COMMUNITY IN THE FACE OF TYRANNY
How a Boy with a Loaf of Bread and a Girl
with a Bow Toppled an Entire Nation
BREE DESPAIN
By the end of the first book, it’s obvious to just
about everybody that the Capitol made a mistake in letting Katniss
take Prim’s place in the Hunger Games. What isn’t obvious is why.
Katniss doesn’t intentionally stir up dissent, and she certainly
isn’t the cause. The people of Panem were unhappy long before
Katniss appeared on their television screens. So what is it about
our heroine that makes her such a threat? Bree Despain suggests
that the answer lies in Katniss’ greatest skill—not her dexterity
with a bow, but her knack for creating community wherever she
goes.
Being a tyrant is easy, really. All you
have to do is take away people’s freedom. Many people in today’s
society take certain liberties for granted: freedom of speech,
freedom to assemble, free commerce, free press, and more simple
freedoms such as travel and easy communication—all things that make
a community strong and viable. But what if in one swift movement
all of these liberties were taken away? That’s what the Capitol did
to the districts of Panem. After the first unsuccessful rebellion
of the districts against the Capitol seventy-five years ago, the
Capitol retaliated by taking every measure it could to destroy the
feeling of community within the districts and between the
districts, controlling and isolating people in order to keep them
from rebelling again.
The most literal meaning of community is “to give
among each other.” Essentially, to share something amongst a
group—whether that’s information (communication), goods, common
goals, or a sense of family. If you destroy the ability, or simply
the desire, to give or to share amongst a group of people, you will
destroy the heart of the community. And if you destroy the heart of
community and replace it with fear, then you will control the
people.
The Capitol does this first by keeping many of the
people in the districts on the brink of starvation. It controlled
the food sources, outlawing hunting and forcing parents to sign
over their children’s potential futures (and any sense of security
or innocence that should come from being a child) in exchange for
tesserae food rations. Only a privileged few outside the Capitol,
especially in the poorer districts, have enough money to buy goods
from the baker and the butcher (and I imagine the
candlestick-maker). And those few aren’t going to complain about
the needs of the less fortunate for fear of losing their privileged
status. The Capitol keeps the people hungry enough that all anyone
has the energy to think about is how to feed themselves.
Second, the Capitol instituted public flogging and
curfews, and trained dastardly “Peacekeepers” to watch the people’s
every move in order to force them to keep their heads down for fear
of punishment. It surrounded the districts with giant electrified
fences to keep people from interacting with, or traveling to, other
districts. Almost all forms of long-distance communication have
ceased to exist throughout the districts, and what little is
permitted (television propaganda, and the telephones in the
victors’ mansions) is constantly monitored. It is also apparent
that within the Capitol itself, and parts of the districts, the
people are monitored by cameras so they are not free to communicate
without reprisal.
The Capitol even instituted an “ultimate
punishment” for major infractions: cutting out the offending
person’s tongue, therefore making him or her unable to
communicate—and in result unable to function properly within the
community. The Avox is removed from his/her family and forced into
a life of slavery. The ultimate punishment is ultimate
isolation.
Considering all this, the Capitol may seem like a
shining city on a hill for budding despots everywhere. So where did
it go wrong? What was the fatal mistake that lead to its
downfall?
There were two mistakes, actually: the institution
of the Hunger Games, and allowing the existence of a teenage girl
like Katniss Everdeen from a place like District 12.
The Hunger Games
When you first think about the concept of the
Hunger Games, it may seem like the perfect way to instill ultimate
fear in the hearts of district citizens. The Games were created to
punish the districts for their original attempt at rebellion, and
to remind them of the uselessness of trying to oppose the almighty
Capitol. The districts must sacrifice their children, a most
precious commodity in any community, to the Capitol’s sick idea of
amusement. The mostly defenseless children are then forced to
isolate themselves and fight to the death in an arena for mandatory
public viewing on television—therefore symbolizing to the
districts’ citizens the isolation and futility of their own
lives.
The Capitol instituted the Hunger Games to create
derision and strife among the districts by pitting them against
each other and making them hope for the other districts’ children
to be slaughtered instead of their own. But as Laura Miller from
the New Yorker’s review of the first two books in the Hunger
Games trilogy points out, “the practice of carrying off a
population’s innocent children and commanding their parents to
watch them be slaughtered for entertainment—wouldn’t that do more
to provoke a rebellion than to head one off?”
And that’s exactly what happens—eventually. It is
over seventy years in the making, not a huge amount of time
considering how oppressed the people of the districts are, but
eventually (or inevitably) the Hunger Games play a major role in
the demise of the Capitol. If it weren’t for the Hunger Games and
the resulting “victory tour” of the winner each year, the citizens
of the individual districts would know nothing about the other
districts except for the propaganda they are taught in school.
The rest of the year, it’s almost as if the other districts don’t
even exist, but during the Games, each district is given a human
face (or two human faces). Often those faces are not friendly ones,
considering that the tributes are fighting to the death. That the
only time the districts’ inhabitants interact is when they’re
trying to kill each other plays right into the Capitol’s
calculating design. But the other tributes are human faces
nonetheless—ones that could possibly remind the people that they
are not alone—and that’s a big risk. Each district is given
champions to rally behind—but if there was someone, or even a team
of champions, who multiple districts could actually get behind, it
would give the people a common bond, a sense of “community” to
bring them together. And when that champion turns out to be someone
who dares defy the Capitol—well, that’s all it takes to spark a
rebellion.
Katniss Everdeen: The Girl Who Should Never Have Existed ...
The Capitol probably never thought a teenage girl
like Katniss Everdeen could start an uprising with a fistful of
berries—and she had no idea, either. But Katniss isn’t really
responsible for what happens that last day in the Games. The
Capitol is. After all, it created Katniss in first place.
Collins tells us in an interview with Rick Margolis
in School Library Journal:
Katniss is ... a girl who should never have
existed ... the Capitol just thinking that [District] 12 is not
ever really going to be a threat because it’s small and poor, they
create an environment in which Katniss develops, in which she
is created, this girl who slips under this fence, which isn’t
electrified, and learns to be a hunter. Not only that, she’s a
survivalist, and along with that goes a degree of independent
thinking that is unusual in the districts.
So here we have her arriving in the arena in the
first book, not only equipped as someone who can keep herself alive
in this environment—and then once she gets the bow and arrows, can
be lethal—but she’s also somebody who already thinks outside the
box ... And this new creature evolved, which is the mockingjay,
which is Katniss.
One of President Snow’s greatest mistakes, the one
that led to the downfall of the Capitol, was his lack of attention
to District 12. It seems as though the Capitol started out equally
stringent in each of the districts (Katniss’ mother occasionally
refers to much darker days in the past) but over time it became lax
in 12. After all, 12 is the poorest, hungriest district, without
even much hope of winning the Hunger Games to bring in more food
rations. The poorer citizens in that district are relegated to the
Seam, where they have almost nothing to look forward to other than
living and dying in the mines. And as the most downtrodden of the
districts, 12 was pretty much ignored by the Capitol. It wasn’t
worth wasting precious resources on, such as electricity, so the
fence was rarely a threat to anyone who dared go under it. It
wasn’t worth wasting the best Peacekeepers on either, so after a
while, the Capitol stopped caring to send disciplined and obedient
Peacekeepers there. This fostered an environment where a black
market could exist, providing a gathering place for the people to
exchange goods and information. A place where a budding sense of
community was allowed to grow—even between the
braver townsfolk who visited the market and the Peacekeepers who
came for food and enjoyment.
At the beginning of The Hunger Games, most
people in 12 are still too afraid to take advantage of the lapses
of the Capitol’s judgment concerning their district, but out of
this negligent environment comes an unlikely heroine named Katniss
Everdeen: a girl with an uncanny (and often unwitting) ability to
create a sense of community wherever she goes.
Originally, when looking back at the text of the
first Hunger Games book, I was tempted to say that the first act of
community in the novel (after Katniss’ father died) that helped
Katniss become the kind of person she was before she was even
reaped for the Hunger Games, was when she formed a hunting alliance
with Gale. Instead of fending for themselves, they worked together
to share the burden of feeding their loved ones. The “glue of
mutual need” bonded them together, and they created not only a
community—giving among each other—but the strongest form of
community that exists: a family. But what dawned on me after
rereading all three books in the trilogy again, was that the first
“act of community in the face of tyranny” that was the catalyst for
who Katniss became as a person was an act of community she was the
recipient of—rather than the creator of. It was the incident
involving “the boy with the bread.”
After Katniss’ father died in a mining accident and
her mother went crazy with grief, Katniss and her sister, Prim,
began to starve to death. Without their father to hunt, trade at
the Hob, or provide income for the family, it looked like all was
lost. In the downtrodden Seam, there was no one who had food to
spare, and no one Katniss knew of who would have been willing to
spare it if they had it. As Katniss tells us, because of
the oppression of the Capitol, children die of starvation daily in
the Seam. But just when Katniss was about to give up, to sit down
and die like the Capitol would have wanted her to, Peeta Mellark,
the baker’s son, saw her need and decided to give what he could. He
risked a beating from his tyrant of a mother by burning a few
precious loaves of bread and then gave them to Katniss instead of
throwing them out like he was instructed. This small act of
kindness, of true community, was what helped bring Katniss back
from the dead—and back to her senses.
With her hunger lessened for a moment, she was able
to realize that she could buck the system, too—defy the Capitol—and
slip under the non-electrified fence in order to hunt for her
family. There she used the descriptions in the book her father
created documenting plants that were safe to eat—his attempt at
communicating his knowledge to his family before he was gone—to
find food and medicine. There she formed the hunting alliance with
Gale that kept both of their families alive and healthy, found
enough hope to help her mother slowly recover from her depression,
and learned to survive—and to kill. She became somewhat of a small
hero to her district even before she was a tribute for the Hunger
Games. She provided meat for the privileged in 12, as well as for
the starving. She procured herbs to heal the sick, and she
befriended the Peacekeepers as well as the ruffians. Around her,
small shoots of community began to thrive.
And that was the Capitol’s fatal mistake. Allowing
Katniss to become, well, Katniss. Where was the hand of tyranny to
crush this early uprising that consisted of a teen girl and her
bow? Where was the electricity to keep her out of the woods? Where
were the brutal Peacekeepers who should have beaten the spirit out
her?
Yes, the Capitol, through its lapses in District
12, created Katniss Everdeen. The girl who cares enough to
volunteer for
the Hunger Games to save her sister. The girl who promises to try
to win so she can return to her family and bring food to her
district. The girl who unwittingly captures the love of her prep
team and stylists, who then turn her into the “girl who was on
fire.” The girl who befriends Rue (rather than just making
an alliance out of convenience like others in the Games before
them), an opponent from a rival district who another tribute might
have killed without regard. The girl who proves that friendship by
caring for Rue as a sister and placing flowers on her body when she
dies in order to rebuke the Capitol’s Gamemakers—an act that
inspires District 11 to do something that has never been done
before: send a gift to a tribute who isn’t from their district. The
girl who shows a nation that its members can work together rather
than feel isolated from each other. The girl whose partnership and
“romance” with Peeta gives the districts champions to really root
for and feel connected to. The girl who creates a community bond
within and between the districts. The girl whose defiance at the
end of book one makes her and Peeta the symbol of a partnership—one
so strong that President Snow will stop at nothing, including
altering Peeta’s memories, to try to destroy it—that can be formed
to defy the Capitol. The Capitol created the girl who becomes the
Mockingjay.
The girl who incites a rebellion that topples the
government.
Too Little, Too Late
The problem with allowing a sense of community to
spring up in an otherwise oppressed society is that once it has
started to take root, it’s almost impossible to stamp out. When
President Snow sees what one girl and a trick with a handful of
berries
can do (make the Capitol look foolish and weak and incite
uprisings among the people) he scrambles to stop the effects. He
goes straight for the heart of Katniss’ community, starting with
invading the privacy of her home. He threatens her family if she
doesn’t try to help undo the damage that she has caused, then sends
in terrible Peacekeepers to torment the citizens in order to force
them back in line. The Hob, the community center, is burned to the
ground, the fence is re-electrified, and the promised prize rations
of food for District 12 are purposely spoiled. Seeing the suffering
of her community, Katniss tries to do what President Snow asks. She
tries to calm the rebellion, but as President Snow informs her, her
efforts are too little, too late. Rebellion is spreading.
But really, it is President Snow who is doing too
little, too late. At this point, it seems like anything he tries to
do to squelch the feeling of community only fuels it in most of the
districts. He even goes as far as to force Katniss to model her
wedding dresses for the nation, only to announce that same day the
show airs that Katniss, Peeta, and past victors are to be forced
back into the arena. This should have broken their spirits, shown
that not even the victors are safe or powerful, but it only serves
to enrage the people more. And it gives secret rebels, such as
Plutarch Heavensbee, the opportunity to manipulate the Games in
order to further the cause of the rebellion. Although her
involvement in Plutarch’s plan is unwitting at first, it is still
Katniss’ uncanny ability to not only create a community, but a
family, around her that fuels the ongoing uprisings. Katniss again
blurs the lines between alliance and friendship by choosing to ally
herself with people who seem supposedly weak (such as Beetee,
Wiress, and Mags) because she cares about them, and many of the
other contestants rally around Katniss because they know that she’s
the Mockingjay—the symbol of the power of
the people to bond together and take down the Capitol. These
unlikely friends are slowly welcomed into Katniss’ everexpanding
family.
When Katniss breaks free of the arena, President
Snow tries to retaliate with what feels like the ultimate blow—he
attempts to destroy Katniss’ community altogether by firebombing
District 12. But even this horrible move seems to be too little,
too late as Katniss’ family escapes the bombings and is rescued by
the mysterious inhabitants of District 13.
President Coin, A Different Kind of Tyrant
Even though my heart ached for Peeta, knowing he
was a prisoner of Snow, I have to admit that during the months
between finishing Catching Fire and the release of
Mockingjay I felt somewhat reassured that everything was
going to turn out fine once Katniss and her rag-tag family of Gale,
Haymitch, her mother, Prim, Finnick, and the other surviving
tributes made it to District 13. In fact, in my outline for this
essay (which was written a couple of months before
Mockingjay was released) I actually wrote the description
for this portion of the essay to “discuss what happens in book
three as far as community is concerned (the community that has
bonded together in District 13) and how they take down the
Capitol.”
Part of me fully expected that Katniss would
willingly take on her position as the Mockingjay, and with the help
of the goodnatured community in District 13, they’d take on the
Capitol, free Peeta in the process, and take down President Snow.
Then Katniss, their beloved general, would be asked (much like
George Washington) to become the new leader of the united
districts! The task would be difficult, but because of her ability
to create
community around her Katniss would be the perfect woman for the
job—and the wonderful leaders of District 13 would help her do
it.
Only once I opened the pages of Mockingjay,
I discovered, along with Katniss, just how complicated the
community in District 13 could be. What appears at first glance to
be somewhat of a Utopian community that rose out of the ashes of
the Capitol’s attack—running with precision and efficiency to meet
the needs of its people—suddenly seems a bit off when you look at
it more closely.
Maybe it is the way they stamp the characters’
not-to-bedeviated-from schedules on their arms, how everyone is
called “soldier,” that their jobs are selected for them by the
government, the stringent way they control food portions, the fact
that no one is allowed onto the surface without permission, how
their locations are constantly monitored, or how no one gathers for
an event unless told to do so by the president. It can be claimed
that all of this is done for everyone’s safety, to keep the
community alive—and rightfully so—but at the same time, this just
seems to be another way to rule by fear. By manipulation.
It slowly becomes very clear that President Coin is
a tyrant in her own right—not as openly as President Snow, but
perhaps even more insidiously. The first real clue of Coin’s true
nature is the fact that Katniss’ prep team (part of her strange
hodgepodge of a family) are treated like dangerous criminals—even
animals—after they are kidnapped by the leaders of 13 to help with
the Mockingjay propos. But I knew for sure that Coin was not to be
trusted when Katniss has to fear that Peeta might be executed for
his anti-rebellion speeches even though it is clear that he is
being forced to participate against his will. This seemed
like another one of Coin’s manipulations—treat everyone like a
threat to the citizens of 13, even their hero from the Hunger
Games—and a great way to force Katniss to follow Coin’s plans in
exchange for Peeta’s immunity.
Katniss poses a threat to both tyrannical leaders
in Panem. However, while Snow attacks Katniss openly through trying
to break her bond with Peeta—hijacking Peeta’s brain and attempting
to destroy his love for her—Coin attacks Katniss through
manipulating her bonds with her family (forcing her obedience in
exchange for the immunity of her victor friends), and then
attempting to dispose of her when she poses less of a threat as a
dead martyr than as a living symbol.
But it isn’t until Katniss suspects that President
Snow may be telling the truth about Coin’s alleged final
manipulation—that she was the one who ordered the blowing up of the
Capitol children and then the rebel medics (including Prim) who
tried to help them, and then tried to pass it off as the Capitol
who committed the offense—that the real worst tyrant may have been
revealed. President Snow preys on the sensibilities of community
with the idea that a barricade of children around his mansion would
slow the onslaught of the rebel forces, since it would take someone
truly depraved to kill children in order to get to him. It’s
something the Mockingjay wouldn’t do—but Coin apparently would.
Although it’s never confirmed that Coin is truly behind the bombing
of the children, I believe this action is not only Coin’s final
blow against the Capitol, but also the ultimate manipulation of her
own people, and that sacrificing Prim in the middle of
it—destroying one of Katniss’s deepest community connections—is
meant to break Katniss.
And it almost does.
Rebuilding
Honestly, I was angry at first by how broken
Katniss was after the climax of the trilogy. I cheered when Katniss
shot Coin through the heart for her alleged evil deed. But then I
still expected Katniss to become the George Washington of Panem. I
wanted her to vanquish the foe and then become the new leader of a
new nation. But in the end, she is so broken it’s shocking ...
although not surprising considering that most dystopian stories end
with a dead or destroyed protagonist. Collins even tells us in that
interview from School Library Journal that the story is
based in part on the tragic tale of Spartacus:
... the historical figure of Spartacus really
becomes more of a model for the arc of the three books, for Katniss
... [Spartacus] was a gladiator who broke out of the arena and led
a rebellion against an oppressive government ... He caused the
Romans quite a bit of trouble. And, ultimately, he died.23
Instead of killing Katniss, Collins, possibly
following the lead of another ancient Roman war hero named
Cincinnatus “who was called from his plow to rescue the republic
and then returned to his fields after the danger had passed,”24
chooses to send Katniss back to the desolation of the demolished
District 12. Katniss is left there alone, with only a drunken
Haymitch for company, in a place where there seems to be nothing
left for
her. No more ragtag family to rally around. Katniss has literally
lost Prim, Finnick is dead, along with most of the members of the
star squad, her mother and Gale have gone off to help with the
transition of Panem, and Peeta’s once unwavering love seems to have
been irreparably damaged by President Snow’s brainwashing.
While I was surprised by this turn of events, it
feels fitting that the girl who should have never existed was sent
back to the place that created her—a place that no longer exists,
itself. It’s even more fitting that Peeta—the boy with the bread,
the person who made the first connection to her all those years
before when she was almost destroyed by the tyranny of the Capitol
the first time—is the person who eventually returns to 12 to help
her recover. Together, as part of her therapy, they work on her
father’s book, expanding it with their own knowledge—communicating
what they’ve learned in all the horror that could possibly save
future generations from suffering as they did. As their bonds
strengthen, they eventually create a new family. One strong enough
to help rebuild the community of District 12 that once seemed lost
forever. And if they can help it, one that will never be lost
again.
The Hunger Games trilogy—what starts out as a tome
depicting an example of ultimate totalitarian control—soon unravels
into a possible morality tale for anyone with tyrannical
aspirations, in which the concept of community is offered as the
answer to overthrowing an oppressive regime. President Snow learns
the hard way that any sense of true community must be stamped out
in order for the dominant regime to remain in control. Overlooking
the smallest act of community can light the spark that sets an
entire neighborhood, or even nation, ablaze with feelings of
brotherhood, sharing, and concern for the greater good. Even the
weak, the broken, and the
seemingly incapable pose a serious risk to a leader who rules out
of fear. And although President Coin understands the power of
community, and learns to manipulate it to get what she wants, even
she learns that she can only push it so far before it snaps back
and destroys her as well. They are both undone by a boy with a loaf
of bread and a girl with bow.
BREE DESPAIN is the author of The
Dark Divine, The Lost Saint, and an upcoming third novel
in the Dark Divine trilogy. Bree rediscovered her childhood love
for creating stories when she took a semester off college to write
and direct plays for at-risk inner-city teens from Philadelphia and
New York. She currently lives in Salt Lake City, Utah, with her
husband, two young sons, and her beloved TiVo.