GENIUS BABY!

The girl was a showgirl. Her name was Randy Herald.

"I'd be _pleased_ to help the lady with her problem," said Fred, lightly again.

"My God," said the carpenter, cocking his head and gnashing his teeth, "wouldn't anybody?"

"You think I'm _serious_?" Fred sneered at Randy Herald. "I wouldn't trade my bride for twenty thousand Randy Heralds!" He was calculatingly maudlin now. "And I don't think you guys would trade _your_ brides, either." To Fred, a bride was any woman with an insurable husband.

"I know your brides," he continued, "and any one of you would be crazy to trade." He nodded. "We are four lucky guys sitting here, and we'd better not forget it. Four wonderful brides we've got, boys, and we'd damn well better stop and thank God for 'em from time to time." Fred stirred his coffee. "I wouldn't be anything without my bride, and I know it." His bride was named Caroline. Caroline was the mother of an unattractive, fat little boy, poor little Franklin Rosewater. Caroline had taken lately to drinking lunch with a rich Lesbian named Amanita Buntline.

"I've done what I can for her," Fred declared. "God knows it isn't enough. Nothing could be enough." There was a real lump in his throat. He knew that lump had to be there and it had to be real, or he wouldn't sell any insurance. "It's something, though, something even a poor man can do for his bride."

Fred rolled his eyes mooningly. He was worth forty-two thousand dollars dead.

*

Fred was often asked, of course, whether he was related to the famous Senator Rosewater. Fred's self-effacing, ignorant reply was along the lines of, "Somewhere, somehow, I guess --way, way back." Like most Americans of modest means, Fred knew nothing about his ancestors. There was this to know:

The Rhode Island branch of the Rosewater family was descended from George Rosewater, younger brother of the infamous Noah. When the Civil War came, George raised a company of Indiana riflemen, marched off with them to join the nearly legendary _Black Hat Brigade_. Under George's command was Noah's substitute, the Rosewater village idiot, Fletcher Moon. Moon was blown to hamburger by Stonewall Jackson's artillery at Second Bull Run.

During the retreat through the mud toward Alexandria, Captain Rosewater took time out to write his brother Noah this note:

Fletcher Moon kept up his end of the deal to the utmost of his ability. If you are put out about your considerable investment in him being used up so quickly, I suggest you write General Pope for a partial refund. Wish you were here.

George

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file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt To which Noah replied:

I am sorry about Fletcher Moon, but, as the _Bible_ says, "A deal is a deal." Enclosed find some routine legal papers for you to sign. They empower me to run your half of the farm and the saw factory until your return, etc., etc. We are undergoing great privations here at home. Everything is going to the troops. A word of appreciation from the troops would be much appreciated.

Noah

By the time of Antietam, George Rosewater had become a Lieutenant Colonel, and had, curiously, lost the little fingers from both hands. At Antietam, he had his horse shot out from under him, advanced on foot, grabbed the regimental colors from a dying boy, found himself holding only a shattered staff when Confederate cannister carried the colors away. He pressed on, killed a man with the staff. At the moment he was doing the killing, one of his own men fired off a musket that still had its ramrod jammed down the bore. The explosion blinded Colonel Rosewater for life.

*

George returned to Rosewater County a blind brevet brigadier. People found him remarkably cheerful. And his cheerfulness did not seem to fade one iota when it was explained to him by bankers and lawyers, who kindly offered to be his eyes, that he didn't own anything any more, that he had signed everything over to Noah. Noah, unfortunately, was not in town to explain things in person to George. Business required that he spend most of his time in Washington, New York and Philadelphia.

"Well," said George, still smiling, smiling, smiling, "as the Bible tells us in no uncertain terms, 'Business is business.'"

The lawyers and bankers felt somewhat cheated, since George didn't seem to be drawing any sort of moral from what should have been an important experience in almost any man's life. One lawyer, who had been looking forward to pointing out the moral when George got mad, couldn't restrain himself from pointing it out anyway, even though George was laughing: "People should always _read_ things before they sign them."

"You can bet your boots," said George, "that from now on I _will_." George Rosewater obviously wasn't a well man when he came back from the war, for no well man, having lost his eyes and his patrimony, would have laughed so much. And a well man, particularly if he were a general and a hero, might have taken some vigorous legal steps to compel his brother to return his property. But George filed no suit. He did not wait for Noah to return to Rosewater County, and he did not go East to find him. In fact, he and Noah were never to meet or communicate again.

He paid a call, wearing the full regalia of a brigadier, to each Rosewater County household that had given him a boy or boys to command, praising them all, mourning with all his heart for the boys who were wounded or dead. Noah Rosewater's brick mansion was being built at that time. One morning the workmen found the brigadier's uniform nailed to the front door as though it were an animal skin nailed to a barn door to dry.

As far as Rosewater County was concerned, George Rosewater had disappeared forever.

*

George went East like a vagabond, not to find and kill his brother, but to seek work in Providence, Rhode Island. He had heard that a broom factory was being opened there. It was to be staffed by Union veterans who were blind.

What he had heard was true. There was such a factory, founded by Castor Buntline, who was neither a veteran nor blind. Buntline perceived correctly that blind veterans would make very agreeable employees, that Buntline himself would gain a place in history as a humanitarian, and file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (41 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt that no Northern patriot, for several years after the war, anyway, would use anything but a _Buntline Union Beacon Broom_. Thus was the great Buntline fortune begun. And, with broom profits, Castor Buntline and his spastic son Elihu went carpetbagging, became tobacco kings.

*

When the footsore, amiable General George Rosewater arrived at the broom factory, Castor Buntline wrote to Washington, confirmed that George was a general, hired George at a very good salary, made him foreman, and named the whiskbrooms the factory was making after him. The brand name entered ordinary speech for a little while. A "General Rosewater" was a _whiskbroom_. And blind George was given a fourteen-year-old girl, an orphan named Faith Merrihue, who was to be his eyes and his messenger. When she was sixteen, George married her. And George begat Abraham, who became a Congregationalist minister. Abraham went as a missionary to the Congo, where he met and married Lavinia Waters, the daughter of another missionary, an Illinois Baptist.

In the jungle, Abraham begat Merrihue. Lavinia died at Merrihue's birth. Little Merrihue was nursed on the milk of a Bantu.

And Abraham and little Merrihue returned to Rhode Island. Abraham accepted the call to the Congregationalist pulpit in the little fishing village of Pisquontuit. He bought a little house, and with that house came one hundred ten acres of scruffy, sandy woodlot. It was a triangular lot. The hypotenuse of the triangle lay on the shore of Pisquontuit Harbor. Merrihue, the Parson's son, became a realtor, divided his father's land into lots. He married Cynthia Niles Rumfoord, a minor heiress, invested much of her money in pavement and streetlights and sewers. He made a fortune, lost it, and his wife's fortune, too, in the crash of 1929.

He blew his brains out.

But, before he did that, he wrote a family history and he begat poor Fred, the insurance man.

*

Sons of suicides seldom do well.

Characteristically, they find life lacking a certain _zing_. They tend to feel more rootless than most, even in a notoriously rootless nation. They are squeamishly incurious about the past and numbly certain about the future to this grisly extent: they suspect that they, too, will probably kill themselves.

The syndrome was surely Fred's. And to it he added twitches, aversions and listlessnesses special to his own case. He had heard the shot that killed his father, had seen his father with a big piece of his head blown away, with the manuscript of the family history in his lap. Fred had the manuscript, which he had never read, which he never wanted to read. It was on top of a jelly cupboard in the cellar of Fred's home. That was where he kept the rat poison, too.

*

Now poor Fred Rosewater was in the news store, continuing to talk to the carpenter and the two plumbers about brides. "Ned --" he said to the carpenter, "_we've_ both done something for our brides, anyway." The carpenter was worth twenty thousand dollars dead, thanks to Fred. He could think of little else but suicide whenever premium time rolled around.

"And we can forget all about saving, too," said Fred. "That's all taken care of --_automatically_."

"Yup," said Ned.

There was a waterlogged silence. The two uninsured plumbers, gay and lecherous moments before, were lifeless now.

"With a simple stroke of the pen," Fred reminded the carpenter, "we've created sizable estates. That's the miracle of life insurance. That's the least we can do for our brides." The plumbers slid off their stools. Fred was not dismayed to see them go. They would be taking their consciences with them wherever they went --and they would be coming back to the news file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (42 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt store again and again.

And whenever they came back, there would be Fred.

"You know what my greatest satisfaction is in my profession?" Fred asked the carpenter.

"Nope."

"It comes when I have a bride come up to me and say, 'I don't know how the children and I can ever thank you enough for what you've done. God bless you, Mr. Rosewater.'"

NINE

The carpenter slunk away from Fred Rosewater, too, leaving a copy of _The American Investigator_ behind. Fred went through an elaborate pantomime of ennui, demonstrated to anyone who might be watching that he was a man with absolutely nothing to read, a sleepy man, possibly hung over, and that he was likely to seize any reading matter at all, like a man in a dream.

"Uff, uff, uff," he yawned. He stretched out his arms, gathered the paper in. There seemed to be only one other person in the store, the girl behind the lunch counter.

"Really now --" he said to her, "who are the idiots who read this garbage, anyway?" The girl might have responded truthfully that Fred himself read it from cover to cover every week. But, being an idiot herself, she noticed practically nothing. "Search me," she said. It was an unappetizing invitation.

*

Fred Rosewater, snorting with incredulity, turned to the advertising section of the paper, which was called, "Here I Am." Men and women confessed there that they were looking for love, marriage, and monkeyshines. They did so at a cost to themselves of a dollar forty-five cents per line.

Attractive, sparkling, professional woman, 40, Jewish, _said one_, college graduate, resides Connecticut. Seeks marriage-minded Jewish college-educated man. Children warmly welcomed. Investigator, Box L-577.

That was a sweet one. Most weren't that sweet.

St. Louis hairdresser, male, would like to hear from other males in Show-me State. Exchange snaps? _said another_.

Modern couple new to Dallas would like to meet sophisticated couples interested in candid photography. All sincere letters answered. All snaps returned, _said another_. Male preparatory school teacher badly needs course in manners from stern instructress, preferably a horse-lover of German or Scandinavian extraction, _said another_. Will travel anywhere in U.S.

New York top exec wants dates weekday afternoons. No prudes, _said another_. On the facing page was a large coupon on which a reader was invited to write an ad of his own. Fred sort of hankered to.

*

Fred turned the page, read an account of a rape-murder that happened in Nebraska in 1933. file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (43 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt The illustrations were revoltingly clinical photographs that only a coroner had a right to see. The rape-murder was thirty years old when Fred read of it, when _The Investigator's_ reputedly ten million readers read of it. The issues with which the paper dealt were eternal. Lucretia Borgia could make screaming headlines at any time. It was from _The Investigator_, in fact, that Fred, who had attended Princeton for only a year, had learned of the death of Socrates. A thirteen-year-old girl came into the store, and Fred thrust the paper aside. The girl was Lila Buntline, daughter of his wife's best friend. Lila was a tall creature, horse-faced, knobby. There were great circles under her perfectly beautiful green eyes. Her face was piebald with sunburn and tan and freckles and pink new skin. She was the most competitive and skilful sailor in the Pisquontuit Yacht Club.

Lila glanced at Fred with pity --because he was poor, because his wife was no good, because he was fat, because he was a bore. And she strode to the magazine and book racks, put herself out of sight by sitting on the cold cement floor.

Fred retrieved _The Investigator_, looked at ads that offered to sell him all sorts of dirty things. His breathing was shallow. Poor Fred had a damp, junior high school enthusiasm for _The Investigator_ and all it stood for, but lacked the nerve to become a part of it, to correspond with all the box numbers there. Since he was the son of a suicide, it was hardly surprising that his secret hankerings were embarrassing and small.

*

A very healthy man now banged into the news store, moved to Fred's side so quickly that Fred couldn't throw the paper away. "Why, you filthy-minded insurance bastard," said the newcomer cheerfully, "what you doing reading a jerk-off paper like that?" He was Harry Pena, a professional fisherman. He was also Chief of the Pisquontuit Volunteer Fire Department. Harry had two fish traps offshore, labyrinths of pilings and nets that took heartless advantage of the stupidity of fish. Each trap was a long fence in the water, with dry land at one end and a circular corral of stakes and netting at the other. Fish seeking a way around the fence entered the corral. Stupidly, they circled the corral again and again and again, until Harry and his two big sons came in their boat, with gaffhooks and malls, closed the gate of the corral, hauled up a purse net lying on the bottom, and killed and killed and killed. Harry was middle-aged and bandy-legged, but he had a head and shoulders Michelangelo might have given to Moses or God. He had not been a fisherman all his life. Harry had been an insurance bastard himself, in Pittsfield, Massachusetts. One night in Pittsfield, Harry had cleaned his living-room carpet with carbon tetrachloride, and all but died. When he recovered his doctor told him this: "Harry --either you work out-of-doors, or you die." So Harry became what his father had been --a trap fisherman.

*

Harry threw an arm over Fred's suety shoulders. He could afford to be affectionate. He was one of the few men in Pisquontuit whose manhood was not in question. "Aaaaah --you poor insurance bastard --" he said, "why be an insurance bastard? Do something beautiful." He sat down, ordered black coffee and a golden cigar.

"Well now, Harry --" said Fred, with lip-pursing judiciousness, "I think maybe my insurance philosophy is a little different from what yours was."

"Shit," said Harry pleasantly. He took the paper away from Fred, considered the front-page challenge hurled by Randy Herald. "By God," he said, "she takes whatever kind of baby I give her, and I say _when_ she gets it, too, not her."

"Seriously, Harry --" Fred insisted, "I _like_ insurance. I like _helping_ people." Harry gave no indication that he'd heard. He scowled at a picture of a French girl in a bikini.

Fred, understanding that he seemed a bleak, sexless person to Harry, tried to prove that Harry had him wrong. He nudged Harry, man-to-man. "Like that, Harry?" he asked.

"Like what?"

"The girl there."

"That's not a girl. That's a piece of paper."

"Looks like a girl to _me_." Fred Rosewater leered. file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (44 of 79) [10/18/2004 5:20:35 PM]

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"Then you're easily fooled," said Harry. "It's done with ink on a piece of paper. That girl isn't lying there on the counter. She's thousands of miles away, doesn't even know we're alive. If this was a real girl, all I'd have to do for a living would be to stay home and cut out pictures of big fish."

*

Harry Pena turned to the "Here I Am" ads, asked Fred for a pen.

"Pen?" said Fred Rosewater, as though it were a foreign word.

"You've _got_ one, don't you?"

"Sure, I've got one." Fred handed over one of the nine pens distributed about his person.

"Sure he's got one." Harry laughed. And this is what he wrote on the coupon facing the ads:

Red-hot Papa, member of white race, seeks red-hot Mama, any race, any age, any religion. Object:

everything but matrimony. Will exchange snaps.

My teeth are my own.

"You really going to send that in?" Fred's own itch to run an ad, to get a few dirty replies, was pathetically plain.

Harry signed the ad: "_Fred Rosewater, Pisquontuit, Rhode Island_."

"Very funny," said Fred, drawing back from Harry with acid dignity. Harry winked. "Funny for Pisquontuit," he said.

*

Fred's wife Caroline came into the news store now. She was a pretty, pinched, skinny, lost little woman, all dolled-up in well-made clothes cast off by her wealthy, Lesbian friend, Amanita Buntline. Caroline Rosewater clinked and flashed with accessories. Their purpose was to make the second-hand clothing distinctly her own. She was going to have lunch with Amanita. She wanted money from Fred, in order that she might insist, with something behind her, upon paying for her own food and drink.

When she spoke to Fred, with Harry Pena watching, she behaved like a woman who was keeping her dignity while being frog-walked. With the avid help of Amanita, she pitied herself for being married to a man who was so poor and dull. That she was exactly as poor and dull as Fred was a possibility she was constitutionally unable to entertain. For one thing, she was a Phi Beta Kappa, having won her key as a philosophy major at Dillon University, in Dodge City, Kansas. That was where she and Fred had met, in Dodge City, in a U.S.O. Fred had been stationed at Fort Riley during the Korean War. She married Fred because she thought everybody who lived in Pisquontuit and had been to Princeton was rich.

She was humiliated to discover that it was not true. She honestly believed that she was an intellectual, but she knew almost nothing, and every problem she ever considered could be solved by just one thing: money, and lots of it. She was a frightful housekeeper. She cried when she did housework, because she was convinced that she was cut out for better things. As for the Lesbian business, it wasn't particularly deep on Caroline's part. She was simply a female chameleon trying to get ahead in the world.

*

"Lunch with Amanita again?" Fred whinnied.

"Why not?"

"This gets to be damn expensive, fancy lunches every day."

"It isn't every day. It's twice a week at the very most." She was brittle and cold.

"It's still a hell of an expense, Caroline."

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file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt Caroline held out a white-gloved hand for money. "It's worth it to your wife." Fred gave her money.

Caroline did not thank Fred. She left, took her place on a fawn-colored cushion of glove leather, next to the fragrant Amanita Buntline in Amanita's powder-blue Mercedes 300-SL. Harry Pena looked at Fred's chalky face appraisingly. He made no comment. He lit a cigar, departed --went fishing for real fish with his two real sons --in a real boat on a salty sea.

*

Lila, the daughter of Amanita Buntline, sat on the cold floor of the news store, reading Henry Miller's _Tropic of Cancer_, which, along with William Burrough's _Naked Lunch_, she had taken from the Lazy Susan book rack. Lila's interest in the books was commercial. At thirteen, she was Pisquontuit's leading dealer in smut.

She was a dealer in fireworks, too, for the same reason she was a dealer in smut, which was: _Profit_. Her playmates at the Pisquontuit Yacht Club and Pisquontuit Country Day School were so rich and foolish that they would pay her almost anything for almost anything. In a routine business day, she might sell a seventy-five-cent copy of _Lady Chatterley's Lover_ for ten dollars and a fifteen-cent cherry bomb for five.

She bought her fireworks during family vacations in Canada and Florida and Hong Kong. Most of her smut came from the open stock of the news store. The thing was, Lila knew which titles were red hot, which was more than her playmates or the employees of the news store knew. And Lila bought the hot ones as fast as they were tucked into the Lazy Susan. All her transactions were with the idiot behind the lunch counter, who forgot everything faster than it could happen. The relationship between Lila and the news store was wonderfully symbiotic, for hanging in the store's front window was a large medallion of gilded polystyrene, awarded by the _Rhode Island Mothers to Save Children from Filth_. Representatives of that group inspected the store's paperback selection regularly. The polystyrene medallion was their admission that they had not found one filthy thing.

They thought that their children were safe, but the truth was that Lila had cornered the market.

There was one sort of smut that Lila could not buy at the news store --dirty pictures. She got them by doing what Fred Rosewater had so often lusted weakly to do --by answering raunchy ads in _The American Investigator_.

*

Large feet now intruded into her childish world on the news store floor. They were the feet of Fred Rosewater.

Lila did not conceal her red-hot books. She went on reading, as though _The Tropic of Cancer_ were _Heidi_:

The trunk is open and her things are lying around everywhere just as before. She lies down on the bed with her clothes on. Once, twice, three times, four times . . . I'm afraid she'll go mad . . . in bed, under the blankets, how good to feel her body again! But for how long? Will it last this time? Already I have a presentiment that it won't.

Lila and Fred often met between the books and magazines. Fred never asked her what she was reading. And she knew he would do what he always did --would look with sad hunger at the covers of girly magazines, then pick up and open something as fat and domestic as _Better Homes and Gardens_. This is precisely what he did now.

"I guess my wife is out to lunch with your Mummy again," said Fred.

"I guess she is," said Lila. That ended the conversation, but Lila continued to think about Fred. She was on level with the Rosewater shins. She thought about them. Whenever she saw Fred in shorts or a bathing suit, his shins were covered with scars and scabs, as though he had been kicked and kicked and kicked every day of his life. Lila thought that maybe it was a vitamin deficiency that made Fred's shins look like that, or mange.

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*

Fred's gory shins were victims of his wife's interior decorating scheme, which called for an almost schizophrenic use of little tables, dozens of them all through the house. Each little table had its own ashtray and dish of dusty after-dinner mints, although the Rosewaters never entertained. And Caroline was forever rearranging the tables, as though for this kind of party one day and another the next. So poor Fred was forever barking his shins on the tables. One time Fred had had a deep cut on his chin that required eleven stitches. That fall hadn't been caused by all the little tables. It had been caused by an object that Caroline never put away. The object was always in evidence, like a pet anteater with a penchant for sleeping in doorways or on the staircase, or on the hearth.

That object, the one Fred had fallen over and cut his chin on, was Caroline Rosewater's _Electrolux_. Subconsciously, Caroline had sworn to herself that she would never put the vacuum cleaner away until she was rich.

*

Fred, thinking Lila wasn't paying any attention to him, now put down _Better Homes and Gardens_, picked up what looked like one hell of a sexy paperback novel, _Venus on the Halfshell_, by Kilgore Trout. On the back cover was an abridgment of a red-hot scene inside. It went like this:

Queen Margaret of the planet Shaltoon let her gown fall to the floor. She was wearing nothing underneath. Her high, firm, uncowled bosom was proud and rosy. Her hips and thighs were like an inviting lyre of pure alabaster. They shone so whitely they might have had a light inside.

'Your travels are over, Space Wanderer,' she whispered, her voice husky with lust. 'Seek no more, for you have found. The answer is in my arms.'

'It's a glorious answer, Queen Margaret, God knows,' the Space Wanderer replied. His palms were perspiring profusely. 'I am going to accept it gratefully. But I have to tell you, if I'm going to be perfectly honest with you, that I will have to be on my way again tomorrow.'

'But you have found your answer, you have found your answer,' she cried, and she forced his head between her fragrant young breasts.

He said something that she did not hear. She thrust him out at arm's length. 'What was that you said?'

'I said, Queen Margaret, that what you offer is an awfully good answer. It just doesn't happen to be the one I'm primarily looking for.'

There was a photograph of Trout. He was an old man with a full black beard. He looked like a frightened, aging Jesus, whose sentence to crucifixion had been commuted to imprisonment for life.

TEN

Lila Buntline pedaled her bicycle through the muffled beauty of Pisquontuit's Utopian lanes. Every house she passed was a very expensive dream come true. The owners of the houses did not have to work at all. Neither would their children have to work, nor want for a thing, unless somebody revolted. Nobody seemed about to.

Lila's handsome house was on the harborfront. It was Georgian. She went inside, put down her new books in the hallway, stole into her father's study to make certain that her father, who file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (47 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt was lying on his couch, was still alive. It was a thing she did at least once every day.

"Father --?"

The morning's mail was on a silver platter on a table at his head. Next to it was an untouched Scotch and soda. Its bubbles were dead. Stewart Buntline wasn't forty yet. He was the best looking man in town, a cross, somebody once said, between Gary Grant and a German shepherd. On his lean midsection lay a fifty-seven-dollar book, a railroad atlas of the Civil War, which his wife had given to him. That was his only enthusiasm in life, the Civil War.

"Daddy --"

Stewart snoozed on. His father had left him fourteen million dollars, tobacco money mostly. That money, churned and fertilized and hybridized and transmogrified in the hydroponic money farm of the Trust Department of the New England Seafarer's Bank and Trust Company of Boston, had increased by about eight hundred thousand dollars a year since it had been put in Stewart's name. Business seemed to be pretty good. Other than that, Stewart didn't know much about business. Sometimes, when pressed to give his business views, he would declare roundly that he liked _Polaroid_. People seemed to find this vivid, that he should like _Polaroid_ so much. Actually, he didn't know if he owned any _Polaroid_ or not. The bank took care of things like that --the bank and the law firm of McAllister, Robjent, Reed and McGee.

"Daddy --"

"Mf?"

"I wanted to make sure you --you were all right," said Lila.

"Yup," he said. He couldn't be positive about it. He opened his eyes a little, licked his dry lips. "Fine, Sweetheart."

"You can go back to sleep now."

Stewart did.

*

There was no reason for him not to sleep soundly, for he was represented by the same law firm that represented Senator Rosewater, and had been since he was orphaned at the age of sixteen. The partner who looked after him was Reed McAllister. Old McAllister had enclosed a piece of literature with his last letter. It was called, "A Rift Between Friends in the War of Ideas," a pamphlet published by the Pine Tree Press of the Freedom School, Box 165, Colorado Springs, Colorado. This was now serving as a bookmark in the railroad atlas. Old McAllister generally enclosed material about creeping socialism as opposed to free enterprise, because, some twenty years before, Stewart had come into his office, a wild-eyed young man, had announced that the free enterprise system was wrong, and that he wanted to give all his money to the poor. McAllister had talked the rash young man out of it, but he continued to worry about Stewart's having a relapse. The pamphlets were prophylaxis. McAllister needn't have bothered. Drunk or sober, pamphlets or not, Stewart was irrevocably committed to free enterprise now. He did not require the bucking up in "A Rift Between Friends in the War of Ideas," which was supposedly a letter from a conservative to close friends who were socialists without knowing it. Because he did not need to, Stewart had not read what the pamphlet had to say about the recipients of social security and other forms of welfare, which was this:

Have we really helped these people? Look at them well. Consider this specimen who is the end result of our pity! What can we say to this third generation of people to whom welfare has long since become a way of life? Observe carefully our handiwork whom we have spawned and are spawning by the millions, even in times of plenty!

They do not work and will not. Heads down, unmindful, they have neither pride nor selfrespect. They are totally unreliable, not maliciously so, but like cattle who wander aimlessly. Foresight and the ability to reason have simply atrophied from long neglect. Talk to them, listen to them, work with them as I do and you realize with a kind of dull horror that they have lost all semblance of human beings except that they stand on two feet and talk --like parrots. 'More. Give me more. I need more,' are the only new thoughts they have learned. . . . They stand today as a monumental caricature of Homo sapiens, the harsh and horrible reality created by us out of our own misguided pity. They are also, if we continue our present course, the living prophecy of what a great percentage of the rest of us will become. file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (48 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt And so on.

These sentiments were coals to Newcastle as far as Stewart Buntline was concerned. He was through with misguided pity. He was through with sex, too. And, if the truth be told, he was fed to the teeth with the Civil War.

*

The conversation with McAllister that had set Stewart on the path of conservatism twenty years before was this:

"So you want to be a saint, do you, young man?"

"I didn't say that, and I hope I didn't imply it. You are in charge of what I inherited, money I did nothing to earn?"

"I'll answer the first part of your question: Yes, we are in charge of what you inherited. In reply to the second part: If you haven't earned it yet, you will, you shall. You come from a family that is congenitally unable to fail to earn its way and then some. You'll lead, my boy, because you were born to lead, and that can be hell."

"That may or may not be, Mr. McAllister. We'll have to wait and see about that. What I'm telling you now is: This world is full of suffering, and money can do a lot to relieve that suffering, and I have far more money than I can use. I want to buy decent food and clothing and housing for the poor, and right away."

"And, after you've done that, what would you like to be called, 'St. Stewart' or 'St. Buntline'?"

"I didn't come here to be made fun of."

"And your father didn't name us your guardians in his will because he thought we would agree politely with anything you might say. If I strike you as impudent and irreverent on the subject of would-be saints, it's because I've been through this same silly argument with so many young people before. One of the principal activities of this firm is the prevention of saintliness on the part of our clients. You think you're unusual? You're not.

"Every year at least one young man whose affairs we manage comes into our office, wants to give his money away. He has completed his first year at some great university. It has been an eventful year! He has learned of unbelievable suffering around the world. He has learned of the great crimes that are at the roots of so many family fortunes. He has had his Christian nose rubbed, often for the very first time, in the Sermon on the Mount.

"He is confused, tearful, angry! He demands to know, in hollow tones, how much money he is worth. We tell him. He goes haggard with shame, even if his fortune is based on something as honest and useful as Scotch Tape, aspirin, rugged pants for the working man, or, as in your case, brooms. You have, if I'm not mistaken, just completed one year at Harvard?"

"Yes."

"It's a great institution, but, when I see the effect it has on certain young people, I ask myself, 'How dare a university teach compassion without teaching history, too?' History tells us this, my dear young Mr. Buntline, if it tells us nothing else: Giving away a fortune is a futile and destructive thing. It makes winners of the poor, without making them rich or even comfortable. And the donor and his descendents become undistinguished members of the whining poor."

*

"A personal fortune as great as yours, Mr. Buntline," old McAllister went on, those many fateful years ago, "is a miracle, thrilling and rare. You have come by it effortlessly, and so have little opportunity to learn what it is. In order to help you learn something about its miraculousness, I have to offer what is perhaps an insult. Here it is, like it or not: Your fortune is the most important single determinant of what you think of yourself and of what others think of you. Because of the money, you are extraordinary. Without it, for example, you would not now be taking the priceless time of a senior partner in McAllister, Robjent, Reed and McGee.

"If you give away your money, you will become utterly ordinary, unless you happen to be a genius. You aren't a genius, are you, Mr. Buntline?"

"No."

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"Um. And, genius or not, without money you'll surely be less comfortable and free. Not only that, but you will be volunteering your descendents for the muggy, sore-head way of life peculiar to persons who might have been rich and free, had not a soft-headed ancestor piddled a fortune away.

"Cling to your miracle, Mr. Buntline. Money is dehydrated Utopia. This is a dog's life for almost everybody, as your professors have taken such pains to point out. But, because of your miracle, life for you and yours can be a paradise! Let me see you smile! Let me see that you already understand what they do not teach at Harvard until the junior year: That to be born rich and to stay rich is something less than a felony."

*

Lila, Stewart's daughter, now went upstairs to her bedroom. The color scheme, selected by her mother, was pink and frost. Her casement windows looked out on the harbor, on the nodding Pisquontuit Yacht Club fleet.

A forty-foot workboat named _Mary_ was chugging her graceless, smoky way through the fleet, rocking the playthings. The playthings had names like _Scomber_ and _Skat_ and _Rosebud II_

and _Follow Me_ and _Red Dog_ and _Bunty_. _Rosebud II_ belonged to Fred and Caroline Rosewater. _Bunty_ belonged to Stewart and Amanita Buntline.

_Mary_ belonged to Harry Pena, the trap fisherman. She was a gray, lapstreak tub whose purpose was to wallow home in all weather with tons of fresh fish on board. There wasn't any shelter on her, except for a wooden box to keep the big new Chrysler dry. The wheel and the throttle and the clutch were mounted on the box. All the rest of the _Mary_ was a bare-boned tub. Harry was on his way to his traps. His two big sons, Manny and Kenny, lay head-to-head in the bow, murmuring in lazy lechery. Each boy had a six-foot tuna gaff beside him. Harry was armed with a twelve-pound mall. All three wore rubber aprons and boots. When they got to work, they would bathe in gore.

"Stop talking about fucking," said Harry. "Think about fish."

"We will, old man, when we're as old as you." This was a deeply affectionate reply.

*

An airplane came over very low, making its approach to Providence Airport. On board, reading _The Conscience of a Conservative_, was Norman Mushari.

*

The world's largest private collection of harpoons was displayed in a restaurant called _The Weir_, which was five miles outside of Pisquontuit. The marvellous collection belonged to a tall homosexual from New Bedford named Bunny Weeks. Until Bunny came down from New Bedford and opened his restaurant, Pisquontuit had nothing to do with whaling --ever. Bunny called his place _The Weir_ because its Thermopane windows on the south looked out at the fish traps of Harry Pena. There were opera glasses on each table, in order that guests might watch Harry and his boys clean out their traps. And when the fisherfolk were performing out there on the briny deep, Bunny went from table to table, explaining with gusto and _expertise_

what they were doing, and why. While disserting, he would paw women shamelessly, would never touch a man.

If guests wished to participate even more vibrantly in the fishing business, they might order a _Horse Mackerel Cocktail_, which was rum, grenadine, and cranberry juice, or a _Fisherman's Salad_, which was a peeled banana thrust through a pineapple ring, set in a nest of chilled, creamed tuna and curly coconut shreds.

Harry Pena and his boys knew about the salad and the cocktail and the opera glasses, though they had never visited _The Weir_. Sometimes they would respond to their involuntary involvement with the restaurant by urinating off the boat. They called this "_. . . making cream of leek soup for Bunny Weeks_."

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*

Bunny Weeks' harpoon collection lay across the rude rafters of the gift shop that constituted the opulently mouldy entrance to _The Weir_. The shop itself was called _The Jolly Whaler_. There was a dusty skylight over the shop, the dusty effect having been achieved by spraying on _Jet-Spray Bon Ami_, and never wiping it off. The lattice of rafters and harpoons underneath the skylight was projected onto the merchandise below. The effect that Bunny had created was that real whalers, smelling of blubber and rum and sweat and ambergris, had stored their equipment in his loft. They would be coming back for it at any time. It was through the criss-crossed shadows of harpoons that Amanita Buntline and Caroline Rosewater now shuffled. Amanita led the way, set the tone, examined the stock greedily, barbarously. As for the nature of the stock: it was everything a cold bitch might demand of an impotent husband upon rising from a scalding bath.

Caroline's manner was a wispy echo of Amanita's. Caroline was made clumsy by the fact that Amanita was forever between her and whatever seemed worth examining. The moment Amanita stopped looking at something, moved from between it and Caroline, the object somehow stopped being worth examining. Caroline was made clumsy by other facts, too, of course --that her husband worked, that she was wearing a dress that everybody knew had been Amanita's, that she had very little money in her purse.

Caroline now heard her own voice saying, as though from afar, "He certainly has good taste."

"They all do," said Amanita. "I'd rather go shopping with one than with a woman. Present company excepted, of course."

"What is it that makes them so artistic?"

"They're more sensitive, dear. They're like _us_. They _feel_."

"_Oh_."

*

Bunny Weeks now loped into _The Jolly Whaler_, his Topsiders squeaking as they squeegeed. He was a slender man in his early thirties. He had eyes that were standard equipment for rich American fairies --junk jewelry eyes, synthetic star sapphires with winking Christmas-tree lights behind them. Bunny was the great-grandson of the famous Captain Hannibal Weeks of New Bedford, the man who finally killed Moby Dick. No less than seven of the irons resting on the rafters overhead were said to have come from the hide of the Great White Whale.

"Amanita! Amanita!" Bunny cried fondly. He threw his arms around her, hugged her hard.

"How's my girl?"

Amanita laughed.

"Something's funny?"

"Not to _me_."

"I've been hoping you'd come in today. I have a little intelligence test for you." He wanted to show her a new piece of merchandise, have her guess what it was. He hadn't greeted Caroline yet, was now obliged to do so, for she was standing between him and where he thought the object he wanted was. "Excuse me."

"I beg your pardon." Caroline Rosewater stepped aside. Bunny never seemed to remember her name, though she had been in _The Weir_ at least fifty times.

Bunny failed to find what he was looking for, wheeled to search elsewhere, again found Caroline in his way. "Excuse me."

"Excuse _me_." Caroline, in getting out of his way, tripped on a cunning little milking stool, went down with one knee on the stool and both hands grasping a post.

"Oh my God!" said Bunny, annoyed with her. "Are you all right? Here! Here!" He hoisted her up, and did it in such a way that her feet kept slipping out from under her, as though she were wearing roller skates for the first time. "Are you hurt?" Caroline smiled sloppily. "Just my dignity is all."

"Oh, the hell with your dignity, dear," he said, and he cast himself very strongly as another woman when he said it. "How are your _bones_? How are your little _insides_?"

"Fine --thank you."

Bunny turned his back on her, resumed his search.

"You remember Caroline Rosewater, of course," said Amanita. It was a cruelly unnecessary file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (51 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt thing to ask.

"Of course I remember Mrs. Rosewater," said Bunny. "Any relation to the Senator?"

"You always ask me that."

"Do I? And what do you always reply?"

"I think so --somehow --way far back --I'm almost sure."

"How interesting. He's resigning, you know."

"He is?"

Bunny faced her again. He now had a box in his hands. "Didn't he _tell_ you he was going to resign?"

"No --he --"

"You don't _communicate_ with him?"

"No," said Caroline bleakly, her chin pulled in.

"I'd think he'd be a very fascinating man to _communicate_ with." Caroline nodded. "Yes."

"But you don't communicate."

"No."

*

"Now then, my dear --" said Bunny, placing himself before Amanita and opening the box,

"here is your intelligence test." He took from the box, which was marked "Product of Mexico," a large tin can with one end removed. The can was covered with gay wallpaper both inside and out. Glued to the unopened end was a round lace doily, and glued to the doily was an artificial water lily. "I defy you to tell me what this is for. If you tell me, and this is a seventeen-dollar item, I will give it to you free, grotesquely rich though I know you are."

"Can _I_ guess, too?" said Caroline.

Bunny closed his eyes. "Of course," he whispered tiredly. Amanita gave up at once, announcing proudly that she was dumb, that she despised tests. Caroline was about to make a chirping, bright-eyed, birdy guess, but Bunny didn't give her a chance.

"It's a cover for a spare roll of toilet paper!" said Bunny.

"That's what I was _going_ to guess," said Caroline.

"Were you now?" said Bunny apathetically.

"She's a _Phi Beta Kappa_," said Amanita.

"Are you now?" said Bunny.

"Yes," said Caroline. "I don't talk about it much. I don't think about it much."

"Nor do I," said Bunny.

"You're a _Phi Beta Kappa_, too?"

"Do you mind?"

"No."

"As clubs go," said Bunny, "I've found it's a rather big one."

"Um."

"Do you like this thing, little genius?" Amanita asked Caroline, speaking of the toilet paper cover.

"Yes --it's --it's very pretty. It's sweet."

"Do want it?"

"For seventeen _dollars_?" said Caroline. "It _is_ darling." She became mournful about being poor. "Some day, maybe. Some day."

"Why not today?" asked Amanita.

"You know why not today." Caroline blushed.

"What if I were to buy it for you?"

"You mustn't! Seventeen dollars!"

"If you don't stop worrying about money so much, little bird, I'm going to have to find some other friend."

"What can I _say_?"

"Wrap it as a gift, please, Bunny."

"Oh, Amanita, thank you so much," said Caroline.

"It's no more than you deserve."

"Thank you."

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"People get what they deserve," said Amanita. "Isn't that right, Bunny?"

"That's the First Law of Life," said Bunny Weeks.

*

The work boat called the _Mary_ now reached the traps she served, came into view for the many drinkers and diners in the restaurant of Bunny Weeks.

"Drop your cocks and grab your socks," Harry Pena called to his snoozing sons. He killed the engine. The momentum of the _Mary_ carried her through the gate of a trap, into a ring of long poles festooned with net.

"Smell 'em?" he said. He was asking if his sons smelled all the big fish in the net. The sons sniffed, said they did.

The big belly of the net, which might or might not hold fish, lay on the bottom. The rim of the net was in air, running from pole-tip to pole-tip in lank parabolas. The rim dipped under water at only one point. That point was the gate. It was also the mouth that would feed fish, if any, into the big belly of the net.

Now Harry himself was inside the trap. He untied a line from a cleat by the gate, hoisted away, lifted the mouth of the net into air, tied the line to the cleat again. There was no way out of the belly now --not for fish. For fish it was a bowl of doom.

The _Mary_ rubbed herself gently against one side of the bowl. Harry and his sons, all in a row, reached into the sea with iron hands, pulled net into air, fed it back to the sea. Hand-over-hand, the three were making smaller, ever smaller, the place where fish could be. And, as that place grew ever smaller, the _Mary_ crept sideways across the surface of the bowl.

No one spoke. It was a magic time. Even the gulls fell silent as the three, purified of all thought, hauled net from the sea.

*

The only place where the fish could be became an oval pool. A seeming shower of dimes flashed in the depths, and that was all. The men kept working, hand-over-hand. The only place where the fish could be now became a curving trough, a deep one, alongside the _Mary_. It now became a shallower trough as the three men continued to work, hand-over-hand. The father and the two sons paused. A goosefish, a prehistoric monstrosity, a ten-pound tadpole studded with chancres and warts, came to the surface, opened its needle-filled mouth, surrendered. And around the goosefish, the brainless, inedible horror of cartilage, the surface of the sea was blooming with dimpled humps. Big animals were in the dark below.

Harry and his two big sons set to work again, hand-over-hand, pulling in net and feeding it back. There was almost nowhere for the fish to be. Paradoxically, the surface of the sea became mirror-like.

And then the fin of a tuna slit the mirror, was gone again.

*

In the fish trap moments later there was joyful, bloody hell. Eight big tuna were making the water heave, boil, split and roll. They shot past the _Mary_, were turned by the net, shot past again.

Harry's boys grabbed their gaffs. The younger boy thrust his hook underwater, jerked the hook into the belly of a fish, stopped the fish, turned it on a point of pure agony. The fish came drifting alongside, languid with shock, avoiding any motion that might make the agony worse.

Harry's younger boy gave the hook a wrenching yank. The new, deeper agony made the fish walk on his tail, topple into the _Mary_ with a rubbery crash.

Harry slammed the head of the fish with his mighty mall. The fish lay still. And another fish came crashing in. Harry slammed it on the head, too --and slammed another and another, until eight great fish lay dead.

Harry laughed, wiped his nose on his sleeve. "Son of a bitch, boys! Son of a bitch!" file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (53 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt The boys laughed back. All three were as satisfied with life as men can ever be. The youngest boy thumbed his nose at the fairy's restaurant.

"Fuck 'em all, boys. Right?" said Harry.

*

Bunny came to Amanita's and Caroline's table, jingled his slave bracelet, put his hand on Amanita's shoulder, remained standing. Caroline took the opera glasses from her eyes, said a depressing thing. "It's so much like life. Harry Pena is so much like God."

"Like God?" Bunny was amused.

"You don't see what I mean?"

"I'm sure the fish do. I don't happen to be a fish. I'll tell you what I _am_, though."

"Please --not while we're eating," said Amanita. Bunny gave a crippled little chuckle, went on with his thought. "I _am_ a director of a bank."

"What's that got to do with anything?" Amanita inquired.

"You find out who's broke and who isn't. And, if that's God out there, I hate to tell you, but God is bankrupt."

Amanita and Caroline expressed, each in her own way, disbelief that a man that virile could ever have a business failure. While they were twittering in this wise, Bunny's hand tightened on Amanita's shoulder to the point where she complained. "You're hurting me."

"Sorry. Didn't know it was possible."

"Bastard."

"Might as well be." And the hand bit hard again. "That's all over," he said, meaning Harry and his sons. The pulsing pressure of his hand let Amanita know that he wanted very much for her to keep her mouth shut for a change, that he was being serious for a change. "Real people don't make their livings that way any more. Those three romantics out there make as much sense as Marie Antoinette and her milkmaids. When the bankruptcy proceedings begin --in a week, a month, a year - they'll find out that their only economic value was as animated wallpaper for my restaurant here." Bunny, to his credit, was not happy about this. "That's all over, men working with their hands and backs. They are not needed."

"Men like Harry will always win, won't they?" said Caroline.

"They're losing everywhere." Bunny let go of Amanita. He looked around his restaurant, invited Amanita to do so, too, to help him count the house. He invited them, moreover, to despise his customers as much as he did. Almost all were inheritors. Almost all were beneficiaries of boodles and laws that had nothing to do with wisdom or work.

Four stupid, silly, fat widows in furs laughed over a bathroom joke on a paper cocktail napkin.

"And look who's winning. And look who's won."

ELEVEN

Norman Mushari rented a red convertible at the Providence Airport, drove eighteen miles to Pisquontuit to find Fred Rosewater. As far as Mushari's employers knew, he was in his apartment in Washington, sick in bed. On the contrary, he felt very good.

He didn't find Fred all afternoon, for the not very simple reason that Fred was asleep on his sailboat, a secret thing Fred often did on warm days. There was never much doing in life insurance for poor people on warm afternoons.

Fred would row out to his mooring in a little yacht club dinghy, _scree-scraw, screescraw_, with three inches of freeboard all around. And he would transfer his bulk to Rosebud II, and lie down in the cockpit, out of sight, with his head on an orange lifejacket. He would listen to the lapping of the water, the clinking and creaking of the rigging, put one hand on his file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (54 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt genitals, feel at one with God, go to sleepy-bye. That much was lovely.

*

The Buntlines had a young upstairs maid named Selena Deal, who knew Fred's secret. One little window in her bedroom looked out on the fleet. When she sat on her narrow bed and wrote, as she was doing now, her window framed the Rosebud II. Her door was ajar, so she could hear the telephone ring. That was all she had to do during the afternoons, usually --answer the telephone in case it rang. It seldom rang, and, as Selena asked herself, "Why would it?" She was eighteen years old. She was an orphan from an orphanage that had been founded by the Buntline family in Pawtucket in 1878. When it was founded, the Buntlines required three things: That all orphans be raised as Christians, regardless of race, color, or creed, that they take an oath once a week, before Sunday supper, and that, each year, an intelligent, clean female orphan enter domestic service in a Buntline home,

. . . in order to learn about the better things in life, and perhaps to be inspired to climb a few rungs of the ladder of culture and social grace.

The oath, which Selena had taken six hundred times, before six hundred very plain suppers, went like this, and was written by Castor Buntline, poor old Stewart's great-grandfather: I do solemnly swear that I will respect the sacred private property of others, and that I will be content with whatever station in life God Almighty may assign me to. I will be grateful to those who employ me, and will never complain about wages and hours, but will ask myself instead,

"What more can I do for my employer, my republic, and my God?" I understand that I have not been placed on Earth to be happy. I am here to be tested. If I am to pass the test, I must be always unselfish, always sober, always truthful, always chaste in mind, body, and deed, and always respectful to those to whom God has, in His Wisdom, placed above me. If I pass the test, I will go to joy everlasting in Heaven when I die. If I fail, I shall roast in hell while the Devil laughs and Jesus weeps.

*

Selena, a pretty girl who played the piano beautifully and wanted to be a nurse, was writing to the head of the orphanage, a man named Wilfred Parrot. Parrot was sixty. He had done a lot of interesting things in his life, such as fighting in Spain in the Abraham Lincoln Brigade and, from 1933 until 1936, writing a radio serial called "Beyond the Blue Horizon." He ran a happy orphanage. All of the children called him "Daddy," and all of the children could cook and dance and play some musical instrument and paint.

Selena had been with the Buntlines a month. She was supposed to stay a year. This is what she wrote:

Dear Daddy Parrot: Maybe things will get better here, but I don't see how. Mrs. Buntline and I don't get along very well. She keeps saying I am ungrateful and impertinent. I don't meant to be, but I guess maybe I am. I just hope she doesn't get so mad at me she turns against the orphanage. That is the big thing I worry about. I am just going to have to try harder to obey the oath. What goes wrong all the time is things she sees in my eyes. I can't keep those things out of my eyes. She says something or does something I think is kind of dumb or pitiful or something, and I don't say anything about it, but she looks in my eyes and gets very mad. One time she told me that music was the most important thing in her life, next to her husband and her daughter. They have loudspeakers all over the house, all connected to a big phonograph in the front coat closet. There is music all day long, and Mrs. Buntline said what she enjoyed more than anything was picking out a musical program at the start of every day, and loading it into the record changer. This morning there was music coming out of all the loudspeakers, and it didn't sound like any music I had ever heard before. It was very high and fast and twittery, and Mrs. Buntline was file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (55 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt humming along with it, rocking her head from side to side to show me how much she loved it. It was driving me crazy. And then her best friend, a woman named Mrs. Rosewater, came over, and she said how much she loved the music, too. She said someday, when her ship came in, she would have beautiful music all the time, too. I finally broke down and asked Mrs. Buntline what on earth it was. "Why, my dear child," she said, "that is none other than the immortal Beethoven."

"Beethoven!" I said. "Have you ever heard of him before?" she said. "Yes, mam, I have. Daddy Parrot played Beethoven all the time back at the orphanage, but it didn't sound like that." So she took me in where the phonograph was, and she said, "Very well, I will prove it is Beethoven. I have loaded the changer with nothing but Beethoven. Every so often I just go on a Beethoven binge." "I just adore Beethoven, too," Mrs. Rosewater said. Mrs. Buntline told me to look at what was in the record changer and tell her whether it was Beethoven or not. It was. She had loaded the changer with all nine symphonies, but that poor woman had them playing at 78 revolutions per minute instead of 33, and she couldn't tell the difference. I told her about it, Daddy. I had to tell her, didn't I? I was very polite, but I must have gotten that look in my eyes, because she got very mad, and she made me go out and clean up the chauffeur's lavatory in the back of the garage. Actually, it wasn't a very dirty job. They haven't had a chauffeur for years.

*

Another time, Daddy, she took me out to watch a sailboat race in Mr. Buntline's big motorboat. I asked to go. I said all anybody ever seemed to talk about in Pisquontuit was sailboat races. I said I would like to see what was so wonderful about them. Her daughter Lila was racing that day. Lila is the best sailor in town. You should see all the cups she has won. They are the main decorations of the house. There aren't any pictures to speak of. A neighbor has a Picasso, but I heard him say he would a lot rather have a daughter who could sail like Lila. I don't think it makes much difference one way or another, but I didn't say so. Believe me, Daddy, I don't say half the things I could. Anyway, we went out to see this sailboat race, and I wish you could have heard the way Mrs. Buntline yelled and swore. You remember the things Arthur Gonsalves used to say? Mrs. Buntline used words that would have been news to Arthur. I never saw a woman get so excited and mad. She just forgot I was there. She looked like a witch with the rabies. You would have thought the fate of the universe was being decided by those sunburned children in those pretty little white boats. She finally remembered me, and she realized she had said some things that didn't sound very good. "You've got to understand why we're all so excited right now." she said. "Lila has two legs on the Commodore's Cup." "Oh," I said, "that explains everything." I swear, Daddy, that's all I said, but there must have been that look in my eyes. What gets me most about these people, Daddy, isn't how ignorant they are, or how much they drink. It's the way they have of thinking that everything nice in the world is a gift to the poor people from them or their ancestors. The first afternoon I was here, Mrs. Buntline made me come out on the back porch and look at the sunset. So I did, and I said I liked it very much, but she kept waiting for me to say something else. I couldn't think of what else I was supposed to say, so I said what seemed like a dumb thing. "Thank you very much," I said. That was exactly what she was waiting for. "You're entirely welcome," she said. I have since thanked her for the ocean, the moon, the stars in the sky, and the United States Constitution.

Maybe I am just too wicked and dumb to realize how wonderful Pisquontuit really is. Maybe this is a case of pearls before swine, but I don't see how. I am homesick. Write soon. I love you.

Selena

P.S. Who really does run this crazy country? These creeps sure don't. Norman Mushari killed the afternoon by driving over to Newport, paid a quarter to tour the famous Rumfoord Mansion. The queer thing about the tour was that the Rumfoords were still living there, and glaring at all comers. Moreover, they didn't need the money, God knows. Mushari was sufficiently offended by the way that Lance Rumfoord, who was six feet eight inches tall, sneered whinnyingly at him, that he complained about it to a family servant who was guiding the tour. "If they hate the public so much." said Mushari, "they shouldn't invite them in and take their money."

This failed to gain the sympathy of the servant, who explained with acrid fatalism that the estate was open to the public for only one day out of every five years. This was required by file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (56 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt a. will now three generations old.

"Why would a will say that?"

"It was the feeling of the founder of this estate that it would be in the best interests of those living within these walls to periodically take a sampling of the sorts of people who were appearing at random outside of them." He looked Mushari up and down. "You might call it keeping up with current events. You know?"

As Mushari was leaving the estate, Lance Rumfoord came loping after him. Predatorily genial, he towered over little Mushari, explained that his mother considered herself a great judge of character, and had made the guess that Mushari had once served in the United States Infantry.

"No."

"Really? She so seldom misses. She said specifically that you had been a sniper."

"No."

Lance shrugged. "If not in this life, in some other one, then." And he sneered and whinnied again.

*

Sons of suicides often think of killing themselves at the end of a day, when their blood sugar is low. And so it was with Fred Rosewater when he came home from work. He nearly fell over the Electrolux in the living room archway, caught his balance with a quick stride, barked his shin on a little table, knocked the mints on the table to the floor. He got down on his hands and knees and picked them up.

He knew his wife was home, for the record-player Amanita had given to her for her birthday was going. She only owned five records, and they were all in the changer. They were her bonus for joining a record club. She had gone through hell, selecting five free records from a list of one hundred. The five she finally chose were _Come Dance With Me_, by Frank Sinatra, _A Mighty Fortress Is Our God, and Other Sacred Selections_, by the Mormon Tabernacle Choir; _It's a Long Way to Tipperary and Others_, by the Soviet Army Chorus and Band, _The New World Symphony_, conducted by Leonard Bernstein, and _Poems of Dylan Thomas_, read by Richard Burton. The Burton record was playing as Fred picked up the mints. Fred stood up, swayed. There were bells in his ears. There were spots before his eyes. He went into the bedroom, found his wife asleep in bed with her clothes on. She was drunk, and full of chicken and mayonnaise, as she always was after a luncheon with Amanita. Fred tiptoed out again, thought of hanging himself from a pipe in the cellar.

But then he remembered his son. He heard a toilet flush, so that was where little Franklin was, in the bathroom. He went into Franklin's bedroom to wait for him. It was the only room in the house where Fred felt really comfortable. The shades were drawn, which was mildly puzzling, since there was no reason for the boy to exclude the last of the daylight, and there were no neighbors to peep in.

The only light came from a curious lamp on the bedside table. The lamp consisted of a plaster statuette of a blacksmith who had his hammer raised. There was a pane of frosted orange glass behind the blacksmith. And behind the glass was an electric bulb, and over the bulb was a little tin windmill. Hot air rising from the bulb caused the windmill to turn. The bright surfaces of the turning mill made the light playing on the orange glass flicker, made it look a lot like real fire.

There was a story that went with the lamp. It was thirty-three years old. The company that made the lamps had been Fred's father's very last speculation.

*

Fred thought of taking a lot of sleeping pills, remembered his son again. He looked about the weirdly illuminated room for something to talk to the boy about, saw the corner of a photograph sticking out from under the pillow on the bed. Fred pulled it into the open, thinking it was probably a picture of some sports hero, or maybe a picture of Fred himself at the helm of the _Rosebud II_.

But it turned out to be a pornographic picture that little Franklin had bought that morning from Lila Buntline, using money he earned himself on his paper route. It showed two fat, simpering, naked whores, one of whom was attempting to have impossible sexual congress with a file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (57 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt dignified, decent, unsmiling Shetland pony.

*

Sickened, confused, Fred put the picture into his pocket, stumbled out into the kitchen, wondered what, in God's name, to say.

About the kitchen: an electric chair would not have seemed out of place in it. It was Caroline's idea of a place of torment. There was a philodendron. It had died of thirst. In the soapdish on the sink was a mottled ball of soap made out of many moistened slivers pressed together. Making soap balls out of slivers was the only household art Caroline had brought to marriage. It was a thing her mother had taught her to do.

Fred thought of filling the bathtub with hot water, of climbing in and slashing his wrists with a stainless steel razorblade. But then he saw that the little plastic garbage can in the corner was full, knew how hysterical Caroline became if she got up from a drunken sleep and found that no one had carried out the garbage. So he carried it to the garage and dumped it, then washed out the can with the hose at the side of the house.

"Frusha-frusha-blacka-blacka-burl," said the water in the can. And Fred saw that someone had left the light on in the cellar. He looked down through the dusty window in an areaway, saw the top of the jelly cupboard. Resting on it was the family history his father had written --a history that Fred had never wished to read. There was also a can of rat poison there, and a thirtyeight-calibre revolver sick with rust. It was an interesting still life. And then Fred perceived that it wasn't entirely at rest. A little mouse was nibbling at one corner of the manuscript.

Fred tapped on the window. The mouse hesitated, looked everywhere but at Fred, went on nibbling again.

Fred went down into the basement, took the manuscript from its shelf to see how badly damaged it was. He blew the dust from the title page, which said, A _History of the Rosewaters of Rhode Island, by Merrihue Rosewater_. Fred untied the string that held the manuscript together, turned to page one, which said:

The Old World home of the Rosewaters was and is in the Stilly Islands, off Cornwall. The founder of the family there, whose name was John, arrived on St. Mary Island in 1645, with the party accompanying the fifteen-year-old Prince Charles, later to become Charles the Second, who was fleeing the Puritan Revolution. The name Rosewater was then a pseudonym. Until John chose it for himself, there were no Rosewaters in England. His real name was John Graham. He was the youngest of the five sons of James Graham, Fifth Earl and First Marquis of Montrose. There was need for a pseudonym, for James Graham was a leader of the Royalist cause, and the Royalist cause was lost. James, among other romantic exploits, once disguised himself, went to the Scotch Highlands, organized a small, fierce army, and led it to six bloody victories over the far greater forces of the Lowland Presbyterian Army of Archibald Campbell, the Eighth Earl of Argyll. James was also a poet. So every Rosewater is in fact a Graham, and has the blood of Scotch nobility in him. James was hanged in 1650.

Poor old Fred simply could not believe this, that he should have connection with anyone so glorious. As it happened, he was wearing Argyll socks, and he hitched up his trousers some to look at them. _Argyll_ had a new meaning for him now. One of his ancestors, he told himself, had whipped the Earl of Argyll six times. Fred noticed, too, that he had banged his shins on a table more severely than he'd thought, for there was blood running down to the tops of his Argylls. He read on:

John Graham, rechristened John Rosewater in the Stilly Islands, apparently found the mild climate and the new name congenial, for he remained there for the rest of his life, fathering seven sons and six daughters. He, too, is said to have been a poet, though none of his work survives. If we had some of his poems, they might explain to us what must remain a mystery, why a nobleman would give up his good name and all the privileges it could mean, and be content to live as a simple farmer on an island far from the centers of wealth and power. I can make a guess, and it can never be more than a guess, that he was perhaps sickened by all the bloody things he saw file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (58 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt when he fought at his brother's side. At any rate, he made no effort to tell his family where he was, nor to reveal himself as Graham when royalty was restored. In the history of the Grahams, he is said to have been lost at sea while guarding Prince Charles.

Fred heard Caroline throwing up now upstairs.

John Rosewater's third son, Frederick, was the direct ancestor of the Rhode Island Rosewaters. We know little else about him, except that he had a son named George, who was the first Rosewater to leave the islands. George went to London in 1700, became a florist. George had two sons, the younger of which, John, was imprisoned for debt in 1731. He was freed in 1732 by James E. Oglethorpe, who paid his debts on the condition that John accompany Oglethorpe on an expedition to Georgia. John was to serve as chief horticulturalist for the expedition, which planned to plant mulberry trees and raise silk. John Rosewater would also become the chief architect, laying out what was to become the city of Savannah. In 1742, John was badly wounded in the Battle of Bloody Marsh against the Spanish.

At this point, Fred was so elated over the resourcefulness and bravery of his own flesh and blood in the past, that he had to tell his wife about it at once. And he didn't think for a moment of bringing the sacred book to his wife. It had to stay in the holy cellar, and she had to come down to _it_.

So he stripped the bedspread away from her, certainly the most audacious, most blatantly sexual act of their marriage, told her his real name was Graham, said an ancestor of his had designed Savannah, told her she had to come down into the cellar with him.

*

She tramped blearily down the stairs after Fred, and he pointed to the manuscript, gave her a strident synopsis of the history of the Rhode Island Rosewaters up to the Battle of Bloody Marsh.

"The point I'm trying to make," he said, "is --we _are_ somebody. I am _sick_ and I am _tired_ of pretending that we just aren't _anybody_."

"I never pretended we weren't anybody."

"You've pretended I wasn't anybody." This was daringly true, and said almost accidentally. The truth of it stunned them both. "You know what I mean," said Fred. He pressed on, did so gropingly, since he was in the unfamiliar condition of having poignant things to say, of being by no means at the end of them.

"These phony bastards you think are so wonderful, compared to us --compared to _me_ --I'd like to see how many ancestors they could turn up that could compare with mine. I've always thought people were silly who bragged about their family trees --but, by God, if anybody wants to do any comparing, I'd be glad to show 'em mine! Let's _quit_ apologizing!"

"I don't know what you mean."

"Other people say, 'Hello' or 'Goodbye!' We always say, 'Excuse me,' no matter what we're doing." He threw up his hands. "No more apologies! So we're poor! All right, we're poor! This is America! And America is one place in this sorry world where people shouldn't _have_ to apologize for being poor. The question in America should be, 'Is this guy a good citizen? Is he honest? Does he pull his own weight?'"

Fred hoisted the manuscript in his two plump hands, threatened poor Caroline with it. "The Rhode Island Rosewaters have been active, creative people in the past, and will continue to be in the future," he told her. "Some have had money, and some have not, but, by God, they've played their parts in history! No more apologies!"

He had won Caroline to his way of thinking. It was a simple thing for any passionate person to do. She was ga-ga with terrified respect.

"You know what it says over the door of the National Archives in Washington?"

"No," she admitted.

"'The past is prologue!'"

"Oh."

"All right," said Fred, "now let's read this story of the Rhode Island Rosewaters file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (59 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt together, and try to pull our marriage together with a little mutual pride and faith." She nodded dumbly.

*

The tale of John Rosewater at the Battle of Bloody Marsh ended the second page of the manuscript. So Fred now gripped the corner of that page between his thumb and forefinger, and dramatically peeled it from wonders lying below.

The manuscript was hollow. Termites had eaten the heart out of the history. They were still there, maggotty blue-grey, eating away.

When Caroline had clumped back up the cellar stairs, tremulous with disgust, Fred calmly advised himself that the time had come to _really_ die. Fred could tie a hangman's knot blindfolded, and he tied one now in clothesline. He climbed onto a stool, tied the other end to a water pipe with a two-half hitch, which he tested.

He was putting the noose over his head, when little Franklin called down the stairway that a man wanted to see him. And the man, who was Norman Mushari, came down the stairs uninvited, lugging a fat, cross-gartered, slack-jawed briefcase.

Fred moved quickly, barely escaped being caught in the embarrassing act of destroying himself.

"Yes --?" he said to Mushari.

"Mr. Rosewater --?"

"Yes --?"

"Sir --at this very moment, your Indiana relatives are swindling you and yours out of your birthright, out of millions upon millions of dollars. I am here to tell you about a relatively cheap and simple court action that will make those millions yours." Fred fainted.

TWELVE

Two days later, it was nearly time for Eliot to get on a Greyhound Bus at the Saw City Kandy Kitchen, to go to Indianapolis to meet Sylvia in the Bluebird Room. It was noon. He was still asleep. He had had one hell of a night, not only with telephone calls, but with people coming in person at all hours, more than half of them drunk. There was panic in Rosewater. No matter how often Eliot had denied it, his clients were sure he was leaving them forever. Eliot had cleared off the top of his desk. Laid out on it were a new blue suit, a new white shirt, a new blue tie, a new pair of black nylon socks, a new pair of Jockey shorts, a new toothbrush and a bottle of Lavoris. He had used the new toothbrush once. His mouth was a bloody wreck.

Dogs barked outside. They crossed the street from the firehouse to greet a great favorite of theirs, Delbert Peach, a town drunk. They were cheering him in his efforts to stop being a human being and become a dog. "Git! Git! Git!" he cried ineffectually. "God damn, I ain't in heat."

He tumbled in through Eliot's street-level door, slammed the door on his best friends, climbed the stairs singing. This is what he sang:

I've got the clap, and the blueballs, too.

The clap don't hurt, but the blueballs do.

Delbert Peach, all bristles and stink, ran out of that song halfway up the stairs, for his file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (60 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt progress was slow. He switched to _The Star Spangled Banner_, and he was gasping and burping and humming that when he entered Eliot's office proper.

"Mr. Rosewater? Mr. Rosewater?" Eliot's head was under his blanket, and his hands, though he was sound asleep, gripped the shroud tightly. So Peach, in order to see Eliot's beloved face, had to overcome the strength of those hands. "Mr. Rosewater --are you alive? Are you all right?" Eliot's face was contorted by the struggle for the blanket. "What? What? What?" His eyes opened wide.

"Thank the good LordI I dreamed you was dead!"

"Not that I know of."

"I dreamed the angels had come down from the sky, and carried you up, and set you down next to Sweet Jesus Himself."

"No," said Eliot fuzzily. "Nothing like that happened."

"It'll happen sometime. And the weeping and wailing in this town, you'll hear it up there."

Eliot hoped he wouldn't hear the weeping and wailing up there, but he didn't say so.

"Even though you're not dying, Mr. Rosewater, I know you'll never come back here. You'll get up there to Indianapolis, with all the excitement and lights and beautiful buildings, and you'll get a taste of the high life again, and you'll hunger for more of it, which is only natural for anybody who's ever tasted the high life the way you have, and the next thing you know you'll be in New York, living the very highest life there is. And why shouldn't you?"

"Mr. Peach --" and Eliot rubbed his eyes, "if I were to somehow wind up in New York, and start living the highest of all possible lives again, you know what would happen to me? The minute I got near any navigable body of water, a bolt of lightning would knock me into the water, a whale would swallow me up, and the whale would swim down to the Gulf of Mexico and up the Mississippi, up the Ohio, up the Wabash, up the White, up Lost River, up Rosewater Creek. And that whale would jump from the creek into the Rosewater Inter-State Ship Canal, and it would swim down the canal to this city, and spit me out in the Parthenon. And there I'd be."

*

"Whether you're coming back or not, Mr. Rosewater, I want to make you a present of some good news to take with you."

"And what news is that, Mr. Peach?"

"As of ten minutes ago, I swore off liquor forever. That's my present to you."

*

Eliot's red telephone rang. He lunged at it, for it was the fire department's hot line.

"Hello!" He folded all the fingers of his left hand, except for the middle one. The gesture was not obscene. He was readying the finger that would punch the red button, that would make the doomsday horn on top of the firehouse bawl.

"Mr. Rosewater?" It was a woman's voice, and it was so coy.

"Yes! Yes!" Eliot was hopping up and down. "Where's the fire?"

"It's in my heart, Mr. Rosewater."

Eliot was enraged, and no one would have been surprised to see him so. He was famous for his hatred of skylarking where the fire department was concerned. It was the only thing he hated. He recognized the caller, who was Mary Moody, the slut whose twins he had baptized the day before. She was a suspected arsonist, a convicted shoplifter, and a five-dollar whore. Eliot blasted her for using the hot line.

"God _damn_ you for calling this number! You should go to jail and rot! Stupid sons of bitches who make personal calls on a fire department line should go to hell and fry forever!" He slammed the receiver down.

A few seconds later, the black telephone rang. "This is the Rosewater Foundation," said Eliot sweetly. "How can we help you?"

"Mr. Rosewater --this is Mary Moody again." She was sobbing.

"What on earth is the trouble, dear?" He honestly didn't know. He was ready to kill whoever had made her cry.

file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (61 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt

*

A chauffeur-driven black Chrysler Imperial pulled to the curb below Eliot's two windows. The chauffeur opened the back door. His old joints giving him pain, out came Senator Lister Ames Rosewater of Indiana. He was not expected.

He went creakingly upstairs. This abject mode of progress had not been his style in times past. He had aged shockingly, wished to demonstrate that he had aged shockingly. He did what few visitors ever did, knocked on Eliot's office door, asked if it would be all right if he came in. Eliot, who was still in his fragrant war-surplus long Johns, hurried to his father, embraced him.

"Father, Father, Father --what a wonderful surprise."

"It isn't easy for me to come here."

"I hope that isn't because you think you're not welcome."

"I can't stand the sight of this mess."

"It's certainly a lot better than it was a week ago."

"It is?"

"We had a top-to-bottom house cleaning a week ago." The Senator winced, nudged a beer can with his toe. "Not on my account, I hope. Just because I fear an outbreak of cholera is no reason you should, too." This was said quietly.

"You know Delbert Peach, I believe?"

"I know _of_ him." The Senator nodded. "How do you do, Mr. Peach. I'm certainly familiar with your war record. Deserted twice, didn't you? Or was it three times?" Peach, cowering and sullen in the presence of such a majestic person, mumbled that he had never served in the armed forces.

"It was your father, then. I apologize. It's hard to tell how old people are, if they seldom wash or shave."

Peach admitted with his silence that it probably had been his father who had deserted three times.

"I wonder if we might not be alone for a few moments," the Senator said to Eliot, "or would that run counter to your concept of how open and friendly our society should be?"

"I'm leaving," said Peach. "I know when I'm not wanted."

"I imagine you've had plenty of opportunities to learn," said the Senator. Peach, who was shuffling out the door, turned at this insult, surprised even himself by understanding that he had been insulted. "For a man who depends on the votes of the ordinary common people, Senator, you certainly can say mean things to them."

"As a drunk, Mr. Peach, you must surely know that drunks are not allowed in polling places."

"I've voted." This was a transparent lie.

"If you have, you've probably voted for me. Most people do, even though I never flattered the people of Indiana in my life, not even in time of war. And do you know why they vote for me? Inside of every American, I don't care how decayed, is a scrawny, twanging old futz like me, who hates crooks and weaklings even more than I do."

*

"Gee, Father --I certainly didn't expect to see _you_. What a pleasant surprise. You look wonderful."

"I feel rotten. I have rotten news for you, too. I thought I'd better deliver it in person."

Eliot frowned slightly. "When was the last time your bowels moved?"

"None of your business!"

"Sorry."

"I'm not here for a cathartic. The C.I.O. says my bowels haven't moved since the National Recovery Act was declared unconstitutional, but that's not why I'm here."

"You said everything was so _rotten_."

"So?"

"Usually, when somebody comes in here and says that, nine times out of ten, it's a case of constipation."

"I'll tell you what the news is, boy, and then let's see if _you_ can cheer up with Exfile:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (62 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt Lax. A young lawyer working for McAllister, Robjent, Reed and McGee, with full access to all the confidential files about you, has quit. He's hired out to the Rhode Island Rosewaters. They're going to get you in court. They're going to prove you're insane." The buzzer of Eliot's alarm clock went off. Eliot picked up the clock, went to the red button on the wall. He watched the sweep secondhand of the clock intently, his lips working, counting off the seconds. He aimed the blunt middle finger of his left hand at the button, suddenly stabbed, thus activating the loudest fire alarm in the Western Hemisphere. The awful shout of the horn hurled the Senator against a wall, curled him up with his hands over his ears. A dog in New Ambrosia, seven miles away, ran in circles, bit his tail. A stranger in the Saw City Kandy Kitchen threw coffee all over himself and the proprietor. In Bella's Beauty Nook in the basement of the Court House, three-hundred-pound Bella had a mild heart attack. And wits throughout the county poised themselves to tell a tired and untruthful joke about Fire Chief Charley Warmergran, who had an insurance office next to the firehouse: "Must have scared Charley Warmergran half out of his secretary."

Eliot released the button. The great alarm began to swallow its own voice, speaking gutturally and interminably of "_bubblegum, bubblegum, bubblegum_." There was no fire. It was simply high noon in Rosewater.

*

"What a racket!" the Senator mourned, straightening up slowly. "I've forgotten everything I ever knew."

"That might be nice."

"Did you hear what I said about the Rhode Island people?"

"Yes."

"And how does it make you feel?"

"Sad and frightened." Eliot sighed, tried a wistful smile, couldn't manage one. "I had hoped it would never have to be proved, that it would never matter one way or another --whether I was sane or not."

"You have some doubts as to your own sanity?"

"Certainly."

"And how long has _this_ been going on?"

Eliot's eyes widened as he sought an honest answer. "Since I was ten, maybe."

*

"I'm sure you're joking."

"That's a comfort."

"You were a sturdy, sane little boy."

"I was?" Eliot was ingenuously charmed by the little boy he had been, was glad to think about him rather than about the spooks that were closing in on him.

"I'm only sorry we brought you out here."

"I loved it out here. I still do," Eliot confessed dreamily. The Senator moved his feet slightly apart, making a firmer base for the blow he was about to deliver. "That may be, boy, but it's time to go now --and never come back."

"Never come back?" Eliot echoed marvelingly.

"This part of your life is over. It had to end sometime. I'll thank the Rhode Island vermin for this much: They're forcing you to leave, and to leave right now."

"How can they do _that_?"

"How do you expect to defend your sanity with a backdrop like this?" Eliot looked about himself, saw nothing remarkable. "This looks --this looks --_peculiar_?"

"You know damn well it does."

Eliot shook his head slowly. "You'd be surprised what I don't know, Father."

"There's no institution like this anywhere else in the world. If this were a set on a stage, and the script called for the curtain to go up with no one on stage, when the curtain went up, the audience would be on pins and needles, eager to see the incredible nut who could live this way."

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"What if the nut came out and gave sensible explanations for his place being the way it is?"

"He would still be a nut."

*

Eliot accepted this, or seemed to. He didn't argue with it, allowed that he had better wash up and get dressed for his trip. He rummaged through his desk drawers, found a small paper bag containing purchases he had made the day before, a bar of _Dial_ soap, a bottle of _Absorbine, Jr_., for his athlete's foot, a bottle of _Head and Shoulders_ shampoo for his dandruff, a bottle of _Arrid_ roll-on deodorant, and a tube of _Crest_ toothpaste.

"I'm glad to see you taking pride in your appearance again, boy."

"Hm?" Eliot was reading the label on the _Arrid_, which he had never used before. He had never used _any_ underarm deodorant before.

"You get cleaned up, cut down on the booze, clear out of here, open a decent office in Indianapolis or Chicago or New York, and, when the hearing comes up, they'll see you're as sane as anybody."

"Um." Eliot asked his father if _he_ had ever used _Arrid_. The Senator was offended. "I shower every morning and night. I presume that takes care of any fulsome effluvium."

"It says here that you might get a rash, and you should stop using it, if you get a rash."

"If it worries you, don't use it. Soap and water are the important things."

"Um."

"That's one of the troubles with this country," said the Senator. "The Madison Avenue people have made us all more alarmed about our own armpits than about Russia, China and Cuba combined."

The conversation, actually a very dangerous one between two highly vulnerable men, had drifted into a small area of peace. They could agree with one another, and not be afraid.

"You know --" said Eliot, "Kilgore Trout once wrote a whole book about a country that was devoted to fighting odors. That was the national purpose. There wasn't any disease, and there wasn't any crime, and there wasn't any war, so they went after odors."

"If you get in court," said the Senator, "it would be just as well if you didn't mention your enthusiasm for Trout. Your fondness for all that Buck Rogers stuff might make you look immature in the eyes of a lot of people."

The conversation had left the area of peace again. Eliot's voice was edgy as he persisted in telling the story by Trout, which was called _Oh Say Can _You_ Smell?_

"This country," said Eliot, "had tremendous research projects devoted to fighting odors. They were supported by individual contributions given to mothers who marched on Sundays from door to door. The ideal of the research was to find a specific chemical deodorant for every odor. But then the hero, who was also the country's dictator, made a wonderful scientific breakthrough, even though he wasn't a scientist, and they didn't need the projects any more. He went right to the root of the problem."

"Uh huh," said the Senator. He couldn't stand stories by Kilgore Trout, was embarrassed for his son. "He found one chemical that would eliminate all odors?" he suggested, to hasten the tale to a conclusion.

"No. As I say, the hero was dictator, and he simply eliminated noses."

*

Eliot was now taking a full bath in the frightful little lavatory, shivering and barking and coughing as he sloshed himself with sopping paper towels.

His father could not watch, roamed the office instead, averting his eyes from the obscene and ineffectual ablutions. There was no lock on the office door, and Eliot had, at his father's insistence, shoved a filing cabinet against it. "What if somebody should walk in here and see you stark naked?" the Senator had demanded. And Eliot had responded, "To these people around here, Father, I'm no particular sex at all."

So the Senator pondered that unnatural sexlessness along with all the other evidences of insanity, disconsolately pulled open the top drawer of the filing cabinet. There were three cans file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (64 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt of beer in it, a 1948 New York State driver's license, and an unsealed envelope, addressed to Sylvia in Paris, never mailed. In the envelope was a love poem from Eliot to Sylvia, dated two years before.

The Senator thrust aside shame and read the poem, hoping to learn from it things that might defend his son. This was the poem he read, and he was not able to keep shame away when he was through:

"I'm a painter in my dreams, you know,

Or maybe you didn't know. And a sculptor.

Long time no see.

And a kick to me

Is the interplay of materials

And these hands of mine.

And some of the things I would do to you

Might surprise you.

For instance, if I were there with you as you read this,

And you were lying down,

I might ask you to bare your belly

In order that I might take my left thumbnail

And draw a straight line five inches long

Above your pubic hair.

And then I might take the index finger

Of my right hand,

And insinuate it just over the rim of the right side

Of your famous belly button,

And leave it there, motionless, for maybe half an hour.

Queer?

You bet."

The Senator was shocked. It was the mention of pubic hair that really appalled him. He had seen very few naked bodies in his time, perhaps five or six, and pubic hair was to him the most unmentionable, unthinkable of all materials.

Now Eliot came out of the lavatory, all naked and hairy, drying himself with a tea towel. The tea towel was new. It still had a price tag on it. The Senator was petrified, felt beset by overwhelming forces of filth and obscenity on all sides.

Eliot did not notice. He continued to dry himself innocently, then threw the tea towel into the wastebasket. The black telephone rang.

"This is the Rosewater Foundation. How can we help you?"

"Mr. Rosewater --" said a woman, "there was a thing on the radio about you."

"Oh?" Eliot now began to play unconsciously with his pubic hair. It was nothing extravagant. He would simply uncoil a tight spring of it, let it snap back into place.

"It said they were going to try to prove you were crazy."

"Don't worry about it, dear. There's many a slip betwixt the cup and the lip."

"Oh, Mr. Rosewater --if you go away and never come back, we'll die."

"I give you my word of honor I'm coming back. How is that?"

"Maybe they won't _let_ you come back."

"Do you think I'm crazy, dear?"

"I don't know how to put it."

"Any way you like."

"I can't help thinking people are going to _think_ you're crazy for paying so much attention to people like us."

"Have you seen the other people there are to pay attention to?"

"I never been out of Rosewater County."

"It's worth a trip, dear. When I get back, why don't I give you a trip to New York?"

"Oh God! But you're never coming back!"

"I gave you my word of honor."

"I know, I know --but we all feel it in our bones, we smell it in the air. You're not coming back."

Eliot had now found a hair that was a lulu. He kept extending and extending it until it file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (65 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt was revealed as being one foot long. He looked down at it, then glanced at his father, incredulously proud of owning such a thing.

The Senator was livid.

"We tried to plan all kinds of ways to say good-bye to you, Mr. Rosewater," the woman went on. "Parades and signs and flags and flowers. But you won't see a one of us. We're all too scared."

"Of what?"

"I don't know." She hung up.

*

Eliot pulled on his new Jockey shorts. As soon as they were snugly on, his father spoke grimly.

"Eliot --"

"Sir --?" Eliot was running his thumbs pleasurably under the elasticized belly-band.

"These things certainly give support. I'd forgotten how nice it was to _have_ support." The Senator blew up. "Why do you _hate_ me so?" he cried. Eliot was flabbergasted. "Hate you? Father --I don't hate you. I don't hate anybody."

"Your every act and word is aimed at hurting me as much as you possibly can!"

"No!"

"I have no idea what I ever did to you that you're paying me back for now, but the debt must surely be settled by now."

Eliot was shattered. "Father --please --"

"Get away! You'll only hurt me more, and I can't stand any more pain."

"For the love of God --"

"Love!" the Senator echoed bitterly. "You certainly loved me, didn't you? Loved me so much you smashed up every hope or ideal I ever had. And you certainly loved Sylvia, didn't you?" Eliot covered his ears.

The old man raved on, spraying fine beads of spit. Eliot could not hear the words, but lipread the terrible story of how he had ruined the life and health of a woman whose only fault had been to love him.

The Senator stormed out of the office, was gone.

Eliot uncovered his ears, finished dressing, as though nothing special had happened. He sat down to tie his shoelaces. When these were tied, he straightened up. And he froze as stiff as any corpse.

The black telephone rang. He did not answer.

THIRTEEN

Something there was in Eliot, though, that watched the clock. Ten minutes before his bus was due at the Saw City Kandy Kitchen, he thawed, arose, pursed his lips, picked some lint from his suit, went out his office door. He had no surface memory of the fight with his father. His step was jaunty, that of a Chaplinesque _boulevardier_.

He bent to pat the heads of dogs who welcomed him to street level. His new clothes hampered him, bound him in the crotch and armpits, crackled as though lined with newspaper, reminded him of how nicely turned out he was.

There was talk coming from the lunchroom. Eliot listened without showing himself. He did not recognize any of the voices, although they belonged to friends of his. Three men were talking ruefully of money, which they did not have. There were many pauses, for thoughts came to them almost as hard as money did.

"Well," said one at last, "it ain't no disgrace to be poor." This line was the first half of a fine old joke by the Hoosier humorist, Kin Hubbard.

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"No," said another man, completing the joke, "but it might as well be."

*

Eliot crossed the street, went into Fire Chief Charley Warmergran's insurance office. Charley was not a pitiful person, had never applied to the Foundation for help of any kind. He was one of about seven in the county who had actually done quite well under real free enterprise. Bella of Bella's Beauty Nook was another. Both of them had started with nothing, both were children of brakemen on the Nickel Plate. Charley was ten years younger than Eliot. He was sixfeet-four, had broad shoulders, no hips, no belly. In addition to being Fire Chief, he was Federal Marshal and Inspector of Weights and Measures. He also owned, jointly with Bella, La Boutique de Paris, which was a nice little haberdashery and notions store in the new shopping center for the well-to-do people in New Ambrosia. Like all real heroes, Charley had a fatal flaw. He refused to believe that he had gonorrhea, whereas the truth was that he did.

*

Charley's famous secretary was on an errand. The only other person there when Eliot walked in was Noyes Finnerty, who was sweeping the floor. Noyes had been the center of the immortal Noah Rosewater Memorial High School Basketball Team which went undefeated in 1933. In 1934, Noyes strangled his sixteen-year-old wife for notorious infidelity, went to prison for life. Now he was paroled, thanks to Eliot. He was fifty-one. He had no friends, no relatives. Eliot found out about his being in prison by accident, while leafing through old copies of _The Rosewater County Clarion Call_, made it his business to get him paroled.

Noyes was a quiet, cynical, resentful man. He had never thanked Eliot for anything. Eliot was neither hurt nor startled. He was used to ingratitude. One of his favorite Kilgore Trout books dealt with ingratitude and nothing else. It was called, _The First District Court of Thankyou_, which was a court you could take people to, if you felt they hadn't been properly grateful for something you had done. If the defendant lost his case, the court gave him a choice between thanking the plaintiff in public, or going into solitary confinement on bread and water for a month. According to Trout, eighty per cent of those convicted chose the black hole.

*

Noyes was a lot faster than Charley in perceiving that Eliot was far from well. He stopped sweeping, watched acutely. He was a mean voyeur. Charley, enchanted by memories of so many fires at which he and Eliot had behaved so well, did not become suspicious until Eliot congratulated him on having just won an award which he had in fact won three years before.

"Eliot --are you kidding?"

"Why would I kid you? I think it's a wonderful honor." They were discussing the Young Hoosier Horatio Alger Award for 1962, awarded to Charley by the Indiana Federation of Conservative Young Republican Businessmen's Clubs.

"Eliot --" said Charley wincingly, "that was three years ago."

"It was?"

Charley arose from his desk. "And you and I sat up in your office, and we decided to send the damn plaque back."

"We did?"

"We went over the history of the thing, and we decided it was the kiss of death."

"Why would we decide that?"

"You were the one who dug up the history, Eliot." Eliot frowned ever so slightly. "I've forgotten." The little frown was a formality. The forgetting didn't really bother him.

"They started giving the thing in 1945. They'd given it sixteen times before I won it. Don't you remember now?"

"No."

"Out of sixteen winners of the Young Hoosier Horatio Alger Award, six were behind bars for fraud or income-tax evasion, four were under indictment for one thing or another, two had file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (67 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt falsified their war records, and one actually went to the electric chair."

*

"Eliot --" said Charley with mounting anxiety, "did you hear what I just said?"

"Yes," said Eliot.

"What did I just say?"

"I forget."

"You just said you heard me."

Noyes Finnerty spoke up. "All he hears is the big click." He came forward for a closer examination of Eliot. His approach was not sympathetic. It was clinical. Eliot's response was clinical, too, as though a nice doctor were shining a bright light in his eyes, looking for something. "He heard that _click_, man. Man, did he ever hear that _click_."

"What the hell are you talking about?" Charley asked him.

"It's a thing you learn to listen for in prison."

"We're not in prison now."

"It ain't a thing that happens just in prison. In prison, though, you get to listening for things more and more. You stay there long enough, you go blind, you're all ears. The click is one thing you listen for. You two --you think you're mighty close? If you were really close --and that don't mean you have to like him, just _know_ him --you would have heard that _click_ of his a mile away. You get to know a man, and down deep there's something bothering him bad, and maybe you never find out what it is, but it's what makes him do like he does, it's what makes him look like he's got secrets in his eyes. And you tell him, 'Calm down, calm down, take it easy now.' Or you ask him, 'How come you keep doing the same crazy things over and over again, when you know they're just going to get you in trouble _again_?' Only you know there's no sense arguing with him, on account of it's the thing inside that's making him go. It says, 'Jump,' he jumps. It says,

'Steal,' he steals. It says, 'Cry,' he cries. Unless he dies young, though, or unless he gets everything all his way and nothing big goes wrong, that thing inside of him is going to run down like a wind-up toy. You're working in the prison laundry next to this man. You've known him twenty years. You're working along, and all of a sudden you hear this _click_ from him. You turn to look at him. He's stopped working. He's all calmed down. He looks real dumb. He looks real sweet. You look in his eyes, and the secrets are gone. He can't even tell you his own name right then. He goes back to work, but he'll never be the same. That thing that bothered him so will never click on again. It's dead, it's _dead_. And that part of that man's life where he had to be a certain crazy way, that's _done_!"

Noyes, who had begun with such a massive lack of passion, was now rigid and perspiring. Both of his hands were white, choking the broomhandle in a deathgrip. And while the natural design of his story suggested that he calm down, to illustrate how nicely the man next to him in the laundry had calmed down, it was impossible for him to simulate peace. The wrenching work his hands did on the broomhandle became obscene, and the passion that would not die made him nearly inarticulate. "Done! Done!" he insisted. It was the broomhandle that enraged him most now. He tried to snap it across his thigh, snarled at Charley, the owner of the broom, "The son of a bitch won't break! Won't break!

"You lucky bastard," he said to Eliot, still trying to break the broom, "you've had yours!" He showered Eliot with obscenities.

He flung the broom away. "Motherfucker won't break!" he cried, and he stormed out the door.

*

Eliot was unruffled by the scene. He asked Charley mildly what the man had against brooms. He said, too, that he guessed he had better catch his bus.

"Are --are you all right, Eliot?"

"I'm wonderful."

"You are?"

"I never felt better in my life. I feel as though --as though --"

"Yeah --?"

"As though some marvelous new phase of my life were about to begin." file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (68 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt

"That must be nice."

"It is! It is!"

*

And that continued to be Eliot's mood as he sauntered to the Saw City Kandy Kitchen. The aspect of the street was unnaturally quiet, as though a gun fight were expected, but Eliot did not notice this. The town was certain he was leaving forever. Those most dependent on Eliot had heard the _click_ as clearly as they would have heard a cannon shot. There had been a lot of frantic, lame-brained planning of an appropriate farewell --a firemen's parade, a demonstration with placards saying the things that most needed saying, a triumphal arch of water from fire hoses. The plans had all collapsed. There was no one to organize such a thing, to lead. Most were so eviscerated by the prospect of Eliot's leaving that they could not find the energy or bravery to stand at the rear of a large crowd, even, and feebly wave bye-bye. They knew the street down which he would walk. From that most fled.

Eliot left the afternoon dazzle of the sidewalk for the humid shade of the Parthenon, strolled along the canal. A retired saw-maker, a man about the Senator's age, was fishing with a bamboo pole. He was seated on a camp stool. A transistor radio was on the pavement between his high shoes. The radio was playing "Ol' Man River." "Darkies all work," it said, "while the white folks play."

The old man wasn't a drunk or a pervert or anything. He was simply old, and a widower, and shot full of cancer, and his son in the Strategic Air Command never wrote, and his personality wasn't much. Booze upset him. The Rosewater Foundation had given him a grant for morphine, which his doctor prescribed.

Eliot greeted him, found he could not remember his name, nor what his trouble was. Eliot filled his lungs. It was too fine a day for sad things anyway.

*

At the far end of the Parthenon, which was a tenth of a mile long, was a small stand that sold shoelaces, razorblades, soft drinks, and copies of _The American Investigator_. It was run by a man named Lincoln Ewald, who had been an ardent Nazi sympathizer during the Second World War. During that war, Ewald had set up a short-wave transmitter, in order to tell the Germans what was being produced by the Rosewater Saw Company every day, which was paratroop knives and armor plate. His first message, and the Germans hadn't asked him for any messages at all, was to the effect that, if they could bomb Rosewater, the entire American economy would shrivel and die. He didn't ask for money in exchange for the information. He sneered at money, said that that was why he hated America, because money was king. He wanted an Iron Cross, which he requested be sent in a plain wrapper.

His message was received loud and clear on the walkie-talkies of two game wardens in Turkey Run State Park, forty-two miles away. The wardens spilled the beans to the Federal Bureau of Investigation, who arrested Ewald at the address to which the Iron Cross was to be sent. He was put in a mental institution until the war was over.

The Foundation had done very little for him, except to listen to his political views, which no one else would do. The only things Eliot ever bought him were a cheap phonograph and a set of German lessons on records. Ewald wanted so much to learn German, but he was too excited and angry all the time.

Eliot couldn't remember Ewald's name, either, and nearly passed him by without seeing him. His sinister little leper's booth there in the ruin of a great civilization was easy to miss.

"Heil Hitler," said Ewald in a grackle voice.

Eliot stopped, looked amiably at the place from which the greeting had come. Ewald's booth was curtained by copies of _The American Investigator_. The curtains seemed to be polka-dotted. The polka dots were the belly-buttons of Randy Herald, the cover girl. And she asked over and over again for a man who could give her a baby that would be a genius.

"Heil Hitler," said Ewald again. He did not part the curtains.

"And Heil Hitler to you, sir," said Eliot smiling, "and good-bye." file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (69 of 79) [10/18/2004 5:20:35 PM]

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*

The barbaric sunshine slammed Eliot as he stepped from the Parthenon. His momentarily injured eyes saw two loafers on the courthouse steps as charred stickmen surrounded by steam. He heard Bella, down in her beauty nook, bawling out a woman for not taking good care of her fingernails.

Eliot encountered no one for quite a while, although he did catch someone peeking at him from a window. He winked and waved to whomever it was. When he reached Noah Rosewater Memorial High School, which was closed tight for the summer, he paused before the flagpole, indulged himself in shallow melancholy. He was taken by the sounds of the hollow iron pole's being tapped and caressed despondently by the hardware on the empty halyard.

He wanted to comment on the sounds, to have someone else listen to them, too. But there was nobody around but a dog that had been following him, so he spoke to the dog. "That's such an _American_ sound, you know? School out and the flag down? Such a sad American sound. You should hear it sometime when the sun's gone down, and a light evening wind comes up, and it's suppertime all around the world."

A lump grew in his throat. It felt good.

*

As Eliot passed the Sunoco station, a young man crept from between two pumps. He was Roland Barry, who had suffered a nervous breakdown ten minutes after being sworn into the Army at Fort Benjamin Harrison. He had a one hundred per cent disability pension. His breakdown came when he was ordered to take a shower with one hundred other men. The pension was no joke. Roland could not speak above a whisper. He spent many hours a day between the pumps, pretending to strangers that he had something to do with something there. "Mr. Rosewater --?" he whispered. Eliot smiled, held out his hand. "You'll have to forgive me --I've forgotten your name." Roland's self-esteem was so low that he was not surprised at being forgotten by a man whom he had visited at least once a day for the past year. "Wanted to thank you for saving my life."

"For what?"

"My life, Mr. Rosewater --you saved it, whatever it is."

"You're exaggerating, surely."

"You're the only one who didn't think what happened to me was funny. Maybe you won't think a poem is funny, either." He thrust a piece of paper into Eliot's hand. "I cried while I wrote it. That's how funny it was to me. That's how funny everything is to me." He ran away. Perplexed, Eliot read the poem, which went like this:

"Lakes, carillons,

Pools and bells,

Fifes and freshets,

Harps and wells;

Flutes and rivers,

Streams, bassoons,

Geysers, trumpets,

Chimes, lagoons.

Hear the music,

Drink the water,

As we poor lambs

All go to slaughter.

I love you Eliot.

Good-bye. I cry.

Tears and violins.

Hearts and flowers,

Flowers and tears.

Rosewater, good-bye."

Eliot arrived at the Saw City Kandy Kitchen without further incident. Only the proprietor file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (70 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt and one customer were inside. The customer was a fourteen-year-old nymphet, pregnant by her stepfather, which stepfather was in prison now. The Foundation was paying for her medical care. It had also reported the stepfather's crime to the police, had subsequently hired for him the best Indiana lawyer that money could buy.

The girl's name was Tawny Wainwright. When she brought her troubles to Eliot, he asked her how her spirits were. "Well," she said, "I guess I don't feel too _bad_. I guess this is as good a way as any to start out being a movie star."

She was drinking a Coca Cola and reading _The American Investigator_ now. She glanced furtively at Eliot once. That was the last time.

*

"A ticket to Indianapolis, please."

"One way or round trip, Eliot?"

Eliot did not hesitate. "One way, if you please." Tawny's glass nearly toppled. She caught it in time.

"One way to Indianapolis!" said the proprietor loudly. "Here you are, sir!" He validated Eliot's ticket with a stamp savagely, handed over the ticket, turned quickly away. He didn't look at Eliot again, either.

Eliot, unaware of any strain, drifted over to the magazine and book racks for something to read on the trip. He was tempted by the _Investigator_, opened it, scanned a story about a sevenyear-old girl who had had her head eaten off by a bear in Yellowstone Park in 1934. He returned it to the rack, selected instead a paperback book by Kilgore Trout. It was called _Pan-Galactic ThreeDay Pass_. The bus blew its flatulent horns outside.

*

As Eliot boarded the bus, Diana Moon Glampers appeared. She was sobbing. She was carrying her white Princess telephone, dragging its uprooted wire behind her. "Mr. Rosewater!"

"Yes?"

She smashed the telephone on the pavement by the door of the bus. "I don't need a telephone any more. Nobody for me to call up. Nobody to call me up." He sympathized with her, but he did not recognize her. "I'm --I'm sorry. I don't understand."

"You don't --_what_? It's _me_, Mr. Rosewater! It's Diana! It's Diana Moon Glampers!"

"I'm pleased to meet you."

"Pleased to _meet_ me?"

"I really _am_ --but --but, what's this about a telephone?"

"You were the only reason I _needed_ one."

"Oh, now --" he said, doubtingly, "you surely have many other acquaintances."

"Oh, Mr. Rosewater --" she sobbed, and she sagged against the bus, "you're my _only_

friend."

"You can make more, surely," Eliot suggested hopefully.

"Oh God!" she cried.

"You could join some church group, perhaps."

"_You're_ my church group! You're my _everything_! You're my government. You're my husband. You're my friends."

These claims made Eliot uncomfortable. "You're very nice to say so. Good luck to you. I really have to be going now." He waved. "Good-bye."

*

Eliot now began to read _Pan-Galactic Three-Day Pass_. There was more fussing outside the bus, but Eliot didn't think it had anything to do with him. He was immediately enchanted by the book, so much so that he didn't even notice when the bus pulled away. It was an exciting story, all about a man who was serving on a sort of Space-Age Lewis and Clark Expedition. The hero's name file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (71 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt was Sergeant Raymond Boyle.

The expedition had reached what appeared to be the absolute and final rim of the Universe. There didn't seem to be anything beyond the solar system they were in, and they were setting up equipment to sense the faintest signals that might be coming from the slightest anything in all that black velvet nothing out there.

Sergeant Boyle was an Earthling. He was the only Earthling on the expedition. In fact, he was the only creature from the Milky Way. The other members were from all over the place. The expedition was a joint effort supported by about two hundred galaxies. Boyle wasn't a technician. He was an English teacher. The thing was that Earth was the only place in the whole known Universe where language was used. It was a unique Earthling invention. Everybody else used mental telepathy, so Earthlings could get pretty good jobs as language teachers just about anywhere they went.

The reason creatures wanted to use language instead of mental telepathy was that they found out they could get so much more _done_ with language. Language made them so much more _active_. Mental telepathy, with everybody constantly telling everybody everything, produced a sort of generalized indifference to _all_ information. But language, with its slow, narrow meanings, made it possible to think about one thing at a time --to start thinking in terms of _projects_.

Boyle was called out of his English class, was told to report at once to the commanding officer of the expedition. He couldn't imagine what it was all about. He went into the C.O.'s office, saluted the old man. Actually, the C.O. didn't look anything like an old man. He was from the planet _Tralfamadore_, and was about as tall as an Earthling beer can. Actually, he didn't look like a beer can, either. He looked like a little plumber's friend. He wasn't alone. The chaplain of the expedition was there, too. The padre was from the planet Glinko-X-3. He was an enormous sort of Portuguese man-o'-war, in a tank of sulfuric acid on wheels. The chaplain looked grave. Something awful had happened.

The chaplain told Boyle to be brave, and then the C.O. told him there was very bad news from home. The C.O. said there had been a death back home, that Boyle was being given an emergency three-day pass, that he should get ready to leave right away.

"Is it --is it --Mom?" said Boyle, fighting back the tears. "Is it Pop? Is it Nancy?" Nancy was the girl next door. "Is it Gramps?"

"Son --" said the C.O., "brace yourself. I hate to tell you this: It isn't _who_ has died. It's _what_ has died."

"What's died?"

"What's died, my boy, is the Milky Way."

Eliot looked up from his reading. Rosewater County was gone. He did not miss it.

*

When the bus stopped in Nashville, Indiana, the seat of Brown County, Eliot glanced up again, studied the fire apparatus on view there. He thought of buying Nashville some really nice equipment, but decided against it. He didn't think the people would take good care of it. Nashville was an arts and crafts center, so it wasn't surprising that Eliot also saw a glassblower making Christmas-tree ornaments in June.

*

Eliot didn't look up again until the bus reached the outskirts of Indianapolis. He was astonished to see that the entire city was being consumed by a fire-storm. He had never seen a fire-storm, but he had certainly read and dreamed about many of them. He had a book hidden in his office, and it was a mystery even to Eliot as to why he should hide it, why he should feel guilty every time he got it out, why he should be afraid of being caught reading it. His feelings about the book were those of a weak-willed puritan with respect to file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (72 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt pornography, yet no book could be more innocent of eroticism than the book he hid. It was called _The Bombing of Germany_. It was written by Hans Rumpf.

And the passage Eliot would read over and over again, his features blank, his palms sweating, was this description of the fire-storms in Dresden:

As the many fires broke through the roofs of the burning buildings, a column of heated air rose more than two and a half miles high and one and a half miles in diameter. . . . This column was turbulent, and it was fed from its base by in-rushing cooler ground-surface air. One and one and a half miles from the fires this draught increased the wind velocity from eleven to thirtythree miles per hour. At the edge of the area the velocities must have been appreciably greater, as trees three feet in diameter were uprooted. In a short time the temperature reached ignition point for all combustibles, and the entire area was ablaze. In such fires complete burn-out occurred; that is, no trace of combustible material remained, and only after two days were the areas cool enough to approach.

Eliot, rising from his seat in the bus, beheld the fire-storm of Indianapolis. He was awed by the majesty of the column of fire, which was at least eight miles in diameter and fifty miles high. The boundaries of the column seemed absolutely sharp and unwavering, as though made of glass. Within the boundaries, helixes of dull red embers turned in stately harmony about an inner core of white. The white seemed holy.

FOURTEEN

Everything went black for Eliot, as black as what lay beyond the ultimate rim of the universe. And then he awoke to find himself sitting on the flat rim of a dry fountain. He was dappled by sunlight filtering down through a sycamore tree. A bird was singing in the sycamore tree. "_Poo-tee-weet?_" it sang. "_Poo-tee-weet. Weet, west, weet_." Eliot was within a high garden wall, and the garden was familiar. He had spoken to Sylvia many times in just this place. It was the garden of Dr. Brown's private mental hospital in Indianapolis, to which he had brought her so many years before. These words were cut into the fountain rim:

"Pretend to be good always, and even God will be fooled." Eliot found that someone had dressed him for tennis, all in snowy white, and that, as though he were a department store display, someone had even put a tennis racket in his lap. He closed his hand around the racket handle experimentally, to discover whether it was real and whether he was real. He watched the play of the intricate basketwork of his forearm's musculature, sensed that he was not only a tennis player, but a good one. And he did not wonder where it was that he played tennis, for one side of the garden was bounded by a tennis court, with morningglories and sweet peas twining in the chicken wire.

"_Poo-tee-weet?_"

Eliot looked up at the bird and all the green leaves, understood that this garden in downtown Indianapolis could not have survived the fire he saw. So there had been no fire. He accepted this peacefully.

*

He continued to look up at the bird. He wished that he were a dicky bird, so that he could go up into the treetop and never come down. He wanted to fly up so high because there was something going on at ground-zero that did not make him feel good. Four men in dark business suits file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (73 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt were seated chockablock on a concrete bench only six feet away. They were staring at him hard, expecting something significant from him. And it was Eliot's feeling that he had nothing of significance to say or give.

The muscles in the back of his neck were aching now. They couldn't hold his head tipped back forever.

"Eliot --?"

"Sir --?" And Eliot knew that he had just spoken to his father. He now brought his gaze down from the tree gradually, let it drop like a sick dicky bird from twig to twig. His eyes were at last on level with those of his father.

"You were going to tell us something important," his father reminded him. Eliot saw that there were three old men and one young one on the bench, all sympathetic, and listening intently for whatever he might care to say. The young man he recognized as Dr. Brown. The second old man was Thurmond McAllister, the family lawyer. The third old man was a stranger. Eliot could not name him, and yet, in some way that did not disturb Eliot, the man's features, those of a kindly country undertaker, claimed him as a close friend, indeed.

*

"You can't find the words?" Dr. Brown suggested. There was a tinge of anxiety in the healer's voice, and he shifted about, putting body English on whatever Eliot was about to do.

"I can't find the words," Eliot agreed.

"Well," said the Senator, "if you can't put it into words, you certainly can't use it at a sanity hearing."

Eliot nodded in appreciation of the truth of this. "Did --did I even _begin_ to put it into words?"

"You simply announced," said the Senator, "that you had just been struck by an idea that would clear up this whole mess instantly, beautifully and fairly. And then you looked up in the tree."

"Um," said Eliot. He pretended to think, then shrugged. "Whatever it was, it's slipped my mind."

*

Senator Rosewater clapped his speckled old hands. "It isn't as though we're short of ideas as to how to beat this thing." He gave his hideous victory grin, patted McAllister on the knee.

"Right?" He reached behind McAllister, patted the stranger on the back. "Right?" He was crazy about the stranger. "We've got the greatest idea man in the world on our side!" He laughed, he was so happy about all the ideas.

The Senator now extended his arms to Eliot. "But my boy here, just the way he looks and carries himself --_there's_ our winning argument number one. So trim! So clean!" The old eyes glittered. "How much weight has he lost, Doctor?"

"Forty-three pounds."

"Back to fighting weight," the Senator rhapsodized. "Not a spare ounce on him. And what a tennis game! Merciless!" He bounced to his feet, did a ramshackle pantomime of a tennis serve.

"Greatest game I ever saw in my life took place an hour ago, within these walls. You _killed_ him, Eliot!"

"Um." Eliot looked around for a mirror or some reflecting surface. He had no idea what he looked like. There was no water in the pool of the fountain. But there was a little in the birdbath at the center of the pool, a bitter broth of soot and leaves.

"Didn't you say the man Eliot beat was a tennis pro?" the Senator asked Dr. Brown.

"Years ago."

"And Eliot _murdered_ him! And the fact that the man is a mental patient wouldn't interfere with his game, would it?" He didn't wait for an answer. "And then when Eliot came bounding off the court, victorious, to shake our hands, I wanted to laugh and cry at the same time. 'And this is the man,' I said to myself, 'who has to prove tomorrow that he's not insane!

Ha!'"

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file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt Eliot, drawing courage from the fact that the four men watching him were sure he was sane, now stood, as though to stretch. His real purpose was to bring himself nearer the birdbath. He took advantage of his reputation as an athlete, hopped into the dry pool, did a deep-knee bend, as though working off an excess of animal spirits. His body did the exercise effortlessly. He was made of spring steel.

The vigorous movements called Eliot's attention to something bulky in his hip pocket. He pulled it out, found that it was a rolled copy of _The American Investigator_. He unrolled it, half expecting to see Randy Herald begging to be planted with genius seeds. What he saw on the cover was his own picture instead. He was wearing a fire helmet. The picture was a blow-up from a Fourth of July group photograph of the Fire Department.

The headline said this:

SANEST MAN IN AMERICA? (SEE INSIDE)

*

Eliot looked inside, while the others engaged each other in optimistic palaver about the way the hearing would go next day. Eliot found another picture of himself in the center spread. It was a blurry one of him playing tennis on the nut house court.

On the facing page, the gallantly sore-headed little family of Fred Rosewater seemed to glare at him as he played. They looked like sharecroppers. Fred had lost a lot of weight, too. There was a picture of Norman Mushari, their lawyer. Mushari, now in business for himself, had acquired a fancy vest and massive gold watch chain. He was quoted as follows:

"My clients want nothing but their natural and legal birthrights for themselves and their descendents. The bloated Indiana plutocrats have spent millions and mobilized powerful friends from coast to coast in order to deny their cousins their day in court. The hearing has been delayed seven times for the flimsiest of reasons, and, meanwhile, within the walls of a lunatic asylum, Eliot Rosewater plays and plays, and his henchmen deny loudly that he is insane.

"If my clients lose this case, they will lose their modest house and average furnishings, their used car, their child's small sailboat, Fred Rosewater's insurance policies, their life savings, and thousands borrowed from a loyal friend. These brave, wholesome, average Americans have bet everything they have on the American system of justice, which will not, must not, cannot let them down."

On Eliot's side of the layout were two pictures of Sylvia. An old one showed her twisting with Peter Lawford in Paris. A brand new one showed her entering a Belgian nunnery, where the rule of silence was observed.

And Eliot might have reflected on this quaint ending and beginning for Sylvia, had he not heard his father address the old stranger affectionately as "Mr. Trout."

*

"Trout!" Eliot exclaimed. He was so startled that he momentarily lost his balance, grabbed the birdbath for support. The birdbath was so precariously balanced on its pedestal that it began to tip. Eliot dropped _The Investigator_, grabbed the birdbath with both hands to keep it from falling. And he saw himself in the water. Looking up at him was an emaciated, feverish, middleaged boy.

"My God," he thought to himself, "F. Scott Fitzgerald, with one day to live."

*

He was careful not to cry out Trout's name again as he turned around. He understood that this might betray how sick he was, understood that he and Trout had evidently gotten to know each other during all the blackness. Eliot did not recognize him for the simple reason that all of Trout's bookjackets showed him with a beard. The stranger had no beard.

"By God, Eliot," said the Senator, "when you told me to bring Trout here, I told the Doctor you were still crazy. You said Trout could explain the meaning of everything you'd done in file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (75 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt Rosewater, even if you couldn't. But I was willing to try anything, and calling him in is the smartest thing I ever did."

"Right," said Eliot, sitting gingerly on the fountain's rim again. He reached behind himself, retrieved _The Investigator_. He rolled it up, noticed the date on it for the first time. He made a calm calculation. Somehow, somewhere, he had lost one year.

*

"You say what Mr. Trout says you should say," ordered the Senator, "and you look the way you look now, and I don't see how we can lose tomorrow."

"Then I will certainly say what Mr. Trout says I should say, and not change one detail of my make-up. I would appreciate, though, a last run-through of what Mr. Trout says I should say."

"It's so simple," said Trout. His voice was rich and deep.

"You two have been over it so many times," said the Senator.

"Even so," said Eliot, "I'd like to hear it one last time."

"Well --" and Trout rubbed his hands, watched the rubbing, "what you did in Rosewater County was far from insane. It was quite possibly the most important social experiment of our time, for it dealt on a very small scale with a problem whose queasy horrors will eventually be made world-wide by the sophistication of machines. The problem is this: How to love people who have no use?

"In time, almost all men and women will become worthless as producers of goods, food, services, and more machines, as sources of practical ideas in the areas of economics, engineering, and probably medicine, too. So --if we can't find reasons and methods for treasuring human beings because they are _human beings_, then we might as well, as has so often been suggested, rub them out."

*

"Americans have long been taught to hate all people who will not or cannot work, to hate even themselves for that. We can thank the vanished frontier for that piece of common-sense cruelty. The time is coming, if it isn't here now, when it will no longer be common sense. It will simply be cruel."

"A poor man with gumption can still elevate himself out of the mire," said the Senator,

"and that will continue to be true a thousand years from now."

"Maybe, maybe," Trout answered gently. "He may even have so much gumption that his descendents will live in a Utopia like Pisquontuit, where, I'm sure, the soul-rot and silliness and torpor and insensitivity are exactly as horrible as anything epidemic in Rosewater County. Poverty is a relatively mild disease for even a very flimsy American soul, but uselessness will kill strong and weak souls alike, and kill every time.

"We must find a cure."

*

"Your devotion to volunteer fire departments is very sane, too, Eliot, for they are, when the alarm goes off, almost the only examples of enthusiastic unselfishness to be seen in this land. They rush to the rescue of any human being, and count not the cost. The most contemptible man in town, should his contemptible house catch fire, will see his enemies put the fire out. And, as he pokes through the ashes for remains of his contemptible possessions, he will be comforted and pitied by no less than the Fire Chief."

Trout spread his hands. "There we have people treasuring people as people. It's extremely rare. So from this we must learn."

*

"By God, you're great!" the Senator said to Trout. "You should have been a public file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (76 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt relations man! You could make lockjaw sound good for the community! What was a man with your talents doing in a stamp redemption center?"

"Redeeming stamps," Trout mildly replied.

"Mr. Trout," said Eliot, "what happened to your beard?"

"That was the first thing you asked me."

"Tell me again."

"I was hungry and demoralized. A friend knew of a job. So I shaved off my beard and applied. P.S., I got the job."

"I don't suppose they would have hired you with a beard."

"I would have shaved it off, even if they'd said I could keep it."

"Why?"

"Think of the sacrilege of a Jesus figure redeeming stamps."

*

"I can't get enough of this Trout," the Senator declared.

"Thank you."

"I just wish you'd stop saying you're a socialist. You're not! You're a free-enterpriser!"

"Through no choice of my own, believe me."

Eliot studied the relationship between the two interesting old men. Trout was not offended, as Eliot thought he should have been, by the suggestion that he be an ultimately dishonest man, a press agent. Trout apparently enjoyed the Senator as a vigorous and wholly consistent work of art, was disinclined to dent or tamper with him in any way. And the Senator admired Trout as a rascal who could rationalize anything, not understanding that Trout had never tried to tell anything but the truth.

"What a political platform you could write, Mr. Trout!"

"Thank you."

"Lawyers think this way, too --figuring out wonderful explanations for hopeless messes. But somehow, from them, it never sounds right. From them it always sounds like the _1812 Overture_

played on a kazoo." He sat back, beamed. "Come on --tell us some of the other wonderful things Eliot was doing down there when he was so full of booze."

*

"The court," said McAllister, "is certainly going to want to know what Eliot _learned_

from the experiment."

"Keep away from booze, remember who you are, and behave accordingly," the Senator roundly declared. "And don't play God to people, or they will slobber all over you, take you for everything they can get, break commandments just for the fun of being forgiven --and revile you when you are gone."

Eliot couldn't let this pass. "_Revile_ me, do they?"

"Oh hell --they love you, they hate you, they cry about you, they laugh at you, they make up new lies about you every day. They run around like chickens with their heads cut off, just as though you really were God, and one day walked out."

Eliot felt his soul cringe, knew he could never stand to return to Rosewater County again.

"It seems to me," said Trout, "that the main lesson Eliot learned is that people can use all the uncritical love they can get."

"This is _news_?" the Senator raucously inquired.

"It's news that a man was able to _give_ that kind of love over a long period of time. If one man can do it, perhaps others can do it, too. It means that our hatred of useless human beings and the cruelties we inflict upon them for their own good need not be parts of human nature. Thanks to the example of Eliot Rosewater, millions upon millions of people may learn to love and help whomever they see."

Trout glanced from face to face before speaking his last word on the subject. The last word was: "Joy."

*

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file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt

"_Poo-tee-weet?_"

Eliot looked up into the tree again, wondered what his own ideas about Rosewater County had been, ideas he had somehow lost up there in the sycamore.

"If only there had been a child --" said the Senator.

"Well, if you _really_ want grandchildren," said McAllister jocularly, "you have something like fifty-seven to choose from, at the most recent count."

Everybody but Eliot had a good laugh over that.

"What's this about fifty-seven grandchildren?"

"Your progeny, my boy," the Senator chuckled.

"My what?"

"Your wild oats."

Eliot sensed that this was a crucial mystery, risked showing how sick he was. "I don't understand."

"That's how many women in Rosewater County claim you're the father of their children."

"This is crazy."

"Of course it is," said the Senator.

Eliot stood, all tensed up. "This is --is impossible!"

"You act as though this was the first time you ever heard of it," said the Senator, and he gave Dr. Brown a glance of flickering unease.

Eliot covered his eyes. "I'm sorry, I --I seem to have drawn a complete blank on this particular subject."

"You're all right, aren't you, boy?"

"Yes." He uncovered his eyes. "I'm fine. There's just this little gap in my memory --and you can fill it up again. How --how did all these women come to say this thing about me?"

"We can't prove it," said McAllister, "but Mushari has been going around the county, bribing people to say bad things about you. The baby thing started with Mary Moody. One day after Mushari was in town, she announced that you were the father of her twins, Foxcroft and Melody. And that touched off a kind of female mania, apparently --"

Kilgore Trout nodded, appreciating the mania.

"So women all over the county started claiming their children were yours. At least half of them seem to believe it. There's one fifteen-year-old girl down there whose stepfather went to prison for getting her pregnant. Now she claims it was you."

"It isn't true!"

"Of course it isn't, Eliot," said his father. "Calm down, calm down. Mushari won't dare mention it in court. The whole scheme backfired and went out of control for him. It's so obviously a mania, no judge would listen. We ran blood tests on Foxcroft and Melody, and they couldn't possibly be yours. We have no intention of testing the other fifty-six claimants. They can go to hell."

*

"_Poo-tee-weet?_"

Eliot looked up into the tree, and the memory of all that had happened in the blackness came crashing back --the fight with the bus driver, the straitjacket, the shock treatments, the suicide attempts, all the tennis, all the strategy meetings about the sanity hearing. And with that mighty inward crash of memories came the idea he had had for settling everything instantly, beautifully, and fairly.

"Tell me --" he said, "do you all swear I'm sane?" They all swore to that passionately.

"And am I still head of the Foundation? Can I still write checks against its account?" McAllister told him that he certainly could.

"How's the balance?"

"You haven't spent anything for a year --except for legal fees and what it costs to keep you here, and the three hundred thousand dollars you sent Harvard, and the fifty thousand you gave to Mr. Trout."

"At that, he spent more this year than last year," said the Senator. This was true. Eliot's Rosewater County operation had been cheaper than staying in a sanitarium. McAllister told Eliot that he had a balance of about three and a half million dollars, and file:///G|/Program%20Files/eMule/Incoming/Ku...20-%20God%20Bless%20You%20Mr%20Rosewater.txt (78 of 79) [10/18/2004 5:20:35 PM]

file:///G|/Program%20Files/eMule/Incoming/Kurt%20Vonnegut%20-%20God%20Bless%20You%20Mr%20Rosewater.txt Eliot asked him for a pen and a check. He then wrote a check to his cousin Fred, in the amount of one million dollars.

The Senator and McAllister went through the roof, told him they had already offered a cash settlement to Fred, and that Fred, through his lawyer, had haughtily refused. "They want the whole thing!" said the Senator.

"That's too bad," said Eliot, "because they're going to get this check, and that's all."

"That's for the court to say --and God only knows what the court _will_ say," McAllister warned him. "And you never know. You never know."

"If I had a child," said Eliot, "there wouldn't be any point in a hearing, would there? I mean, the child would inherit the Foundation automatically, whether I was crazy or not, and Fred's degree of relationship would be too distant to entitle him to anything?"

"True."

"Even so," said the Senator, "a million dollars is much too much for the Rhode Island pig!"

"How much, then?"

"A hundred thousand is plenty."

So Eliot tore up the check for a million, made out another for a tenth that much. He looked up, found himself surrounded by awe, for the import of what he had said had now sunk in.

"Eliot --" quavered the Senator, "are you telling us there _is_ a child?" Eliot gave him a Madonna's smile. "Yes."

"Where? By whom?"

Eliot gestured sweetly for their patience. "In time, in time."

"I'm a grandfather!" said the Senator. He tipped back his old head and thanked God.

"Mr. McAllister," said Eliot, "are you duty-bound to carry out any legal missions I may give you, regardless of what my father or anyone else may say to the contrary?"

"As legal counsel of the Foundation, I am."

"Good. I now instruct you to draw up at once papers that will legally acknowledge that every child in Rosewater County said to be mine _is_ mine, regardless of blood type. Let them all have full rights of inheritance as my sons and daughters."

"Eliot!"

"Let their names be Rosewater from this moment on. And tell them that their father loves them, no matter what they may turn out to be. And tell them --" Eliot fell silent, raised his tennis racket as though it were a magic wand.

"And tell them," he began again, "to be fruitful and multiply." About the author:

Kurt Vonnegut, Jr., was born in Indianapolis. He

lives now with his wife and six children in an old house

in West Bamstable, Massachusetts, on Cape Cod.

He writes books, magazine pieces, and book reviews.

Mr. Vonnegut was once a volunteer fireman in

Alplaus, New York --Badge 155.

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