woman, to another, until the vampire's faces were stained crimson, and the girl's dress looked like an accident victim's sheet. The fake blood made the dress cling to her body, so you could see the muscles, the small tight breasts. It was both alluring and utterly disturbing.
The audience was silent with tension, as the vampires landed on the stage again. They surrounded her, hiding her from view. It gave the illusion that all of them were feeding at once, though I knew logistically that wasn't possible. Too many mouths to fit like that.
A new vampire stalked onto the stage. He was dark-haired, and darker-skinned, pale, but I couldn't tell if it was makeup or skin tone. He chased back the other vamps. He saw the bloody almost-corpse, and he wept. His shoulders rose and fell with it.
Adonis laughed at him, one of those big stage laughs, with the head back.
The dark vampire raised a face livid with anger. They began to dance around the stage. They danced with her bloody corpse as their centerpiece. The other vampires vanished behind the stage. The two men danced. Adonis had more bulky muscles. The dark man was tall and lean, and more graceful than anyone I'd ever seen. He moved like a dream of water, and even that didn't do him justice.
Adonis's dancing came across as clunky, human in comparison. Somewhere in the middle of the dance, I realized I was looking at Merlin.
Merlin won the dancing fight. For that was what it became. They fought in the air, and on the ground, and it looked real. Real anger seemed to be involved, and I wondered if it was projecting, or if they were truly pissed at each other and the fight gave them an excuse to vent it.
Adonis was vanquished, not killed, and that left Merlin on stage alone with his dead love. He leaned over her, held her in his arms, and rocked her. My throat was tight, damn him. He wept and I fought not to weep with him. Jean-Claude did some of this with the audience at the clubs, but he wasn't this good. No one I'd ever met was this good at projecting emotions.
A mob entered from stage right. They had crossbows and torches. They shot the weeping vampire. The crossbow bolt appeared in his chest like magic. Even knowing it was stage trickery it looked real. He collapsed on top of his dead love, and the lights circled round the two dead lovers. He died curled around her, as if, even in death, he would protect her.
The mob came, and the weeping man who had shot the vampire picked up the dead girl. He cradled her in his arms, and a woman from the crowd joined him in weeping. Parents, I thought. They cradled her, much as the dead vampire had. They carried her offstage, weeping, and left the vampire dead.