XII

WHEN I WAS ready to leave, Lonergan insisted on walking out onto the front stoop with me. “This neighborhood was all Irish,” he said. “Now you’ve got South Americans moving in. Colombians and Venezuelans mostly, and I forget what else. Maybe Ecuador. Some of the old joints have closed. Houlihan’s, used to be on the corner, now it’s a travel agency for the new arrivals.” He shrugged. “I guess they’re all right, the new people. They can’t be that much worse than we were.”

I stopped at one of the new places a block before the subway entrance. It was a luncheonette, and I took a stool at the counter and ordered a café con leche. They used evaporated milk from a can, and it was sweet and not bad, but I didn’t like it enough to order it again.

I thought about Bill Lonergan, and decided I hadn’t known him well enough to tell how the prospect of death had changed him. We’d gotten all the conversational mileage we could out of Jack Ellery, which wasn’t much. He didn’t recognize any of the names on Jack’s Eighth Step list, but one of them reminded him of someone else entirely, and that sent the conversation off on a diverting tangent. We told our war stories, and talked about colleagues from the Sixth, and I stayed longer than I would have because he seemed to want the company.

The lunch counter had a pay phone, and I used it to call Mark Sattenstein. I got the answering machine, and that was response enough to keep the phone from returning my quarter.

No problem. I had a change purse full of them.

The train I caught in Woodside was headed for Times Square, but at Grand Central I transferred to the Lexington line. I got off at Fourteenth Street and tried another quarter in another phone, but this time I rang off the instant the machine picked up, and the phone gave me back my quarter. I seemed to be getting the hang of it.

I walked three blocks up and two blocks east until I came to a five-story redbrick building on the uptown side of the street, a fire escape centered on the facade. The house number was the one I’d written down for Sattenstein, and in the vestibule I found his name on the buzzer for Apartment 3-A.

I positioned my forefinger over the button, then drew it back. There were four apartments to a floor, and the A line was likely to be in front, and on the left. That wasn’t carved in stone, a building’s owner could number his apartments as he preferred, even as he could call his building whatever struck his fancy. The original owner of this particular structure had called it the Guinevere, and I knew this because it was indeed carved in stone, just above the front door.

Outside, I stood on the sidewalk and found what ought to be 3-A’s front window. There was a light on inside, but even if it was the right apartment it didn’t necessarily prove anything. I returned to the vestibule and buzzed him, and I’d given up and started for the door when the intercom cleared its mechanical throat. I stayed put, and whatever somebody said in 3-A was completely garbled by the time it worked its way downstairs. I couldn’t make out a word of it.

I answered in kind, making some noises that weren’t designed to be understood, and there was a long silence. Then, with what I could only assume was some reluctance, he buzzed me in.

I guess the neighborhood hadn’t changed too much, because I picked up the scent of mice and cabbage in the stairwell. Three-A was where I’d thought it would be, and I approached the door quietly and was standing well to the side when I knocked. I didn’t really expect him to shoot through the door, but Jack probably hadn’t expected to catch two bullets in the head either.

I heard footsteps not much louder than my own, and the sound of a peephole being drawn back. A judas, they sometimes call it, though I’ve never known why. Betrayal? Thirty pieces of silver?

I was standing where I couldn’t be shot, and hence couldn’t be seen either. I had my wallet out, open to an old card proclaiming my membership in the Fraternal Order of Police. Its only use, as far as I know, is to induce an impressionable officer to cut an errant motorist some slack. I said my name, Matthew Scudder, and held the card to the peephole. “Like to talk to you about Jack Ellery,” I said, and I had my wallet back in my pocket well before he’d managed to get the door open.

He was tall, six-two or six-three, big in the shoulders, small in the waist and hips. He had a rough-hewn face, but the big brown eyes could have belonged to Bambi; he looked not so much like a knockaround guy as like an actor who kept getting cast in that kind of role. He was holding the door with his left hand, and a look at his elaborately bandaged right hand explained why it had taken him so long to open it.

He looked at once frightened and relieved, and that fit his opening words: “I’ve been expecting you.”

But how? I hadn’t left a message. I said something to that effect, and he said, “Well, you or someone like you. A police officer.”

He waited for me to say something, and I didn’t, and he said, “Ever since I heard about Jack.”

I looked at him, his face, his bandaged hand, and I got it. I said, “You’re the guy who beat him up.”