor had brought the monster from Zambebwei to the pinelands.

But something was happening in the glade, heralded by the shaking of the brute's chain as it thrust forward its nightmare=head.

From the shadows of the trees came a file of black men and women, young, naked except for a mantle of monkeyskins and parrot-feathers thrown over the shoulders of each. More regalia brought by John De Albor, undoubtedly. They formed a semicircle at a safe distance from the chained brute, and sank to their knees, bending their heads to the ground before him. Thrice this motion was repeated. Then, rising, they formed two lines, men and women facing one another, and began to dance; at least it might by courtesy be called a dance. They hardly moved their feet at all, but all other parts of their bodies were in constant motion, twisting, rotating, writhing. The measured, rhythmical movements had no connection at all with the voodoo dances McGrath had witnessed. This dance was disquietingly archaic in its suggestion, though even more depraved and bestial-naked primitive passions framed in a cynical debauchery of motion.

No sound came from the dancers, or from the votaries squatting about the ring of trees. But the ape, apparently infuriated by the continued movements, lifted his head and sent into the night the frightful shriek McGrath had heard once before that day-he had heard it in the hills that border black Zambebwei. The brute plunged to the end of his heavy chain, foaming and gnashing his fangs, and the dancers fled like spume blown before a gust of wind. They scattered in all directions--and then McGrath started up in his covert, barely stifling a cry.

From the deep shadows had come a figure, gleaming tawnily in contrast to the black forms about it. It was John De Albor, naked except for a mantle of bright feathers, and on his head a circlet of gold that might have been forged in Atlantis. In his hand he bore a gold wand that was the scepter of the high priests of Zambebwei.

Behind him came a pitiful figure, at the sight of which the moon-lit forest reeled to McGrath's sight.

Constance had been drugged. Her face was that of a sleep-walker; she seemed not aware of her peril, or the fact that she was naked. She walked like a robot, mechanically responding to the urge of the cord tied about her white neck. The other end of that cord was in John De Albor's hand, and he half led, half dragged her toward the horror that squatted in the center of the glade. De Albor's face was ashy in the moonlight that now flooded the glade with molten silver. Sweat beaded his skin. His eyes gleamed with fear and ruthless determination. And in a staggering instant McGrath knew that the man had failed, that he had been unable to save Constance, and that now, to save his own life from his suspicious followers, he himself was dragging the girl to the gory sacrifice.

No vocal sound came from the votaries, but hissing intake of breath sucked through thick lips, and the rows of black bodies swayed like reeds in the wind. The great ape leaped up, his face a slavering devil's mask; he howled with frightful eagerness, gnashing his great fangs, that yearned to sink into that soft white flesh, and the hot blood beneath. He surged against his chain, and the stout post quivered. McGrath, in the bushes, stood frozen, paralyzed by the imminence of horror. And then John De Albor stepped behind the unresisting girl and gave her a powerful push that sent her reeling forward to pitch headlong on the ground under the monster's talons.

And simultaneously McGrath moved. His move was instinctive rather than conscious. His .44 jumped into his hand and spoke, and the great ape screamed like a man death-stricken and reeled, clapping misshapen hands to its head.

An instant the throng crouched frozen, white eyes bulging, jaws hanging slack. Then before any could move, the ape, blood gushing from his head, wheeled, seized the chain in both hands and snapped it with a wrench that twisted the heavy links apart as if they had been paper.

John De Albor stood directly before the mad brute, paralyzed in his tracks. Zemba raored and leaped, and the african went down under him, disembowled by the razorlike talons, his head crushed to a crimson pulp by a sweep of the great paw.

Ravening, the monster charged among the votaries, clawing and ripping and smiting, screaming intolerably. Zambebwei spoke, and death was in his bellowing Screaming, howling, fighting, the black people scrambled over one another in their mad flight. Men and women went down under those shearing talons, were dismembered by those gnashing fangs. It was a red drama of the primitive-destruction amuck and ariot, the primordial embodied in fangs and talons, gone mad and plunging in slaughter. Blood and brains deluged the earth, black bodies and limbs and fragments of bodies littered the moonlighted glade in ghastly heaps before the last of the howling wretches found refuge among the trees. The sounds of their blundering, panic-stricken flight drifted back.

McGrath had leaped from his covert almost as soon as he had fired. Unnoticed by the terrified negroes, and himself scarcely cognizant of the slaughter raging around him, he raced across the glade toward the pitiful white figure that lay limply beside the iron-bound stake.

"Constance!" he cried, gathering her to his breast.

Languidly she opened her cloudy eyes. He held her close, heedless of the screams and devastation surging about them. Slowly recognition grew in those lovely eyes.

"Bristol!" she murmured, incoherently. Then she screamed, clung to him, sobbing hysterically. "Bristol! They told me you were dead! The blacks! The horrible blacks! They're going to kill me! They were going to kill De Albor too, but he promised to sacrifice-"

"Don't, girl, don't!" He subdued her frantic tremblings. "It's all right, now-" Abruptly he looked up into the grinning bloodstained face of nightmare and death. The great ape had ceased to rend his dead victims and was slinking toward the living pair in the center of the glade. Blood oozed from the wound in its sloping skull that had maddened it.

McGrath sprang toward it, shielding the prostrate girl; his pistol spurted flame, pouring a stream of lead into the mighty breast as the beast charged.

On it came, and his confidence waned. Bullet after bullet he sent crashing into its vitals, but it did not halt. Now he dashed the empty gun full into the gargoyle face without effect, and with a lurch and a roll it had him in its grasp. As the giant arms closed crushingly about him, he abandoned all hope, but following his fighting instinct to the last, he drove his dagger hilt-deep in the shaggy belly.

But even as he struck, he felt a shudder run through the gigantic frame. The great arms fell away-and then he was hurled to the ground in the last death throe of the monster, and the thing was swaying, its face a deathmask. Dead on its feet, it crumpled, toppled to the ground, quivered and lay still. Not even a man-eating ape of Zambebwei could survive that close-range volley of mushrooming lead.

As the man staggered up, Constance rose and reeled into his arms, crying hysterically.

"It's all right now, Constance," he panted, crushing her to him. "The Zemba's dead; De Albor's dead; Ballville's dead; the negroes have run away. There's nothing to prevent us leaving now. The Moon of Zambebwei was the end for them. But it's the beginning of life for us."

THE END

 

 


Contents

BLACK TALONS

By Robert E. Howard

 

Joel Brill slapped shut the book he had been scanning, and gave vent to his dissatisfaction in language more appropriate for the deck of a whaling ship than for the library of the exclusive Corinthian Club. Buckley, seated in an alcove nearby, grinned quietly. Buckley looked more like a college professor than a detective, and perhaps it was less because of a studious nature than a desire to play the part he looked, that caused him to loaf around the library of the Corinthian.

"It must be something unusual to drag you out of your lair at this time of the day," he remarked. "This is the first time I ever saw you in the evening. I thought you spent your evenings secluded in your rooms, pouring over musty tomes in the interests of that museum you're connected with."

"I do, ordinarily." Brill looked as little like a scientist as Buckley looked like a dick. He was squarely built, with thick shoulders and the jaw and fists of a prizefighter; low browed, with a mane of tousled black hair contrasting with his cold blue eyes.

"You've been shoving your nose into books here since six o'clock," asserted Buckley.

"I've been trying to get some information for the directors of the museum," answered Brill. "Look!" He pointed an accusing finger at the rows of lavishly bound volumes. "Books till it would sicken a dog--and not a blasted one can tell me the reason for a certain ceremonial dance practiced by a certain tribe on the West African Coast."

"A lot of the members have knocked around a bit," suggested Buckley. "Why not ask them?"

"I'm going to." Brill took down a phone from its hook.

"There's John Galt--" began Buckley.

"Too hard to locate. He flits about like a mosquito with the St. Vitus. I'll try Jim Reynolds." He twirled the dial.

"Thought you'd done some exploring in the tropics yourself," remarked Buckley.

"Not worthy of the name. I hung around that God-forsaken Hell hole of the West African Coast for a few months until I came down with malaria--Hello!"

A suave voice, too perfectly accented, came along the wire.

"Oh, is that you, Yut Wuen? I want to speak to Mr. Reynolds."

Polite surprise tinged the meticulous tone.

"Why, Mr. Reynolds went out in response to your call an hour ago, Mr. Brill."

"What's that?" demanded Brill. "Went where?"

"Why, surely you remember, Mr. Brill." A faint uneasiness seemed to edge the Chinaman's voice. "At about nine o'clock you called, and I answered the phone. You said you wished to speak to Mr. Reynolds. Mr. Reynolds talked to you, then told me to have his car brought around to the side entrance. He said that you had requested him to meet you at the cottage on White Lake shore."

"Nonsense!" exclaimed Brill. "This is the first time I've phoned Reynolds for weeks! You've mistaken somebody else for me."

There was no reply, but a polite stubbornness seemed to flow over the wire. Brill replaced the phone and turned to Buckley, who was leaning forward with aroused interest.

"Something fishy here," scowled Brill. "Yut Wuen, Jim's Chinese servant, said I called, an hour ago, and Jim went out to meet me. Buckley, you've been here all evening. Did I call up anybody? I'm so infernally absent-minded--"

"No, you didn't," emphatically answered the detective. "I've been sitting right here close to the phone ever since six o'clock. Nobody's used it. And you haven't left the library during that time. I'm so accustomed to spying on people, I do it unconsciously."

"Well, say," said Brill, uneasily, "suppose you and I drive over to White Lake. If this is a joke, Jim may be over there waiting for me to show up."

As the city lights fell behind them, and houses gave way to clumps of trees and bushes, velvet black in the star-light, Buckley said: "Do you think Yut Wuen made a mistake?"

"What else could it be?" answered Brill, irritably.

"Somebody might have been playing a joke, as you suggested. Why should anybody impersonate you to Reynolds?"

"How should I know? But I'm about the only acquaintance he'd bestir himself for, at this time of night. He's reserved, suspicious of people. Hasn't many friends. I happen to be one of the few."

"Something of a traveler, isn't he?"

"There's no corner of the world with which he isn't familiar."

"How'd he make his money?" Buckley asked, abruptly.

"I've never asked him. But he has plenty of it."

The clumps on each side of the road grew denser, and scattered pinpoints of light that marked isolated farm houses faded out behind them. The road tilted gradually as they climbed higher and higher into the wild hill region which, an hour's drive from the city, locked the broad crystalline sheet of silver that men called White Lake. Now ahead of them a glint shivered among the trees, and topping a wooded crest, they saw the lake spread out below them, reflecting the stars in myriad flecks of silver. The road meandered along the curving shore.

"Where's Reynolds' lodge?" inquired Buckley.

Brill pointed. "See that thick clump of shadows, within a few yards of the water's edge? It's the only cottage on this side of the lake. The others are three or four miles away. None of them occupied, this time of the year. There's a car drawn up in front of the cottage."

"No light in the shack," grunted Buckley, pulling up beside the long low roadster that stood before the narrow stoop. The building reared dark and silent before them, blocked against the rippling silver sheen behind it.

"Hey, Jim!" called Brill. "Jim Reynolds!"

No answer. Only a vague echo shuddering down from the blackly wooded hills.

"Devil of a place at night," muttered Buckley, peering at the dense shadows that bordered the lake. "We might be a thousand miles from civilization."

Brill slid out of the car. "Reynolds must be here--unless he's gone for a midnight boat ride."

Their steps echoed loudly and emptily on the tiny stoop. Brill banged the door and shouted. Somewhere back in the woods a night bird lifted a drowsy note. There was no other answer.

Buckley shook the door. It was locked from the inside.

"I don't like this," he growled. "Car in front of the cottage--door locked on the inside--nobody answering it. I believe I'll break the door in--"

"No need." Brill fumbled in his pocket. "I'll use my key."

"How comes it you have a key to Reynolds' shack?" demanded Buckley.

"It was his own idea. I spent some time with him up here last summer, and he insisted on giving me a key, so I could use the cottage any time I wanted to. Turn on your flash, will you? I can't find the lock. All right, I've got it. Hey, Jim! Are you here?"

Buckley's flash played over chairs and card tables, coming to rest on a closed door in the opposite wall. They entered and Buckley heard Brill fumbling about with an arm elevated. A faint click followed and Brill swore.

"The juice is off. There's a line running out from town to supply the cottage owners with electricity, but it must be dead. As long as we're in here, let's go through the house. Reynolds may be sleeping somewhere--"

He broke off with a sharp intake of breath. Buckley had opened the door that led to the bedroom. His flash played on the interior--on a broken chair, a smashed table--a crumpled shape that lay in the midst of a dark widening pool.

"Good God, it's Reynolds!"

Buckley's gun glinted in his hand as he played the flash around the room, sifting the shadows for lurking shapes of menace; it rested on a bolted rear door; rested longer on an open window, the screen of which hung in tatters.

"We've got to have more light," he grunted. "Where's the switch? Maybe a fuse has blown."

"Outside, near that window." Stumblingly Brill led the way out of the house and around to the window. Buckley flashed his light, grunted.

"The switch has been pulled!" He pushed it back in place, and light flooded the cottage. The light streaming through the windows seemed to emphasize the blackness of the whispering woods around them. Buckley glared into the shadows, seemed to shiver. Brill had not spoken; he shook as with ague.

Back in the house they bent over the man who lay in the middle of the red-splashed floor.

Jim Reynolds had been a stocky, strongly built man of middle age. His skin was brown and weather-beaten, hinting of tropic suns. His features were masked with blood; his head lolled back, disclosing an awful wound beneath his chin.

"His throat's been cut!" stammered Brill. Buckley shook his head.

"Not cut--torn. Good God, it looks like a big cat had ripped him."

The whole throat had literally been torn out; muscles, arteries, windpipe and the great jugular vein had been severed; the bones of the vertebrae showed beneath.

"He's so bloody I wouldn't have recognized him," muttered the detective. "How did you know him so quickly? The instant we saw him, you cried out that it was Reynolds."

"I recognized his garments and his build," answered the other. "But what in God's name killed him?"

Buckley straightened and looked about. "Where does that door lead to?"

"To the kitchen; but it's locked on this side."

"And the outer door of the front room was locked on the inside," muttered Buckley. "Doesn't take a genius to see how the murderer got in--and he--or it--went out the same way."

"What do you mean, it?"

"Does that look like the work of a human being?" Buckley pointed to the dead man's mangled throat. Brill winced.

"I've seen black boys mauled by the big cats on the West Coast--"

"And whatever tore Reynolds' gullet out, tore that window screen. It wasn't cut with a knife."

"Do you suppose a panther from the hills--" began Brill.

"A panther smart enough to throw the electric switch before he slid through the window?" scoffed Buckley.

"We don't know the killer threw the switch."

"Was Reynolds fooling around in the dark, then? No; when I pushed the switch back in place, the light came on in here. That shows it had been on; the button hadn't been pushed back. Whoever killed Reynolds had a reason for wanting to work in the dark. Maybe this was it!" The detective indicated, with a square-shod toe, a stubby chunk of blue steel that lay not far from the body.

"From what I hear about Reynolds, he was quick enough on the trigger." Buckley slipped on a glove, carefully lifted the revolver, and scanned the chamber. His gaze, roving about the room again, halted at the window, and with a single long stride, he reached it and bent over the sill.

"One shot's been fired from this gun. The bullet's in the window sill. At least, one bullet is, and it's logical to suppose it's the one from the empty chamber of Reynolds' gun. Here's the way I reconstruct the crime: something sneaked up to the shack, threw the switch, and came busting through the window. Reynolds shot once in the dark and missed, and then the killer got in his work. I'll take this gun to headquarters; don't expect to find any fingerprints except Reynolds', however. We'll examine the light switch, too, though maybe my dumb pawing erased any fingerprints that might have been there. Say, it's a good thing you have an iron-clad alibi."

Brill started violently. "What the Hell do you mean?"

"Why, there's the Chinaman to swear you called Reynolds to his death."

"Why the devil should I do such a thing?" hotly demanded the scientist.

"Well," answered Buckley, "I know you were in the library of the club all evening. That's an unshakable alibi--I suppose."

Brill was tired as he locked the door of his garage and turned toward the house which rose dark and silent among the trees. He found himself wishing that his sister, with whom he was staying, had not left town for the weekend with her husband and children. Dark empty houses were vaguely repellent to him after the happenings of the night before.

He sighed wearily as he trudged toward the house, under the dense shadows of the trees that lined the driveway. It had been a morbid, and harrying day. Tag ends of thoughts and worries flitted through his mind. Uneasily he remembered Buckley's cryptic remark: "Either Yut Wuen is lying about that telephone call, or--" The detective had left the sentence unfinished, casting a glance at Brill that was as inscrutable as his speech. Nobody believed the Chinaman was deliberately lying. His devotion to his master was well known--a devotion shared by the other servants of the dead man. Police suspicion had failed to connect them in any way with the crime. Apparently none of them had left Reynolds' town house during the day or the night of the murder. Nor had the murder-cottage given up any clues. No tracks had been found on the hard earth, no fingerprints on the gun other than the dead man's nor any except Buckley's on the light switch. If Buckley had had any luck in trying to trace the mysterious phone call, he had not divulged anything.

Brill remembered, with a twinge of nervousness, the way in which they had looked at him, those inscrutable Orientals. Their features had been immobile, but in their dark eyes had gleamed suspicion and a threat. He had seen it in the eyes of Yut Wuen, the stocky yellow man; of Ali, the Egyptian, a lean, sinewy statue of bronze; of Jugra Singh, the tall, broad shouldered, turbaned Sikh. They had not spoken their thoughts; but their eyes had followed him, hot and burning, like beasts of prey.

Brill turned from the meandering driveway to cut across the lawn. As he passed under the black shadow of the trees, something sudden, clinging and smothering, enveloped his head, and steely arms locked fiercely about him. His reaction was as instinctive and violent as that of a trapped leopard. He exploded into a galvanized burst of frantic action, a bucking heave that tore the stifling cloak from his head, and freed his arms from the arms that pinioned him. But another pair of arms hung like grim Fate to his legs, and figures surged in on him from the darkness. He could not tell the nature of his assailants; they were like denser, moving shadows in the blackness.

Staggering, fighting for balance, he lashed out blindly, felt the jolt of a solid hit shoot up his arm, and saw one of the shadows sway and pitch backward. His other arm was caught in a savage grasp and twisted up behind his back so violently that he felt as if the tendons were being ripped from their roots. Hot breath hissed in his ear, and bending his head forward, he jerked it backward again with all the power of his thick neck muscles. He felt the back of his skull crash into something softer--a man's face. There was a groan, and the crippling grip on his imprisoned arm relaxed. With a desperate wrench he tore away, but the arms that clung to his legs tripped him. He pitched headlong, spreading his arms to break his fall, and even before his fingers touched the ground, something exploded in his brain, showering a suddenly starless night of blackness with red sparks that were engulfed abruptly in formless oblivion.

Joel Brill's first conscious thought was that he was being tossed about in an open boat on a stormy sea. Then as his dazed mind cleared, be realized that he was lying in an automobile which was speeding along an uneven road. His head throbbed; he was bound hand and foot, and blanketed in some kind of a cloak. He could see nothing; could hear nothing but the purr of the racing motor. Bewilderment clouded his mind as be sought for a clue to the identity of the kidnappers. Then a sudden suspicion brought out the cold sweat on his skin.

The car lurched to a halt. Powerful hands lifted him, cloak and all, and he felt himself being carried over a short stretch of level ground, and apparently up a step or so. A key grated in a lock, a door rasped on its hinges. Those carrying him advanced; there was a click, and light shone through the folds of the cloth over Brill's head. He felt himself being lowered onto what felt like a bed. Then the cloth was ripped away, and he blinked in the glare of the light. A cold premonitory shudder passed over him.

He was lying on the bed in the room in which James Reynolds had died. And about him stood, arms folded, three grim and silent shapes: Yut Wuen, Ali the Egyptian, and Jugra Singh. There was dried blood on the Chinaman's yellow face, and his lip was cut. A dark blue bruise showed on Jugra Singh's jaw.

"The sahib awakes," said the Sikh, in his perfect English.

"What the devil's the idea, Jugra?" demanded Brill, trying to struggle to a sitting posture. "What do you mean by this? Take these ropes off me--" His voice trailed away, a shaky resonance of futility as he read the meaning in the hot dark eyes that regarded him.

"In this room our master met his doom," said Ali.

"You called him forth," said Yut Wuen.

"But I didn't!" raged Brill, jerking wildly at the cords which cut into his flesh. "Damn it, I knew nothing about it!"

"Your voice came over the wire and our master followed it to his death," said Jugra Singh.

A panic of helplessness swept over Joel Brill. He felt like a man beating at an insurmountable wall--the wall of inexorable Oriental fatalism, of conviction unchangeable. If even Buckley believed that somehow he, Joel Brill, was connected with Reynolds' death, how was he to convince these immutable Orientals? He fought down an impulse to hysteria.

"The detective, Buckley, was with me all evening," he said, in a voice unnatural from his efforts at control. "He has told you that he did not see me touch a phone; nor did I leave his sight. I could not have killed my friend, your master, because while he was being killed, I was either in the library of the Corinthian Club, or driving from there with Buckley."

"How it was done, we do not know," answered the Sikh, tranquilly. "The ways of the sahibs are beyond us. But we know that somehow, in some manner, you caused our master's death. And we have brought you here to expiate your crime."

"You mean to murder me?" demanded Brill, his flesh crawling.

"If a sahib judge sentenced you, and a sahib hangman dropped you through a black trap, white men would call it execution. So it is execution we work upon you, not murder."

Brill opened his mouth, then closed it, realizing the utter futility of argument. The whole affair was like a fantastic nightmare from which he would presently awaken.

Ali came forward with something, the sight of which shook Brill with a nameless foreboding. It was a wire cage, in which a great gaunt rat squealed and bit at the wires. Yut Wuen laid upon a card table a copper bowl, furnished with a slot on each side of the rim, to one of which was made fast a long leather strap. Brill turned suddenly sick.

"These are the tools of execution, sahib," said Jugra Singh, somberly. "That bowl shall be laid on your naked belly, the strap drawn about your body and made fast so that the bowl shall not slip. Inside the bowl the rat will be imprisoned. He is ravenous with hunger, wild with fear and rage. For a while he will only run about the bowl, treading on your flesh. But with irons hot from the fire, we shall gradually heat the bowl, until, driven by pain, the rat begins to gnaw his way out. He can not gnaw through copper; he can gnaw through flesh--through flesh and muscles and intestines and bones, sahib."

Brill wet his lips three times before he found voice to speak.

"You'll hang for this!" he gasped, in a voice he did not himself recognize.

"If it be the will of Allah," assented Ali calmly. "This is your fate; what ours is, no man can say. It is the will of Allah that you die with a rat in your bowels. If it is Allah's will, we shall die on the gallows. Only Allah knows."

Brill made no reply. Some vestige of pride still remained to him. He set his jaw hard, feeling that if he opened his mouth to speak, to reason, to argue, he would collapse into shameful shrieks and entreaties. One was useless as the other, against the abysmal fatalism of the Orient.

Ali set the cage with its grisly Occupant on the table beside the copper bowl--without warning the light went out.

In the darkness Brill's heart began to pound suffocatingly. The Orientals stood still, patiently, expecting the light to come on again. But Brill instinctively felt that the stage was set for some drama darker and more hideous than that which menaced him. Silence reigned; somewhere off in the woods a night bird lifted a drowsy note. There was a faint scratching sound, somewhere--

"The electric torch," muttered a ghostly voice which Brill recognized as Jugra Singh's. "I laid it on the card table. Wait!"

He heard the Sikh fumbling in the dark; but he was watching the window, a square of dim, star-flecked sky blocked out of blackness. And as Brill watched, he saw something dark and bulky rear up in that square. Etched against the stars he saw a misshapen head, vague monstrous shoulders.

A scream sounded from inside the room, the crash of a wildly thrown missile. On the instant there was a scrambling sound, and the object blotted out the square of starlight, then vanished from it. It was inside the room.

Brill, lying frozen in his cords, heard all Hell and bedlam break loose in that dark room. Screams, shouts, strident cries of agony mingled with the smashing of furniture, the impact of blows, and a hideous, worrying, tearing sound that made Brill's flesh crawl. Once the battling pack staggered past the window, but Brill made out only a dim writhing of limbs, the pale glint of steel, and the terrible blaze of a pair of eyes he knew belonged to none of his three captors.

Somewhere a man was moaning horribly, his gasps growing weaker and weaker. There was a last convulsion of movement, the groaning impact of a heavy body; then the starlight in the window was for an instant blotted out again, and silence reigned once more in the cottage on the lake shore; silence broken only by the death gasps in the dark, and the labored panting of a wounded man.

Brill heard some one stumbling and floundering in the darkness, and it was from this one that the racking, panting was emanating. A circle of light flashed on, and in it Brill saw the blood-smeared face of Jugra Singh.

The light wandered erratically away, dancing crazily about the walls. Brill heard the Sikh blundering across the room, moving like a drunken man, or like one wounded unto death. The flash shone full in the scientist's face, blinding him. Fingers tugged awkwardly at his cords, a knife edge was dragged across them, slicing skin as well as hemp.

Jugra Singh sank to the floor. The flash thumped beside him and went out. Brill groped for him, found his shoulder. The cloth was soaked with what Brill knew was blood.

"You spoke truth, sahib," the Sikh whispered. "How the call came in the likeness of your voice, I do not know. But I know, now, what slew Reynolds, sahib. After all these years--but they never forget, though the broad sea lies between. Beware! The fiend may return. The gold--the gold was cursed--I told Reynolds, sahib--had he heeded me, he--"

A sudden welling of blood drowned the laboring voice. Under Brill's hand the great body stiffened and twisted in a brief convulsion, then went limp.

Groping on the floor, the scientist failed to find the flashlight. He groped along the wall, found the switch and flooded the cottage with light.

Turning back into the room, a stifled cry escaped his lips.

Jugra Singh lay slumped near the bed; huddled in a corner was Yut Wuen, his yellow hands, palms upturned, limp on the floor at his sides; Ali sprawled face down in the middle of the room. All three were dead. Throats, breasts and bellies were slashed to ribbons; their garments were in strips, and among the rags hung bloody tatters of flesh. Yut Wuen had been disemboweled, and the gaping wounds of the others were like those of sheep after a mountain lion has ranged through the fold.

A blackjack still stuck in Yut Wuen's belt. Ali's dead hand clutched a knife, but it was unstained. Death had struck them before they could use their weapons. But on the floor near Jugra Singh lay a great curved dagger, and it was red to the hilt. Bloody stains led across the floor and up over the window sill. Brill found the flash, snapped it on, and leaned out the window, playing the white beam on the ground outside. Dark, irregular splotches showed, leading off toward the dense woods.

With the flash in one hand and the Sikh's knife in the other, Brill followed those stains. At the edge of the trees he came upon a track, and the short hairs lifted on his scalp. A foot, planted in a pool of blood, had limned its imprint in crimson on the hard loam. And the foot, bare and splay, was that of a human.

That print upset vague theories of a feline or anthropoid killer, stirred nebulous thoughts at the back of his mind--dim and awful race memories of semi-human ghouls, of werewolves who walked like men and slew like beasts.

A low groan brought him to a halt, his flesh crawling. Under the black trees in the silence, that sound was pregnant with grisly probabilities. Gripping the knife firmly, he flashed the beam ahead of him. The thin light wavered, then focused on a black heap that was not part of the forest.

Brill bent over the figure and stood transfixed, transported back across the years and across the world to another wilder, grimmer woodland.

It was a naked black man that lay at his feet, his glassy eyes reflecting the waning light. His legs were short, bowed and gnarled, his arms long, his shoulders abnormally broad, his shaven head set plump between them without visible neck. That head was hideously malformed; the forehead projected almost into a peek, while the back of the skull was unnaturally flattened. White paint banded face, shoulders and breast. But it was at the creature's fingers which Brill looked longest. At first glance they seemed monstrously deformed. Then he saw that those hands were furnished with long curving steel hooks, sharp-pointed, and keen-edged on the concave side. To each finger one of these barbarous weapons was made fast, and those fingers, like the hooks clotted and smeared with blood, twitched exactly as the talons of a leopard twitch.

A light step brought him round. His dimming light played on a tall figure, and Brill mumbled: "John Galt!" in no great surprise. He was so numbed by bewilderment that the strangeness of the man's presence did not occur to him.

"What in God's name is this?" demanded the tall explorer, taking the light from Brill's hand and directing it on the mangled shape. "What in Heaven's name is that?"

"A black nightmare from Africa!" Brill found his tongue at last, and speech came in a rush. "An Egbo! A leopard man! I learned of them when I was on the West Coast. He belongs to a native cult which worships the leopard. They take a male infant and subject his head to pressure, to make it deformed; and he is brought up to believe that the spirit of a leopard inhabits his body. He does the bidding of the cult's head, which mainly consists of executing the enemies of the cult. He is, in effect, a human leopard!"

"What's he doing here?" demanded Galt, in seeming incredulity.

"God knows. But he must have been the thing that killed Reynolds. He killed Reynolds' three servants tonight--would have killed me, too, I suppose, but Jugra Singh wounded him, and he evidently dragged himself away like a wild beast to die in the jungle--"

Galt seemed curiously uninterested in Brill's stammering narrative.

"Sure he's dead?" he muttered, bending closer to flash the light into the hideous face. The illumination was dim; the battery was swiftly burning out.

As Brill was about to speak, the painted face was briefly convulsed. The glazed eyes gleamed as with a last surge of life. A clawed hand stirred, lifted feebly up toward Galt. A few gutturals seeped through the blubbery lips; the fingers writhed weakly, slipped from the iron talons, which the black man lifted, as if trying to hand them to Galt. Then he shuddered, sank back and lay still. He had been stabbed under the heart, and only a beast-like vitality had carried him so far.

Galt straightened and faced Brill, turning the light on him. A beat of silence cut between them, in which the atmosphere was electric with tension.

"You understand the Ekoi dialect?" It was more an assertion than a question.

Brill's heart was pounding, a new bewilderment vying with a rising wrath. "Yes," he answered shortly.

"What did that fool say?" softly asked Galt.

Brill set his teeth and stubbornly took the plunge reason cried out against. "He said," he replied between his teeth, "'Master, take my tools to the tribe, and tell them of our vengeance; they will give you what I promised you.'"

Even as he ground out the words, his powerful body crouched, his nerves taut for the grapple. But before he could move, the black muzzle of an automatic trained on his belly.

"Too bad you had to understand that death-bed confession, Brill," said Galt, coolly. "I don't want to kill you. I've kept blood off my hands so far through this affair. Listen, you're a poor man, like most scientists--how'd you consider cutting in on a fortune? Wouldn't that be preferable to getting a slug through your guts and being planted alongside those yellow-bellied stiffs down in Reynolds' shack for them to get the blame?"

"No man wants to die," answered Brill, his gaze fixed on the light in Galt's hand--the glow which was rapidly turning redder and dimmer.

"Good!" snapped Galt. "I'll give you the low down. Reynolds got his money in the Kameroons--stole gold from the Ekoi, which they had stored in the ju-ju hut; he killed a priest of the Egbo cult in getting away. Jugra Singh was with him. But they didn't get all the gold. And after that the Ekoi took good care to guard it so nobody could steal what was left.

"I knew this fellow, Guja, when I was in Africa. I was after the Ekoi gold then, but I never had a chance to locate it. I met Guja a few months ago, again. He'd been exiled from his tribe for some crime, had wandered to the Coast and been picked up with some more natives who were brought to America for exhibition in the World's Fair.

"Guja was mad to get back to his people, and he spilled the whole story of the gold. Told me that if he could kill Reynolds, his tribe would forgive him. He knew that Reynolds was somewhere in America, but he was helpless as a child to find him. I offered to arrange his meeting with the gold-thief, if Guja would agree to give me some of the gold his tribe hoarded.

"He swore by the skull of the great leopard. I brought him secretly into these hills, and hid him up yonder in a shack the existence of which nobody suspects. It took me a wretched time to teach him just what he was to do--he'd no more brains than an ape. Night after night I went through the thing with him, until he learned the procedure: to watch in the hills until he saw a light flash in Reynolds' shack. Then steal down there, jerk the switch--and kill. These leopard men can see like cats at night.

"I called Reynolds up myself; it wasn't hard to imitate your voice. I used to do impersonations in vaudeville. While Guja was tearing the life out of Reynolds, I was dining at a well-known night club, in full sight of all.

"I came here tonight to smuggle him out of the country. But his blood-lust must have betrayed him. When he saw the light flash on in the cottage again, it must have started a train of associations that led him once more to the cottage, to kill whoever he found there. I saw the tag-end of the business--saw him stagger away from the shack, and then you follow him.

"Now then, I've shot the works. Nobody knows I'm mixed up in this business, but you. Will you keep your mouth shut and take a share of the Ekoi gold?"

The glow went out. In the sudden darkness, Brill, his pent-up feelings exploding at last, yelled: "Damn you, no! You murdering dog!" and sprang aside. The pistol cracked, an orange jet sliced the darkness, and the bullet fanned Brill's ear as he threw the heavy knife blindly. He heard it rattle futilely through the bushes, and stood frozen with the realization that he had lost his desperate gamble.

But even as he braced himself against the tearing impact of the bullet he expected, a sudden beam drilled the blackness, illuminating the convulsed features of John Galt.

"Don't move, Galt; I've got the drop on you."

It was the voice of Buckley. With a snarl, Galt took as desperate a chance as Brill had taken. He wheeled toward the source of the light, snapping down his automatic. But even as he did so, the detective's .45 crashed, and outlined against the brief glare, Galt swayed and fell like a tall tree struck by lightning.

"Dead?" asked the scientist, mechanically.

"Bullet tore through his forearm and smashed his shoulder," grunted Buckley. "Just knocked out temporarily. He'll live to decorate the gallows."

"You--you heard--?" Brill stuttered.

"Everything. I was just coming around the bend of the lake shore and saw a light in Reynolds' cottage, then your flash bobbing among the trees. I came sneaking through the bushes just in time to hear you give your translation of the nigger's dying words. I've been prowling around this lake all night."

"You suspected Galt all the time?"

The detective grinned wryly.

"I ought to say yes, and establish myself as a super sleuth. But the fact is, I suspected you all the time. That's why I came up here tonight--trying to figure out your connection with the murder. That alibi of yours was so iron-clad it looked phony to me. I had a sneaking suspicion that I'd bumped into a master-mind trying to put over the 'perfect crime.' I apologize! I've been reading too many detective stories lately!"

THE END

 

 


Contents

BLACK VULMEA'S VENGEANCE

By Robert E. Howard

 

CHAPTER I

Out of the Cockatoo's cabin staggered Black Terence Vulmea, pipe in one hand and flagon in the other. He stood with booted legs wide, teetering slightly to the gentle lift of the lofty poop. He was bareheaded and his shirt was open, revealing his broad hairy chest. He emptied the flagon and tossed it over the side with a gusty sigh of satisfaction, then directed his somewhat blurred gaze on the deck below. From poop ladder to forecastle it was littered by sprawling figures. The ship smelt like a brewery. Empty barrels, with their heads stove in, stood or rolled between the prostrate forms. Vulmea was the only man on his feet. From galley-boy to first mate the rest of the ship's company lay senseless after a debauch that had lasted a whole night long. There was not even a man at the helm.

But it was lashed securely and in that placid sea no hand was needed on the wheel. The breeze was light but steady. Land was a thin blue line to the east. A stainless blue sky held a sun whose heat had not yet become fierce. Vulmea blinked indulgently down upon the sprawled figures of his crew, and glanced idly over the larboard side. H e grunted incredulously and batted his eyes. A ship loomed where he had expected to see only naked ocean stretching to the skyline. She was little more than a hundred yards away, and was bearing down swiftly on the Cockatoo, obviously with the intention of laying her alongside. She was tall and square-rigged, her white canvas flashing dazzlingly in the sun. From the maintruck the flag of England whipped red against the blue. Her bulwarks were lined with tense figures, bristling with boarding-pikes and grappling irons, and through her open ports the astounded pirate glimpsed the glow of the burning matches the gunners held ready.

"All hands to battle-quarters!" yelled Vulmea confusedly. Reverberant snores answered the summons. All hands remained as they were.

"Wake up, you lousy dogs!" roared their captain. "U p, curse you! A king's ship is at our throats!"

His only response came in the form of staccato commands from the frigate's deck, barking across the narrowing strip of blue water.

"Damnation!"

Cursing luridly he lurched in a reeling run across the poop to the swivel-gun which stood at the head of the larboard ladder. Seizing this he swung it about until its muzzle bore full on the bulwark of the approaching frigate. Objects wavered dizzily before his bloodshot eyes, but he squinted along its barrel as if he were aiming a musket.

"Strike your colors, you damned pirate!" came a hail from the trim figure that trod the warship's poop, sword in hand.

"Go to hell!" roared Vulmea, and knocked the glowing coals of his pipe into the vent of the gun-breech. The falcon crashed, smoke puffed out in a white cloud, and the double handful of musket balls with which the gun had been charged mowed a ghastly lane through the boarding party clustered along the frigate's bulwark. Like a clap of thunder came the answering broadside and a storm of metal raked the Cockatoo's decks, turning them into a red shambles.

Sails ripped, ropes parted, timbers splintered, and blood and brains mingled with the pools of liquor spilt on the decks. A round shot as big as a man's head smashed into the falcon, ripping it loose from the swivel and dashing it against the man who had fired it. The impact knocked him backward headlong across the poop where his head hit the rail with a crack that was too much even for an Irish skull. Black Vulmea sagged senseless to the boards. He was as deaf to the triumphant shouts and the stamp of victorious feet on his red-streaming decks as were his men who had gone from the sleep of drunkenness to the black sleep of death without knowing what had hi, them.

Captain John Wentyard, of his Majesty's frigate the Redoubtable, sipped his wine delicately and set down the glass with a gesture that in another man would have smacked of affectation. Wentyard was a tall man, with a narrow, pale face, colorless eyes, and a prominent nose. His costume was almost sober in comparison with the glitter of his officers who sat in respectful silence about the mahogany table in the main cabin.

"Bring in the prisoner," he ordered, and there was a glint of satisfaction in his cold eyes.

They brought in Black Vulmea, between four brawny sailors, his hands manacled before him and a chain on his ankles that was just long enough to allow him to walk without tripping. Blood was clotted in the pirate's thick black hair. His shirt was in tatters, revealing a torso bronzed by the sun and rippling with great muscles. Through the stern-windows, he could see the topmasts of the Cockatoo, just sinking out of sight. That close-range broadside had robbed the frigate of a prize. His conquerors were before him and there was no mercy in their stares, but Vulmea did not seem at all abashed or intimidated. He met the stern eyes of the officers with a level gaze that reflected only a sardonic amusement. Wentyard frowned. He preferred that his captives cringe before him. It made him feel more like Justice personified, looking unemotionally down from a great height on the sufferings of the evil.

"You are Black Vulmea, the notorious pirate?"

"I'm Vulmea," was the laconic answer.

"I suppose you will say, as do all these rogues," sneered Wentyard, "that you hold a commission from the Governor of Tortuga? These privateer commissions from the French mean nothing to his Majesty. You--"

"Save your breath, fish-eyes!" Vulmea grinned hardly. "I hold no commission from anybody. I'm not one of your accursed swashbucklers who hide behind the name of buccaneer. I'm a pirate, and I've plundered English ships as well as Spanish--and be damed to you, heron-beak!"

The officers gasped at this effrontery, and Wentyard smiled a ghastly, mirthless smile, white with the anger he held in rein.

"You know that I have the authority to hang you out of hand?" he reminded the other.

"I know," answered the pirate softly. "It won't be the first time you've hanged me, John Wentyard."

"What?" The Englishman stared.

A flame grew in Vulmea's blue eyes and his voice changed subtly in tone and inflection; the brogue thickened almost imperceptibly.

"On the Galway coast it was, years ago, captain. You were a young officer then, scarce more than a boy-but with all your ruthlessness fully developed. There were some wholesale evictions, with the military to see the job was done, and the Irish were mad enough to make a fight of it-poor, ragged, half-starved peasants, fighting with sticks against full-armed English soldiers and sailors. After the massacre and the usual hangings, a boy crept into a thicket to watch-a lad of ten, who didn't even know what it was all about. You spied him, John Wentyard, and had your dogs drag him forth and string him up alongside the kicking bodies of the others. `He's Irish,' you said as they heaved him aloft. `Little snakes grow into big ones.' I was that boy. I've looked forward to this meeting, you English dog!"

Vulmea still smiled, but the veins knotted in his temples and the great muscles stood out distinctly on his manacled arms. Ironed and guarded though the pirate was, Wentyard involuntarily drew back, daunted by the stark and naked hate that blazed from those savage eyes.

"How did you escape your just deserts?" he asked coldly, recovering his poise.

Vulmea laughed shortly.

"Some of the peasants escaped the massacre and were hiding in the thickets. As soon as you left they came out, and not being civilized, cultured Englishmen, but only poor, savage Irishry, they cut me down along with the others, and found there was still a bit of life in me. We Gaels are hard to kill, as you Britons have learned to your cost."

"You fell into our hands easily enough this time," observed Wentyard.

Vulmea grinned. His eyes were grimly amused now, but the glint of murderous hate still lurked in their deeps.

"Who'd have thought to meet a king's ship in these western seas? It's been weeks since we sighted a sail of any kind, save for the carrach we took yesterday, with a cargo of wine bound for Panama from Valparaiso. It's not the time of year for rich prizes. When the lads wanted a drinking bout, who was I to deny them? We drew out of the lanes the Spaniards mostly follow, and thought we had the ocean to ourselves. I'd been sleeping in my cabin for some hours before I came on deck to smoke a pipe or so, and saw you about to board us without firing a shot."

"You killed seven of my men," harshly accused Wentyard.

"And you killed all of mine," retorted Vulmea. "Poor devils, they'll wake up in hell without knowing how they got there."

He grinned again, fiercely. His toes dug hard against the floor, unnoticed by the men who gripped him on either side. The blood was rioting through his veins, and the berserk feel of his great strength was upon him. He knew he could, in a sudden, volcanic explosion of power, tear free from the men who held him, clear the space between him and his enemy with one bound, despite his chains, and crush Wentyard's skull with a smashing swing of his manacled fists. That he himself would die an instant later mattered not at all. In that moment he felt neither fears nor regrets--only a reckless, ferocious exultation and a cruel contempt for these stupid Englishmen about him. He laughed in their faces, joying in the knowledge that they did not know why he laughed. So they thought to chain the tiger, did they? Little they guessed of the devastating fury that lurked in his catlike thews.

He began filling his great chest, drawing in his breath slowly, imperceptibly, as his calves knotted and the muscles of his arms grew hard. Then Wentyard spoke again.

"I will not be overstepping my authority if I hang you within the hour. In any event you hang, either from my yardarm or from a gibbet on the Port Royal wharves. But life is sweet, even to rogues like you, who notoriously cling to every moment granted them by outraged society. It would gain you a few more months of life if I were to take you back to Jamaica to be sentenced by the governor. This I might be persuaded to do, on one condition."

"What's that?" Vulmea's tensed muscles did not relax; imperceptibly he began to settle into a semi-crouch.

"That you tell me the whereabouts of the pirate, Van Raven."

In that instant, while his knotted muscles went pliant again, Vulmea unerringly gauged and appraised the man who faced him, and changed his plan. He straightened and smiled.

"And why the Dutchman, Wentyard?" he asked softly. "Why not Tranicos, or Villiers, or McVeigh, or a dozen others more destructive to English trade than Van Raven? Is it because of the treasure he took from the Spanish plate-fleet? Aye, the king would like well to set his hands on that hoard, and there's a rich prize would go to the captain lucky or bold enough to find Van Raven and plunder him. Is that why you came all the way around the Horn, John Wentyard?"

"We are at peace with Spain," answered Wentyard acidly. "As for the purposes of an officer in his Majesty's navy, they are not for you to question."

Vulmea laughed at him, the blue flame in his eyes.

"Once I sank a king's cruiser off Hispaniola," he, said. "Damn you and your prating of `His Majesty'! Your English king is no more to me than so much rotten driftwood. Van Raven? He's a bird of passage. Who knows where he sails? But if it's treasure you want, I can show you a hoard that would make the Dutchman's loot look like a peat-pool beside the Caribbean Sea!"

A pale spark seemed to snap from Wentyard's colorless eyes, and his officers leaned forward tensely. Vulmea grinned hardly. He knew the credulity of navy men, which they shared with landsmen and honest mariners, in regard to pirates and plunder. Every seaman not himself a rover, believed that every buccaneer had knowledge of vast hidden wealth. The loot the men of the Red Brotherhood took from the Spaniards, rich enough as it was, was magnified a thousand times in the telling, and rumor made every swaggering sea-rat the guardian of a treasure-trove.

Coolly plumbing the avarice of Wentyard's hard soul, Vulmea said: "Ten days' sail from here there's a nameless bay on the coast of Ecuador. Four years ago Dick Harston, the English pirate and I anchored there, in quest of a hoard of ancient jewels called the Fangs of Satan. An Indian swore he had found them, hidden in a ruined temple in an uninhabited jungle a day's march inland, but superstitious fear of the old gods kept him from helping himself. But he was willing to guide us there.

"We marched inland with both crews, for neither of us trusted the other. To make a long tale short, we found the ruins of an old city, and beneath an ancient, broken altar, we found the jewels-rubies, diamonds, emeralds, sapphires, bloodstones, big as hen eggs, making a quivering flame of fire about the crumbling old shrine!"

The flame grew in Wentyard's eyes. His white fingers knotted about the slender stem of his wine glass.

"The sight of them was enough to madden a man," Vulmea continued, watching the captain narrowly. "We camped there for the night, and, one way or another, we fell out over the division of the spoil, though there was enough to make every man of us rich for life. We came to blows, though, and whilst we fought among ourselves, there came a scout running with word that a Spanish fleet had come into the bay, driven our ships away, and sent five hundred men ashore to pursue us. By Satan, they were on us before the scout ceased the telling! One of my men snatched the plunder away and hid it in the old temple, and we scattered, each band for itself. There was no time to take the plunder. We barely got away with our naked lives. Eventually I, with most of my crew, made my way back to the coast and was picked up by my ship which came slinking back after escaping from the Spaniards.

"Harston gained his ship with a handful of men, after skirmishing all the way with the Spaniards who chased him instead of us, and later was slain by savages on the coast of California.

"The Dons harried me all the way around the Horn, and I never had an opportunity to go back after the loot-until this voyage. It was there I was going when you overhauled me. The treasure's still there. Promise me my life and I'll take you to it."

"That is impossible," snapped Wentyard. "The best I can promise you is trial before the governor of Jamaica."

"Well," said Vulmea, "Maybe the governor might be more lenient than you. And much may happen between here and Jamaica."

Wentyard did not reply, but spread a map on the broad table.

"Where is this bay?"

Vulmea indicated a certain spot on the coast. The sailors released their grip on his arms while he marked it, and Wentyard's head was within reach, but the Irishman's plans were changed, and they included a chance for life-desperate, but nevertheless a chance.

"Very well. Take him below."

Vulmea went out with his guards, and Wentyard sneered coldly.

"A gentleman of his Majesty's navy is not bound by a promise to such a rogue as he. Once the treasure is aboard the Redoubtable, gentlemen, I promise you he shall swing from a yard-arm."

Ten days later the anchors rattled down in the nameless bay Vulmea had described.

CHAPTER II

It seemed desolate enough to have been the coast of an uninhabited continent. The bay was merely a shallow indentation of the shore-line. Dense jungle crowded the narrow strip of white sand that was the beach. Gay-plumed birds flitted among the broad fronds, and the silence of primordial savagery brooded over all. But a dim trail led back into the twilight vistas of green-walled mystery.

Dawn was a white mist on the water when seventeen men marched down the dim path. One was John Wentyard. On an expedition designed to find treasure, he would trust the command to none but himself. Fifteen were soldiers, armed with hangers and muskets. The seventeenth was Black Vulmea. The Irishman's legs, perforce, were free, and the irons had been removed from his arms. But his wrists were bound before him with cords, and one end of the cord was in the grip of a brawny marine whose other hand held a cutlass ready to chop down the pirate if he made any move to escape.

"Fifteen men are enough," Vulmea had told Wentyard. "Too many! Men go mad easily in the tropics, and the sight of the Fangs of Satan is enough to madden any man, king's man or not. The more that see the jewels, the greater chance of mutiny before you raise the Horn again. You don't need more than three or four. Who are you afraid of'? You said England was at peace with Spain, and there are no Spaniards anywhere near this spot, in any event."

"I wasn't thinking of Spaniards," answered Wentyard coldly. "I am providing against any attempt you might make to escape."

"Well," laughed Vulmea, "do you think you need fifteen men for that?"

"I'm taking no chances," was the grim retort. "You are stronger than two or three ordinary men, Vulmea, and full of wiles. My men will march with pieces ready, and if you try to bolt, they will shoot you down like the dog you are-should you, by any chance, avoid being cut down by your guard. Besides, there is always the chance of savages."

The pirate jeered.

"Go beyond the Cordilleras if you seek real savages. There are Indians there who cut off your head and shrink it no bigger than your fist. But they never come on this side of the mountains. As for the race that built the temple, they've all been dead for centuries. Bring your armed escort if you want to. It will be of no use. One strong man can carry away the whole hoard."

"One strong man!" murmured Wentyard, licking his lips as his mind reeled at the thought of the wealth represented by a load of jewels that required the full strength of a strong man to carry. Confused visions of knighthood and admiralty whirled through his head. "What about the path?" he asked suspiciously. "If this coast is uninhabited, how comes it there?"

"It was an old road, centuries ago, probably used by the race that built the city. In some places you can see where it was paved. But Harston and I were the first to use it for centuries. And you can tell it hasn't been used since. You can see where the young growth has sprung up above the scars of the axes we used to clear a way."

Wentyard was forced to agree. So now, before sunrise, the landing party was swinging inland at a steady gait that ate up the miles. The bay and the ship were quickly lost to sight. All morning they tramped along through steaming heat, between green, tangled jungle walls where gay-hued birds flitted silently and monkeys chattered. Thick vines hung low across the trail, impeding their progress, and they were sorely annoyed by gnats and other insects. At noon they paused only long enough to drink some water and eat the ready-cooked food they had brought along. The men were stolid veterans, inured to long marches, and Wentyard would allow them no more rest than was necessary for their brief meal. He was afire with savage eagerness to view the hoard Vulmea had described.

The trail did not twist as much as most jungle paths. It was overgrown with vegetation, but it gave evidence that it had once been a road, well-built and broad. Pieces of paving were still visible here and there. By mid-afternoon the land began to rise slightly to be broken by low, jungle-choked hills. They were aware of this only by the rising and dipping of the trail. The dense walls on either hand shut off their view.

Neither Wentyard nor any of his men glimpsed the furtive, shadowy shapes which now glided along through the jungle on either hand. Vulmea was aware of their presence, but he only smiled grimly and said nothing. Carefully and so subtly that his guard did not suspect it, the pirate worked at the cords on his wrists, weakening and straining the strands by continual tugging and twisting. He had been doing this all day, and he could feel them slowly giving way.

The sun hung low in the jungle branches when the pirate halted and pointed to where the old road bent almost at right angles and disappeared into the mouth of a ravine.

"Down that ravine lies the old temple where the jewels are hidden."

"On, then!" snapped Wentyard, fanning himself with his plumed hat. Sweat trickled down his face, wilting the collar of his crimson, gilt-embroidered coat. A frenzy of impatience was on him, his eyes dazzled by the imagined glitter of the gems Vulmea had so vividly described. Avarice makes for credulity, and it never occurred to Wentyard to doubt Vulmea's tale. He saw in the Irishman only a hulking brute eager to buy a few months more of life. Gentlemen of his Majesty's navy were not accustomed to analyzing the character of pirates. Wentyard's code was painfully simple: a heavy hand and a roughshod directness. He had never bothered to study or try to understand outlaw types.

They entered the mouth of the ravine and marched on between cliffs fringed with overhanging fronds. Wentyard fanned himself with his hat and gnawed his lip with impatience as he stared eagerly about for some sign of the ruins described by his captive. His face was paler than ever, despite the heat which reddened the bluff faces of his men, tramping ponderously after him. Vulmea's brown face showed no undue moisture. He did not tramp: he moved with the sure, supple tread of a panther, and without a suggestion of a seaman's lurching roll. His eyes ranged the walls above them and when a frond swayed without a breath of wind to move it, he did not miss it.

The ravine was some fifty feet wide, the floor carpeted by a low, thick growth of vegetation. The jungle ran densely along the rims of the walls, which were some forty feet high. They were sheer for the most part, but here and there natural ramps ran down into the gulch, half-covered with tangled vines. A few hundred yards ahead of them they saw that the ravine bent out of sight around a rocky shoulder. From the opposite wall there jutted a corresponding crag. The outlines of these boulders were blurred by moss and creepers, but they seemed too symmetrical to be the work of nature alone.

Vulmea stopped, near one of the natural ramps that sloped down from the rim. His captors looked at him questioningly.

"Why are you stopping?" demanded Wentyard fretfully. His foot struck something in the rank grass and he kicked it aside. It rolled free and grinned up at him-a rotting human skull. He saw glints of white in the green all about him-skulls and bones almost covered by the dense vegetation.

"Is this where you piratical dogs slew each other?" he demanded crossly. "What are you waiting on? What are you listening for?"

Vulmea relaxed his tense attitude and smiled indulgently.

"That used to be a gateway there ahead of us," he said. "Those rocks on each side are really gate-pillars. This ravine was a roadway, leading to the city when people lived there. It's the only approach to it, for it's surrounded by sheer cliffs on all sides." He laughed harshly. "This is like the road to Hell, John Wentyard: easy to go down-not so easy to go up again."

"What are you maundering about?" snarled Wentyard, clapping his hat viciously on his head. "You Irish are all babblers and mooncalves! Get on with-"

From the jungle beyond the mouth of the ravine came a sharp twang. Something whined venomously down the gulch, ending its flight with a vicious thud. One of the soldiers gulped and started convulsively. His musket clattered to the earth and he reeled, clawing at his throat from which protruded a long shaft, vibrating like a serpent's head. Suddenly he pitched to the ground and lay twitching.

"Indians!" yelped Wentyard, and turned furiously on his prisoner. "Dog! Look at that! You said there were no savages hereabouts!"

Vulmea laughed scornfully.

"Do you call them savages? Bah! Poor-spirited dogs that skulk in the jungle, too fearful to show themselves on the coast. Don't you see them slinking among the trees? Best give them a volley before they grow too bold."

Wentyard snarled at him, but the Englishman knew the value of a display of firearms when dealing with natives, and he had a glimpse of brown figures moving among the green foliage. He barked an order and fourteen muskets crashed, and the bullets rattled among the leaves. A few severed fronds drifted down; that was all. But even as the smoke puffed out in a cloud, Vulmea snapped the frayed cords on his wrists, knocked his guard staggering with a buffet under the ear, snatched his cutlass and was gone, running like a cat up the steep wall of the ravine. The soldiers with their empty muskets gaped helplessly after him, and Wentyard's pistol banged futilely, an instant too late. From the green fringe above them came a mocking laugh.

"Fools! You stand in the door of Hell!"

"Dog!" yelled Wentyard, beside himself, but with his greed still uppermost in his befuddled mind. "We'll find the treasure without your help!"

"You can't find something that doesn't exist," retorted the unseen pirate. "There never were any jewels. It was a lie to draw you into a trap. Dick Harston never came here. I came here, and the Indians butchered all my crew in that ravine, as those skulls in the grass there testify."

"Liar!" was all Wentyard could find tongue for. "Lying dog! You told me there were no Indians hereabouts!"

"I told you the head-hunters never came over the mountains," retorted Vulmea. "They don't either. I told you the people who built the city were all dead. That's so, too. I didn't tell you that a tribe of brown devils live in the jungle near here. They never go down to the coast, and they don't like to have white men come into the jungle. I think they were the people who wiped out the race that built the city, long ago. Anyway, they wiped out my men, and the only reason I got away was because I'd lived with the red men of North America and learned their woodscraft. You're in a trap you won't get out of, Wentyard!"

"Climb that wall and take him!" ordered Wentyard, and half a dozen men slung their muskets on their backs and began clumsily to essay the rugged ramp up which the pirate had run with such catlike ease.

"Better trim sail and stand by to repel boarders," Vulmea advised him from above. "There are hundreds of red devils out there-and no tame dogs to run at the crack of a caliver, either."

"And you'd betray white men to savages!" raged Wentyard.

"It goes against my principles," the Irishman admitted, "but it was my only chance for life. I'm sorry for your men. That's why I advised you to bring only a handful. I wanted to spare as many as possible. There are enough Indians out there in the jungle to eat your whole ship's company. As for you, you filthy dog, what you did in Ireland forfeited any consideration you might expect as a white man. I gambled on my neck and took my chances with all of you. It might have been me that arrow hit."

The voice ceased abruptly, and just as Wentyard was wondering if there were no Indians on the wall above them, the foliage was violently agitated, there sounded a wild yell, and down came a naked brown body, all asprawl, limbs revolving in the air, it crashed on the floor of the ravine and lay motionless--the figure of a brawny warrior, naked but for a loin-cloth of bark. The dead man was deep-chested, broad-shouldered and muscular, with features not unintelligent, but hard and brutal. He had been slashed across the neck.

The bushes waved briefly, and then again, further along the rim, which Wentyard believed marked the flight of the Irishman along the ravine wall, pursued by the companions of the dead warrior, who must have stolen up on Vulmea while the pirate was shouting his taunts.

The chase was made in deadly silence, but down in the ravine conditions were anything but silent. At the sight of the falling body a blood-curdling ululation burst forth from the jungle outside the mouth of the ravine, and a storm of arrows came whistling down it. Another man fell, and three more were wounded, and Wentyard called down the men who were laboriously struggling up the vine-matted ramp. He fell back down the ravine, almost to the bend where the ancient gate-posts jutted, and beyond that point he feared to go. He felt sure that the ravine beyond the Gateway was filled with lurking savages. They would not have hemmed him in on all sides and then left open an avenue of escape.

At the spot where he halted there was a cluster of broken rocks that looked as though as they might once have formed the walls of a building of some sort. Among them Wentyard made his stand. He ordered his men to lie prone, their musket barrels resting on the rocks. One man he detailed to watch for savages creeping up the ravine from behind them, the others watched the green wall visible beyond the path that ran into the mouth of the ravine. Fear chilled Wentyard's heart. The sun was already lost behind the trees and the shadows were lengthening. In the brief dusk of the tropic twilight, how could a white man's eye pick out a swift, flitting brown body, or a musket ball find its mark? And when darkness fell--Wentyard shivered despite the heat.

Arrows kept singing down the ravine, but they fell short or splintered on the rocks. But now bowmen hidden on the walls drove down their shafts, and from their vantage point the stones afforded little protection. The screams of men skewered to the ground rose harrowingly. Wentyard saw his command melting away under his eyes. The only thing that kept them from being instantly exterminated was the steady fire he had them keep up at the foliage on the cliffs. They seldom saw their foes; they only saw the fronds shake, had an occasional glimpse of a brown arm. But the heavy balls, ripping through the broad leaves, made the hidden archers wary, and the shafts came at intervals instead of in volleys. Once a piercing death yell announced that a blind ball had gone home, and the English raised a croaking cheer.

Perhaps it was this which brought the infuriated warriors out of the jungle. Perhaps, like the white men, they disliked fighting in the dark, and wanted to conclude the slaughter before night fell. Perhaps they were ashamed longer to lurk hidden from a handful of men.

At any rate, they came out of the jungle beyond the trail suddenly, and by the scores, not scrawny primitives, but brawny, hard-muscled warriors, confident of their strength and physically a match for even the sinewy Englishmen. They came in a wave of brown bodies that suddenly flooded the ravine, and others leaped down the walls, swinging from the lianas. They were hundreds against the handful of Englishmen left. These rose from the rocks without orders, meeting death with the bulldog stubbornness of their breed. They fired a volley full into the tide of snarling faces that surged upon them, and then drew hangers and clubbed empty muskets. There was no time to reload. Their blast tore lanes in the onsweeping human torrent, but it did not falter; it came on and engulfed the white men in a snarling, slashing, smiting whirlpool.

Hangers whirred and bit through flesh and bone, clubbed muskets rose and fell, spattering brains. But copper-headed axes flashed dully in the twilight, warclubs made a red ruin of the skulls they kissed, and there were a score of red arms to drag down each struggling white man. The ravine was choked with a milling, eddying mass, revolving about a fast-dwindling cluster of desperate, white-skinned figures.

Not until his last man fell did Wentyard break away, blood smeared on his arms, dripping from his sword. He was hemmed in by a surging ring of ferocious figures, but he had one loaded pistol left. He fired it full in a painted face surmounted by a feathered chest and saw it vanish in bloody ruin. He clubbed a shaven head with the empty barrel, and rushed through the gap made by the falling bodies. A wild figure leaped at him, swinging a war-club, but the sword was quicker. Wentyard tore the blade free as the savage fell. Dusk was ebbing swiftly into darkness, and the figures swirling about him were becoming indistinct, vague of outline. Twilight waned quickly in the ravine and darkness had settled there before it veiled the jungle outside. It was the darkness that saved Wentyard, confusing his attackers. As the sworded Indian fell he found himself free, though men were rushing on him from behind, with clubs lifted.

Blindly he fled down the ravine. It lay empty before him. Fear lent wings to his feet. He raced through the stone abutted Gateway. Beyond it he saw the ravine widen out; stone walls rose ahead of him, almost hidden by vines and creepers, pierced with blank windows and doorways. His flesh crawled with the momentary expectation of a thrust in the back. His heart was pounding so loudly, the blood hammering so agonizingly in his temples that he could not tell whether or not bare feet were thudding close behind him.

His hat and coat were gone, his shirt torn and bloodstained, though somehow he had come through that desperate melee unwounded. Before him he saw a vine-tangled wall, and an empty doorway. He ran reelingly into the door and turned, falling to his knee from sheer exhaustion. He shook the sweat from his eyes, panting gaspingly as he fumbled to reload his pistols. The ravine was a dim alleyway before him, running to the rock-buttressed bend. Moment by moment he expected to see it thronged with fierce faces, with swarming figures. But it lay empty and fierce cries of the victorious warriors drew no nearer. For some reason they had not followed him through the Gateway.

Terror that they were creeping on him from behind brought him to his feet, pistols cocked, staring this way and that.

He was in a room whose stone walls seemed ready to crumble. It was roofless, and grass grew between the broken stones of the floor. Through the gaping roof he could see the stars just blinking out, and the frond-fringed rim of the cliff. Through a door opposite the one by which he crouched he had a vague glimpse of other vegetationchoked, roofless chambers beyond.

Silence brooded over the ruins, and now silence had fallen beyond the bend of the ravine. He fixed his eyes on the blur that was the Gateway and waited. It stood empty. Yet he knew that the Indians were aware of his flight. Why did they not rush in and cut his throat? Were they afraid of his pistols? They had shown no fear of his soldiers' muskets. Had they gone away, for some inexplicable reason? Were those shadowy chambers behind him filled with lurking warriors? If so, why in God's name were they waiting?

He rose and went to the opposite door, craned his neck warily through it, and after some hesitation, entered the adjoining chamber. It had no outlet into the open. All its doors led into other chambers, equally ruinous, with broken roofs, cracked floors and crumbling walls. Three or four he traversed, his tread, as he crushed down the vegetation growirg among the broken stones, seeming intolerably loud in the stillness. Abandoning his explorations-for the labyrinth seemed endless-he returned to the room that opened toward the ravine. No sound came up the gulch, but it was so dark under the cliff that men could have entered the Gateway and been crouching near him, without his being able to see them.

At last he could endure the suspense no longer. Walking as quietly as he was able, he left the ruins and approached the Gateway, now a well of blackness. A few moments later he was hugging the left-hand abutment and straining his eyes to see into the ravine beyond. It was too dark to see anything more than the stars blinking over the rims of the walls. He took a cautious step beyond the Gateway--it was the swift swish of feet through the vegetation on the floor that saved his life. He sensed rather than saw a black shape loom out of the darkness, and he fired blindly and point-blank. The flash lighted a ferocious face, falling backward, and beyond it the Englishman dimly glimpsed other figures, solid ranks of them, surging inexorably toward him.

With a choked cry he hurled himself back around the gate-pillar, stumbled and fell and lay dumb and quaking, clenching his teeth against the sharp agony he expected in the shape of a spear-thrust. None came. No figure came lunging after him. Incredulously he gathered himself to his feet, his pistols shaking in his hands. They were waiting, beyond that bend, but they would not come through the Gateway, not even to glut their blood-lust. This fact forced itself upon him, with its implication of inexplicable mystery.

Stumblingly he made his way back to the ruins and groped into the black doorway, overcoming an instinctive aversion against entering the roofless chamber. Starlight shone through the broken roof, lightening the gloom a little, but black shadows clustered along the walls and the inner door was an ebon wall of mystery. Like most Englishmen of his generation, John Wentyard more than believed in ghosts, and he felt that if ever there was a place fit to be haunted by the phantoms of a lost and forgotten race, it was these sullen ruins.

He glanced fearfully through the broken roof at the dark fringe of overhanging fronds on the cliffs above, hanging motionless in the breathless air, and wondered if moonrise, illuminating his refuge, would bring arrows questing down through the roof. Except for the far lone cry of a nightbird, the jungle was silent. There was not so much as the rustle of a leaf. If there were men on the cliffs there was no sign to show it. He was aware of hunger and an increasing thirst; rage gnawed at him, and a fear that was already tinged with panic.

He crouched at the doorway, pistols in his hands, naked sword at his knee, and after a while the moon rose, touching the overhanging fronds with silver long before it untangled itself from the trees and rose high enough to pour its light over the cliffs. Its light invaded the ruins, but no arrows came from the cliff, nor was there any sound from beyond the Gateway. Wentyard thrust his head through the door and surveyed his retreat.

The ravine, after it passed between the ancient gate-pillars, opened into a broad bowl, walled by cliffs, and unbroken except for the mouth of the gulch. Wentyard saw the rim as a continuous, roughly circular line, now edged with the fire of moonlight. The ruins in which he had taken refuge almost filled this bowl, being butted against the cliffs on one side. Decayed and smothering vines had almost obliterated the original architectural plan. He saw the structure as a maze of roofless chambers, the outer doors opening upon the broad space left between it and the opposite wall of the cliff. This space was covered with low, dense vegetation, which also choked some of the chambers.

Wentyard saw no way of escape. The cliffs were not like the walls of the ravine. They were of solid rock and sheer, even jutting outward a little at the rim. No vines trailed down them. They did not rise many yards above the broken roofs of the ruins, but they were as far out of his reach as if they had towered a thousand feet. He was caught like a rat in a trap. The only way out was up the ravine, where the blood-lusting warriors waited with grim patience. He remembered Vulmea's mocking warning: "--Like the road to Hell: easy to go down; not so easy to go up again!" Passionately he hoped that the Indians had caught the Irishman and slain him slowly and painfully. He could have watched Vulmea flayed alive with intense satisfaction.

Presently, despite hunger and thirst and fear, he fell asleep, to dream of ancient temples where drums muttered and strange figures in parrot-feather mantles moved through the smoke of sacrificial fires; and he dreamed at last of a silent, hideous shape which came to the inner door of his roofless chamber and regarded him with cold, inhuman eyes.

It was from this dream that he awakened, bathed in cold sweat, to start up with an incoherent cry, clutching his pistols. Then, fully awake, he stood in the middle of the chamber, trying to gather his scattered wits. Memory of the dream was vague but terrifying. Had he actually seen a shadow sway in the doorway and vanish as he awoke, or had it been only part of his nightmare? The red, lopsided moon was poised on the western rim of the cliffs, and that side of the bowl was in thick shadow, but still an illusive light found its way into the ruins. Wentyard peered through the inner doorway, pistols cocked. Light floated rather than streamed down from above, and showed him an empty chamber beyond. The vegetation on the floor was crushed down, but he remembered having walked back and forth across it several times.

Cursing his nervous imagination he returned to the outer doorway. He told himself that he chose that place the better to guard against an attack from the ravine, but the real reason was that he could not bring himself to select a spot deeper in the gloomy interior of the ancient ruins.

He sat down cross-legged just inside the doorway, his back against the wall, his pistols beside him and his sword across his knees. His eyes burned and his lips felt baked with the thirst that tortured him. The sight of the heavy globules of dew that hung on the grass almost maddened him, but he did not seek to quench his thirst by that means, believing as he did that it was rank poison, he drew his belt closer, against his hunger, and told himself that he would not sleep. But he did sleep, in spite of everything.

CHAPTER III

It was a frightful scream close at hand that awakened Wentyard. He was on his feet before he was fully awake, glaring wildly about him. The moon had set and the interior of the chamber was dark as Egypt, in which the outer doorway was but a somewhat lighter blur. But outside it there sounded a blood-chilling gurgling, the heaving and flopping of a heavy body. Then silence.

It was a human being that had screamed. Wentyard groped for his pistols, found his sword instead, and hurried forth, his taut nerves thrumming. The starlight in the bowl, dim as it was, was less Stygian than the absolute blackness of' the ruins. But he did not see the figure stretched in the grass until he stumbled over it. That was all he saw, then-just that dim form stretched on the ground before the doorway. The foliage hanging over the cliff rustled a little in the faint breeze. Shadows hung thick under the wall and about the ruins. A score of men might have been lurking near him, unseen. But there was no sound.

After a while, Wentyard knelt beside the figure, straining his eyes in the starlight. He grunted softly. The dead man was not an Indian, but a black man, a brawny ebon giant, clad, like the red men, in a bark loin clout, with a crest of parrot feathers on his head. A murderous copperheaded axe lay near his hand, and a great gash showed in his muscular breast, a lesser wound under his shoulder blade. He had been stabbed so savagely that the blade had transfixed him and come out through his back.

Wentyard swore at the accumulated mystery of it. The presence of the black man was not inexplicable. Negro slaves, fleeing from Spanish masters, frequently took to the jungle and lived with the natives. This black evidently did not share in whatever superstition or caution kept the Indians outside the bowl; he had come in alone to butcher the victim they had at bay. But the mystery of his death remained. The blow that had impaled him had been driven with more than ordinary strength. There was a sinister suggestion about the episode, though the mysterious killer had saved Wentyard from being brained in his sleep--it was as if some inscrutable being, having claimed the Englishman for its own, refused to be robbed of its prey. Wentyard shivered, shaking off the thought.

Then he realized that he was armed only with his sword. He had rushed out of the ruins half asleep, leaving his pistols behind him, after a brief fumbling that failed to find them in the darkness. He turned and hurried back into the chamber and began to grope on the floor, first irritably, then with growing horror. The pistols were gone.

At this realization panic overwhelmed Wentyard. He found himself out in the starlight again without knowing just how he had got there. He was sweating, trembling in every limb, biting his tongue to keep from screaming in hysterical terror.

Frantically he fought for control. It was not imagination, then, which peopled those ghastly ruins with furtive, sinister shapes that glided from room to shadowy room on noiseless feet, and spied upon him while he slept. Something besides himself had been in that room-something that had stolen his pistols either while he was fumbling over the dead man outside, or--grisly thought!-while he slept. He believed the latter had been the case. He had heard no sound in the ruins while he was outside. But why had it not taken his sword as well? Was it the Indians, after all, playing a horrible game with him? Was it their eyes he seemed to feel burning upon him from the shadows? But he did not believe it was the Indians. They would have no reason to kill their black ally.

Wentyard felt that he was near the end of his rope. He was nearly frantic with thirst and hunger, and he shrank from the contemplation of another day of heat in that waterless bowl. He went toward the ravine mouth, grasping his sword in desperation, telling himself that it was better to be speared quickly than haunted to an unknown doom by unseen phantoms, or perish of thirst. But the blind instinct to live drove him back from the rock-buttressed Gateway. He could not bring himself to exchange an uncertain fate for certain death. Faint noises beyond the bend told him that men, many men, were waiting there, and retreated, cursing weakly.

In a futile gust of passion he dragged the black man's body to the Gateway and thrust it through. At least he would not have it for a companion to poison the air when it rotted in the heat.

He sat down about half-way between the ruins and the ravine-mouth, hugging his sword and straining his eyes into the shadowy starlight, and felt that he was being watched from the ruins; he sensed a Presence there, inscrutable, inhuman, waiting--waiting.

He was still sitting there when dawn flooded jungle and cliffs with grey light, and a brown warrior, appearing in the Gateway, bent his bow and sent an arrow at the figure hunkered in the open space. The shaft cut into the grass near Wentyard's foot, and the white man sprang up stiffly and ran into the doorway of the ruins. The warrior did not shoot again. As if frightened by his own temerity, he turned and hurried back through the Gateway and vanished from sight.

Wentyard spat dryly and swore. Daylight dispelled some of the phantom terrors of the night, and he was suffering so much from thirst that his fear was temporarily submerged. He was determined to explore the ruins by each crevice and cranny and bring to bay whatever was lurking among them. At least he would have daylight by which to face it.

To this end he turned toward the inner door, and then he stopped in his tracks, his heart in his throat. In the inner doorway stood a great gourd, newly cut and hollowed, and filled with water; beside it was a stack of fruit, and in another calabash there was meat, still smoking faintly. With a stride he reached the door and glared through. Only an empty chamber met his eyes.

Sight of water and scent of food drove from his mind all thoughts of anything except his physical needs. He seized the water-gourd and drank gulpingly, the precious liquid splashing on his breast. The water was fresh and sweet, and no wine had ever given him such delirious satisfaction. The meat he found was still warm. What it was he neither knew nor cared. He ate ravenously, grasping the joints in his fingers and tearing away the flesh with his teeth. It had evidently been roasted over an open fire, and without salt or seasoning, but it tasted like food of the gods to the ravenous man. He did not seek to explain the miracle, nor to wonder if the food were poisoned. The inscrutable haunter of the ruins which had saved his life that night, and which had stolen his pistols, apparently meant to preserve him for the time being, at least, and Wentyard accepted the gifts without question.

And having eaten he lay down and slept. He did not believe the Indians would invade the ruins; he did not care much if they did, and speared him in his sleep. He believed that the unknown being which haunted the rooms could slay him any time it wished. It had been close to him again and again and had not struck. It had showed no signs of hostility so far, except to steal his pistols. To go searching for it might drive it into hostility.

Wentyard, despite his slaked thirst and full belly, was at the point where he had a desperate indifference to consequences. His world seemed to have crumbled about him. He had led his men into a trap to see them butchered; he had seen his prisoner escape; he was caught like a caged rat himself; the wealth he had lusted after and dreamed about had proved a lie. Worn out with vain ragings against his fate, he slept.

The sun was high when he awoke and sat up with a startled oath. Black Vulmea stood looking down at him.

"Damn!" Wentyard sprang up, snatching at his sword. His mind was a riot of maddening emotions, but physically he was a new man, and nerved to a rage that was tinged with near-insanity.

"You dog!" he raved. "So the Indians didn't catch you on the cliffs!"

"Those red dogs?" Vulmea laughed. "They didn't follow me past the Gateway. They don't come on the cliffs overlooking these ruins. They've got a cordon of men strung through the jungle, surrounding this place, but I can get through any time I want to. I cooked your breakfast-and mine-right under their noses, and they never saw me."

"My breakfast!" Wentyard glared wildly. "You mean it was you brought water and food for me?"

"Who else?"

"But-but why?" Wentyard was floundering in a maze of bewilderment.

Vulmea laughed, but he laughed only with his lips. His eyes were burning. "Well, at first I thought it would satisfy me if I saw you get an arrow through your guts. Then when you broke away and got in here, I said, `Better still! They'll keep the swine there until he starves, and I'll lurk about and watch him die slowly.' I knew they wouldn't come in after you. When they ambushed me and my crew in the ravine, I cut my way through them and got in here, just as you did, and they didn't follow me in. But I got out of here the first night. I made sure you wouldn't get out the way I did that time, and then settled myself to watch you die. I could come or go as I pleased after nightfall, and you'd never see or hear me."

"But in that case, I don't see why-"

"You probably wouldn't understand!" snarled Vulmea. "But just watching you starve wasn't enough. I wanted to kill you myself-I wanted to see your blood gush, and watch your eyes glaze!" The Irishman's voice thickened with his passion, and his great hands clenched until the knuckles showed white. "And I didn't want to kill a man half-dead with want. So I went back up into the jungle on the cliffs and got water and fruit, and knocked a monkey off a limb with a stone, and roasted him. I brought you a good meal and set it there in the door while you were sitting outside the ruins. You couldn't see me from where you were sitting, and of course you didn't hear anything. You English are all dull-eared."

"And it was you who stole my pistols last night!" muttered Wentyard, staring at the butts jutting from Vulmea's Spanish girdle.

"Aye! I took them from the floor beside you while you slept. I learned stealth from the Indians of North America. I didn't want you to shoot me when I came to pay my debt. While I was getting them I heard somebody sneaking up outside, and saw a black man coming toward the doorway. I didn't want him to be robbing me of my revenge, so f stuck my cutlass through him. You awakened when he howled, and ran out, as you'll remember, but I stepped back around the corner and in at another door. I didn't want to meet you except in broad open daylight and you in fighting trim."

"Then it was you who spied on me from the inner door," muttered Wentyard. "You whose shadow I saw just before the moon sank behind the cliffs."

"Not I!" Vulmea's denial was genuine. "I didn't come down into the ruins until after moonset, when I came to steal your pistols. Then I went back up on the cliffs, and came again just before dawn to leave your food."

"But enough of this talk!" he roared gustily, whipping out his cutlass: "I'm mad with thinking of the Galway coast and dead men kicking in a row, and a rope that strangled me! I've tricked you, trapped you, and now I'm going to kill you!"

Wentyard's face was a ghastly mask of hate, livid, with bared teeth and glaring eyes.

"Dog!" with a screech he lunged, trying to catch Vulmea offguard.

But the cutlass met and deflected the straight blade, and Wentyard bounded back just in time to avoid the decapitating sweep of the pirate's steel. Vulmea laughed fiercely and came on like a storm, and Wentyard met him with a drowning man's desperation.

Like most officers of the British navy, Wentyard was proficient in the use of the long straight sword he carried. He was almost as tall as Vulmea, and though he looked slender beside the powerful figure of the pirate, he believed that his skill would offset the sheer strength of the Irishman.

He was disillusioned within the first few moments of the fight. Vulmea was neither slow nor clumsy. He was as quick as a wounded panther, and his sword-play was no less crafty than Wentyard's. It only seemed so, because of the pirate's furious style of attack, showering blow on blow with what looked like sheer recklessness. But the very ferocity of his attack was his best defense, for it gave his opponent no time to launch a counter-attack.

The power of his blows, beating down on Wentyard's blade, rocked and shook the Englishman to his heels, numbing his wrist and arm with their impact. Bliad fury, humiliation, naked fright combined to rob the captain of his poise and cunning. A stamp of feet, a louder clash of steel, and Wentyard's blade whirred into a corner. The Englishman reeled back, his face livid, his eyes like those of a madman.

"Pick up your sword!" Vulmea was panting, not so much from exertion as from rage. Wentyard did not seem to hear him.

"Bah!" Vulmea threw aside his cutlass in a spasm of disgust. "Can't you even fight? I'll kill you with my bare hands!"

He slapped Wentyard viciously first on one side of the face and then on the other. The Englishman screamed wordlessly and launched himself at the pirate's throat, and Vulmea checked him with a buffet in the face and knocked him sprawling with a savage smash under the heart. Wentyard got to his knees and shook the blood from his face, while Vulmea stood over him, his brows black and his great fists knotted.

"Get up'" muttered the Irishman thickly. "Get up, you hangman of peasants and children!"

Wentyard did not heed him. He was groping inside his shirt, from which he drew out something he stared at with painful intensity.

"Get up, damn you, before I set my boot-heels on your face-"

Vulmea broke off, glaring incredulously. Wentyard, crouching over the object he had drawn from his shirt, was weeping in great, racking sobs.

"What the hell!" Vulmea jerked it away from him, consumed by wonder to learn what could bring tears from John Wentyard. It was a skillfully painted miniature. The blow he had struck Wentyard had cracked it, but not enough to obliterate the soft gentle faces of a pretty young woman and child which smiled up at the scowling Irishman.

"Well, I'm damned!" Vulmea stared from the broken portrait in his hand to the man crouching miserably on the floor. "Your wife and daughter?"

Wentyard, his bloody face sunk in his hands, nodded mutely. He had endured much within the last night and day. The breaking of the portrait he always carried over his heart was the last straw; it seemed like an attack on the one soft spot in his hard soul, and it left him dazed and demoralized.

Vulmea scowled ferociously, but it somehow seemed forced.

"I didn't know you had a wife and child," he said almost defensively.

"The lass is but five years old," gulped Wentyard. "I haven't seen them in nearly a year My God, what's to become of them now? A navy captain's pay is none so great. I've never been able to save anything. It was for them I sailed in search of Van Raven and his treasure. I hoped to get a prize that would take care of them if aught happened to me. Kill me!" he cried shrilly, his voice cracking at the highest pitch. "Kill me and be done with it, before I lose my manhood with thinking of them, and beg for my life like a craven dog!"

But Vulmea stood looking down at him with a frown. Varying expressions crossed his dark face, and suddenly he thrust the portrait back in the Englishman's hand.

"You're too poor a creature for me to soil my hands with!" he sneered, and turning on his heel, strode through the inner door.

Wentyard stared dully after him, then, still on his knees, began to caress the broken picture, whimpering softly like an animal in pain as if the breaks in the ivory were wounds in his own flesh. Men break suddenly and unexpectedly in the tropics, and Wentyard's collapse was appalling.

He did not look up when the swift stamp of boots announced Vulmea's sudden return, without the pirate's usual stealth. A savage clutch on his shoulder raised him to stare stupidly into the Irishman's convulsed face.

"You're an infernal dog!" snarled Vulmea, in a fury that differed strangely from his former murderous hate. He broke into lurid imprecations, cursing Wentyard with all the proficiency he had acquired during his years at sea. "I ought to split your skull," he wound up. "For years I've dreamed of it, especially when I was drunk. I'm a cursed fool not to stretch you dead on the floor. I don't owe you any consideration, blast you! Your wife and daughter don't mean anything to me. But I'm a fool, like all the Irish, a blasted, chicken-hearted, sentimental fool, and I can't be the cause of a helpless woman and her colleen starving. Get up and quit sniveling!"

Wentyard looked up at him stupidly.

"You--you came back to help me?'

"I might as well stab you as leave you here to starve!" roared the pirate, sheathing his sword. "Get up and stick your skewer back in its scabbard. Who'd have ever thought that a scraun like you would have womenfolk like those innocents? Hell's fire! You ought to be shot! Pick up your sword. You may need it before we get away. But remember, I don't trust you any further than I can throw a whale by the tail, and I'm keeping your pistols. If you try to stab me when I'm not looking I'll break your head with my cutlass hilt."

Wentyard, like a man in a daze, replaced the painting carefully in his bosom and mechanically picked up his sword and sheathed it. His numbed wits began to thaw out, and he tried to pull himself together.

"What are we to do now?" he asked.

"Shut up!" growled the pirate. "I'm going to save you for the sake of the lady and the lass, but I don't have to talk to you!" With rare consistency he then continued: "We'll leave this trap the same way I came and went.

"Listen: four years ago I came here with a hundred men. I'd heard rumors of a ruined city up here, and I thought there might be loot hidden in it. I followed the old road from the beach, and those brown dogs let me and my men get in the ravine before they started butchering us. There must have been five or six hundred of them. They raked us from the walls, and then charged us-some came down the ravine and others jumped down the walls behind us and cut us off. I was the only one who got away, and I managed to cut my way through them, and ran into this bowl. They didn't follow me in, but stayed outside the Gateway to see that I didn't get out.

"But I found another way-a slab had fallen away from the wall of a room that was built against the cliff, and a stairway was cut in the rock. I followed it and came out of a sort of trap door up on the cliffs. A slab of rock was over it, but I don't think the Indians knew anything about it anyway, because they never go up on the cliffs that overhang the basin. They never come in here from the ravine, either. There's something here they're afraid of-ghosts, most likely.

"The cliffs slope down into the jungle on the outer sides, and the slopes and the crest are covered with trees and thickets. They had a cordon of men strung around the foot of the slopes, but I got through at night easily enough, made my way to the coast and sailed away with the handful of men I'd left aboard my ship.

"When you captured me the other day, I was going to kill you with my manacles, but you started talking about treasure, and a thought sprang in my mind to steer you into a trap that I might possibly get out of. I remembered this place, and I mixed a lot of truth in with some lies. The Fangs of Satan are no myth; they are a hoard of jewels hidden somewhere on this coast, but this isn't the place. There's no plunder about here.

"The Indians have a ring of men strung around this place, as they did before. I can get through, but it isn't going to be so easy getting you through. You English are like buffaloes when you start through the brush. We'll start just after dark and try to get through before the moon rises.

"Come on; I'll show you the stair."

Wentyard followed him through a series of crumbling, vine-tangled chambers, until he halted against the cliff. A thick slab leaned against the wall which obviously served as a door. The Englishman saw a flight of narrow steps, carved in the solid rock, leading upward through a shaft tunneled in the cliff.

"I meant to block the upper mouth by heaping big rocks on the slab that covers it," said Vulmea. "That was when I was going to let you starve. I knew you might find the stair. I doubt if the Indians know anything about it, as they never come in here or go up on the cliffs. But they know a man might be able to get out over the cliffs some way, so they've thrown that cordon around the slopes.

"That black I killed was a different proposition. A slave ship was wrecked off this coast a year ago, and the blacks escaped and took to the jungle. There's a regular mob of them living somewhere near here. This particular black man wasn't afraid to come into the ruins. If there are more of his kind out there with the Indians, they may try again tonight. But I believe he was the only one, or he wouldn't have come alone."

"Why don't we go up the cliff now and hide among the trees?" asked Wentyard.

"Because we might be seen by the men watching below the slopes, and they'd guess that we were going to make a break tonight, and redouble their vigilance. After awhile I'll go and get some more food. They won't see me."

The men returned to the chamber where Wentyard had slept. Vulmea grew taciturn, and Wentyard made no attempt at conversation. They sat in silence while the afternoon dragged by. An hour or so before sundown Vulmea rose with a curt word, went up the stair and emerged on the cliffs. Among the trees he brought down a monkey with a dextrously-thrown stone, skinned it, and brought it back into the ruins along with a calabash of water from a spring on the hillside. For all his woodscraft he was not aware that he was being watched; he did not see the fierce black face that glared at him from a thicket that stood where the cliffs began to slope down into the jungle below.

Later, when he and Wentyard were roasting the meat over a fire built in the ruins, he raised his head and listened intently.

"What do you hear?" asked Wentyard.

"A drum," grunted the Irishman.

"I hear it," said Wentyard after a moment. "Nothing unusual about that."

"It doesn't sound like an Indian drum," answered Vulmea. "Sounds more like an African drum."

Wentyard nodded agreement; his ship had lain off the mangrove swamps of the Slave Coast, and he had heard such drums rumbling to one another through the steaming night. There was a subtle difference in the rhythm and timbre that distinguished it from an Indian drum.

Evening came on and ripened slowly to dusk. The drum ceased to throb. Back in the low hills, beyond the ring of cliffs, a fire glinted under the dusky trees, casting brown and black faces into sharp relief.

An Indian whose ornaments and bearing marked him as a chief squatted on his hams, his immobile face turned toward the ebony giant who stood facing him. This man was nearly a head taller than any other man there, his proportions overshadowing both the Indians squatting about the fire and the black warriors who stood in a close group behind him. A jaguar-skin mantle was cast carelessly over his brawny shoulders, and copper bracelets ornamented his thickly-muscled arms. There was an ivory ring on his head, and parrot-feathers stood tip from his kinky hair. A shield of hard wood and toughened bullhide was on his left arm, and in his right hand he gripped a great spear whose hammered iron head was as broad as a man's hand.

"I came swiftly when I heard the drum," he said gutturally, in the bastard-Spanish that served as a common speech for the savages of both colors. "I knew it was N'Onga who called me. N'Onga had gone from my camp to fetch Ajumba, who was lingering with your tribe. N'Onga told me by the drum-talk that a white man was at bay, and Ajumba was dead. I came in haste. Now you tell me that you dare not enter the Old City."

"I have told you a devil dwells there," answered the Indian doggedly. "He has chosen the white man for his own. He will be angry it you try to take him away from him. It is death to enter his kingdom."

The black chief lifted his great spear and shook it defiantly.

"I was a slave to the Spaniards long enough to know that the only devil is a white man! I do not fear your devil. In my land his brothers are big as he, and I have slain one with a spear like this. A day and a night have passed since the white man fled into the Old City. Why has not the devil devoured him, or this other who lingers on the cliffs?"

"The devil is not hungry," muttered the Indian. "He waits until he is hungry. He has eaten recently. When he is hungry again he will take them. I will not go into his lair with my men. You are a stranger in this country. You do not understand these things."

"I understand that Bigomba who was a king in his own country fears nothing, neither man nor demon," retorted the black giant. "You tell me that Ajumba went into the Old City by night, and died. I have seen his body. The devil did not slay him. One of the white men stabbed him. If Ajumba could go into the Old City and not be seized by the devil, then I and my thirty men can go. I know how the big white man comes and goes between the cliffs and the ruins. There is a hole in the rock with a slab for a door over it. N'Onga watched from the bushes high up on the slopes and saw him come forth and later return through it. I have placed men there to watch it. If the white men come again through that hole, my warriors will spear them. If they do not come, we will go in as soon as the moon rises. Your men hold the ravine, and they can not flee that way. We will hunt them like rats through the crumbling houses."

CHAPTER IV

"Easy now," muttered Vulmea. "It's as dark as Hell in this shaft." Dusk had deepened into early darkness. The white men were groping their way up the steps cut in the rock. Looking back and down Wentyard made out the lower mouth of the shaft only as a slightly lighter blur in the blackness. They climbed on, feeling their way, and presently Vulmea halted with a muttered warning. Wentyard, groping, touched his thigh and felt the muscles tensing upon it. He knew that Vulmea had placed his shoulders under the slab that closed the upper entrance, and was heaving it up. He saw a crack appear suddenly in the blackness above him, limning the Irishman's bent head and foreshortened figure.

The stone came clear and starlight gleamed through the aperture, laced by the overhanging branches of the trees. Vulmea let the slab fall on the stone rim, and started to climb out of the shaft. He had emerged head, shoulders and hips when without warning a black form loomed against the stars and a gleam of steel hissed downward at his breast.

Vulmea threw up his cutlass and the spear rang against it, staggering him on the steps with the impact. Snatching a pistol from his belt with his left hand he fired point-blank and the black man groaned and fell head and arms dangling in the opening. He struck the pirate as he fell, destroying Vulmea's already precarious balance. He toppled backward down the steps, carrying Wentyard with him. A dozen steps down they brought up in a sprawling heap, and staring upward, saw the square well above them fringed with indistinct black blobs they knew were heads outlined against the stars.

"I thought you said the Indians never-" panted Wentyard.

"They're not Indians," growled Vulmea, rising. "They're Negroes. Cimarroons! The same dogs who escaped from the slave ship. That drum we heard was one of them calling the others. Look out!"

Spears came whirring down the shaft, splintering on the steps, glancing from the walls. The white men hurled themselves recklessly down the steps at the risk of broken limbs. They tumbled through the lower doorway and Vulmea slammed the heavy slab in place.

"They'll be coming down it next," he snarled. "We've got to heap enough rocks against it to hold it--no, wait a minute! If they've got the guts to come at all, they'll come by the ravine if they can't get in this way, or on ropes hung from the cliffs. This place is easy enough to get into-not so damned easy to get out of. We'll leave the shaft open. If they come this way we can get them in a bunch as they try to come out."

He pulled the slab aside, standing carefully away from the door.

"Suppose they come from the ravine and this way, too?"

"They probably will," growled Vulmea, "but maybe they'll come this way first, and maybe if they come down in a bunch we can kill them all. There may not be more than a dozen of them. They'll never persuade the Indians to follow them in."

He set about reloading the pistol he had fired, with quick sure hands in the dark. It consumed the last grain of powder in the flask. The white men lurked like phantoms of murder about the doorway of the stair, waiting to strike suddenly and deadly. Time dragged. No sound came from above. Wentyard's imagination was at work again, picturing an invasion from the ravine, and dusky figures gliding about them, surrounding the chamber. He spoke of this and Vulmea shook his head.

"When they come I'll hear them; nothing on two legs can get in here without my knowing it."

Suddenly Wentyard was aware of a dim glow pervading the ruins. The moon was rising above the cliffs. Vulmea swore.

"No chance of our getting away tonight. Maybe those black dogs were waiting for the moon to come up. Go into the chamber where you slept and watch the ravine. If you see them sneaking in that way, let me know. I can take care of any that come down the stair."

Wentyard felt his flesh crawl as he made his way through those dim chambers. The moonlight glinted down through vines tangled across the broken roofs, and shadows lay thick across his path. He reached the chamber where he had slept, and where the coals of the fire still glowed dully. He started across toward the outer door when a soft sound brought him whirling around. A cry was wrenched from his throat.

Out of the darkness of a corner rose a swaying shape; a great wedge-shaped head and an arched neck were outlined against the moonlight. In one brain-staggering instant the mystery of the ruins became clear to him; he knew what had watched him with lidless eyes as he lay sleeping, and what had glided away from his door as he awoke-he knew why the Indians would not come into the ruins or mount the cliffs above them. He was face to face with the devil of the deserted city, hungry at last-and that devil was a giant anaconda!

In that moment John Wentyard experienced such fear and loathing horror as ordinarily come to men only in foul nightmares. He could not run, and after that first scream his tongue seemed frozen to his palate. Only when the hideous head darted toward him did he break free from the paralysis that engulfed him and then it was too late.

He struck at it wildly and futilely, and in an instant it had him--lapped and wrapped about with coils which were like huge cables of cold, pliant steel. He shrieked again, fighting madly against the crushing constriction--he heard the rush of Vulmea's boots--then the pirate's pistols crashed together and he heard plainly the thud of the bullets into the great snake's body. It jerked convulsively and whipped from about him, hurling him sprawling to the floor, and then it came at Vulmea like the rush of a hurricane through the grass, its forked tongue licking in and out in the moonlight, and the noise of its hissing filling the chamber.

Vulmea avoided the battering-ram stroke of the blunt nose with a sidewise spring that would have shamed a starving jaguar, and his cutlass was a sheen in the moonlight as it hewed deep into the mighty neck. Blood spurted and the great reptile rolled and knotted, sweeping the floor and dislodging stones from the wall with its thrashing tail. Vulmea leaped high, clearing it as it lashed but Wentyard, just climbing to his feet, was struck and knocked sprawling into a corner. Vulmea was springing in again, cutlass lifted, when the monster rolled aside and fled through the inner door, with a loud rushing sound through the thick vegetation.

Vulmea was after it, his berserk fury fully roused. He did not wish the wounded reptile to crawl away and hide, perhaps to return later and take them by surprise. Through chamber after chamber the chase led, in a direction neither of the men had followed in his former explorations, and at last into a room almost choked by tangled vines. Tearing these aside Vulmea stared into a black aperture in the wall, just in time to see the monster vanishing into its depths. Wentyard, trembling in every limb, had followed, and now looked over the pirate's shoulder. A reptilian reek came from the aperture, which they now saw as an arched doorway, partly masked by thick vines. Enough moonlight found its way through the roof to reveal a glimpse of stone steps leading up into darkness.

"I missed this," muttered Vulmea. "When I found the stair I didn't look any further for an exit. Look how the doorsill glistens with scales that have been rubbed off that brute's belly. He uses it often. I believe those steps lead to a tunnel that goes clear through the cliffs. There's nothing in this bowl that even a snake could eat or drink. He has to go out into the jungle to get water and food. If he was in the habit of going out by the way of the ravine, there'd be a path worn away through the vegetation, like there is in the room. Besides, the Indians wouldn't stay in the ravine. Unless there's some other exit we haven't found, I believe that he comes and goes this way, and that means it lets into the outer world. It's worth trying, anyway."

"You mean to follow that fiend into that black tunnel?" ejaculated Wentyard aghast.

"Why not? We've got to follow and kill him anyway. If we run into a nest of them--well, we've got to die some time, and if we wait here much longer the Cimarroons will be cutting our throats. This is a chance to get away, I believe. But we won't go in the dark."

Hurrying back to the room where they had cooked the monkey, Vulmea caught up a faggot, wrapped a torn strip of his shirt about one end and set it smouldering in the coals which he blew into a tiny flame. The improvised torch flickered and smoked, but it cast light of a sort. Vulmea strode back to the chamber where the snake had vanished, followed by Wentyard who stayed close within the dancing ring of light, and saw writhing serpents in every vine that swayed overhead.

The torch revealed blood thickly spattered on the stone steps. Squeezing their way between the tangled vines which did not admit a man's body as easily as a serpent's they mounted the steps warily. Vulmea went first, holding the torch high and ahead of him, his cutlass in his right hand. He had thrown away the useless, empty pistols. They climbed half a dozen steps and came into a tunnel some fifteen feet wide and perhaps ten feet high from the stone floor to the vaulted roof. The serpent-reek and the glisten of the floor told of long occupancy by the brute, and the blood-drops ran on before them.

The walls, floor and roof of the tunnel were in much better state of preservation than were the ruins outside, and Wentyard found time to marvel at the ingenuity of the ancient race which had built it.

Meanwhile, in the moonlit chamber they had just quitted, a giant black man appeared as silently as a shadow. His great spear glinted in the moonlight, and the plumes on his head rustled as he turned to look about him. Four warriors followed him.

"They went into that door," said one of these, pointing to the vine-tangled entrance. "I saw their torch vanish into it. But I feared to follow them, alone as I was, and I ran to tell you, Bigomba."

"But what of the screams and the shot we heard just before we descended the shaft?" asked another uneasily.

"I think they met the demon and slew it," answered Bigomba. "Then they went into this door. Perhaps it is a tunnel which leads through the cliffs. One of you go gather the rest of the warriors who are scattered through the rooms searching for the white dogs. Bring them after me. Bring torches with you. As for me, I will follow with the other three, at once. Bigomba sees like a lion in the dark."

As Vulmea and Wentyard advanced through the tunnel Wentyard watched the torch fearfully. It was not very satisfactory, but it gave some light, and he shuddered to think of its going out or burning to a stump and leaving them in darkness. He strained his eyes into the gloom ahead, momentarily expecting to see a vague, hideous figure rear up amidst it. But when Vulmea halted suddenly it was not because of an appearance of the reptile. They had reached a point where a smaller corridor branched off the main tunnel, leading away to the left.

"Which shall we take?"

Vulmea bent over the floor, lowering his torch.

"The blood-drops go to the left," he grunted. "That's the way he went."

"Wait!" Wentyard gripped his arm and pointed along the main tunnel. "Look! There ahead of us! Light!"

Vulmea thrust his torch behind him, for its flickering glare made the shadows seem blacker beyond its feeble radius. Ahead of them, then, he saw something like a floating gray mist, and knew it was moonlight finding its way somehow into the tunnel. Abandoning the hunt for the wounded reptile, the men rushed forward and emerged into a broad square chamber, hewn out of solid rock. But Wentyard swore in bitter disappointment. The moonlight was coming, not from a door opening into the jungle, but from a square shaft in the roof, high above their heads.

An archway opened in each wall, and the one opposite the arch by which they had entered was fitted with a heavy door, corroded and eaten by decay. Against the wall to their right stood a stone image, taller than a man, a carven grotesque, at once manlike and bestial. A stone altar stood before it, its surface channeled and darkly stained. Something on the idol's breast caught the moonlight in a frosty sparkle.

"The devil!" Vulmea sprang forward and wrenched it away. He held it up-a thing like a giant's necklace, made of jointed plates of hammered gold, each as broad as a man's palm and set with curiously-cut jewels.

"I thought I lied when I told you there were gems here," grunted the pirate. "It seems I spoke the truth unwittingly! These are the the Fangs of Satan, but they'll fetch a tidy fortune anywhere in Europe."

"What are you doing?" demanded Wentyard, as the Irishman laid the huge necklace on the altar and lifted his cutlass. Vulmea's reply was a stroke that severed the ornament into equal halves. One half he thrust into Wentyard's astounded hands.

"If we get out of here alive that will provide for the wife and child," he grunted.

"But you--" stammered Wentyard. "You hate me--yet you save my life and then give me this--"

"Shut up!" snarled the pirate. "I'm not giving it to you; I'm giving it to the girl and her baby. Don't you venture to thank me, curse you! I hate you as much as I--"

He stiffened suddenly, wheeling to glare down the tunnel up which they had come. He stamped out the torch and crouched down behind the altar, drawing Wentyard with him.

"Men!" he snarled. "Coming down the tunnel, I heard steel clink on stone. I hope they didn't see the torch. Maybe they didn't. It wasn't much more than a coal in the moonlight."

They strained their eyes down the tunnel. The moon hovered at an angle above the open shaft which allowed some of its light to stream a short way down the tunnel. Vision ceased at the spot where the smaller corridor branched off. Presently four shadows bulked out of the blackness beyond, taking shape gradually like figures emerging from a thick fog. They halted, and the white men saw the largest one-a giant who towered above the others-point silently with his spear, up the tunnel, then down the corridor. Two of the shadowy shapes detached themselves from the group and moved off down the corridor out of sight. The giant and the other man came on up the tunnel.

"The Cimarroons, hunting us," muttered Vulmea. "They're splitting their party to make sure they find us. Lie low; there may be a whole crew right behind them."

They crouched lower behind the altar while the two blacks came up the tunnel, growing more distinct as they advanced. Wentyard's skin crawled at the sight of the broad-bladed spears held ready in their hands. The biggest one moved with the supple tread of a great panther, head thrust forward, spear poised, shield lifted. He was a formidable image of rampant barbarism, and Wentyard wondered if even such a man as Vulmea could stand before him with naked steel and live.

They halted in the doorway, and the white men caught the white flash of their eyes as they glared suspiciously about the chamber. The smaller black seized the giant's arm convulsively and pointed, and Wentyard's heart jumped into his throat. He thought they had been discovered, but the Negro was pointing at the idol. The big man grunted contemptuously. However, slavishly in awe he might be of the fetishes of his native coast, the gods and demons of other races held no terrors for him.

But he moved forward majestically to investigate, and Wentyard realized that discovery was inevitable.

Vulmea whispered fiercely in his ear: "We've got to get them, quick! Take the brave. I'll take the chief. Now!"

They sprang up together, and the blacks cried out involuntarily, recoiling from the unexpected apparitions. In that instant the white men were upon them.

The shock of their sudden appearance had stunned the smaller black. He was small only in comparison with his gigantic companion. He was as tall as Wentyard and the great muscles knotted under his sleek skin. But he was staggering back, gaping stupidly, spear and shield lowered on limply hanging arms. Only the bite of steel brought him to his senses, and then it was too late. He screamed and lunged madly, but Wentyard's sword had girded deep into his vitals and his lunge was wild. The Englishman side-stepped and thrust again and yet again, under and over the shield, fleshing his blade in groin and throat. The black man swayed in his rush, his arms fell, shield and spear clattered to the floor and he toppled down upon them.

Wentyard turned to stare at the battle waging behind him, where the two giants fought under the square beam of moonlight, black and white, spear and shield against cutlass.

Bigomba, quicker-witted than his follower, had not gone down under the unexpected rush of the white man. He had reacted instantly to his fighting instinct. Instead of retreating he had thrown up his shield to catch the down-swinging cutlass, and had countered with a ferocious lunge that scraped blood from the Irishman's neck as he ducked aside.

Now they fought in grim silence, while Wentyard circled about them, unable to get in a thrust that might not imperil Vulmea. Both moved with the sure-footed quickness of tigers. The black man towered above the white, but even his magnificent proportions could not overshadow the sinewy physique of the pirate. In the moonlight the great muscles of both men knotted, rippled and coiled in response to their herculean exertions. The play was bewildering, almost blinding the eye that tried to follow it.

Again and again the pirate barely avoided the dart of the great spear, and again and again Bigomba caught on his shield a stroke that otherwise would have shorn him asunder. Speed of foot and strength of wrist alone saved Vulmea, for he had no defensive armor. But repeatedly he either dodged or side-stepped, the savage thrusts, or beat aside the spear with his blade. And he rained blow on blow with his cutlass, slashing the bullhide to ribbons, until the shield was little more than a wooden framework through which, slipping in a lightning-like thrust, the cutlass drew first blood as it raked through the flesh across the black chief's ribs.

At that Bigomba roared like a wounded lion, and like a wounded lion he leaped. Hurling the shield at Vulmea's head he threw all his giant body behind the arm that drove the spear at the Irishman's breast. The muscles leaped up in quivering bunches on his arm as he smote, and Wentyard cried out, unable to believe that Vulmea could avoid the lunge. But chain-lightning was slow compared to the pirate's shift. He ducked, side-stepped, and as the spear whipped past under his arm-pit, he dealt a cut that found no shield in the way. The cutlass was a blinding flicker of steel in the moonlight, ending its arc in a butchershop crunch. Bigomba fell as a tree falls and lay still. His head had been all but severed from his body.

Vulmea stepped back, panting. His great chest heaved under the tattered shirt, and sweat dripped from his face. At last he had met a man almost his match, and the strain of that terrible encounter left the tendons of his thighs quivering.

"We've got to get out of here before the rest of them come," he gasped, catching up his half of the idol's necklace. "That smaller corridor must lead to the outside, but those blacks are in it, and we haven't any torch. Let's try this door. Maybe we can get out that way."

The ancient door was a rotten mass of crumbling panels and corroded copper bands. It cracked and splintered under the impact of Vulmea's heavy shoulder, and through the apertures the pirate felt the stir of fresh air, and caught the scent of a damp river-reek. He drew back to smash again at the door, when a chorus of fierce yells brought him about snarling like a trapped wolf. Swift feet pattered up the tunnel, torches waved, and barbaric shouts re-echoed under the vaulted roof. The white men saw a mass of fierce faces and flashing spears, thrown into relief by the flaring torches, surging up the tunnel. The light of their coming streamed before them. They had heard and interpreted the sounds of combat as they hurried up the tunnel, and now they had sighted their enemies, and they burst into a run, howling like wolves.

"Break the door, quick!" cried Wentyard!

"No time now," grunted Vulmea. "They'd be on us before we could get through. We'll make our stand here."

He ran across the chamber to meet them before they could emerge from the comparatively narrow archway, and Wentyard followed him. Despair gripped the Englishman and in a spasm of futile rage he hurled the half-necklace from him. The glint of its jewels was mockery. He fought down the sick memory of those who waited for him in Englnad as he took his place at the door beside the giant pirate.

As they saw their prey at bay the howls of the oncoming blacks grew wilder. Spears were brandished among the torches-then a shriek of different timbre cut the din. The foremost blacks had almost reached the point where the corridor branched off the tunnel-and out of the corridor raced a frantic figure. It was one of the black men who had gone down it exploring. And behind him came a blood-smeared nightmare. The great serpent had turned at bay at last.

It was among the blacks before they knew what was happening. Yells of hate changed to screams of terror, and in an instant all was madness, a clustering tangle of struggling black bodies and limbs, and that great sinuous cable-like trunk writhing and whipping among them, the wedge-shaped head darting and battering. Torches were knocked against the walls, scattering sparks. One man, caught in the squirming coils, was crushed and killed almost instantly, and others were dashed to the floor or hurled with bone-splintering force against the walls by the battering-ram head, or the lashing, beam-like tail. Shot and slashed as it was, wounded mortally, the great snake clung to life with the horrible vitality of its kind, and in the blind fury of its death-throes it became an appalling engine of destruction.

Within a matter of moments the blacks who survived had broken away and were fleeing down the tunnel, screaming their fear. Half a dozen limp and broken bodies lay sprawled behind them, and the serpent, unlooping himself from these victims, swept down the tunnel after the living who fled from him. Fugitives and pursuer vanished into the darkness, from which frantic yells came back faintly.

"God!" Wentyard wiped his brow with a trembling hand. "That might have happened to us!"

"Those men who went groping down the corridor must have stumbled onto him lying in the dark," muttered Vulmea. "I guess he got tired of running. Or maybe he knew he had his death-wound and turned back to kill somebody before he died. He'll chase those blacks until either he's killed them all, or died himself. They may turn on him and spear him to death when they get into the open. Pick up your part of the necklace. I'm going to try that door again."

Three powerful drives of his shoulder were required before the ancient door finally gave way. Fresh, damp air poured through, though the interior was dark. But Vulmea entered without hesitation, and Wentyard followed him. After a few yards of groping in the dark, the narrow corridor turned sharply to the left, and they emerged into a somewhat wider passage, where a familiar, nauseating reek made Wentyard shudder.

"The snake used this tunnel," said Vulmea. "This must be the corridor that branches off the tunnel on the other side of the idol-room. There must be a regular network of subterranean rooms and tunnels under these cliffs. I wonder what we'd find if we explored all of them."

Wentyard fervently disavowed any curiosity in that direction, and an instant later jumped convulsively when Vulmea snapped suddenly: "Look there!"

"Where? How can a man look anywhere in this darkness?"

"Ahead of us, damn it! It's light at the other end of this tunnel!"

"Your eyes are better than mine," muttered Wentyard, but he followed the pirate with new eagerness, and soon he too could see the tiny disk of grey that seemed set in a solid black wall. After that it seemed to the Englishman that they walked for miles. It was not that far in reality, but the disk grew slowly in size and clarity, and Wentyard knew that they had come a long way from the idol-room when at last they thrust their heads through a round, vine-crossed opening and saw the stars reflected in the black water of a sullen river flowing beneath them.

"This is the way he came and went, all right," grunted Vulmea.

The tunnel opened in the steep bank and there was a narrow strip of beach below it, probably existent only in dry seasons. They dropped down to it and looked about at the dense jungle walls which hung over the river.

"Where are we?" asked Wentyard helplessly, his sense of direction entirely muddled.

"Beyond the foot of the slopes," answered Vulmea, "and that means we're outside the cordon the Indians have strung around the cliffs. The coast lies in that direction; come on!"

The sun hung high above the western horizon when two men emerged from the jungle that fringed the beach, and saw the tiny bay stretching before them.

Vulmea stopped in the shadow of the trees.

"There's your ship, lying at anchor where we left her. All you've got to do now is hail her for a boat to be sent ashore, and your part of the adventure is over."

Wentyard looked at his companion. The Englishman was bruised, scratched by briars, his clothing hanging in tatters. He could hardly have been recognized as the trim captain of the Redoubtable. But the change was not limited to his appearance. It went deeper. He was a different man than the one who marched his prisoner ashore in quest of a mythical hoard of gems.

"What of you? I owe you a debt that I can never-"

"You owe me nothing," Vulmea broke in. "I don't trust you, Wentyard."

The other winced. Vulmea did not know that it was the cruelest thing he could have said. He did not mean it as cruelty. He was simply speaking his mind, and it did not occur to him that it would hurt the Englishman.

"Do you think I could ever harm you now, after this?" exclaimed Wentyard. "Pirate or not, I could never-"

"You're grateful and full of the milk of human kindness now," answered Vulmea, and laughed hardly. "But you might change your mind after you got back on your decks. John Wentyard lost in the jungle is one man; Captain Wentyard aboard his king's warship is another."

"I swear-" began Wentyard desperately, and then stopped, realizing the futility of his protestations. He realized, with an almost physical pain, that a man can never escape the consequences of a wrong, even though the victim may forgive him. His punishment now was an inability to convince Vulmea of his sincerity, and it hurt him far more bitterly than the Irishman could ever realize. But he could not expect Vulmea to trust him, he realized miserably. In that moment he loathed himself for what he had been, and for the smug, self-sufficient arrogance which had caused him to ruthlessly trample on all who fell outside the charmed circle of his approval. At that moment there was nothing in the world he desired more than the firm handclasp of the man who had fought and wrought so tremendously for him; but he knew he did not deserve it.

"You can't stay here!" he protested weakly.

"The Indians never come to this coast," answered Vulmea. "I'm not afraid of the Cimarroons. Don't worry about me." He laughed again, at what he considered the jest of anyone worrying about his safety. "I've lived in the wilds before now. I'm not the only pirate in these seas. There's a rendezvous you know nothing about. I can reach it easily. I'll be back on the Main with a ship and a crew the next time you hear about me."

And turning supply, he strode into the foliage and vanished, while Wentyard, dangling in his hand a jeweled strip of gold, stared helplessly after him.

THE END